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                  <text>Chaucer Bibliography Online</text>
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              <text>Lynch, Kathryn L.</text>
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              <text>Chaucer Review 25 (1990): 1-16; 85-95.</text>
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              <text>Parliament of Fowls.</text>
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              <text>Chaucer Review 25 (1990)</text>
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              <text>jules - 30/10/94 SAC 14 (250)</text>
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                <text>The 'Parliament of Fowls' and Late Medieval Voluntarism. Parts 1 and 2</text>
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                <text>Although PF clearly treats love and courtship, its most central or motivating problems is the relationship between choice and will or understanding.  Chaucer demonstrates a more thoroughly informed engagement with contemporary philosophy than critics have previously noted.</text>
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              <text>Aers, David.</text>
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              <text>Chaucer Review 16 (1981): 1-17.</text>
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              <text>jules SAC 05 (226)</text>
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                <text>The 'Parliament of Fowls': Authority, the Knower and the Known</text>
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                <text>It has been argued that the poem exhibits multiplicity and disharmony, though the poet shows a commitment to traditional forms of culture.  There is no such commitment in PF.  The multiplicity of authority and the "continuous self-reflexivity" does not permit the poem to be subsumed into a pattern of orthodox theodicy.</text>
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              <text>Kearney, J[ohn] A.</text>
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              <text>Theoria 45 (1975): 55-71.</text>
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              <text>Theoria 45 (1975).</text>
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              <text>jules - 7/10/94 SAC 1 (225)</text>
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                <text>The 'Parliament of Fowls': The Narrator, the 'Certyn Thyng', and the 'Commune Profyt'</text>
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                <text>The 'certyn thyng' the narrator deludedly pursues through scholarly exploration is the necessity of undergoing experience (i.e., entering the gates "for better of for worse") to discover the meaning of love.  Nature's concern for the "commune profyt" shows this meaning:  the process of constant renewal out of disharmony and conflict.</text>
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              <text>Patterson, Lee.</text>
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              <text>Traditio 34 (1978): 331-80.</text>
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              <text>Parson and His Tale.</text>
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              <text>jules SAC 02 (217)</text>
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                <text>The 'Parson's Tale' and the Quitting of the 'Canterbury Tales'</text>
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                <text>Comparison with contemporary documents show ParsT to be a manual for penitents; homiletic elements are minimal and the appeal is to reason rather than the emotions.  Despite numerous minor inconsistencies ParsT has a clear and effective structure.  Parallel passages in other tales indicate late composition.  ParsT and Ret, instead of reflecting back on the tales, represent a progressive withdrawal from fiction.</text>
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              <text>Jost, Jean E.</text>
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              <text>Proceedings of the Medieval Association of the Midwest 3 (1995): 94-109.</text>
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              <text>jules SAC 19 (1997) - 279</text>
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                <text>The 'Parson's Tale': Ending 'Thilke Parfit Glorious Pilgrymage That Highte Jerusalem Celestial'</text>
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                <text>ParsT critiques both the tales in CT and life, as well as concluding CT.</text>
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                <text>The tales present betrayals and sins through a variety of voices and genres, while ParsT creates a new tone to remedy and exonerate the betrayals in the tales and in life.</text>
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              <text>Windeatt, Barry.</text>
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              <text>English Miscellany 26-27 : 79-103, 1977-78.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>The 'Peynted Process': Italian to English in Chaucer's 'Troilus'</text>
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                <text>In TC, Chaucer's "greater vehemence," his increase in specificity, and his heightening of emotion characterize his adaptations of Boccaccio's "Filostrato."</text>
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              <text>Leon Sendra, Antonio R.,and Francisco J. Garcia De Quesada.</text>
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              <text>Purificacion Fernandez Nistal and Jose Ma Bravo Gazalo, eds.  Proceedings of the VIth International Conference of the Spanish Society for Medieval English Language and Literature (Valladolid: Universidad de Valladolid, 1995), pp. 207-16.</text>
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          <name>Alternative Title</name>
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              <text>Proceedings of the VIth International Conference of the Spanish Society for Medieval English Language and Literature.</text>
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          <name>Chaucer Subject</name>
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              <text>Physician and His Tale.</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 19 (1997) 236</text>
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                <text>The 'Physician's Tale'</text>
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          <element elementId="41">
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              <elementText elementTextId="2739219">
                <text>Assesses the Physician as a skillful practitioner and comments on PhyT, audience response to the tale, sources, arrangement of materials, and Chaucer's message.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2802185">
              <text>Middleton, Anne.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802186">
              <text>Chaucer Review 8.1 (1973): 9-32.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802187">
              <text>1973</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2802189">
              <text>Physician and His Tale</text>
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            <elementText elementTextId="2802190">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2802191">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2802192">
              <text>Legend of Good Women</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802193">
              <text>Chaucer Review 08 (1973)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2802194">
              <text>mea; 1/9/2015 No SAC</text>
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          <element elementId="50">
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              <elementText elementTextId="2802184">
                <text>The 'Physician's Tale' and Love's Martyrs: 'Ensamples Mo Than Ten' as a Method in the 'Canterbury Tales'</text>
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              <elementText elementTextId="2802188">
                <text>Studies aspects of PhyT that derive from hagiography, particularly its emphasis on Virginia as a "virgin martyr," not found in Chaucer's sources. As a result of Chaucer's various changes and genre modifications, the tale raises "grave questions of absolute and relative moral authority." Like other Chaucerian tales of victimization (especially ClT and those in LGW), PhyT challenges its audience to reassess moral categories and assumptions.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2715390">
              <text>Kempton, Daniel.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2715391">
              <text>Chaucer Review 19 (1984): 24-38.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715392">
              <text>1984</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715394">
              <text>Physician and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715395">
              <text>Chaucer Review 19 (1984)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715396">
              <text>jules SAC 09 (185)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2715389">
                <text>The 'Physician's Tale': The Doctor of Physic's Diplomatic 'Cure'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2715393">
                <text>The Host's aversion to this tale is a clue to its interpretations:  the narrator, a typical medieval physician, reveals himself and his profession through his narration.  The death of Virginia is emblematic of the Physician's lack of concern for his patient's death.</text>
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  <item itemId="266931" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2749689">
              <text>Finlayson, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749690">
              <text>Neuphilologische Mitteilungen 99 (1998): 269-73.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749691">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749693">
              <text>Nun's Priest and His Tale.</text>
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            <elementText elementTextId="2749694">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749695">
              <text>Neuphilologische Mitteilungen 99 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749696">
              <text>jules SAC 22 - 270.</text>
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          </elementTextContainer>
        </element>
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    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749688">
                <text>The 'Povre Widwe' in the 'Nun's Priest's Tale' and Boccaccio's 'Decameron'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749692">
                <text>The vivid details of Decameron 7.3 (the story of Friar Rinaldo)-the corrupt clergy, their obesity and sweating faces, their rich foods and wine, together with the simplicity of the widow's life-suggest that Boccaccio's work may have inspired NPT as a pointed satire of the clergy's failure (especially the Monk's) to meet the needs of lay people.</text>
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  </item>
  <item itemId="273255" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815412">
              <text>Lorrah, Jean.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815413">
              <text>DAI 30.02 (1969): 688A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815414">
              <text>1969</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815416">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2815417">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815418">
              <text>Dissertation Abstracts International 30 (1969)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815419">
              <text>mea; 06/08/2017 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815411">
                <text>The 'Present Eternite' of Chaucer's 'Troilus and Criseyde'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2815415">
                <text>Describes how the Boethian concept of divine (fore)knowledge of eternity underlies various aspects of TC and explores how narrative devices, allusions, the treatment of time, and the epilogue evoke the "illusion of 'present eternite' for the reader in relation to the poem."</text>
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            </elementTextContainer>
          </element>
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  <item itemId="272491" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807471">
              <text>Albin, Andrew.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807472">
              <text>Chaucer Review 48.1 (2013): 91-112.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807473">
              <text>2013</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807475">
              <text>Prioress and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807476">
              <text>Chaucer Review 48 (2013)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807477">
              <text>mea sac 37:133</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807470">
                <text>The 'Prioress's Tale,' Sonorous and Silent</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2807474">
                <text>Examines how song and sound create narrative meaning within PrT. Chaucer's choice of using the antiphon, "Alma redemptoris mater," reveals the "transformative force that sound bears." Discusses issues of performance, voice, and silences; aural reception and community; and societal conflicts between urban Jews and Christians.</text>
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  <item itemId="271701" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799211">
              <text>Friedman, Albert B.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799212">
              <text>Chaucer Review 9 (1974): 118-29.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799213">
              <text>1974</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2799215">
              <text>Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2799216">
              <text>Chaucer Review 09 (1974)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2799217">
              <text>mea 10/15/2014 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2799210">
                <text>The 'Prioress's Tale' and Chaucer's Anti-Semitism</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2799214">
                <text>Challenges critics who absolve Chaucer of anti-Semitism by blaming the Prioress instead. Anti-Semitism was rife in Chaucer's society, and he was likely complicit in the bias. Yet, the topic is a critical distraction in discussions of PrT, which emphasizes the Prioress's reverence for the Mary and her dramatizes her "indulgence in pathos and sentimentality."</text>
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  <item itemId="267531" public="1" featured="0">
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                <text>Assesses aspects of "Regement of Princes" to demonstrate Hoccleve's poetic subtlety, especially the ways he capitalizes on the idea that as a member of the "emergent administrative class," he had "restricted information." Discusses Pandarus of TC as a precursor to the old man of Regement.</text>
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                <text>Reprinted in "Contradictions: From Beowulf to Chaucer:  Selected Studies of Larry D. Benson," ed. Theodore M. Andersson and Stephen A. Barney (Aldershot. Hant: Scolar; Brookfield, VT: Ashgate, 1995).</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>The 'Reeve's Tale,' 'Le Meunier et les ii Clers' and the 'Miller's Tale'</text>
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                <text>Chaucer's improvements result from adapting source to the framework of CT--giving the tale to the highly individualized Reeve, whose emphasis upon "quitting" the Miller requires that Symkin become the strongest character in the tale.  The most successful changes occur in the fight scene, where Chaucer expedites the action by involving the second clerk and the wife.</text>
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          <elementTextContainer>
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              <text>Stanley Weintraub and Philip Young, eds. Directions in Literary Criticism: Contemporary Approaches to Literature (University Park: Pennsylvania State University Press, 1973), pp. 53-69.</text>
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        <element elementId="114">
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            <elementText elementTextId="2802967">
              <text>1973</text>
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              <text>Style and Versification</text>
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              <text>mea; 3/9/2015 No SAC</text>
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                <text>The 'Reeve's Tale' and the Comedy of Limitation</text>
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                <text>Reads RvP as a "confession of old age" and RvT as a "tribute" to unrestrained passion and an extension of the concern with love in KnT and MilT. Compares RvT with its analogues, and comments on its characterizations, the straightforwardness of its comedy, its style, and its thematic concerns with "space and place" and with the "inescapable reality of the real world."</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Chaucer Review 05 (1971)</text>
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              <text>mea; 2/23/2016 No SAC</text>
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              <text>Olson, Glending</text>
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              <text>Modern Language Quarterly 35 (1974): 219-30.</text>
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        <element elementId="114">
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            <elementText elementTextId="2799580">
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              <text>Squire and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Modern Language Quarterly 35 (1974)</text>
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              <text>mea 10/29/2014 No SAC</text>
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                <text>The 'Reeve's Tale' as a Fabliau</text>
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                <text>Argues that in its concern with social pretension and its atmosphere of "game and contest," RvT is better regarded as a comic fabliau than as a tale of vengeance that reflects its teller. Compares and contrasts RvT with several fabliaux, including "Berangier au lonc cul," "Le Meunier et les deux clers," and Chaucer's own.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Herzman, Ronald B.</text>
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              <text>American Benedictine Review 33 (1982): 325-33.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1982</text>
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              <text>American Benedictine Review 33 (1982)</text>
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              <text>jules SAC 06 (103)</text>
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                <text>The 'Reeve's Tale', Symkyn, and Simon the Magician</text>
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                <text>Symkyn's name is diminutive of Simon and thus calls up the story of Simon the Magician as found in the Acts of Peter.  In a larger sense the rise and inevitable fall of pride that is the tales structural skeleton gains resonance when placed against the fate of the archetypal Simon.</text>
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              <text>Blamires, Alcuin.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Karl Josef Holtgen, Peter M. Daly, and Wolfgang Lottes, eds. Words and Visual Imagination: Studies in Interaction of English Literature and the Visual Arts. (Erlangen: Universitatsbibliothek Erlangen-Nurnberg, 1988), pp. 11-31.</text>
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        <element elementId="114">
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              <text>1988</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 12 (234)</text>
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              <elementText elementTextId="2708481">
                <text>The 'Religion of Love' in Chaucer's 'Troilus and Criseyde' and Medieval Visual Art</text>
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                <text>Medieval concepts of love and sex were derived from the worship of Venus, the goddess of love.  Art of the period shows men worshipping Venus, as well as men and women trying to win each other's love.</text>
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            <elementText elementTextId="2703347">
              <text>Finlayson, John.</text>
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        <element elementId="98">
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              <text>Chaucer Review 24 (1990): 187-210.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1990</text>
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
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              <text>Chaucer Review 24 (1990)</text>
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              <text>jules SAC 14 (77)</text>
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                <text>The 'Roman de la Rose' and Chaucer's Narrators</text>
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            <description>An account of the resource</description>
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                <text>A comparison of Chaucer's narrators and the narrative voices of the "Roman" may clarify the continuing debates on the characteristics of his narrators, their function within the dream poems, and their relation to other narrative voices.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2701781">
              <text>Hirsh, John C.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>C. David Benson and Elizabeth Robertson, eds.  Chaucer's Religious Tales (Cambridge: D. S. Brewer, 1990), no.130), pp. 161-70.</text>
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        <element elementId="114">
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            <elementText elementTextId="2701783">
              <text>1990</text>
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              <text>Chaucer's Religious Tales.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>jules SAC 14 (231)</text>
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                <text>The 'Second Nun's Tale'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2701785">
                <text>Examining both ecclesiastical and societal patriarchies, SNT addresses medieval concepts of power, authority, and autonomy.  It places Cecilia's spiritual vision in the context of a broader secular and sacred order.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2719590">
              <text>Farrell, Thomas James.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>Dissertation Abstracts International 44 (1983): 1785A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1983</text>
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              <text>Nun's Priest and His Tale.</text>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 44 (1983)</text>
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        <element elementId="109">
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          <description/>
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              <text>jules SAC 07 (122)</text>
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                <text>The 'Sentence' and 'Solaas' of Chaucer's 'Canterbury Tales</text>
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              <elementText elementTextId="2719593">
                <text>"Philosophical, Christian, rhetorical, and courtly traditions" provide bases for the morality and mirth of CT, especially NPT.</text>
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