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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, D. W.,Jr.</text>
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              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 403-13.</text>
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              <text>1979</text>
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              <text>Companion to Chaucer Studies.</text>
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              <text>Book of the Duchess.</text>
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              <text>jules SAC 03 (190)</text>
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                <text>The 'Book of the Duchess'</text>
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                <text>Earlier critics, led by Kittredge, read the poem as a consolation for John of Gaunt, embodied as the Black Knight;the dreamer is naive and childish.  Recently, however, Robertson has denied the view of "courtly love" some see in the work.  Instead, when viewed in the light of medieval literary theory, the poem is no literal reflection of John of Gaunt; rather, the knight is the "erring will" and the dreamer "reason."</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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              <text>Blake, N. F.</text>
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              <text>English Studies 67 (1986): 122-25.</text>
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              <text>1986</text>
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              <text>Book of the Duchess.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>jules SAC 10 (208)</text>
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                <text>The 'Book of the Duchess' Again</text>
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                <text>The textual tradition shows that the major and perhaps sole manuscript used by Thynne lacked lines 31-96.  The borrowings from the French alleged by Helen Phillips for this passage are commonplaces.  No reliable evidence proves that Chaucer composed the lines.</text>
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              <text>Edwards, Robert (R.)</text>
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              <text>New Literary History 13 (1982): 189-204.</text>
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              <text>jules SAC 06 (156)</text>
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                <text>The 'Book of the Duchess' and the Beginnings of Chaucer's Narratives</text>
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                <text>Chaucer's concern is in part with forms of subjective experience, expressed in a dialectic between images and "nothing" in a series of lateral movements of the aesthetic imagination.  At the end the poet converts retrospection to anticipation, as he comments on the making of this very poem.</text>
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            <elementText elementTextId="2718099">
              <text>Zimbardo, Rose A.</text>
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        <element elementId="98">
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              <text>Chaucer Review 18 (1984): 329-46.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1984</text>
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              <text>Book of the Duchess.</text>
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              <text>Chaucer Review 18 (1984)</text>
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              <text>jules SAC 08 (201)</text>
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                <text>The 'Book of the Duchess' and the Dream of Folly</text>
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                <text>BD is a rendering of the archetypal Fool (the poet) and the King (the Black Knight), wherein consolation for death is provided by the Fool, a pattern also in "Solomon and Marcolf."</text>
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              <text>Rooney, Anne.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Anne Rooney. Hunting in Middle English Literature (Woodbridge, Suffolk;</text>
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            <elementText elementTextId="2733530">
              <text>and Rochester, N.Y.: Boydell &amp; Brewer, 1993), pp. 140-58.</text>
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        <element elementId="114">
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              <text>1993</text>
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              <text>Hunting in Middle English Literature.</text>
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              <text>Book of the Duchess.</text>
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              <text>jules SAC 17 (232)</text>
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                <text>The 'Book of the Duchess' and the Mutability Theme</text>
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                <text>Surveys critical assessments of the hunting episode in BD, explicates details of the episode, and reads it as a representation of worldly bliss.  The episode and the allusion to the hunt near the end of the poem frame the Black Knight's account of woe, offering not consolation but acknowledgement of the alternation between bliss and woe in this world.</text>
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              <text>Hardman, Phillipa.</text>
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              <text>Chaucer Review 28 (1994): 205-15.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
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              <text>1994</text>
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              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2735283">
              <text>Chaucer Review 28 (1994)</text>
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              <text>jules SAC 18 (1996) - 256</text>
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                <text>The 'Book of the Duchess' as a Memorial Monument</text>
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                <text>Cruxes in BD--how it can function both universally and individually, why it was composed some years after Blanche's death--can be better understood by placing the poem in the context of tomb sculpture.  At the time Chaucer was writing,Henry Yevele was sculpting Blache's monument, and parallels in methodology can be discerned between fourteenth-century tomb sculpting techniques and Chaucer's poem.</text>
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              <text>Lynch, Kathryn L.</text>
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              <text>Genre 21 (1988): 279-305.</text>
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              <text>Genre 21 (1988)</text>
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              <text>jules SAC 12 (213)</text>
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              <elementText elementTextId="2708276">
                <text>The 'Book of the Duchess' as a Philosophical Vision: The Argument from Form</text>
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              <elementText elementTextId="2708280">
                <text>BD is considerably more complex than some critics have believed:  it is a "philosophical vision," not a "dream of folly" (Zimbardo); an "autobiography by dream" (Shoaf); a "literary sampler," or a "Boethian apocalypse" (Cherniss).  It is not monologic, like earlier dream visions, but dialogic, engaging in a dialogue with the past, a conversation from which it winnows its own truth.  Compulsively exploring love and loss, it culminates in understanding.</text>
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              <text>Hamaguchi, Keiko.</text>
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              <text>Tosa Women's Junior College Journal 3 (1996): 19-35.</text>
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              <text>Chaucer and Women.</text>
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              <text>Book of the Duchess.</text>
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              <text>Tosa Women's Junior College Journal 03 (1996)</text>
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              <text>jules SAC 20 (1998), 248</text>
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                <text>The 'Book of the Duchess' as Consolatio</text>
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                <text>Argues that BD satisfies the principal features of the consolatio, while recognizing the poem's dream-vision characteristics.  Examines dialogue, the frame, the role of narrator-dreamer as narrator-therapist who leads the Black Knight to Blanche--a true superior guide who, in turn, consoles the Knight and her mourners, including John of Guant and Chaucer.</text>
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                <text>Reprinted in Keiko Hamaguchi, Chaucer and Women (Tokyo: Eihosha, 2005).</text>
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            <elementText elementTextId="2710852">
              <text>Rooney, Anne.</text>
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        <element elementId="98">
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            <elementText elementTextId="2710853">
              <text>Review of English Studies 38 (1987): 299-314.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2710854">
              <text>1987</text>
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            <elementText elementTextId="2710856">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2710857">
              <text>Review of English Studies 38 (1987)</text>
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        <element elementId="109">
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            <elementText elementTextId="2710858">
              <text>jules SAC 11 (231)</text>
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            <name>Title</name>
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              <elementText elementTextId="2710851">
                <text>The 'Book of the Duchess': Hunting and the 'Ubi Sunt' Tradition</text>
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              <elementText elementTextId="2710855">
                <text>Reviews scholarship and examines the hunt in BD in the context of other portrayals of the hunt in medieval literature.  Because of its portrayal of sudden and shocking death, the "ubi sunt" tradition is an appropriate context:  the poem ends with the dreamer's question, "Where is she now?"</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2803392">
              <text>Finlayson, John.</text>
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        <element elementId="98">
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            <elementText elementTextId="2803393">
              <text>English Language Notes 10 (1973): 170-72.</text>
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        <element elementId="114">
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            <elementText elementTextId="2803394">
              <text>1973</text>
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            <elementText elementTextId="2803396">
              <text>Book of the Duchess</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2803398">
              <text>English Language Notes 10 (1973)</text>
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        <element elementId="109">
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            <elementText elementTextId="2803399">
              <text>mea; 4/6/2015 No SAC</text>
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              <elementText elementTextId="2803391">
                <text>The 'Book of the Duchess': Sources for Lines 174, 203-205, 249-253</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2803395">
                <text>Identifies lines from Machaut's "La Fonteinne Amoureuse" and from Ovid's "Metamorphoses" as direct sources of words and details in BD.</text>
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  <item itemId="262767" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2708268">
              <text>Herzog, Michael B.</text>
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        <element elementId="98">
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            <elementText elementTextId="2708269">
              <text>Chaucer Review 22 (1988): 269-81.</text>
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        <element elementId="114">
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            <elementText elementTextId="2708270">
              <text>1988</text>
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            <elementText elementTextId="2708272">
              <text>Book of the Duchess.</text>
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        <element elementId="100">
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            <elementText elementTextId="2708273">
              <text>Chaucer Review 22 (1988).</text>
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        <element elementId="109">
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            <elementText elementTextId="2708274">
              <text>jules SAC 12 (212)</text>
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              <elementText elementTextId="2708267">
                <text>The 'Book of the Duchess': The Vision of the Artist as a Young Dreamer</text>
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              <elementText elementTextId="2708271">
                <text>The issues raised by the narrative style of BD, particularly in the use of its ambivalent first-person narrator, suggest Chaucer's early interest in an art that maintains a tension between convention and innovation.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2773968">
              <text>Frese, Dolores Warwick.</text>
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        <element elementId="98">
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            <elementText elementTextId="2773969">
              <text>Studies in the Age of Chaucer 28 (2006): 249-56.</text>
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        <element elementId="114">
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            <elementText elementTextId="2773970">
              <text>2006</text>
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            <elementText elementTextId="2773971">
              <text>Colloquium: The Afterlife of Origins</text>
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        <element elementId="102">
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            <elementText elementTextId="2773973">
              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2773975">
              <text>Studies in the Age of Chaucer 28 (2006)</text>
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            <elementText elementTextId="2773976">
              <text>vxl sac 30:215</text>
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              <elementText elementTextId="2773967">
                <text>The 'Buried Bodies' of Dante, Boccaccio, and, Petrarch: Chaucerian 'Sources' for the Critical Fiction of Obedient Wives</text>
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              <elementText elementTextId="2773972">
                <text>Frese reads water, dressing, and "suckling" imagery in Boccaccio, Petrarch, and ClT as vestiges of Dante's concern in "De vulgari eloquentia" with using "vernacular" language for "literature of lasting value."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2742050">
              <text>Green, Richard Firth</text>
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        <element elementId="98">
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            <elementText elementTextId="2742051">
              <text>Notes and Queries 241 (1996): 259-61.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2742052">
              <text>1996</text>
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            <elementText elementTextId="2742054">
              <text>Wife of Bath and her Tale.</text>
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            <elementText elementTextId="2742055">
              <text>Language and Word Studies.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2742056">
              <text>Notes and Queries 241 (1996)</text>
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            <elementText elementTextId="2742057">
              <text>jules. SAC 20 (1998), 170</text>
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              <elementText elementTextId="2742049">
                <text>The 'Canterbury Tales,' D117: 'Wrighte' or 'Wight'?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2742053">
                <text>Challenges E. Talbot Donaldson's emendation of the Hengwrt reading "wight" (WBP 117); "wright" is acceptable Middle English syntax, makes good sense as it stands, and accords well with contemporary notions of God's perfect design of the sexual organs.</text>
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              <text>Gittes, Katharine Slater.</text>
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              <text>PMLA 98 (1983): 237-51.</text>
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              <text>1983</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 07 (124)</text>
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                <text>The 'Canterbury Tales' and the Arabic Frame Tradition</text>
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                <text>Arabic literature--characteristically framed, open-ended, "eye-witness," first-person narrative, often including a journey--prefigures Boccaccio's "Decameron," Gower's "Confessio Amantis," and Chaucer's CT.  Petrus Alfonsi's twelfth-century "Disciplina clericalis" may link traditions of East and West.</text>
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              <text>Olson, Paul.</text>
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              <text>Princeton, N.J.: Princeton University Press, 1986.</text>
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              <text>jules SAC 10 (115)</text>
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                <text>The 'Canterbury Tales' and the Good Society</text>
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                <text>CT reflects the social, political, economic, and intellectual milieu of the late fourteenth century:  the tales arise from Chaucer's deep concern about contemporary crises and his conviction that the "parlement"--all levels of society engaged in dialogue--could serve as an agent of healing and renewal. </text>
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                <text>Drawing on Wittgenstein and Pike, Olson examines the "meaning of Chaucer's language"; GP, estates theory, and the "age and body" of time; tales of court and country:  KnT, MilT, RvT; MLT and English Christian law; Th and Mel on temporal power and art; GP Prioress, PrT, SNT, NPT, MkT, FrT, PardT, SumT, and WBT in light of fourteenth-century spirituality and monasticism; and ParsT as Reason's reconstruction.  In the working out of the interlacing theme, the renewal of society, CT is complete.</text>
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              <text>Stevens, Martin.</text>
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        <element elementId="98">
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              <text>Review 11 (1989): 37-70.</text>
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        <element elementId="114">
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              <text>1989</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Review 11 (1989)</text>
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        <element elementId="109">
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              <text>jules SAC 13 (105)</text>
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                <text>The 'Canterbury Tales' for a New Age</text>
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            <description>An account of the resource</description>
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                <text>Review article covering six recent books:   B. Boyd's Variorum edition of PrT; R. Jordan's Chaucer's Poetics and the Modern Reader; L. Kendrick's Chaucerian Play; L. Koff's Chaucer and the Art of Storytelling; C. Lindahl's Earnest Games; and L. Patterson's Negotiating the Past.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Partridge, Stephen.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Norman Blake and Peter Robinson, eds.  The 'Canterbury Tales' Project Occasional Papers, Volume I (Oxford: Office for Humanities Communication Publications, 1993), pp. 85-94.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1993</text>
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              <text>The 'Canterbury Tales' Project Occasional Papers, Volume I.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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              <text>jules SAC v.17 (29)</text>
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                <text>The 'Canterbury Tales' Glosses and the Manuscript Groups</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731301">
                <text>Critiques the inaccuracies, inconsistencies, and inconclusiveness of the Manly-Rickert description (Chicago, 1940) of the glosses in manuscripts of CT.  Compares glossarial manuscript groups to the textual groups identified by Manly and Rickert, arguing that MS Christ Church CLII "should play a greater role" in establishing the text of CT.</text>
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  <item itemId="263170" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2712134">
              <text>Burrow, J. A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2712135">
              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 109-24.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2712136">
              <text>1986</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2712137">
              <text>The Cambridge Chaucer Companion.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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              <text>jules SAC 10 (101)</text>
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                <text>The 'Canterbury Tales' I: Romance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712138">
                <text>Discusses the five "romances" in CT.  WBT, ostensibly an Arthurian romance, is actually a "fairy tale, told by a woman and dominated by women"; Th is an "outright burlesque" of contemporary English roamnces; SqT, unfinished, does not offer the romance its opening promises; FranT barely mentions Averagus's knightly adventures; and KnT is "shadowed by thoughts of suffering and death: despite its romantic love and happy ending.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2712289">
              <text>Pearsall, Derek.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2712290">
              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 125-42.</text>
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            <elementText elementTextId="2712291">
              <text>1986</text>
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          <elementTextContainer>
            <elementText elementTextId="2712292">
              <text>The Cambridge Chaucer Companion.</text>
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              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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              <text>jules SAC 10 (119)</text>
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                <text>The 'Canterbury Tales' II: Comedy</text>
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          <element elementId="41">
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              <elementText elementTextId="2712293">
                <text>Treats setting, tone, and structure of the six comedies in CT: MilT, RvT, ShT, MerT, FrT, and SumT.  Discusses the first four as fabliaux, the last two as "masterpieces of satirical anecdote" that do not deal with sex and marriage.</text>
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                <text>Reprinted in Jean E. Jost, ed.  Chaucer's Humor:  Critical Essays (Garland, 1994), 125-42.</text>
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              <text>Frank, Robert Worth,Jr.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
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              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 143-58.</text>
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          <elementTextContainer>
            <elementText elementTextId="2712194">
              <text>1986</text>
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              <text>The Cambridge Chaucer Companion.</text>
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            <elementText elementTextId="2712197">
              <text>Canterbury Tales--General.</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712198">
              <text>jules SAC 10 (108)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712191">
                <text>The 'Canterbury Tales' III: Pathos</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712196">
                <text>Although Chaucer's "tales of pathos"--MLT, ClT, PhyT, PrT, and MkT--do not constitute a genre, they share characteristics: lack of comedy, absence of irony, little complexity, abstract settings, and characters "motivated by a single virtue."  Each tale achieves a "strong emotional effect."  Frank discusses religious meditations, saints' lives, "de casibus" tragedies, and Chaucer's sources.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="262413" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704784">
              <text>Emmerson, Richard Kenneth,and Ronald B. Herzman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704785">
              <text>Werner Verbeke, Daniel Verhelst, and Andries Welkenhuysen, eds.  The Use and Abuse of Eschatology in the Middle Ages.  Mediaevalia Lovaniensia, Ser. 1, no. 15 (Leuven: Leuven University Press, 1988), pp. 404-24.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704786">
              <text>1988</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704787">
              <text>The Use and Abuse of Eschatology in the Middle Ages.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704788">
              <text>Herzman, Ronald B.</text>
            </elementText>
            <elementText elementTextId="2704789">
              <text>Verhelst, Daniel,</text>
            </elementText>
            <elementText elementTextId="2704790">
              <text>Welkenhuysen,</text>
            </elementText>
            <elementText elementTextId="2704791">
              <text>Verbeke, Werner,ed.</text>
            </elementText>
            <elementText elementTextId="2704792">
              <text>ed.</text>
            </elementText>
            <elementText elementTextId="2704793">
              <text>ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704795">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704796">
              <text>Mediaevalia Lovaniensia, Ser. 1, no. 15.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704797">
              <text>jules SAC 13 (98)</text>
            </elementText>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704783">
                <text>The 'Canterbury Tales' in Eschatological Perspective</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704794">
                <text>After advocating eschatological explication of medieval poems not explicitly apocalyptic in nature and concluding that Thomas Wimbledon's "Sermon" (1388) exhibits personal and universal eschatological elements, Emmerson and Herzman examine such elements in "Piers Plowman," "The Divine Comedy," Chaucer's Ret, the pilgrim frame of CT, ParsT, and PardT.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="265751" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737275">
              <text>Kendrick, Laura.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737276">
              <text>Martin Stevens and Daniel Woodward, eds.  The Ellesmere Chaucer: Essays in Interpretation (San Marino, Calif.: Huntingon Library; Tokyo: Yushodo, 1995), pp. 281-305.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737277">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737278">
              <text>The Ellesmere Chaucer: Essays in Interpretation.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737281">
              <text>Canterbury Tales--General.</text>
            </elementText>
            <elementText elementTextId="2737282">
              <text>Language and Word Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737283">
              <text>jules SAC 19 (1997) - 148</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737274">
                <text>The 'Canterbury Tales' in the Context of Contemporary Vernacular Translations and Compilations</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737279">
                <text>Surveys French compilations to argue that CT "appears to burlesque the uniformly high-minded French prose compilations ... actively encouraged by the Valois princes in the second half of the fourteenth century."</text>
              </elementText>
              <elementText elementTextId="2737280">
                <text>The narrator's apology for using the pilgrims' own words indicates that, in a time of French translations and compilations, English was a suspect innovation.  Chaucer and his contemporaries "almost surely" saw Chaucer as a translator and compiler of others' works.</text>
              </elementText>
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  <item itemId="263190" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712327">
              <text>Spearing, A. C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712328">
              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 159-77.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712329">
              <text>1986</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712330">
              <text>The Cambridge Chaucer Companion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712332">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712333">
              <text>jules SAC 10 (123)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712326">
                <text>The 'Canterbury Tales' IV: Exemplum and Fable</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712331">
                <text>FrT, PardT, NPT, and ManT both exemplify and undercut the purposes of moral teaching.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="266054" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740470">
              <text>Dixon, Lori Jill.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740471">
              <text>Dissertation Abstracts International 57 (1996): 674A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740472">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740474">
              <text>Manuscripts and Textual Studies.</text>
            </elementText>
            <elementText elementTextId="2740475">
              <text>Canterbury Tales--general</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740476">
              <text>Dissertation Abstracts International 57 (1996)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2740477">
              <text>jules SAC 20 (1998), 18</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740469">
                <text>The 'Canterbury Tales' Miscellanies: A Contextual Study of Manuscripts Anthologizing Individual 'Canterbury Tales'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2740473">
                <text>Sixteen fifteenth-century CT Tales" manuscripts--       anthologized on the basis of theme, subject, or interest--survive.  They reveal middle-class taste through their moral and devotional content and indicate the  popularity and availability of Chaucer exemplars.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="264839" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728144">
              <text>Rudat, Wolfgang E. H.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728145">
              <text>American Imago 35 (1979): 407-18.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728146">
              <text>1978</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728149">
              <text>Canterbury Tales--General.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728150">
              <text>American Imago: A Psychoanalytic Journal for Culture, Science and the Arts 35 (1979)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728151">
              <text>jules SAC 03 (85)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2728143">
                <text>The 'Canterbury Tales': Anxiety Release and Wish Fulfillment</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2728147">
                <text>The Canterbury pilgrimage is, among other things, an attempt by some of the pilgrims to sublimate the sex drive.</text>
              </elementText>
              <elementText elementTextId="2728148">
                <text>The Merchant indirectly admits his sexual inadequacy (he is January); the Prioress her fear of the opposite sex (the little "clergeon's" murder is a form of castration); the Monk his desire to masturbate (God, after all, made Adam with his "owene fynger"); and the Pardoner his sexual fraudulence (he is a eunuch).  Such confessions as these pilgrims make help to release their fears and anxieties.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
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