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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Pearsall, Derek.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749671">
              <text>F. R. P. Akehurst and Stephanie Cain Van D'Elden, eds. The Stranger in Medieval Society (Minneapolis and London: University of Minnesota Press, 1997), pp. 46-62.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2749672">
              <text>1997</text>
            </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2749673">
              <text>The Stranger in Medieval Society.</text>
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        <element elementId="102">
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              <text>Nun's Priest and His Tale.</text>
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              <text>Language and Word Studies.</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 272.</text>
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                <text>Strangers in Late-Fourteenth-Century London</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2749674">
                <text>Explores the nuances of "strange" and "stranger" in Middle English, arguing that noncitizens, immigrants from the provinces, and merchants were considered strangers in London. Comments on the 1381 massacre of Flemings and Chaucer's allusion to it (NPT 7.3394-97).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716257">
              <text>Kinney, Clare Regan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716258">
              <text>Dissertation Abstracts International 46 (1985): 1285A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716259">
              <text>1985</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Troilus and Criseyde.</text>
            </elementText>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716262">
              <text>Dissertation Abstracts International 46 (1985)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716263">
              <text>jules SAC 09 (252)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2716256">
                <text>Strategies of Poetic Narrative: 'Troilus and Criseyde'. the 'Faerie Queene Book VI, 'Paradise Lost' (Chaucer, Spenser, and Milton)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2716260">
                <text>Corrects critical equations of narrative fiction with prose fiction; investigates narrative strategies and apocalyptic closure in TC.</text>
              </elementText>
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          </element>
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  <item itemId="261649" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697134">
              <text>Kinney, Clare Regan.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2697135">
              <text>Cambridge: Cambridge University Press, 1992.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697136">
              <text>1992</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697137">
              <text>xi, 261 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697140">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2697141">
              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697133">
                <text>Strategies of Poetic Narrative: Chaucer, Spenser, Milton, and Eliot</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2697138">
                <text>Addresses the features of poetic narrative that are distinct from prose narrative, concentrating on self-consciousness about poetic form, intertextual relations, and authentication.  An introduction and separate chapters consider TC, The Faerie Queene, Paradise Lost, and The Waste Land.  All of these works reflect interest in transcendant endings and evince some resistence to closure; resulting tensions correlate with the formal tensions between poetry and narrative. For the chapter on "Dilation, Design, and Didacticism in Troilus and Criseyde," search for Strategies of Poetic Narrative under Alternative Title.</text>
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  <item itemId="262181" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702305">
              <text>Delany, Sheila.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702306">
              <text>Exemplaria 2 (1990): 49-69.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702307">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2702310">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702311">
              <text>Exemplaria 02 (1990).</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2702312">
              <text>jules SAC 14 (178)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702304">
                <text>Strategies of Silence in the Wife of Bath's Recital</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702308">
                <text>Also published in Sheila Delany, Medieval Literary Politics:  Shapes of Ideology (University of Manchester Press, 1990), pp. 112-29.</text>
              </elementText>
              <elementText elementTextId="2702309">
                <text>Explores WBT as the monologue of a "male courtier-poet voicing certain values of the culture inscribed in him."  The poet's silences--his suppresion of the full text of the Wife's citations, of significant information concerning her life, and of the masculine voice behind the question of what a woman wants--subvert the Wife's apparent subversion of those cultural values, revealing instead the "experience and desires of the poet," his society, and his critics.</text>
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  </item>
  <item itemId="263528" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715545">
              <text>Rothwell, W[illiam].</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715546">
              <text>Modern Language Review 80 (1985): 39-54.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715547">
              <text>1985</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715549">
              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2715550">
              <text>Language and Word Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715551">
              <text>Modern Language Review 080 (1985)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 09 (202)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2715544">
                <text>Stratford atte Bowe and Paris</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2715548">
                <text>Despite earlier movements to standardize French, from which English borrowed heavily, the language of Chaucer's Prioress would have been nonstandard both in pronunciation and in morphology.  Analysis of Anglo-Norman documents is needed to assess borrowings and the state of French.</text>
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  <item itemId="267861" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759473">
              <text>Rothwell, William.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759474">
              <text>Chaucer Review 36: 184-207,   2001.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759475">
              <text>2001</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759477">
              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2759478">
              <text>Language and Word Studies.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759479">
              <text>Chaucer Review 36 (2001)</text>
            </elementText>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759480">
              <text>jules SAC 25 (235)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2759472">
                <text>Stratford atte Bowe Re-Visited</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2759476">
                <text>The Prioress's French of "Stratford atte Bowe" (as opposed to the French of Paris) has drawn considerable speculation, but it can be examined more effectively in light of "a wider background," including Chaucer's characterization of Madame Eglantine, the role of monasteries and convents in late fourteenth-century England, and the multilingual aspects of fourteenth-entury English society.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773524">
              <text>Theatre Record 25.25 (2005):1678-83 and 26.14 (2006): 815-18.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773525">
              <text>2006</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2773527">
              <text>Canterbury Tales - General.</text>
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                <text>Stratford, Swan. 8 December 2005-4 February 2006. The Canterbury Tales. [London], Gielgud. 13 July 2006. The Canterbury Tales</text>
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                <text>Reprints of Stratford and London newspaper and magazine reviews of Mike Poulton's two-part adaptation of CT for the stage, performed by the Royal Shakespeare Company. Includes cast list for each part.</text>
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              <text>Kendrick, Laura.</text>
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        <element elementId="114">
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            <elementText elementTextId="2788790">
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              <text>vxl sac 34:102</text>
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                <text>Stress Tests and Quality Controls: The Medieval Assay as a Test of Character</text>
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              <elementText elementTextId="2788791">
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              <text>Kurtz, Heidi.</text>
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              <text>Style and Versification&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2835648">
              <text>mea; 12/16/2021</text>
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        <element elementId="114">
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            <elementText elementTextId="2835649">
              <text>2013</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2835643">
                <text>Stress, Etymology, and Metre in Four Canterbury Tales.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2835644">
                <text>Item not seen. Abstract available at https://ethos.bl.uk. Examines stress in Middle English verse, exploring "how tension is created through the matching or mis-matching of lexical stress with the expected metrical template" in the Hengwrt version of four of the CT.</text>
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            </elementTextContainer>
          </element>
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              <name>Title</name>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2818375">
              <text>Clark, Laura.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818376">
              <text>Neophilologus 99 (2015): 493-504.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2818377">
              <text>Neophilologus 99 (2015)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2818378">
              <text>Troilus and Criseyde&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2818379">
              <text>SAC 39:218&#13;
mea; 3/1/2018</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2818380">
              <text>2015</text>
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            <name>Title</name>
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              <elementText elementTextId="2825011">
                <text>Stretching the "Sooth": Use, Overuse, and the Consolation of "Sooth" in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines how uses of "sooth" characterize the three main actors in TC. Claims that Chaucer's use "of sooth" also "produces tension" in TC.</text>
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          </element>
        </elementContainer>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2828976">
              <text>Quinn, William A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828977">
              <text>Critical Survey 29.3 (2017): 48-64.</text>
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            <elementText elementTextId="2828978">
              <text>Critical Survey 29 (2017)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828979">
              <text>Man of Law and His Tale&#13;
Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2828980">
              <text>SAC 41:199</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828981">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2830338">
                <text>String Theory and "The Man of Law's Tale": Where Is Constancy?"</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830448">
                <text>The Ptolemaic universe of MLT should have a still center, but neither this Tale nor the CT as a whole seems to reflect "a single interpretive order." Thematic and tonal threads pull in different directions, as if the Tale harbored an anticipation of today's highly speculative "string theory," which "admits the possibility of a multiverse in which numerous concurrent realities (of reader-responses) can coexist."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Birney, Earle.</text>
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        <element elementId="98">
          <name>Published</name>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2838375">
              <text>Anglia 78 (1960)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838376">
              <text>Summoner and His Tale&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>mea; 3/30/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2838378">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2838371">
                <text>Structural Irony within the "Summoner's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2838372">
                <text>Examines "ironic foreshadowings, ambiguities and reversals" in SumT, arguing that they give it "a subtle and satisfying unity." Focuses on overturned expectations, dramatic ironies, and poetic justice in the plot, in the friar's lecture to Thomas, and the squire's solution to the problem of the wheel.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2728556">
              <text>Bolton, W. F.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728557">
              <text>Language and Style 11 (1978): 201-11.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728558">
              <text>1978</text>
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        <element elementId="102">
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            <elementText elementTextId="2728560">
              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2728561">
              <text>Nun's Priest and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728562">
              <text>Language and Style 11 (1978)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>jules SAC 03 (128)</text>
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              <elementText elementTextId="2728555">
                <text>Structural Meaning in 'The Pardoner's Tale' and 'The Nun's Priest's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2728559">
                <text>The Pardoner, making, through structure, game of his tale's morality and morality of its game, wishes the Pilgrims to play gullible churchgoers and to depose the Host, who rebuffs him.  NPT's structure reveals covert anti-feminism manifesting the Confessor's superiority over the Prioress, who like Pertelore listens to lower reason.</text>
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              <text>Pearcy, Roy J.</text>
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              <text>Fabula 15 (1974): 103-13.</text>
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          <name>Chaucer Subject</name>
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              <text>Summoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Fabula 15 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules - 23/9/94; mea 10/27/2014 SAC 1 (138)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2699931">
                <text>Structural Models for the Fabliaux and the Summoner's Tale Analogues</text>
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                <text>Benson and Andersson's discussion in "The Literary Context of Chaucer's Fabliaux" (1971) fails to account for the complexity of folktale derivation.  A tale may have two sets of analogues, one set related through surface structure (detail, character, theme) and the other through deep structure (plot type). Explores the "deep structure" and syllogistic underpinnings of the fabliaux genre by examining similarities and differences among SumT, "Le Vescie a Prestre," and legendary anecdotes about Til Eulenspiel and Jean de Meun. Focuses on abrupt shift from illusion to reality or recognition as the definitive feature of the genre.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2729271">
              <text>Nolan, Charles J.,Jr.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2729272">
              <text>Chaucer Review 13 (1979): 363-72.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2729273">
              <text>1979</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2729275">
              <text>Complaint unto Pity.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2729276">
              <text>Chaucer Review 13 (1979)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729277">
              <text>jules SAC 03 (212)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2729270">
                <text>Structural Sophistication in 'The Complaint unto Pity'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2729274">
                <text>Pity blends the language and structure of amorous and legal complaints.  Legal bills, like "The Bill of Complaint" in the second part of Pity, have a tripartite structure:  address, statement of grievance, and prayer for remedy.  Recognition of this structure shows that "The Bill of Complaint" does not extend to the end of the poem; it also shows that Pity and Cruelty are not "faint and frigid" personifications but active adversaries in legal combat.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2738028">
              <text>Valdes Miyares, Ruben.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 305-13.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2738030">
              <text>1993</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2738031">
              <text>Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2738033">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738034">
              <text>jules SAC 19 (1997) - 131.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738027">
                <text>Structural Unity and Mystical Unity in Later Medieval English Narrative</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738032">
                <text>Mutual concern with mystical wholeness and unity in Chaucer, Langland, and Malory derives from literary and intellectual tradition rather than from the authors' philosophical acceptance of such an ideal.  The ideal is unattainable in their works, thereby reflecting the nominalistic challenge to Neoplatonic tradition.  Truth is the goal of their protagonists, but the protagonists fail to achieve this goal on earth.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812184">
              <text>Deligiorgis, S.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812185">
              <text>Neuphilologische Mitteilungen 70 (1969): 297-306.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812186">
              <text>1969</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Style and Versification</text>
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            <elementText elementTextId="2812189">
              <text>Shipman and His Tale</text>
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            <elementText elementTextId="2812190">
              <text>Parliament of Fowls</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812191">
              <text>Neuphilologische Mitteilungen 70 (1969)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812192">
              <text>mea; 1/9/2017 No SAC</text>
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          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812183">
                <text>Structuralism and the Study of Poetry: A Parametric Analysis of Chaucer's 'Shipman's Tale' and 'Parlement of Foules'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812187">
                <text>Analyzes the relations between verse form and meaning in ShT and PF. In the first, patterns of closed and open couplets (where rhymes do or do not "coincide with syntactical closure") align with sententiousness and its uses; in the second, the structure of the rhyme royal stanzas mirror the poem's larger form and its concerns with advance and delay.</text>
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  <item itemId="264455" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724444">
              <text>Phillips, Helen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724445">
              <text>Chaucer Review 16 (1981): 107-18.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724446">
              <text>1981</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2724448">
              <text>Book of the Duchess.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724449">
              <text>Chaucer Review 16 (1981)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724450">
              <text>jules SAC 05 (213)</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724443">
                <text>Structure and Consolation in the 'Book of the Duchess'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2724447">
                <text>Critics differ in their assessment of the structure and the nature of the consolation in BD.  Chaucer uses juxtaposition as his structural principle.  The consolation is Boethian, transcending the intensity of human grief, but Chaucer insists upon the reality of the grief as well.</text>
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  <item itemId="265112" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730780">
              <text>Hardie, J. Keith.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730781">
              <text>Publications of the Arkansas Philological Association 3.2 (1977): 13-19.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730782">
              <text>1977</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730785">
              <text>Publications of the Arkansas Philological Association 03 (1977)</text>
            </elementText>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730786">
              <text>jules SAC 02 (218)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2730779">
                <text>Structure and Irony in Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730783">
                <text>Irony generated by the narrator's foreknowledge of the fates of his characters is subsumed to irony generated by the poet's transcendent Christian view of the narrator's limited moral judgments, whose inadequacies are signalled by images of blindness, and by allusions to passages from Statius' "Thebaid" susceptible to orthodox Christian interpretation.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846569">
              <text>Frank, Robert Worth, Jr.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846570">
              <text>PMLA 71 (1956): 530-39.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2846571">
              <text>PMLA 71 (1956)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2846572">
              <text>Parliament of Fowls&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2846573">
              <text>mea; 12/5/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2846574">
              <text>1956</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2846567">
                <text>Structure and Meaning in the "Parlement of Foules."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Argues that, although derived from differing sources, the three parts of PF--the prelude, the garden of love, and the debate--are unified in their presentation of three perspectives on love. Framed as a conventional love vision, the poem juxtaposes a stern, moralistic view of love, an exalted, courtly one, and a natural, "realistic" one. Together, the three provide a gentle "comedy of attitudes" that testifies to the power of love and the inadequacy of any single view of it.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rowe, Elizabeth Ashman.</text>
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        <element elementId="98">
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              <text>Florilegium 8 (1986): 169-86.</text>
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              <text>1986</text>
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              <text>Knight and His Tale.</text>
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              <text>Florilegium 08 (1986).</text>
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              <text>jules SAC 12 (147)</text>
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                <text>Structure and Pattern in Chaucer's 'Knight's Tale'</text>
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                <text>The form of KnT not only is characterized by "layers of order and disorder" but also is "circular, interlocking, and repeating."  Structurally, the tale can be divided into five parts:  a prologue (lines 1-1032), the conflict between Palamon and Arcite (lines 1033-1880), the lists and temples (lines 2438-2815), and an epilogue representing the restoration of order (lines 2816-3108).</text>
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          <elementTextContainer>
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              <text>Leicester, H. Marshall,Jr.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Exemplaria 2 (1990): 241-61.</text>
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        <element elementId="114">
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              <text>1990</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Exemplaria 02 (1990).</text>
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              <text>jules SAC 14 (156)</text>
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                <text>Structure as Deconstruction : 'Chaucer and Estates Satire' in the 'General Prologue'</text>
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                <text>Chaucer's GP actively encourages the adoption of a "disenchanted perspective" on society, on the pilgrims, and on discourse itself by constructing traditional estates-satire classifications.  The narrator successively adopts and then discards first a hierarchical and then an apocalyptic classification of the pilgrims, thus highlighting the tensions and contradictions constituting such classifications.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2733284">
              <text>Harding, Wendy.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Bulletin des Anglicistes Medievistes 43 (1993): 726-40.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733286">
              <text>1993</text>
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              <text>Prioress and Her Tale.</text>
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          <elementTextContainer>
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              <text>Bulletin des Anglicistes Medievistes 43 (1993)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 17 (207)</text>
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                <text>Structure des modes pathetique et ironique dans le conte et le portrait de la Prieure des 'Canterbury Tales'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2733287">
                <text>Examines the rhetoric of pathos and irony in CT, drawing attention to how they clash and overlap in PrT and the GP description of the Prioress.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2760677">
              <text>Mebane, John S.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>TSLL 24  : 255-70, 1982.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760679">
              <text>1982</text>
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            <elementText elementTextId="2760681">
              <text>Chaucer's Influence and Later Allusion.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2760682">
              <text>Texas Studies in Literature and Language 24 (1982)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 26: 76</text>
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            <elementTextContainer>
              <elementText elementTextId="2760676">
                <text>Structure, Source, and Meaning in A Midsummer Night's Dream</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2760680">
                <text>Includes discussion of the influence of KnT on Shakespeare's play, focusing on the play's structure and its concern with "reconciling a faith in cosmic order with our experience of life's apparent chaos" (256).</text>
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  <item itemId="264999" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729680">
              <text>Brewer, Derek S.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>J. Coy and J. de Hoz, eds.  Estudios Sobre los generos literarios, I: Grecia clasica e Inglaterra (Salamanca: Universidad de Salamanca, 1975), pp. 107-18.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2729682">
              <text>1975</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729683">
              <text>Estudios Sobre los generos literarios, I: Grecia clasica e Inglaterra.</text>
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              <text>Coy, J.,</text>
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              <text>Hoz, J. de,ed.</text>
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              <text>ed.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>jules SAC 02 (101</text>
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              <elementText elementTextId="2729679">
                <text>Structures and Character-Types of Chaucer's Popular Comic Tales</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2729687">
                <text>The character types in Chaucer's comic tales spring from the popular Aristophanic tradition; "popular" here does not exclude the learned or learning.  While the humor of the tales is ambivalent and derisive, it yet elicits acceptance and sympathy.</text>
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