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              <text>Mason, Wendy.</text>
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              <text>[n.p.]: Conrad Press, 2020.</text>
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Canterbury Tales--General</text>
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                <text>Not Exactly Chaucer.</text>
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                <text>Fictional account of twenty-one Australian tourists telling self-disclosing stories, modeled on CT, with many echoes, e.g., character-names such as Tony Knight, Giles Sumner, Barbara Bath, etc.</text>
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              <text>Legg, Jeni.</text>
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              <text>Dissertation Abstracts International A82.03(E) (2020): n.p.</text>
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                <text>Translating Shimcheong: Between Form and Act.</text>
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                <text>Assesses aspects of translation theory and presents a translation of Shin Jae Hyo's version of the "p'ansori Shimcheongga," "rendered in the form of an estranging dialogue with Geoffrey Chaucer . . .  in order to interrupt the mechanical forms that translation takes."</text>
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              <text>Galloway, Andrew.</text>
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              <text>Andrew J. Power, ed. The Birth and Death of the Author: A Multi-Authored History of Authorship in Print (New York: Routledge, 2020), pp. 32–53; 2 illus.</text>
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Wife of Bath and Her Tale</text>
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                <text>Fifteenth Century: Fathering Chaucer. Thoreau, Hoccleve, Lydgate, and the Invention of the First English Author</text>
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                <text>Explores nuances in the tradition of attributing paternal authority to Chaucer as a poet, focusing on Thoreau, Hoccleve, and Lydgate, and disclosing differing ways in which they represent his authority and appropriate it to assert their own self-authorizations. Includes comments on the ambiguity of literary authority in WBPT.</text>
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              <text>Edwards, Robert R.</text>
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              <text>Tamara Atkin and Jaclyn Rajsic, eds. Manuscript and Print in Late Medieval and Early Modern Britain: Essays in Honour of Professor Julia Boffey (Rochester, N.Y.: D. S. Brewer, 2019), pp. 167–81.</text>
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              <text>Atkin, Tamara, ed.&#13;
Rajsic, Jaclyn, ed.</text>
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Chaucer's Influence and Later Allusion&#13;
Anelida and Arcite&#13;
Knight and His Tale</text>
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                <text>Considers Chaucer's uses of Theban material drawn from the tradition of Statius and Boccaccio, exploring how he adapted his sources and how, in turn, his works were adapted by others. Surveys the "exemplary power" of Thebes in Chaucer's works, and offers comparative analysis of Anel and stories analogous to KnT and "The Two Noble Kinsmen."</text>
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                <text>"What strange ruin"': Reading Backward to Thebes.</text>
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              <text>Cressler, Loren.</text>
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Legend of Good Women&#13;
Knight and His Tale</text>
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                <text>Asinine Heroism and the Mediation of Empire in Chaucer, Marlowe, and Shakespeare</text>
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                <text>Assesses Theseus of LGW as a "superlative of falseness," arguing that the figure, more so than the Theseus of KnT or its classical precedents, influenced Marlowe and Nash''s "Dido, Queen of Carthage" and, subsequently, Shakespeare's "A Midsummer Night's Dream."</text>
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              <text>Chidora, Tanaka.</text>
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                <text>Twenty-seven-line poem in which the appearance of Chaucer in a classroom triggers an epiphany.</text>
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                <text>Chaucer's Pie Chart (to Philani Amadeus Nyoni).</text>
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              <text>Bauer, Matthias, and Angelika Zirker.</text>
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Rösli, Lucas, ed.&#13;
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Chaucer's Retraction</text>
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University, 2020.</text>
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Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion&#13;
Chaucerian Apocrypha</text>
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                <text>Focuses on Ovid's post-exilic poem "Ibis," now nearly forgotten in scholarship but once central to medieval readers. Catalogues the extant manuscripts of Ibis and compares this to the higher number of mentions in manuscript inventories, before considering the marginal glosses in manuscripts that contain the poem. These glosses suggest that the poem probably functioned as a teaching text, owing to its riddle-like lines and the numerous allusions on which the glosses focus. Includes brief comments on Chaucer's view of Ovid as a clerk.</text>
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                <text>Chaucer and Homer.</text>
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                <text>Surveys Chaucers references to and possible knowledge of Homer, emphasizing mediating sources, especially Boccaccio.</text>
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              <text>Havely, Nick.</text>
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              <text>Miriam Wendling, ed. Cardinal Adam Easton (c. 1330–1397) (Amsterdam: Amsterdam University Press, 2020), pp. 119-38.</text>
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              <text>Cardinal Adam Easton (c. 1330–1397) </text>
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            <elementText elementTextId="2844070">
              <text>Sources, Analogues, and Literary Relations&#13;
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Second Nun and Her Tale</text>
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                <text>Easton and Dante: Beyond Chaucer.</text>
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                <text>Demonstrates Adam Easton's "detailed engagement" with Dante's "Monarchia" (especially Book 3) in his "Defensorium ecclesiastice potestatis," and suggests that Easton and Chaucer "might well have known about each other's work." Includes comments on SNT and Chaucer's reference to Giovanni da Legnano in ClP.</text>
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              <text>Cartlidge, Neil.</text>
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              <text>Chaucer Review 55.3 (2020): 279-97.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Parson and His Tale</text>
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              <text>SAC 45:23</text>
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        <element elementId="114">
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              <text>2020</text>
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                <text>"Scientia Vera?" Holcot and Chaucer on Astrological Determinism, Magic, Talismans, and Omens.</text>
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                <text>Suggests that Robert Holcot's commentary on the Book of Wisdom is the immediate source of HF, 991–1017 and 1259–70, and ParsT, 603–7, describing the authors' shared skepticism about the "limits of human knowledge" and discussing specific echoes between their works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Smith, Jeremy J.</text>
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              <text>New York: Cambridge University Press, 2020.</text>
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              <text>xvii, 294 pp.</text>
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              <text>Language and Word Studies&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 45:22</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2844055">
              <text>2020</text>
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              <elementText elementTextId="2844048">
                <text>Transforming Early English: The Reinvention of Early English and Older Scots.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2852088">
                <text>Historical-pragmatic analysis of the formal features of texts in manuscript and in print (e.g., punctuation, spelling, capitalization, script, font, etc.) in relation to the texts' "socio-cultural" functions--linguistic, aesthetic, ethical, practical, etc. Studies examples from early modern reclamations of Old English to eighteenth-century revival of Old Scots, with multiple case studies from Middle English prose and poetry, including comparative analyses of samples of Chaucer's text from the earliest anuscripts to the Riverside Chaucer, emphasizing the demands manuscripts make on audiences, Thynne's and Speght's aesthetic and moral concerns, Urry's antiquarian goals, and Tyrwhitt's responses to elocutionary concerns of his age. Mentions Chaucer recurrently and, with Langland and Gower, he is central to Chapter 4, "The Great Tradition."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Singh, Devani.</text>
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              <text>Notes and Queries 266.1 (2021): 56-59.</text>
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              <text>Notes and Queries 266 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2844046">
              <text>SAC 45:21</text>
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        <element elementId="114">
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            <elementText elementTextId="2844047">
              <text>2021</text>
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            <name>Title</name>
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              <elementText elementTextId="2844040">
                <text>An Unreported Chaucer Epitaph in English.</text>
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              <elementText elementTextId="2851905">
                <text>Inscribed in Durham Palace Green Library, Bamburgh Select. 8, a copy of the "c. 1550 Thynne edition of Chaucer's Workes," this epitaph stands apart from the three Latin texts heretofore known. One of its signatories may be identified as the "Edmund Southerne Gent" who alludes to Chaucer in the "dedicatory epistle" to his 1593 work ":A treatise concerning the right vse and ordering of bees."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2844026">
              <text>Sawyer, Daniel.</text>
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              <text>Oxford: Oxford University Press, 2020.</text>
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            <elementText elementTextId="2844028">
              <text>ix, 208 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Manuscripts and Textual Studies&#13;
Style and Versification&#13;
Chaucer's Influence and Later Allusion&#13;
Book of the Duchess&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>SAC 45:20</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2844031">
              <text>2020</text>
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              <elementText elementTextId="2844024">
                <text>Reading English Verse in Manuscript c. 1350-c. 1500.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844025">
                <text>Studies medieval reading of verse manuscripts and includes analysis of canonical Middle English verse texts, such as works by Chaucer, Gower, Hoccleve, and Lydgate, as well as lesser-known fourteenth-century northern religious manuscripts. Argues that these texts "influenced the structures and rhymes" of canonical texts in the fifteenth century. Discusses CT, BD, and TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Martin, Joanna M., ed.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844018">
              <text>Liverpool: Liverpool University Press, 2020.</text>
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            <elementText elementTextId="2844019">
              <text>viii, 222 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2844020">
              <text>Exeter Medieval Texts and Studies.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844021">
              <text>Manuscripts and Textual Studies&#13;
Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde&#13;
Chaucerian Apocrypha&#13;
Complant of Venus</text>
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            <elementText elementTextId="2844022">
              <text>SAC 45:19</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2844023">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2844015">
                <text>The Findern Manuscript: A New Edition of the Unique Poems.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852087">
                <text>Edits thirty-four poems from Cambridge University Library, MS Ff.1.6--those found in no other manuscript--with texts, notes, glossary, and bibliography. The introduction includes discussion of language and scribes, and commentary on the poems' place in "what might broadly be described as the Chaucerian tradition," with attention to quotations from TC in poem 21; poem 5 as a "much-neglected bit of Chaucerian apocrypha"; the "female voice" of poem 26, which echoes Ven; and more general Chaucerian and Lydgatian resonances.</text>
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              <text>Johnston, Michael.</text>
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              <text>Speculum 95.3 (2020): 742-801.</text>
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              <text>Speculum 95 (2020)</text>
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              <text>Manuscripts and Textual Studies&#13;
Chaucerian Apocrypha&#13;
Troilus and Criseyde&#13;
Canterbury Taales--General</text>
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              <text>SAC 45:18</text>
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        <element elementId="114">
          <name>Date</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844007">
                <text>Copying and Reading "The Prick of Conscience" in Late Medieval England</text>
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            <description>An account of the resource</description>
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                <text>Discusses medieval scribal transmission and commercial book production in relation to the surviving copy of "The Tale of Beryn" and the "Beryn-Scribe." Examines the reception and transmission of the "Prick of Conscience" in late medieval England. References Chaucer throughout, with specific connections with CT and TC.</text>
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              <text>Farrell, Thomas J.</text>
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              <text>Journal of English and Germanic Philology 120.1 (2021): 93–129.</text>
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              <text>Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations&#13;
Wife of Bath and Her Tale</text>
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              <elementText elementTextId="2843999">
                <text>The Value of the Canterbury Tales Project, and Textual Evidence in the Emendation of "Canterbury Tales" III.117</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844000">
                <text>Contends that data from the Canterbury Tales Project have not been widely used in Chaucer studies, partly on account of misunderstanding the project's purpose and function. That function is to produce evidence through analysis of witness groups, not to create an edition nor determine a point of origin for manuscript variation. Demonstrates the validity and utility of project data and provides an example through analysis of CT, III.117 (for which the Riverside offers "And of so parfit wys a [wright] ywroght?").</text>
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              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2843994">
              <text>Notes and Queries 266, no. 1 (2021): 25.</text>
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              <text>Notes and Queries 266 (2021)</text>
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            <elementText elementTextId="2843996">
              <text>Manuscripts and Textual Studies&#13;
Boece</text>
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              <text>SAC 45:16</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2843998">
              <text>2020</text>
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              <elementText elementTextId="2850754">
                <text>A Reference to a Manuscript of Chaucer's "Boece."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851903">
                <text>Contends that Cambridge, Pembroke College, MS 215 may be the manuscript referred to as "7574 Boethius's Consolat.of Philosophy, translated by Chaucer, 'imperfect,' 2s 6d" in the 1770 sale catalogue of London bookseller Thomas Payne, since it is incomplete and its pre-nineteenth-century provenance is "unclear." Suggests that this reference may be to "a hitherto unrecorded copy" of Chaucer's work.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2843984">
              <text>Boffey, Julia.</text>
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        <element elementId="98">
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              <text>Elizabeth A. New and Christian Steer, eds. Medieval Londoners: Essays to Mark the Eightieth Birthday of Caroline M. Barron (London: University of London Press, 2019), pp. 55-70.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2843986">
              <text>New, Elizabeth A., ed.&#13;
Steer, Christian, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2843987">
              <text>Medieval Londoners: Essays to Mark the Eightieth Birthday of Caroline M. Barron.</text>
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        <element elementId="102">
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            <elementText elementTextId="2843988">
              <text>Mansucripts and Textual Studies&#13;
Clerk and His Tale&#13;
Truth&#13;
Anelida and Arcite</text>
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          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2843989">
              <text>SAC 45:15</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843990">
              <text>2019</text>
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              <elementText elementTextId="2843982">
                <text>Household Reading for Londoners? Huntington Library MS. HM 140.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2843983">
                <text>Includes discussion of the location and implications for readership of Chaucerian materials found among the fascicles of MS HM 140: ClT, Truth, and a selection from Anel.</text>
              </elementText>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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            <elementText elementTextId="2843976">
              <text>Singh, Devani.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843977">
              <text>Digital Philology 9.2 (2020): 177–98; 4 color illus.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843978">
              <text>Digital Philology 09 (2020)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2843979">
              <text>Facsimiles, Editions, and Translations</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843980">
              <text>SAC 45:14</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843981">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843974">
                <text>The Progeny of Print: Manuscript Adaptations of John Speed's Chaucer Engraving</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2843975">
                <text>Explains the important place in the tradition of Chaucer portraiture of John Speed's engraving made for Thomas Speght's 1598 edition of Chaucer's "Workes". Comments on relations with the manuscript portrait of Chaucer that accompanies Thomas Hoccleve's "Regiment of Princes" and clarifies the influence of Speed's engraving on later Chaucer portraits in manuscripts, in books, and painted.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843968">
              <text>Lynch, Kathryn L.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2843969">
              <text>Chaucer Review 56, no. 2 (2021): 95–118.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2843970">
              <text>Chaucer Review 56 (2021)</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843971">
              <text>Facsimiles, Editions, and Translations</text>
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          <description/>
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              <text>SAC 45:13</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2843973">
              <text>2021</text>
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            <name>Title</name>
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              <elementText elementTextId="2850755">
                <text>Katharine Lee Bates and Chaucer's American Children.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850981">
                <text>Examines background of Katherine Lee Bates, author of "America the Beautiful," who was a medievalist before turning to poetry and American literary studies. Brings together her career as an Americanist and poet with her background as a medievalist, and discusses an overlooked children's edition of CT that Bates wrote.</text>
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