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              <text>King, Laura Severt.</text>
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              <text>Dissertation Abstracts International 54 (1994): 3757A.</text>
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              <text>1994</text>
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              <text>Chaucerian Apocrypha.</text>
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              <text>Book of the Duchess.</text>
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              <text>Legend of Good Women.</text>
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              <text>Complaint unto Pity.</text>
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              <text>Shipman and His Tale.</text>
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              <text>Dissertation Abstracts International 54 (1994)</text>
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              <text>jules SAC 18 (1996) - 99</text>
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                <text>Sacred Eroticism, Rapturous Anguish: Christianity's Penitent Prostitutes and the Vexation of Allegory, 1370-1608</text>
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                <text>Among the handful of converted whores, Mary Magdalene is best known in late medieval writing through the homily "De maria Magdalena" (which Chaucer translated) and the Digby play.  These works reveal remarkably literal physicality in which carnal desire appears to merge with spiritual, as reflected in BD, LGW, Pity, and ShT.</text>
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              <text>Fradenburg, L. O. Aranye.</text>
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              <text>Minneapolis : University of Minnesota Press, 2002.</text>
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              <text>2002</text>
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              <text>327 pp.</text>
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              <text>Legend of Good Women.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Knight and His Tale.</text>
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              <text>Monk and His Tale.</text>
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              <text>Medieval Cultures, no. 31.</text>
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              <text>vxl sac 26:133</text>
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                <text>Sacrifice Your Love: Psychoanalysis, Historicism, Chaucer</text>
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                <text>Fradenburg theorizes a new combination of historicism and Lacanian psychoanalysis and explores the medieval idea of sacrifice and its role in cultural production. Linking ethics and desire, sacrifice is a way of pursuing and prolonging desire, even though on the surface sacrifice appears to be a denial of desire. Discussion of the "history of the signifier" clarifies the role of signification in making sacrifice enjoyable. Individual chapters focus on psychoanalysis and historicism, BD, MkT, KnT, LGW, and TC.</text>
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              <text>Fradenburg, Louise O.</text>
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              <text>Journal of Medieval and Early Modern Studies 27 (1997): 47-75.</text>
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              <text>Knight and His Tale.</text>
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              <text>Journal of Medieval and Early Modern Studies 27 (1997)</text>
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              <text>jules SAC 21 - 181</text>
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                <text>Sacrificial Desire in Chaucer's 'Knight's Tale'</text>
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                <text>The logic of sacrifice (in particular, the sacrifice of the subject, Arcite) that permeates KnT produces a "jouissance," which the discourse of charity attempts to disguise.</text>
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              <text>Fradenburg, L. O. Aranye.</text>
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              <text>Holly A. Crocker and D. Vance Smith, eds. Medieval Literature: Criticism and Debates (New York; Routledge, 2014.), pp. 455-69.</text>
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            <elementText elementTextId="2813798">
              <text>2014</text>
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            <elementText elementTextId="2813799">
              <text>Medieval Literature: Criticism and Debates.</text>
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              <text>Knight and His Tale</text>
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              <text>mea; 2/22/2017 SAC 38:122</text>
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                <text>Sacrificial Desire in Chaucer's 'Knight's Tale'</text>
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                <text>Examines the "logic of sacrifice" that motivates actions in KnT, arguing that previous criticism "has done insufficient justice to the vile enjoyment and identificatory power" of KnT.</text>
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              <text>Price, Merrall Llewelyn.</text>
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              <text>ChauR 43 (2008): 197-214.</text>
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              <text>Prioress and Her Tale</text>
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              <text>Chaucer Review 43 (2008).</text>
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              <text>vxl SAC 32:261.</text>
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                <text>Sadism and Sentimentality: Absorbing Antisemitism in Chaucer's Prioress</text>
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                <text>Read as symptoms of a "childlike" individual "dealing with a number of psychosexual developmental issues," the Prioress's personal habits and narrative performance register anxiety not only about boundaries of the individual human body but also about "the dangerous porosity of religious, social, and community identity that it represents."</text>
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              <text>Suhamy, Henri.</text>
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              <text>Mythes, Croyances et Religions dans le Monde Anglo-Saxon 6 (1988): 119-23.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Mythes, Croyances et Religions dans le Monde Anglo-Saxon 6 (1988).</text>
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              <text>jules SAC 13 (185)</text>
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                <text>Sagesse mondaine et conscience religieuse dans 'The Nonnes Preestes Tale'</text>
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                <text>Examines whether NPT manifests a superficial or an intrinsic religiosity and treats NPT--a tale appropriate to the teller--as a religious allegory with Chauntecler as Man or Adam, Pertelote as Eve, and the fox as Devil.</text>
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              <text>Man of Law and His Tale</text>
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              <text>mea; 9/25/2013 No SAC</text>
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                <text>Sailing the Seas of Literary History: Gower, Chaucer, and the Problem of Incest in Shakespeare's 'Pericles'</text>
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                <text>Argues that in "Pericles" Shakespeare links Catholicism to English literary history "for the purposes of a complex investigation into the politics of literary history." Allusions to incest in the play, and allusions to Gower and to Chaucer's allusions to Apollonius' incest and Gower in MLPT, combine to evoke a "contradictory concept of literary history" in which the present depends upon but supersedes the past. Unlike Gower, Chaucer is "hidden . . . between the lines of 'Pericles'."</text>
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              <text>Winstead, Karen A., ed. and trans.</text>
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              <text>Karen A. Winstead. Chaste Passions: Medieval English Virgin Martyr Legends (Ithaca: Cornell University Press, 2000), pp. 49-60.</text>
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            <elementText elementTextId="2759337">
              <text>2000</text>
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              <text>Chaste Passions: Medieval English Virgin Martyr Legends.</text>
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            <elementText elementTextId="2759340">
              <text>Second Nun and Her Tale.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>jules SAC 25 (248)</text>
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                <text>Saint Cecilia : Geoffrey Chaucer</text>
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            <description>An account of the resource</description>
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                <text>A translation into Modern English of SNT, based on The Riverside Chaucer (3rd ed.). Includes a short introduction and select bibliography.</text>
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              <text>Grennen, Joseph E.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 65 (1966): 466-81.</text>
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              <text>Journal of English and Germanic Philology 65 (1966)</text>
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Sources, Analogues, and Literary Relations&#13;
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                <text>Saint Cecilia's "Chemical Wedding": The Unity of the "Canterbury Tales," Fragment VIII.</text>
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              <elementText elementTextId="2820443">
                <text>Demonstrates the "relationship in theme and imagery" between SNPT and CYPT and the "controlling design that links them artistically." Posits that SNT may have been based on a Gnostic version of the Cecilia legend, an alchemical allegory of the "chemical wedding," helping to account for the parallels and inversions between the two Tales: concern with work and busyness, unity and multiplicity, the imagery of fire, stones, and blindness, and such "orthodox religious ideals such as zeal and perseverance."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Pratt, Robert A.</text>
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        <element elementId="98">
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              <text>Criticism: A Quarterly for Literature and the Arts 5 (1963): 316-2.</text>
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              <text>Criticism 05 (1963)</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2831216">
              <text>1963</text>
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              <elementText elementTextId="2831209">
                <text>Saint Jerome in Jankyn's Book of Wikked Wyves.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2831210">
                <text>Discusses medieval manuscripts that combine materials from Walter Map's "Valerius," the "golden book" of Theophrastus, and excerpts from Jerome's "Adversus Jovinianum," focusing on the seven manuscripts that include the latter two, and showing how Chaucer uses them, first, in WBP to characterize the Wife and Jankyn, and then, in FranT, to contrast the Wife with Dorigen, putting "to shame the Wife of Bath's callousness, lasciviousness, and promiscuity."</text>
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              <text>Voss, Paul J.</text>
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        <element elementId="98">
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              <text>Journal of Markets and Morality 21 (2018): 331-49.</text>
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              <text>Merchant and His Tale&#13;
Chaucer's Life</text>
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              <text>mea; SAC 44:247</text>
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                <text>Saint Omobono of Cremona and the English Merchant on Page and Stage.</text>
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                <text>Clarifies the life and tradition of St. Omobono as a "merchant saint" and "patron of businesspeople and entrepreneurs," incorporating discussion of "early literary representation of the merchant character in Chaucer and Shakespeare." Includes comments on Chaucer's personal knowledge of merchants and his negative characterization of the Merchant in GP as a figure of "negotium," i.e., someone who is overly committed to material goods and business affairs.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2707322">
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        <element elementId="114">
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
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        <element elementId="98">
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              <text>Images of Sainthood in Medieval Europe.</text>
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                <text>By allowing the pilgrims no comment on the hagiographic discourse of the faceless, feminine "Second Nonne," and by allowing the Prioress to identify with the Word and the bearer of the Word, CT interrogates the doctrines on which it rests: "auctoritee" and experience, speech and writing, salvific word and redemptive act.</text>
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                <text>  The vindication of patriarchal authority found in these romances resulted from insecurities about gender issues in the late Middle Ages.</text>
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Second Nun and Her Tale</text>
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                <text>Traces the writing of saints' legends in poetry in the thirteenth and fourteenth centuries, highlighting the innovative approaches taken by a number of poets, including Chaucer in SNT.</text>
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                <text>Saints' Lives and the Sultaness: A Note on a Perplexing Episode in Chaucer's 'Man of Law's Tale'</text>
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                <text>In giving the tale of Constance the form and narrative structure of a saint's life while omitting conventional motivations or explanations, Chaucer has made the Man of Law an inept narrator and has invested the tale with irony and humor.</text>
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              <text>Malo, Roberta [Robyn].</text>
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        <element elementId="98">
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        <element elementId="114">
          <name>Date</name>
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              <text>Pardoner and His Tale</text>
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                <text>Saints' Relics in Medieval English Literature</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2779815">
                <text>Discussing the use of relics as a site of "institutional control," Malo argues that in works such as CT, writers "use relics as tools" for affirmation or critique of the Church's position as dispenser of grace and healing.</text>
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              <text>Dean, Christopher.</text>
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        <element elementId="98">
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              <text>Chaucer Review 3.1 (1968):44-49.</text>
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                <text>Salvation, Damnation and the Role of the Old Man in the "'Pardoner's Tale."</text>
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                <text>Treats the Old Man of PardT as the "total opposite" of the three revelers: he "embodies or manifests . . . in some manner Christian goodness." He first offers to the revelers a merciful "way to salvation," but when they "flatly reject" it, he justly sends them "to their fully-merited punishment," damnation.</text>
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        <element elementId="98">
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              <text>Musical score; 46 pp.; 13 min.</text>
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              <text>Second Nun and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Salve Regina 2.</text>
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                <text>Item not seen. WorldCat records indicate that this vocal score for unaccompanied mixed voices is printed with the text of the Antiphon to the Virgin Mary, "Salve Regina," in Latin by Herman Contractus (attributed), "interspersed with English words by Geoffrey Chaucer (recomposed by William Wordsworth) and anonymous writers."</text>
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              <text>Parliament of Fowls.</text>
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              <text>Exemplaria 13 (2001)</text>
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              <text>jules SAC 25 (272)</text>
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          <element elementId="50">
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              <elementText elementTextId="2759601">
                <text>Same-Sex Desire in the Unconscious of Chaucer's Parliament of Fowls</text>
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              <elementText elementTextId="2759605">
                <text>Psychoanalytic reading of PF that identifies a reversal of the "logical sequence of origin, wish, and desire." This reversal "represses consciousness" and disguises the presence of the "Chaucerian ego" of the poem that is recognizable in the narrator's identification with the formel eagle. The Freudian "dreamwork" of PF reflects repression of same-sex desire, sublimated in homosocial relations.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2829262">
              <text>Linkinen, Tom.</text>
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        <element elementId="98">
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            <elementText elementTextId="2829263">
              <text>Amsterdam: Amsterdam University Press, 2015.</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2829264">
              <text>334 pp.; illus.</text>
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            <elementText elementTextId="2829265">
              <text>Crossing Boundaries: Turku Medieval and Early Modern Studies.</text>
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        <element elementId="108">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829266">
              <text>Sharing Laughter.</text>
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            <elementText elementTextId="2829267">
              <text>Pardoner and His Tale</text>
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          <elementTextContainer>
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              <text>SAC 41:238</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829269">
              <text>2015</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829260">
                <text>Same-Sex Sexuality in Later Medieval English Culture.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830616">
                <text>Includes a chapter, "Sharing Laughter" (pp. 205-32), that identifies examples from late medieval art and literature where laughter constitutes "moral censorship" of same-sex desire or actions, then focuses on the Pardoner; his relation with the Summoner in GP; and the grotesquery, mockery, and laughter generated by his offer of his relics at the end of PardT.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702463">
              <text>Tkacz, Catherine Brown.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702464">
              <text>Chaucer Review 25 (1990): 125-37.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702465">
              <text>1990</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2702468">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2702469">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2702470">
              <text>Chaucer Review 25 (1990)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2702471">
              <text>jules SAC 14 (161)</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2702462">
                <text>Samson and Arcite in the 'Knight's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702466">
                <text>Chaucer prepares for Arcite's Samsonlike vow to cut his hair by drawing on the traditions of Samson as a fool for love and by reworking and adding details to the story of Boccaccio's "Teseida."  Samson was commonly paired with Hercules as biblical and classical examples of strong men defeated by love; alternatively, the Old Testament judge was named with Solomon (or David) as exemplars of love folly. </text>
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              <elementText elementTextId="2702467">
                <text>Chaucer draws on both traditions and also uses, perhaps invented, the variant of Samson as love-suicide.  Deguilleville's "Le pelerinage de la vie humaine," which treats Samson and Delilah as a psychomachia, may have inspired Chaucer to elaborate the Samson-Arcite parallel.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2847266">
              <text>Harada, Noriyuki.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847267">
              <text>Geibun-Kenkyu 123 (2022): 46-59.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847268">
              <text>Geibun-Kenkyu 123 (2022)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2847269">
              <text>Chaucer's Influence and Later Allusion&#13;
Facsimiles, Editions, and Translations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2847270">
              <text>SAC 46:25</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847271">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2847264">
                <text>Samuel Johnson's Literary Ardour: Geoffrey Chaucer in the Eighteenth Century.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847265">
                <text>Argues that Johnson's perfunctory references to Chaucer reflect the former's view of the latter not as an excellent "English" poet but as one who successfully transmitted literature from the Continent into Britain. Considers possible reasons Johnson had a plan to compile an edition of Chaucer's works around the close of his life in relation to some eighteenth-century characteristics of Chaucerian reception. In Japanese.</text>
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  <item itemId="263043" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710926">
              <text>Cowen, J. M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710927">
              <text>Notes and Queries 232 (1987): 152-53.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710928">
              <text>1987</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2710930">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710931">
              <text>Notes and Queries 232 (1987)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2710932">
              <text>jules SAC 11 (240)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710925">
                <text>Samuel Pegge's Ownership of a Manuscript of Chaucer's 'Legend of Good Women'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2710929">
                <text>The handwritten collations in the British Library 643.M.1 copy of Urry's "Chaucer" are in the hand of Samuel Pegge the elder, antiquary and vicar in Kent, 1730-51.  The collations are from British Library MS Add. 9832, which Pegge evidently owned.</text>
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  <item itemId="266296" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742955">
              <text>Bradley, Ann.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742956">
              <text>Dissertation Abstracts International 56 (1996): 4763A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742957">
              <text>1996</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2742959">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2742960">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742961">
              <text>Dissertation Abstracts International 56 (1996)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742962">
              <text>jules SAC 20 (1998), 263</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2742954">
                <text>Sarpedon's Feast: A Homeric Key to Chaucer's 'Troilus and Criseyde'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2742958">
                <text>Chaucer's Troilus derives from three reflections of the "Iliad": classical, the Christian-allegorical, and the romance.  Sarpedon's feast is central to TC, with classical, Scholastic, and finally Dantesque treatment of free will, fate, and transcendence.</text>
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          </element>
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