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              <text>Murtaugh, Daniel M.</text>
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              <text>Neuphilologische Mitteilungen 74 (1973): 107-12.</text>
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              <text>Friar and His Tale</text>
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              <text>Neuphilologische Mitteilungen 74 (1973)</text>
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              <text>mea; 4/6/2015 No SAC</text>
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                <text>Riming Justice in 'The Friar's Tale'</text>
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                <text>Shows that the thematic concerns of FrT are evident in its rhyme words, focusing on the occurrences of "entente" and its rhymes: "rente," "hente," and "repente."</text>
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              <text>Cartlidge, Neil.</text>
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              <text>Studies in the Age of Chaucer 39 (2017): 57-97.</text>
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              <text>Studies in the Age of Chaucer 39 (2017)</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 41:278</text>
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                <text>Ripples on the Water? The Acoustics of Geoffrey Chaucer's "House of Fame" and the Influence of Robert Holcot.</text>
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                <text>Discredits the idea that the Eagle's disquisition on sound in HF is conventional Aristotelianism, mediated by Robert Grosseteste or Walter Burley, arguing that the details of the multiplying ripples and the combination of science and myth were influenced instead by Robert Holcot's commentary on the Book of Wisdom. Describes Holcot's career among the Oxford Calculators (Mertonians) and explains Holcot's influence on HF and elsewhere in Chaucer.</text>
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              <text>Di Rocco, Emilia.</text>
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              <text>Revista di Letterature Moderne e Comparate 55 : 373-92, 2002.</text>
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              <text>Revista di Letterature Moderne e Comparate 55 (2002)</text>
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              <text>vxl sac 26:275</text>
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                <text>Riscrivere 'Fama': Da Chaucer a Pope</text>
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                <text>Contrasts Chaucer's concern for the role of authors in the preservation of historical "fame" with Pope's emphasis on the enduring value of art. Di Rocco shows how Pope's personal interest in fame is tempered by humility like that of Chaucer's Dreamer.</text>
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              <text>Bude, Tekla.</text>
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              <text>Studies in the Age of Chaucer 45 (2023): 73-103.</text>
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              <text>Studies in the Age of Chaucer 45 (2023)</text>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Merhant and His Tale&#13;
Shipman and His Tale&#13;
Canon's Yeoman and His Tale</text>
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                <text>Risk before Risk: Actuarial Logic and Mercantile Metaphors in the "Canterbury Tales."</text>
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                <text>Shows that "actuarial forms of thinking" underlie the CT, particularly the tale-telling contest, the opening and closing of the GP, sea-trade and risk in the GP descriptions of the Merchant and the Shipman, and associative links nbetween mercantilism and alchemy in CYPT. Considers predictive and determinative aspects of "aventure," and explores the putatively modern issues of risk management, insurance, and credit in proto-capitalistic thought and practice as refracted in CT.</text>
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              <text>Cook, Alexandra Kollontai.</text>
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              <text>DAI A67.10 (2007): n.p.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 67 (2007)</text>
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              <text>vxl SAC 31:38</text>
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                <text>Risking Desire: Chaucerian Representations of Erotic Love and the Pagan Past</text>
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                <text>Like many of his predecessors, Chaucer explores risks in dealing with pagan sources, but he renders such risks pleasurable as a means to "destabilize Christian constructs of safety."</text>
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              <text>Duffy, Carol Ann. With illustrations by Stephen Raw. </text>
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              <text>London: Picador, 2014.</text>
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              <text>Chaucer's Valentine, for Nia.</text>
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Parliament of Fowls</text>
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                <text>Includes a lyric poem entitled "Chaucer's Valentine, for Nia," which opens by quoting lines 1–2 of PF.</text>
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              <text>Elisabeth Dutton, with John Hines and R. F. Yeager, eds. John Gower, Trilingual Poet: Language, Translation, and Tradition (Cambridge: D. S. Brewer, 2010), pp. 276-87.</text>
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                <text>Rival Poets: Gower's 'Confessio' and Chaucer's 'Legend of Good Women'</text>
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                <text>Bowers describes LGW as "work-in-progress" of the 1390s and dates the G-prologue between 1392 and 1394, offering various comments to help justify these datings and explore their implications: LGWP emulates Gower's Ricardian prologue to "Confessio Amantis," and Chaucer recurrently follows Gower in choosing plots; the Man of Law is a portrait of Gower; Pandarus is a version of Robert de Vere, friend of Richard II; Chaucer suffered an "inferiority complex" in the face of Gower's trilingualism and the success of "Piers Plowman" and the "Pearl"-poet; Gower was the cynosure of Lancastrian literary promotion in the early fifteenth century.</text>
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              <text>Dinshaw, Carolyn.</text>
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              <text>R. F. Yeager, ed.  Chaucer and Gower: Difference, Mutability, Exchange (Victoria B.C.: University of Victoria, 1991), pp. 130-52.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2692810">
              <text>1991</text>
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              <text>Chaucer and Gower: Difference, Mutability, Exchange.</text>
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            <elementText elementTextId="2692812">
              <text>Violence Against Women in Medieval Texts.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
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              <text>Roberts, Anna, ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>Rivalry, Rape, and Manhood: Gower and Chaucer</text>
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                <text>Discussions of the "quarrel" between Chaucer and Gower (anchored in MLP) pose a Chaucer who was free of base, ingratiating attitudes toward his sovereign and who was the source of pure poeticality--language and aesthetics unpolluted by self-interest.  In contrast, the same discussions create a Gower who was an "ingrate" and a "sycophant" at court, content to "follow" and to imitate in his moralizing, unequivocally second-rate poetic endeavors. Gower plays the lumbering "fall guy" to the nimble and free-spirited Chaucer.</text>
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                <text>Dinshaw argues that such rivalry effaces women--that when "read in interaction," Gower's Philomela narrative and aspects of Chaucer's Criseyde "can be opened to reveal and resist the violent obliteration of the feminine."</text>
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                <text>Revised slightly in Anna Roberts, ed. Violence Against Women in Medieval Texts (Gainesville: University Press of Florida, 1998).</text>
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              <text>Allen, Valerie, and Ruth Evans, eds.</text>
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        <element elementId="98">
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              <text>Manchester: Manchester University Press, 2016.</text>
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              <text>xiv, 367 pp.; illus. &amp; maps.</text>
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              <text>Background and General Criticism</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2828354">
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          <element elementId="50">
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                <text>Roadworks: Medieval Britain, Medieval Roads.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2828346">
                <text>Twelve essays by various authors and an introduction by the editors explore the material and symbolic status of roads in medieval history and literature. The volume includes a bibliography and index. For three essays that pertain to Chaucer, search for Roadworks under Alternative Title.</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2714709">
              <text>Hanning, Robert W.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714710">
              <text>Studies in the Age of Chaucer 7 (1985): 3-21.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2714711">
              <text>1985</text>
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        <element elementId="102">
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            <elementText elementTextId="2714713">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2714714">
              <text>Summoner and His Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
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              <text>Studies in the Age of Chaucer 07 (1985)</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>jules SAC 09 (111)</text>
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          <element elementId="50">
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              <elementText elementTextId="2714708">
                <text>Roasting a Friar, Mis-taking a Wife, and Other Acts of Textual Harassment in Chaucer's 'Canterbury Tales'</text>
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              <elementText elementTextId="2714712">
                <text>Chaucer's pilgrims misquote or distort received texts to further their own interests.  In SumT and WBP, Chaucer turns two experts in "glosinge" into "human texts" to satirize Friar John and to expose the limited options of the Wife in dealing with established stereotypes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695745">
              <text>Stanley, E. G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695746">
              <text>Notes and Queries 237 (1992): 278-80.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695747">
              <text>1992</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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              <text>Notes and Queries 237 (1992).</text>
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                <text>Robert Dodsley's Archaizing Chaucer Allusion</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2695748">
                <text>Discovers a Chaucer allusion in Nathan ben saddi's (i.e., Robert Dodsley's) The Chronicle of the Kings of England (London, 1740), which was written in pastiche style.</text>
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          <elementTextContainer>
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              <text>Jack, R. D. S.</text>
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              <text>Marco Fazzini, ed. Alba Literaria: A History of Scottish Literature )Venice: Amos Edizioni, 2005), pp. 33-44.</text>
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              <text>Fazzini, Marco, ed.</text>
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                <text>Comments on Henryson's biography, relations with medieval tradition, and stylistic range. Though he admired Chaucer, Henryson criticizes TC in the "Testament of Cresseid" because at the end of Chaucer's poem nothing more is known about Criseyde.</text>
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              <text>xxvi, 184 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Robert Henryson: Poems.</text>
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                <text>Edits a selection of Robert Henryson's poetry, with appended critical notes and glosses, an Introduction, a Biographical and Textual Note, and a series of Appreciations by literary historians. The Introduction (pp. vii-xv) focuses on how and to what extent Henryson ought to be considered "Chaucerian," emphasizing Henryson's independence, and providing points of comparison and contrast between the two poets. The critical notes include recurrent references to Chaucer's works.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="98">
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              <text>Fifteenth-Century Studies 28 (2003): 80-96.</text>
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            <elementText elementTextId="2792305">
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            <elementText elementTextId="2792307">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2792308">
              <text>Wife of Bath and Her Tale</text>
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              <text>Fifteenth-Century Studies 28 (2003)</text>
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        <element elementId="109">
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                <text>Reads Henryson's pastoral "Robene and Makyne" as a burlesque, attributing its generic variety to the poet's attempt to emulate Chaucer's "virtuosity," and exploring several instances where Henryson follows Chaucer's steps more closely, treating most extensively the influence of WBPT on Makyne's desire to "rule men" in Henryson's poem.</text>
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              <text>Turner, Nancy L.</text>
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        <element elementId="98">
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              <text>Sheila Delany, ed. Chaucer and the Jews: Sources, Contexts, Meanings (New York and London: Routledge, 2002), pp. 133-44.</text>
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              <text>Chaucer and the Jews: Sources, Contexts, Meanings.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2760905">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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                <text>Robert Holcot on the Jews</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Both in his emphasis on particular Christian issues and in his stereotyping of Jews, Dominican writer Robert Holcot reflects the lack of Jews in England. Holcot may have influenced Chaucer's understanding of Jews.</text>
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  <item itemId="270346" public="1" featured="0">
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                <elementText elementTextId="521447">
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2784942">
              <text>Hanna, Ralph, III</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2784943">
              <text>Paul Ruggiers, ed. Editing Chaucer: The Great Tradition (Norman, Okla.: Pilgrim Books, 1984), pp. 191-205.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2784944">
              <text>1984</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2784945">
              <text>Editing Chaucer: The Great Tradition.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2784948">
              <text>Manuscripts and Textual Studies</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>mea 1/15/2013 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2784941">
                <text>Robert K. Root (1877-1950)</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2784946">
                <text>Explains Root's dependence on William Symington McCormick's theory of Chaucer's seriatim revisions of TC, and castigates the "illogical rationalism" of Root's editorial methods, especially his treatment of scribal error.  Root's "longing for an automatically generated text" overrode "palpable facts" and his conservative "adherence to principle" produced a seriously flawed text, albeit one accompanied by an excellent critical introduction and superb explanatory notes.</text>
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  <item itemId="273269" public="1" featured="0">
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2815538">
              <text>DeNeef, A. Leigh.</text>
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        <element elementId="98">
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          <elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815540">
              <text>Chaucer Review 02 (1968)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2815541">
              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>mea; 08/20/2017</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815543">
              <text>1968</text>
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                <text>Robertson and the Critics.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852040">
                <text>Critiques--pro and con--Robertsonian criticism, also known as exegetical, Augustinian, or historical criticism, describing its theoretical and practical strengths and limitations, and exploring its possibilities for further illuminating medieval literature. Focuses on D. W. Robertson's "A Preface to Chaucer" and his "Chaucerian Tragedy," which assesses the "pattern" of the Fall of humankind in TC.</text>
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  <item itemId="271387" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796039">
              <text>Freeman, Paul A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796040">
              <text>Winnipeg: Coscom Entertainment, 2009.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796041">
              <text>2009</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796042">
              <text>97 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796044">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2796045">
              <text>Monk and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796046">
              <text>mea 12/16/2013 No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2796038">
                <text>Robin Hood &amp; Friar Tuck: Zombie Killers, A Canterbury Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2796043">
                <text>Horror fiction in rhymed pentameter couplets, presented as the "Monk's Second Tale," with Prologue and Epilogue.</text>
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          </element>
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  <item itemId="262431" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704966">
              <text>Knapp, Peggy A.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704967">
              <text>Julian N. Wasserman and Lois Roney, eds.  Sign, Sentence, Discourse:  Language in Medieval Thought and Literature (Syracuse, N. Y.:  Syracuse University Press, 1989), pp. 294-303.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704968">
              <text>1989</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704969">
              <text>Sign, Sentence, Discourse: Language in Medieval Thought and Literature.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704972">
              <text>Miller and His Tale.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704973">
              <text>jules SAC 13 (118)</text>
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              <elementText elementTextId="2704965">
                <text>Robyn the Miller's Thrifty Work</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2704970">
                <text>Studies MilT for its "intersecting strands of linguistic coding" and contrasts Robertsonian character typing with Bakhtin's "dialogic imagination," semantic open-endedness.  The stock character type of the Miller is "quited" by his tale.  Bakhtin's view allows for Chaucerian immediacy and idiosyncrasy controlled by authoritative discourse.  The new voices and meanings of CT are created out of the received languages of rhetoric, philosophy, and society.</text>
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              <elementText elementTextId="2704971">
                <text>Knapp treats Robyn the Miller's "anti-aristocratic language" and his entrepreneurial and nominalist ideology, by which he forces the Knight and the Host, "who had offended him through their deference to the hierarchical world, to see disorder and sex graphically."  MilT uses Freudian techniques of degradation and unmasking.  Chaucer's fiction looks like the "real world" rather than the weaving together of languages.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wein, Jake Milgram</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del.: Oak Knoll; London: British Library, 2003), pp. 311-25.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765621">
              <text>2003</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765622">
              <text>Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2765624">
              <text>Facsimiles, Editions, and Translations.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>vxl SAC 27:29</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Rockwell Kent's Canterbury Pilgrims</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2765623">
                <text>Wein examines and appreciates the ways Kent's illustrations of the Canterbury pilgrims broke with formal and interpretive traditions. The essay focuses on the aesthetic impact of the lavish 1930 limited edition (published by Covici-Friede), later frequently reprinted.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693478">
              <text>Kolve, V. A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693479">
              <text>Piero Boitani and Anna Torti, eds.  Poetics:  Theory and Practice in Medieval English Literature (Bury St. Edmunds, Suffolk: D. S. Brewer, 1991), pp. 165-95.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693480">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693481">
              <text>Poetics: Theory and Practice in Medieval English Literature.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693483">
              <text>Franklin and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693484">
              <text>mea.</text>
            </elementText>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693477">
                <text>Rocky Shores and Pleasure Gardens: Poetry vs. Magic in Chaucer's Franklin's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2693482">
                <text>An illustrated analysis of moral and aesthetic issues raised by Chaucer.  The rocks, garden, and study that form the loci of FranT carry iconographic meaning suggesting a true poetics of illusion.</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826689">
              <text>Manzalaoul, Mahmoud.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826690">
              <text>Notes and Queries 209 (1964): 165-66.</text>
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        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2826691">
              <text>Notes and Queries 209 (1964)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2826692">
              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826693">
              <text>mea; 10/30/2019</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826694">
              <text>1964</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826687">
                <text>Roger Bacon's "in convexitate" and Chaucer's "In convers" ("Troilus and Criseyde". V. 1810).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826688">
                <text>Cites Roger Bacon's "Tractatus brevis . . . in libro Secreti Secretorum Aristotilis" as possible justification for emending "convers" to "convex" in the reference to the eighth sphere in TC 5.1910, despite the lack of textual support.</text>
              </elementText>
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          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276134" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841266">
              <text>Paravano, Cristina.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841267">
              <text>Francesca Orestano and Michael Vickers, eds. Not Just Porridge: English Literati at Table (Oxford: Archaeopress, 2017), pp. 1-11; 4 illus</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
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              <text>Orestano, Francesca, ed. &#13;
Vickers, Michael, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841269">
              <text>Not Just Porridge: English Literati at Table</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>Cook and His Tale&#13;
Manciple and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; SAC 44:210</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841272">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841264">
                <text>Roger of Ware: A Medieval Masterchef in Chaucer's "Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2841265">
                <text>Assesses the characterization and culinary skills of the Cook, commenting on details of GP, CkP, and ManP, and commending his variety of cooking techniques. Includes recipes for "Chicken with the Marrowbones" and "Mortreux" (GP, 380, 384).</text>
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  <item itemId="268805" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769007">
              <text>Schleburg, Florian.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769008">
              <text>Uwe Boker et al., eds. Of Remembraunce the Keye: Medieval Literature and Its Impact Through the Ages. Festschrift for Karl Heinz Goller on the Occasion of His 80th Birthday (Frankfurt am Main: Lang, 2004), pp. 79-93.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769009">
              <text>2004</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769010">
              <text>Of Remembraunce the Keye: Medieval Literature and Its Impact Through the Ages.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2769012">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2769013">
              <text>vxl sac 29:141</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2769006">
                <text>Role-Conformity and Role-Playing in Troilus, Pandarus, and Criseyde</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2769011">
                <text>The three main characters of TC "embody three widely different ways of handling the roles they want to be judged by": total identification (Troilus), total detachment (Pandarus), and acceptance with reservations (Criseyde). Although Chaucer could not have had role-playing theory in mind, he was sensitive to "what happens when three persons of so incompatible views on reality are let loose on each other."</text>
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              <description>A name given to the resource</description>
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              <text>Kraebel, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Speculum 94.4 (2019): 959-1005.</text>
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              <text>Speculum 94 (2019)</text>
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              <text>Manuscripts and Textual Studies&#13;
Lyrics and Short Poems&#13;
Adam Scriveyn</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836012">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836005">
                <text>Rolle Reassembled: Booklet Production, Single-Author&#13;
Anthologies, and the Making of Bodley 861.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851020">
                <text>Explores connections between authority and production/distribution in Bodley 861. Briefly compares the Bodley scribe and scribe B in the Hengwrt CT, discusses Chaucer's shorter poems and their dependence on external evidence, and discusses John Shirley as the copyist of Adam.</text>
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