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              <text>Flannery, Mary C.</text>
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              <text>Chaucer Review 56.4 (2021): 360-77.</text>
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              <text>SAC 45:69</text>
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                <text>Good Fun: Cecily Chaumpaigne and the Ethics of Chaucerian Obscenity</text>
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                <text>Discusses the long-standing view of Chaucer as a fun, perhaps obscene writer, suggesting that readers "are invested in protecting their ability to enjoy Chaucer freely." References Kate Manne's notion of "himpathy," or the "excessive sympathy" felt toward men accused of crimes, to examine how views of Chaucer as a bawdy author have contaminated treatments of Chaumpaigne's case and depiction. Suggests adopting Sara Ahmed's role of "feminist killjoy" as an antidote to "himpathy" toward Chaucer.</text>
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              <text>Elmes, Melissa Ridley.</text>
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              <text>Once and Future Classroom 17.1 (2021): 1-26.</text>
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                <text>The Chaucerian Miscellany: A Practical, Hands-On Approach to Teaching Medieval Literature and Book Culture.</text>
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                <text>Describes a semester-long assignment for use in an undergraduate Chaucer course, with extensive hand-outs, adaptable to in-class, online, and hybrid formats. The end-product is a "commonplace book" or "medieval miscellany" that combines traditional goals of linguistic competence and literary analysis with innovative flexibility for students and adaptability to topics besides Chaucer study.</text>
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              <text>Edwards, A. S. G. </text>
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              <text>Times Literary Supplement July 2, 2021, pp. 7-8.</text>
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                <text>Gladly wolde he lerne? Why Chaucer Is Disappearing from the University Curriculum.</text>
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                <text>Attributes reduction of Chaucer's presence in UK university curricula to "asserted economic exigency and the quest for relevance," and aligns it with "unreflective dogma" of forms of "political correctness," including "radical feminism." Responses and counter-responses by Tom Bailey, Colin Leach, William Flesch, Edwards, and Jill Mann appear among the Letters to the Editor in issues for July 9, 16, and 23, 2021.</text>
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              <text>Dinshaw, Carolyn.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 1.1 (2020): 38–44..</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 01 (2020)</text>
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              <text>Background and Generaal Criticism</text>
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                <text>Notes on Experimentation, June 2020.</text>
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                <text>Assesses the need for experimentation in current educational endeavors, considered in light of the provocative "failure" of the "Strawberry Creek College" (officially, the "Collegiate Seminar Program") of University of California, Berkeley, and the essential activist role of Chaucerian Charles Muscatine and the "Muscatine Report," officially known as "Education at Berkeley."</text>
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              <text>Davis, Alex.</text>
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              <text>Oxford: Oxford University Press, 2020.</text>
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              <text>297 pp.; illus.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Man of Law and His Tale</text>
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                <text>Imagining Inheritance from Chaucer to Shakespeare.</text>
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                <text>Explores ho inheritance was imagined between the lifetimes of Chaucer and Shakespeare. Examines medieval writings, including CT and TC, and Renaissance writings, such as Edmund Spenser's "Faerie Queene" and William Shakespeare's "As You Like It," "Macbeth," and "The Merchant of Venice," to emphasize relationship between inheritance and "a range of themes including religion and the development of a world system of trade." Discusses issue of "trade and interest" in MLT.</text>
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              <text>Cooper, Lisa H.</text>
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              <text>Speculum 95.1 (2020): 36-88.</text>
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              <text>Speculum 95 (2020)</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Agronomy and Affect in Duke Humfrey's "On Husbondrie."</text>
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                <text>Examines the fifteenth-century manuscript known as "On Husbondrie," compiled by Duke Humfrey of Gloucester, which contains information on farming, agriculture, and animal husbandry. Argues that the manuscript is not simply a practical guide for agricultural techniques, but a complex and affective text that reflects the emotional and spiritual aspects of medieval farming practices. Multiple references to Chaucer's works, including BD, RvT, Th, MilT, SqT, and MerT. Footnote 77 discusses the connection between "the physicality of meter" in Boethius's "Consolation of Philosophy" and the "sense-perceptible" effect of alliteration in Bo.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.2 (2021): 113-22.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 02 (2021)</text>
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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            <elementText elementTextId="2844428">
              <text>SAC 45:63</text>
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                <text>Being a Medievalist in the Age of the Pandemic.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851910">
                <text>Reports on the author's completing a Ph.D. in medieval English and pursuing a career during the COVID-19 pandemic; includes comments on the "clear parallel" between teaching Chaucer's works and teaching online courses generally.</text>
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              <text>Gastle, Brian W.</text>
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              <text>Susannah Mary Chewning, ed. Studies in the Age of Gower: A Festschrift in Honour of R. F. Yeager (Cambridge: D. S. Brewer, 2020], pp. 203-16.</text>
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            <elementText elementTextId="2844418">
              <text>Studies in the Age of Gower</text>
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            <elementText elementTextId="2844419">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 45:161</text>
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        <element elementId="114">
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              <elementText elementTextId="2850953">
                <text>The Constraints of Justice and Gower's "Lawyerly Habit of Mind."</text>
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            <description>An account of the resource</description>
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                <text>Examines John Gower's consideration of the "appropriate purpose and use of incarceration, including comparison of his Tale of Tereus" in the "Confessio Amantis" with Chaucer's analogous account in LGW. In Gower, imprisonment precedes the rape of Philomena and continues afterward, a "custodial function of removing her from the social world"; in Chaucer, imprisonment "suggests a continuation of the violation."</text>
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              <text>Kuczynski, Michael P.</text>
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              <text>Studies in the Age of Gower</text>
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              <text>Parson and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Gower, Chaucer, and the "Treuthe of Prestehode."</text>
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            <description>An account of the resource</description>
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                <text>Compares Genius of Gower's "Confessio Amantis" with Chaucer's Parson of CT in order to disclose Gower's "views concerning priests," arguing that both characters are idealized models of "proper pastoral care" and, perhaps, the result of conversations between the poets about the "responsibilities&#13;
of the secular clergy."</text>
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              <text>Peck, Russell A.</text>
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              <text>Studies in the Age of Gower: A Festschrift in Honour of R. F. Yeager (Cambridge: D. S. Brewer, 2020.), pp. 59-78.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2844402">
              <text>Studies in the Age of Gower</text>
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          </elementTextContainer>
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              <text>Man oif Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850954">
                <text>Patriarchy, Family, and Law in Gower's "Confessio Amantis."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851247">
                <text>Examines several stories from Gower's "Confessio Amantis" to investigate the poet's "thoughts about the limitations of patriarchy as an institution." Includes comparison of Gower's Tale of Constance with Chaucer's MLT, showing that the latter is more deterministic.</text>
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  <item itemId="276518" public="1" featured="0">
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              <name>Title</name>
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              <text>Chewning, Susannah Mary, ed.</text>
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        <element elementId="98">
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              <text>Cambridge: D. S. Brewer, 2020.</text>
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            <elementText elementTextId="2844392">
              <text>xiv, 260 pp.; 9 b&amp;w illus.</text>
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        <element elementId="104">
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            <elementText elementTextId="2844393">
              <text>Publications of the John Gower Society, no. 13.</text>
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          <description/>
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            <elementText elementTextId="2844394">
              <text>Studies in the Age of Gower</text>
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        <element elementId="102">
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              <text>Background and General Criticism</text>
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        <element elementId="109">
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            <elementText elementTextId="2844396">
              <text>SAC 45:62</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844397">
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              <elementText elementTextId="2844388">
                <text>Studies in the Age of Gower: A Festschrift in Honour of R. F. Yeager.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850955">
                <text>Fourteen essays by various authors, with an introduction and a "Personal Tribute" by the editor, offering accounts and analyses of Gower's works, influence, and reception. For three essays pertaining to Chaucer, search for Studies in the Age of Gower under Alternative Title.</text>
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  <item itemId="276517" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2844381">
              <text>Cheng, Elyssa Y.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844382">
              <text>Patricia Haseltine and Sheng-Mei Ma, eds. Doing English in Asia: Global Literature and Culture (Langham, Md.: Lexington, 2016), pp. 69-85.</text>
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              <text>Haseltine, Patricia, ed. &#13;
Ma, Sheng-Mei, ed.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844384">
              <text>Doing English in Asia: Global Literature and Culture.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844385">
              <text>Background and General Critcism&#13;
General Prologue to the Canterbury Tales&#13;
Wife of Bath and Her Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844386">
              <text>SAC 45:61</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844387">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844379">
                <text>Teaching Early British Literature in Southern Taiwan.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844380">
                <text>Reports briefly on the study of English language and literature in Taiwan and describes a pedagogy for teaching a course in early British literature, including discussion of the advantages of using, among others, a "painting and drawing technique" to teach GP, as well as "comic strip&#13;
creation" for WBPT.</text>
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  <item itemId="276516" public="1" featured="0">
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              <text>Bushnell, Rebecca, ed.</text>
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              <text>xii, 363 pp.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844375">
              <text>Penn Studies in Landscape Architecture.</text>
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          <name>Chaucer Subject</name>
          <description/>
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              <text>Background and General Critricism&#13;
Facsimiles, Editions, and Translations&#13;
Legend of Good Women&#13;
Parliament of Fowls</text>
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          <description/>
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              <text>SAC 45:60</text>
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        <element elementId="114">
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                <text>Marvels of the World: An Anthology of Nature Writing before 1700</text>
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                <text>Anthologizes a wide variety of selections from classical, biblical, medieval, and early modern literatures in a "companion to literary or cultural study of premodern ecological concerns." Includes two samples from Chaucer: a conflation of portions of the first 200 lines of LGWP-F and LGWP-G, and lines 302–71 of PF, both in modernized spelling, accompanied by glosses at the bottom of the page and brief introductions.</text>
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              <text>Balestrini, María Cristina.</text>
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              <text>De medio aevo 10.15 (2021): 169-79.</text>
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              <text>De medio aevo 10 (2021)</text>
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              <text>SAC 45:59</text>
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                <text>Los escritores ricardianos y la consolidación de la literatura en inglés medio.</text>
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            <description>An account of the resource</description>
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                <text>Reviews development of late fourteenth-century English poetry and the canonization and recognition of Chaucer and Gower as founders of English literature. Claims that their literature contributes to a sense of belonging, through the use of the vernacular and the construction of a public voice, in cultural communities.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Baechle, Sarah, and Carissa M. Harris.</text>
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              <text>Chaucer Review 56.4 (2021): 311-21.</text>
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              <text>Harris, Carissa M.</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 45:58</text>
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              <text>2021</text>
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                <text>The Ethical Challenge of Chaucerian Scholarship in the Twenty-First Century</text>
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              <elementText elementTextId="2844354">
                <text>Introduces a special edition centered on Chaucerian scholarship and its relationship to power, empire, class, race, and gender, suggesting how scholars can navigate the toxic nature of Chaucer and his writings. Considers how scholars can "write about or teach Chaucer's work without upholding the patriarchal and white supremacist institutions the poet and his oeuvre have advanced."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Anderson, Sarah M.</text>
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              <text>Arthuriana 30.3 (2020): 8-49.</text>
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              <text>Arthuriana 30 (2020): 8-49.</text>
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              <text>Background and General Criticism&#13;
Boece&#13;
Treatise on the Astrolabe&#13;
House of Fame&#13;
Wife of Bath and Her Tale</text>
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              <text>SAC 45:57</text>
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        <element elementId="114">
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            <elementText elementTextId="2844352">
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              <elementText elementTextId="2844345">
                <text>Studies in Medieval Star-Gazing.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844346">
                <text>Contemplates star-gazing, constellation-making, manuscript compilations as constellations, and other forms of pattern-making in various medieval visual and verbal texts, including Bo, Astro, HF, and WBP, describing Chaucer as someone "interested in the technical instruments of astronomy and its inseparable partner astrology, in cosmological speculation, and in the speculative flying machine of philosophical argument."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Anderson, Joel.</text>
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        <element elementId="98">
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              <text>Speculum 95.3 (2020): 658-88.</text>
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              <text>Speculum 95 (2020)</text>
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              <text>Background and General Criticism&#13;
Clerk and His Tale</text>
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              <text>2020</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines the role of the Bishop Guðmundr in mediating the relationship between the papacy and the Icelandic Church in the thirteenth century. Demonstrates how Guðmundr's actions, and strategy for challenging traditional notions of papal authority, contributed to the development of unique Icelandic forms of religious and political identity. Connects these ideas with how Chaucer also challenged papal authority and satirized papal bulls in such works as ClT by connecting authority to "nefarious agendas."</text>
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                <text>Bishop Guðmundr's Roman Redemption: Imagining and Suspending Papal Government in Medieval Iceland.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Aers, David, and Thomas Pfau.</text>
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              <text>Christianity and Literature 70.3 (2021): 263-75.</text>
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              <text>Christianity and Literature 70 (2021)</text>
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              <text>Background and General Criticism</text>
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              <text>SAC 45:55</text>
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            <elementText elementTextId="2844337">
              <text>2021</text>
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              <elementText elementTextId="2844329">
                <text>Exploring Christian Literature in the Contemporary and Secular University.</text>
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            <description>An account of the resource</description>
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                <text>Argues that theological modes of inquiry are needed in interdisciplinary approaches to literature that have tended toward secular and "reductive" methodologies. Notes the difficulty of teaching theological modes of inquiry through Chaucer when few students have knowledge of basic Christian theological concepts. Contends that modern graduate schools' focus on poststructuralist theories reduces medieval texts to a single "message" and leads to inaccurate conclusions, such as that Chaucer was a "protodeconstructionist.</text>
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              <text>Mattison, Julia.</text>
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              <text>Medium Aevum 90.1 (2021): 24-50.</text>
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              <text>Medium Aevum 90 (2021)</text>
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              <text>Language and Word Studies&#13;
Style and Versification&#13;
Knight and His Tale</text>
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              <text>SAC 45:54</text>
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                <text>Universalizing Doublets in Middle English Verse: Chaucer and Romance</text>
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                <text>Analyzes Chaucer's "universalizing doublets," such as "up and doun," with those appearing in the Auchinleck Manuscript to suggest that Chaucer was not simply &#13;
imitating the diction of medieval romance: his usage mirrors that of Middle English generally. While often used to fill out a line of verse, universalizing doublets can also be substantive; for example, the use of "up and doun" and "to and fro" in KnT underscores its Boethian themes of cycles and mutability.</text>
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              <text>Weiskott, Eric.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2021.</text>
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              <text>xviii, 298 pp.</text>
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              <text>SAC 45:53</text>
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          <name>Date</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844305">
                <text>Meter and Modernity in English Verse, 1350–1650.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850742">
                <text>Examines "uses and misuses" of three metrical forms found in English literary history between 1350 and 1650:  alliterative meter, tetrameter, and pentameter. Rejects the traditional division between medieval and modern in reexamination of Chaucer's English metrical phonology during the "age of the pentameter."</text>
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              <text>Sawyer, Daniel.</text>
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              <text>Chaucer Review 56. 3 (2021): 193-224.</text>
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              <text>SAC 45:52</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2844304">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844297">
                <text>Form, Time, and the "First English Sonnet."</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850961">
                <text>Considers John Metham's "sonnet," which presents the first sonnet-like form in English. While disputing that Metham's poem should be viewed as the first sonnet in English, its similarities and interpretations help to advance considerations about form that illuminate later English sonnets. Includes brief comments on Chaucer and the sonnet form.</text>
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              <text>Lubinski, Jason D.</text>
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              <text>Open access Ph.D. dissertation (University of Oklahoma, 2019). Available at https://shareok.org/handle/11244/319600 (accessed February 8, 2023).</text>
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              <text>Style and Versification&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>2019</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2844290">
                <text>Representations of Male Medieval Literary Characteristics and the Medieval Understanding of Gendered Characteristics.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844291">
                <text>Analyzes "how medieval society understood the way gender characteristics were composed and balanced in a person by applying classical theories on biology, the humors, physiognomy, and astrology to medieval literary characters." Includes examination of "hypermasculine characteristics" of characters in RvT and KnT; "[e]ffiminate characteristics" in Absolon of MilT, the Squire, and Sir Thopas; "[e]masculated and feminized characteristics in Mel; and rehabilitation and balance in the charac terizations of the rapist knight in WBT and Troilus in TC.</text>
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              <description>A name given to the resource</description>
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              <text>Watt, Diane.</text>
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            <elementText elementTextId="2844286">
              <text>Studies in the Age of Chaucer 42 (2020): 337-50.</text>
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              <text>Studies in the Age of Chaucer 42 (2020)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>2020</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2844283">
                <text>The Paston Women and Chaucer: Reading Women and Canon Formation in the Fifteenth Century</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844284">
                <text>Argues that evidence of female readership drawn from the Paston letters indicates familiarity with works by Chaucer and by Lydgate, as well as popular spiritual writings, devotional works, hagiographies, and chivalric treatises. Emphasizes the importance of "literary culture" rather than "scribal activity" as indicators of the fifteenth-century English literary  canon.</text>
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          <elementTextContainer>
            <elementText elementTextId="2844276">
              <text>Parker, Joanne, and Corinna Wagner, eds.</text>
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              <text>New York: Oxford University Press, 2020. xx</text>
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          <elementTextContainer>
            <elementText elementTextId="2844278">
              <text>xx, 680 pp.</text>
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              <text>Wagner, Corinna, ed.</text>
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              <text>Background and General Criticism</text>
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          <description/>
          <elementTextContainer>
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              <text>SAC 45:84</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844282">
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844274">
                <text>The Oxford Handbook of Victorian Medievalism.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Includes thirty-nine essays by various authors on a wide range of topics relating to medievalisms in Victorian culture, generally British and American, with attention to the historical development of interest in medieval languages, literature, arts, architecture, social attitudes, and religious practices. The capacious index includes numerous references to Chaucer, his works, and his influence. For one essay that pertains to Chaucer, search for  Oxford Handbook of Victorian Medievalism under Alternative Title.</text>
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          </element>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844268">
              <text>Utz, Richard.</text>
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          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844269">
              <text>Joanne Parker and Corinna Wagner, eds. The Oxford Handbook of Victorian Medievalism (New York: Oxford University Press, 2020), pp. 189-201.</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844270">
              <text>Oxford Handbook of Victorian Medievalism</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844271">
              <text>Chaucer's Influence and Later Allusion</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844272">
              <text>SAC 45:49</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844273">
              <text>2020</text>
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              <elementText elementTextId="2844266">
                <text>Chaucer among the Victorians.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2850964">
                <text>Traces the "growing fascination" with Chaucer, his language, and his works in the nineteenth and early twentieth century, linking it with the cultural imagining of Chaucer "as a predecessor to" Victorian "preferred aesthetics, ideologies, and mentalities." Surveys materials from "antiquarians and gentlemen scholars," professional medievalists, and the "strong interest" among the public reflected in adaptations, translations, bowdlerizations, children's versions, and "Penny Dreadfuls."</text>
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