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              <text>Mead, Jenna.</text>
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              <text>Medieval Encounters 5: 350-57,   1999.</text>
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              <text>Treatise on the Astrolabe.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Medieval  Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 05 (1999).</text>
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              <text>jules SAC 23 (223)</text>
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                <text>Reading by Said's Lantern : Orientalism and Chaucer's Treatise on the Astrolabe</text>
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                <text>Although Astr can be read as "unmarked," or neutral in relation to issues of cultural otherness, its source in Messahala's Arabic treatise and its enfigurement of the astrolabe as feminine indicate that we can and should treat it (with other seemingly unmarked texts) within the discourse of orientalism.</text>
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              <text>Laird, Edgar, and Robert Fischer, trans.</text>
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              <text>Binghamton, N.Y. : Medieval &amp; Renaissance Texts &amp; Studies, 1995.</text>
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              <text>1995</text>
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              <text>114 pp.</text>
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              <text>Fischer, Robert,trans.</text>
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              <text>Treatise on the Astrolabe.</text>
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              <text>Medieval &amp; Renaissance Texts &amp; Studies, no. 127.</text>
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              <text>jules SAC 23 (222)</text>
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                <text>Pèlerin de Prusse on the Astrolabe : Text and Translation of His Practique de astrolabe</text>
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                <text>Facing-page (French-English) translation of the earliest French treatise on the astrolabe (1362), a work that shares the same source as Astr. The introduction assesses the relations among Pélerin's "Practique," Astr, and their source text, John of Seville's twelfth-century "Compositio et operatio astrolabii," a version of the lost text of the eighth-century Arabic writer Massahalla.</text>
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              <text>Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 145-65.</text>
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              <text>Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>jules SAC 23 (221)</text>
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                <text>Geoffrey Chaucer and Other Contributors to the Treatise on the Astrolabe</text>
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                <text>The status of Astr as an unfinished scientific treatise encouraged its manuscript compilators to finish or add to it in a number of ways: responding to the descriptive prologue included by Chaucer, adding to or reordering its materials, and placing it in various kinds of assemblage.</text>
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              <text>Craig, Lisa Renee.</text>
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              <text>Dissertation Abstracts International 60: 1119A,   1999.</text>
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              <text>Treatise on the Astrolabe.</text>
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              <text>Dissertation Abstracts International 60 (1999)</text>
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                <text>Magnitude and Direction : An Examination of Rhetorical Features of Minimal Manuals, Past and Present</text>
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                <text>In this study of a specialized kind of computer manual, Chaucer's Astr is cited as a prototype and analyzed for its use of three characteristic rhetorical features.</text>
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              <text>Asahata, Syozo.</text>
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              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 239-53 (in Japanese).</text>
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              <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday.</text>
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              <text>jules SAC 23 (219)</text>
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                <text>A Manuscript of Chaucer's Astrolabe</text>
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                <text>Surveys the reception of Astr in Japan and describes the former Marquess of Bute MS 13 (A.19) purchased from H. P. Kraus, New York, at an unspecified date.</text>
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              <text>Aaij, Michel.</text>
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              <text>Medieval Perspectives 14: 13-19,   1999.</text>
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              <text>Anelida and Arcite.</text>
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              <text>jules SAC 23 (218)</text>
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                <text>Perverted Love in Chaucer's 'Anelida and Arcite'</text>
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                <text>Thebes's foundational perversion (Jove's rape of Europa) establishes a recursive pattern of love and violence. Creon's dynastic expectation for Anelida and Arcite results in Anelida's self-deception and leads as well to Arcite's servitude to his new paramour.</text>
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              <text>Chaucer's Retraction.</text>
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              <text>Chaucer Review 33 (1999)</text>
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              <text>jules SAC 23 (217)</text>
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                <text>Placing Chaucer's Retraction for a Reception of Closure</text>
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              <elementText elementTextId="2750381">
                <text>It is possible that Ret was written as a general work, found among the papers and drafts of CT, and then put at the end of that work by scribes and early editors. If thought to apply to Chaucer's entire corpus, Ret broadens our view of the poet as a working writer.</text>
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          <elementTextContainer>
            <elementText elementTextId="2750368">
              <text>Choi, Yejung.</text>
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          <elementTextContainer>
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              <text>Medieval English Studies 7: 149-75,   1999.</text>
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        <element elementId="114">
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            <elementText elementTextId="2750370">
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              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2750374">
              <text>Medieval English Studies 07 (1999)</text>
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              <text>jules SAC 23 (234)</text>
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                <text>[The Legend of Good Women: Reading the Author's 'Entente']</text>
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            <description>An account of the resource</description>
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                <text>In LGW, if the God of Love and Alceste criticize Chaucer, they do so as representatives of a text community based on Augustinian hermeneutics. Chaucer undermines the legitimacy of their view of poetry, inscribing his own presence and intent in the poem.</text>
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                <text>In Korean, with English and Korean abstracts.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750359">
              <text>Aloni, Gila.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2750360">
              <text>Rhetoric Society Quarterly 29.3: 31-43,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1999</text>
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            <elementText elementTextId="2750363">
              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2750364">
              <text>Rhetoric Society Quarterly 29 (1999)</text>
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        <element elementId="109">
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              <text>jules SAC 23 (233)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2750358">
                <text>Lucrece's 'Myght': Rhetorical/Sexual Potency and Potentiality in Geoffrey Chaucer's Legend of Lucrece</text>
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            <elementTextContainer>
              <elementText elementTextId="2750362">
                <text>Argues that in the LGW account of Lucrece (a tale of enforced copulation), Chaucer uses the word "myght" as a noun, a verb, and a copula to suggest the ultimate triumph of the heroine's seductive rhetoric. The story is less about rape than about women's rhetorical power; it is about Tarquinius's failure as a rhetorician, for which he tries to compensate (but cannot) with physical "myght."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750350">
              <text>Aloni, Gila.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2750351">
              <text>Bulletin des Anglicistes Medievistes 56: 45-57,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750352">
              <text>1999</text>
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          <elementTextContainer>
            <elementText elementTextId="2750354">
              <text>Legend of Good Women.</text>
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        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750355">
              <text>Bulletin des Anglicistes Medievistes 56 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 23 (232)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2750349">
                <text>Cupidon et Alceste</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750353">
                <text>Assesses similarities and differences between the two Prologues to LGW and the portrayal of Cupid in the Dido account, examining the power relations between Cupid and Alceste and, beyond this microstructure, the masculine-feminine relations of the poem. In French.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750341">
              <text>Kordecki, Lesley.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750342">
              <text>Exemplaria 11: 53-77,   1999.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750343">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750345">
              <text>House of Fame.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750346">
              <text>Exemplaria 11 (1999)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 23 (231)</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750340">
                <text>Subversive Voices in Chaucer's House of Fame</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750344">
                <text>To find his own poetic voice, Chaucer's dreamer in HF impersonates the non-canonical subjectivities and voices of women and animals in the form of Dido, the eagle, and the monster-woman Fame. By doing so, he turns away from masculine literary authority to explore alternative authority based on orality and the natural world.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750328">
              <text>Brown, Sarah Annes.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750329">
              <text>New York :</text>
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            <elementText elementTextId="2750330">
              <text>London : St. Martin's Press ;</text>
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            <elementText elementTextId="2750331">
              <text>Duckworth, 1999.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750332">
              <text>1999</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2750333">
              <text>viii, 246 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750336">
              <text>House of Fame.</text>
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            <elementText elementTextId="2750337">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750338">
              <text>jules SAC 23 (230)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2750327">
                <text>The Metamorphosis of Ovid : From Chaucer to Ted Hughes</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2750334">
                <text>Twelve chapters assess why so many poets have been drawn to Ovid's Metamorphoses as a source of inspiration. Although its intrinsic richness and complexity provided the original impetus for its popularity, its permeation of so much English literature has shaped each generation's response to Ovid and lent still more resonance to his voice. Authors discussed include Spenser, Shakespeare, Marvell, Milton, Samuel Garth, Keats, Beddoes, Browning, Eliot, Joyce, H.D., and Virginia Woolf.</text>
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                <text>Chapter 2 (pp. 23-37) discusses the influence of Ovid on Chaucer's HF, describing Chaucer's appropriations and adjustments to the Ovidian notion of Fama in Metamorphoses 12, especially its concerns with literary production and dissemination.</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750318">
              <text>Yvernault-Gamaury, Martine.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2750319">
              <text>Colette Stévanovitch, ed. L'Articulation langue-littérature dans les textes médiévaux anglais, II. Actes du colloque des 25 et 26 juin 1999 á l'Université de Nancy II. Collection GRENDEL, no. 3.  (Nancy: Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 1999), pp. 175-92.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2750320">
              <text>1999</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2750321">
              <text>Articulation langue-littérature dans les textes médiévaux anglais, II. Actes du colloque des 25 et 26 juin 1999 á l'Université de Nancy II.</text>
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        <element elementId="102">
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            <elementText elementTextId="2750323">
              <text>Book of the Duchess.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750324">
              <text>GRENDEL, no. 3.</text>
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            <elementText elementTextId="2750325">
              <text>jules SAC 23 (229)</text>
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            <name>Title</name>
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              <elementText elementTextId="2750317">
                <text>Le livre du rêve, le rêve du livre: Réflexions sur l'écriture du rêve dans Le livre de la Duchesse de Chaucer</text>
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                <text>Though BD is highly structured, ambiguity pervades it, raising questions about the relationships between dreaming and writing, illusory experience and textual reality, and psychological emptiness and poetic fruition.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750309">
              <text>Rowland, Beryl.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Florilegium 16: 41-59,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Book of the Duchess.</text>
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              <text>Florilegium 16 (1999)</text>
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              <text>jules SAC 23 (228)</text>
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                <text>Chaucer's Duchess and Chess</text>
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                <text>Chaucer's reference to "ferses twelve" in BD remains a tantalizing problem. He may have been thinking of a non-standard version of chess, such as the Courier game, which includes twelve pawns; or the narrator may be thinking of draughts. In any case, exact definition of the game is less important that the fact that it expresses "man's relationship to eternity."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kruger, Steven (F.)</text>
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          <name>Published</name>
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              <text>Peter Brown, ed. Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare (Oxford: Oxford University Press, 1999), pp. 51-83.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2750303">
              <text>1999</text>
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            <elementText elementTextId="2750304">
              <text>Reading Dreams: The Interpretation of Dreams from Chaucer to Shakespeare.</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 23 (227)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2750300">
                <text>Medical and Moral Authority in the Late Medieval Dream</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2750305">
                <text>Traces the influence of medieval medical texts on the understanding of the bodily causes of dreaming, arguing that the dreamer's body plays an important role in dreams. In BD, the dream works to masculinize and "heterosexualize" the ailing narrator, although the circularity of the poem may suggest only a temporary restoration.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750291">
              <text>Fradenburg, Louise O.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2750292">
              <text>South Atlantic Quarterly 98: 563-92,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750293">
              <text>1999</text>
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            <elementText elementTextId="2750295">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2750296">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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            <elementText elementTextId="2750297">
              <text>South Atlantic Quarterly 98 (1999)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2750298">
              <text>jules SAC 23 (226)</text>
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          <element elementId="50">
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              <elementText elementTextId="2750290">
                <text>'My Worldes Blisse': Chaucer's Tragedy of Fortune</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750294">
                <text>Using Freudian and Lacanian analysis, examines BD, ultimately "suggest[ing] that Chaucer used courtly love and the figure of Fortune to develop a poetics of tragic interiority that was decisive for the artificing of 'life' in subsequent periods."</text>
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  <item itemId="266991" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750281">
              <text>Bevan, E. Dean.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750282">
              <text>Ulrich Müller and Kathleen Verduin, eds. Papers from the Fifth Annual General Conference on Medievalism 1990 (Göppingen: Kümmerle, 1996), pp. 435-41.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750283">
              <text>1996</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750284">
              <text>Papers from the Fifth Annual General Conference on Medievalism 1990.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750286">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2750287">
              <text>Recordings and Films.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750288">
              <text>jules SAC 23 (243)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750280">
                <text>Chaucer's Criseyde on Film</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750285">
                <text>Comments on Bevan's efforts to represent in a film script various aspects of Chaucer's art in TC: Chaucer's sense of history, the subtleties of his diction, and his "world view."</text>
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  <item itemId="266990" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750271">
              <text>Beric, Boris.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750272">
              <text>REAL 23.2: 77-90,   1998.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750273">
              <text>1998</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750275">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2750276">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750277">
              <text>RE Arts &amp; Letters: A Liberal Arts Forum 23 (1998)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750278">
              <text>jules SAC 23 (242)</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750270">
                <text>Boccaccio's Il Filostrato and Chaucer's Troilus and Criseyde : The Game of Fiction and Actual Life</text>
              </elementText>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750274">
                <text>Assesses the Proem to Boccaccio's Il Filostrato as a source for TC: the artist's "dual-self of helpless lover and ingenious artist" is split between Troilus and Pandarus, and Boccaccio's two ladies, Filomena and Criseis, "are first merged and later separated in the character of Criseyde."</text>
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  <item itemId="266989" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750262">
              <text>Takada, Yasunari.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750263">
              <text>Piero Boitani and Anna Torti, eds. The Body and the Soul in Medieval Literature (Woodbridge, Suffolk; Rochester, N.Y.: D. S. Brewer, 1999), pp. 107-21.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750264">
              <text>1999</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750265">
              <text>Body and the Soul in Medieval Literature.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750267">
              <text>Parliament of Fowls.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750268">
              <text>jules SAC 23 (241)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750261">
                <text>'Commune Profit' and Libidinal Dissemination in Chaucer</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750266">
                <text>Argues that Jürgen Habermas's concept of the "public sphere" shares features with Chaucer's notion of "commune profit" in PF. Both concepts suggest or insist that the political body must be open and generative, cognizant of the physical as well as the intellectual or spiritual.</text>
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          </element>
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  </item>
  <item itemId="266988" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750251">
              <text>Lynch, Kathryn L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750252">
              <text>Kathleen Coyne Kelly and Marin Leslie, eds. Menacing Virgins: Representing Virginity in the Middle Ages and Renaissance (Newark: University of Delaware Press; London: Associated University Presses), 1999, pp. 83-96.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750253">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750254">
              <text>Menacing Virgins: Representing Virginity in the Middle Ages and Renaissance.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750255">
              <text>Kelly, Kathleen Coyne, ed.</text>
            </elementText>
            <elementText elementTextId="2750256">
              <text>Leslie, Marin, ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750258">
              <text>Parliament of Fowls.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750259">
              <text>jules SAC 23 (240)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750250">
                <text>Diana's 'Bowe Ybroke' : Impotence, Desire, and Virginity in Chaucer's Parliament of Fowls</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2750257">
                <text>PF represents an "oedipal moment"--a psychological suspension between the "male-dominated civilization of Africanus ('culture,' in a word)" and the "female-dominated love-garden of Nature and Venus ('nature')." The narrator stands "on the brink of commitment," fearing that full "adult masculine sexuality" may return him to "pre-oedipal unity with the mother." Obliquely, the poem suggests the need for emphasis on the "feminine and maternal in human psycho-sexual development."</text>
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            <element elementId="50">
              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750242">
              <text>Emsley, Sarah.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750243">
              <text>Chaucer Review 34: 139-49,   1999.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750244">
              <text>1999</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750246">
              <text>Parliament of Fowls.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750247">
              <text>Chaucer Review 34 (1999)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750248">
              <text>jules SAC 23 (239)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750241">
                <text>'By Evene Acord' : Marriage and Genre in the Parliament of Fowls</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750245">
                <text>PF is an epithalamium. Epithalamia are not always occasioned by human marriages; they do affirm the heavenly benediction and public recognition of marriage and celebrate the cycle of procreation; they contain "fescennine" verses, which poke fun at the bridegroom and ward off danger by acknowledging his potential for weakness; they do not always end with marriage.</text>
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  <item itemId="266986" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750231">
              <text>Breeze, Andrew.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750232">
              <text>Chaucer Review 33: 423-26,   1999.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750233">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750235">
              <text>Parliament of Fowls.</text>
            </elementText>
            <elementText elementTextId="2750236">
              <text>Language and Word Studies.</text>
            </elementText>
            <elementText elementTextId="2750237">
              <text>Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750238">
              <text>Chaucer Review 33 (1999)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750239">
              <text>jules SAC 23 (238)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750230">
                <text>'The Stare, that the Conseyl Can Bewrye' in the Parlement of Foulys</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750234">
                <text>This line from PF has been taken to mean that the "stare" (magpie) divulges secrets, or betrays. However, "bewrye" can also mean "cover up," suggesting that the bird knows "how to keep a secret." Such a nuance could also apply to TC; Troilus's assertion that he dare not "bywreyen" his love might mean that he dare not conceal it.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="266985" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750219">
              <text>Saunders, Corinne J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750220">
              <text>Susan Deacy and Karen F. Pierce, eds. Rape in Antiquity (London: Duckworth, in association with The Classical Press of Wales, 1997), pp. 243-66</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750221">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750222">
              <text>Rape in Antiquity.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750223">
              <text>Deacy, Susan, ed.</text>
            </elementText>
            <elementText elementTextId="2750224">
              <text>Pierce, Karen F., ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750226">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2750227">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750228">
              <text>jules SAC 23 (237)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750218">
                <text>Classical Paradigms of Rape in the Middle Ages: Chaucer's Lucretia and Philomela</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750225">
                <text>Assesses medieval literary representations of rape in light of law, medicine, and theology. Reads Chaucer's account of Lucretia in LGW as a challenge to Augustine's admonitions against suicide, and the account of Philomela as proto-feminist. Compares Chaucer's versions with those of John Gower in Confesssio Amantis.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="266984" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750209">
              <text>Meale, Carol M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750210">
              <text>Geoffrey Lester, ed. Chaucer in Perspective: Middle English Essays in Honour of Norman Blake (Sheffield: Sheffield Academic Press, 1999), pp. 118-38</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750211">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750212">
              <text>Chaucer in Perspective: Middle English Essays in Honour of Norman Blake.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750214">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2750215">
              <text>Manuscripts and Textual Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750216">
              <text>jules SAC 23 (236)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750208">
                <text>The Tale and the Book: Readings of Chaucer's Legend of Good Women in the Fifteenth Century</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750213">
                <text>Analyzes evidence of readership found in fifteenth-century copies of LGW, including its placement in anthologies, poems with which it is associated, and evidence of female names in LGW manuscripts. Infrequently excerpted, the poem was seldom mined for material in the ongoing literary debate of the "woman question," and it seems that it was most generally read as "an exercise in sentimental complaint."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="266983" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750199">
              <text>Marchand, Yvette Marie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750200">
              <text>Piero Boitani and Anna Torti, eds. The Body and the Soul in Medieval Literature (Woodbridge, Suffolk; Rochester, N.Y.: D. S. Brewer, 1999), pp. 123-44.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750201">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750202">
              <text>Body and the Soul in Medieval Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750204">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2750205">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750206">
              <text>jules SAC 23 (235)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750198">
                <text>Towards a Psychosomatic View of Human Nature: Chaucer, Spenser, Burton</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750203">
                <text>Traces the development of body-soul relations in Western intellectual tradition as they are reflected in LGW, in book 1 of Edmund Spenser's "Faerie Queene," and in Richard Burton's "Anatomy of Melancholy." Uses St. Augustine as a point of departure and assesses the relations among key notions in the literary works: beauty, truth, betrayal, despair, mercy, and remedy.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
