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              <text>Jacobs, Kathryn.</text>
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              <text>Publications of the Medieval Association of the Midwest 6: 25-33,   1999.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Language and Word Studies.</text>
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              <text>Miller and His Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>jules SAC 23 (137)</text>
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                <text>Extra-Marital Contracts in the Canterbury Tales</text>
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                <text>Identifies the legal features of the lovers' pacts in CT. Legal diction (e.g., "accord"), careful preparation, and various kinds of delay connect the illicit relations in MilT, WBPT, ShT, MerT, RvT, and others with the legal contract of marriage.</text>
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              <text>Hanning, Robert W.</text>
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              <text>Studies in the Age of Chaucer 21: 29-58,   1999.</text>
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              <text>1999</text>
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              <text>Biennial Chaucer Lecture, the New Chaucer Society. Eleventh International Congress, 17-20 July 1998, Universitè de Paris IV-Sorbonne, Paris.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Studies in the Age of Chaucer 21 (1999)</text>
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              <text>jules SAC 23 (136)</text>
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                <text>'And countrefete the speche of every man / He koude, whan he sholde telle a tale' : Toward a Lapsarian Poetics for The Canterbury Tales</text>
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                <text>Assesses how MLH and MLP reflect the anxiety of Chaucer's poetics-how they indicate Chaucer's awareness that he is both following and improving upon the poetic model of Giovanni Boccaccio's Decameron and the "penitential" poetics of John Gower's works. Chaucer appropriates Gower's confessional mode in ParsT, while WBP and PardP combat traditional discourse by being "lapsarian" confessions.</text>
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              <text>Fowler, Elizabeth.</text>
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              <text>Barbara A. Hanawalt and David Wallace, eds. Medieval Crime and Social Control (Minneapolis and London: University of Minnesota Press, 1999), pp.124-42.</text>
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            <elementText elementTextId="2751168">
              <text>1999</text>
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              <text>Medieval Crime and Social Control.</text>
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              <text>Knight and His Tale.</text>
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              <text>jules SAC 23 (152)</text>
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                <text>Chaucer's Hard Cases</text>
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                <text>Reads KnT as an example of Chaucer's "deliberative mode," whereby the reader is compelled to perceive or decide a choice. KnT deliberates whether conquest or consent is the proper source of monarchical dominion. Through pointed occupatio and the "loudly unheard" claims of Ypolita and Emelye, the Tale defends consent and critiques conquest.</text>
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            <elementText elementTextId="2751156">
              <text>Fleming, John V.</text>
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            <elementText elementTextId="2751157">
              <text>Susan J. Ridyard, ed. Chivalry, Knighthood, and War in the Middle Ages (Sewanee, Tenn.: University of the South, 1999), pp. 137-50.</text>
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            <elementText elementTextId="2751158">
              <text>1999</text>
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            <elementText elementTextId="2751159">
              <text>Chivalry, Knighthood, and War in the Middle Ages.</text>
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            <elementText elementTextId="2751161">
              <text>Knight and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 23 (151)</text>
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                <text>Bernard, Chaucer, and the Literary Critique of the Military Class</text>
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            <description>An account of the resource</description>
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                <text>Details of the GP description of the Knight reflect the ascetic ideal of knighthood promoted by Bernard of Clairvaux in Liber ad milites templi. Chaucer's Knight is by no means a Templer, but the description harkens back to a related view, perhaps mediated by Philippe de Mézières.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wilcockson, Colin.</text>
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        <element elementId="98">
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            <elementText elementTextId="2751145">
              <text>Review of English Studies 50: 345-50,   1999.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2751146">
              <text>1999</text>
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              <text>Rebirth and Renewal.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Manuscripts and Textual Studies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2751152">
              <text>Review of English Studies 50 (1999)</text>
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              <text>jules SAC 23 (150)</text>
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              <elementText elementTextId="2751143">
                <text>The Opening of Chaucer's General Prologue to The Canterbury Tales : A Diptych</text>
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                <text>The initial thirty-four lines of GP divide into two sections of sixteen lines joined by a couplet and emphasized by capitalization in the Ellesmere manuscript. The first section treats general matters; the second, particulars. Chaucer structures the diptych with elaborate verbal symmetries focusing on death and rebirth; repeated nouns and rhyme-words confirm the pattern. As well, numerology, especially St. Augustine's exegesis of the number seventeen, highlights the spiritual significance of the division.</text>
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                <text>Reprinted in Harold Bloom, ed. Rebirth and Renewal (New York: Bloom's Literary Criticism, 2009), pp. 51-60.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2751135">
              <text>Yager, Susan.</text>
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            <elementText elementTextId="2751136">
              <text>L&amp;LC 14: 211-22.,   1999.</text>
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              <text>1999</text>
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              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2751140">
              <text>Literary and Linguistic Computing 14 (1999)</text>
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              <text>jules SAC 23 (149)</text>
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                <text>Voice and Text : Role Playing with Computers</text>
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            <description>An account of the resource</description>
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                <text>Report of a pedagogical experiment in which online interactive computer software enabled students to assume roles of the Canterbury pilgrims. The experiment sought to emphasize Chaucer's rhetorical qualities, but the results reinforced the dramatic qualities of CT. Includes selections from student dialogues.</text>
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              <text>Thundy, Zacharias P.</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 23 (148)</text>
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                <text>Chaotic Order in the Supertext of The Canterbury Tales and the Persian Manteq-at-Tair</text>
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                <text>Using scientific chaos theory to clarify the changeable complexity of CT, Thundy argues that disunity is a fundamental feature of the work. Also argues that the Persian poem Manteq-at-Tair ("Language" or "Parliament" of the Birds), by Farid-ad-Din Attar, inspired aspects of PF and CT, encouraging Chaucer to adapt CT in different ways for different occasions.</text>
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              <text>Thompson, N. S.</text>
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              <text>Piero Boitani and Anna Torti, eds. The Body and the Soul in Medieval Literature (Woodbridge, Suffolk; Rochester, N.Y.: D. S. Brewer, 1999), pp. 17-29.</text>
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              <text>Body and the Soul in Medieval Literature.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 23 (147)</text>
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                <text>CT and Boccaccio's Decameron depict a variety of social and moral transgressions committed by male characters; these transgressions constitute the ills of society. Female characters in the works are less likely to be transgressive, and only female characters are depicted as true saints.</text>
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              <text>Taavitsainen, Irma.</text>
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              <text>Geoffrey Lester, ed. Chaucer in Perspective: Middle English Essays in Honour of Norman Blake (Sheffield: Sheffield Academic Press, 1999), pp. 218-34.</text>
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            <elementText elementTextId="2751102">
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              <text>Canterbury Tales--General.</text>
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              <text>Style and Versification.</text>
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              <text>Knight and His Tale.</text>
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              <text>Miller and His Tale.</text>
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              <text>jules SAC 23 (146)</text>
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                <text>Personality and Styles of Affect in the Canterbury Tales</text>
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                <text>Pragmatic analysis of linguistic features that produce "personal affect" in several of the CT. Uses features such as exclamations, oaths, and aspects of proximity and reader involvement to describe characterizations of the Knight, the Prioress, the Wife of Bath, and the Miller.</text>
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              <text>Storm, Melvin.</text>
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        <element elementId="98">
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            <elementText elementTextId="2751090">
              <text>Studies in Philology 96: 109-26,   1999.</text>
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            <elementText elementTextId="2751091">
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Manciple and His Tale.</text>
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        <element elementId="109">
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              <text>jules SAC 23 (145)</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Speech, Circumspection, and Orthodontics in the Manciple's Prologue and Tale and the Wife of Bath's Portrait</text>
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                <text>Discusses Chaucer as political critic and concludes that Chaucer may have developed his self-mocking persona out of self-preservation.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Lynch, Kathryn (L.)</text>
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        <element elementId="98">
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            <elementText elementTextId="2751081">
              <text>Chaucer Review 33: 409-22,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2751082">
              <text>1999</text>
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          <elementTextContainer>
            <elementText elementTextId="2751085">
              <text>Chaucer Review 33 (1999)</text>
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              <text>jules SAC 23 (162)</text>
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              <elementText elementTextId="2751079">
                <text>Storytelling, Exchange, and Constancy : East and West in Chaucer's Man of Law's Tale</text>
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                <text>Chaucer uses East and West to signify differences in storytelling in MLT: chivalric vs. travel romance; hagiography vs. history; linear narrative vs. apostrophe and prayer. Chaucer leads his readers to see the Tale as "trapped in Western chauvinism," which continuously campaigns against the "Other."</text>
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              <text>Hernández Pérez, M. Beatriz.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2751072">
              <text>RCEI 39: 275-94,   1999.</text>
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          <elementTextContainer>
            <elementText elementTextId="2751073">
              <text>1999</text>
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            <elementText elementTextId="2751075">
              <text>Man of Law and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2751076">
              <text>Revista Canaria de Estudios Ingleses 39 (1999).</text>
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              <text>jules SAC 23 (161)</text>
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              <elementText elementTextId="2751070">
                <text>Una Lectura Narratolgica de The Man of Law's Tale</text>
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              <elementText elementTextId="2751074">
                <text>Examines the narrative approach and rhetoric of MLT to assess the Man of Law as a representative and defender of political stability.</text>
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            <elementText elementTextId="2751062">
              <text>Cooney, Helen.</text>
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            <elementText elementTextId="2751063">
              <text>Chaucer Review 33: 264-87,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1999</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Chaucer Review 33 (1999)</text>
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              <text>jules SAC 23 (160)</text>
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                <text>Wonder and Immanent Justice in the Man of Law's Tale</text>
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                <text>MLT can be seen as an exposition and justification of the medieval Christian providential view of history. The concern with exemplifying this theory governs the teller's choice of source and emphasis. It is ironic that the Tale's philosophy can be seen to coincide with the "worldly, acquisitive, and legalistic" teller.</text>
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              <text>Caie, Graham D.</text>
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              <text>Geoffrey Lester, ed. Chaucer in Perspective: Middle English Essays in Honour of Norman Blake (Sheffield: Sheffield Academic Press, 1999), pp. 47-60.</text>
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            <elementText elementTextId="2751054">
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              <text>Chaucer in Perspective: Middle English Essays in Honour of Norman Blake.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>jules SAC 23 (159)</text>
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                <text>'This Was a Thrifty Tale for the Nones': Chaucer's Man of Law</text>
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                <text>Examines several glosses to MLT to argue that the "glossator's aim is to show the reader how the narrator manipulates texts," helping us to realize that the Man of Law is too interested in "things of this world and is spiritually lacking."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2751042">
              <text>Caie, Graham D.</text>
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        <element elementId="98">
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              <text>Neuphilologische Mitteilungen 100: 175-85,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2751044">
              <text>1999</text>
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            <elementText elementTextId="2751046">
              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2751047">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2751048">
              <text>Neuphilologische Mitteilungen 100 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 23 (158)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2751041">
                <text>Innocent III's De Miseria as a Gloss on The Man of Law's Prologue and Tale</text>
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                <text>The extensive and apparently authorial glosses that accompany MLT often underscore contradictions-spiritual against material, internal against external, ascetic against monetary-between Innocent's treatise and the narrator's perspective; these glosses may be a cue for readers' disapproval of the Man of Law.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Ueshima, Yasuo.</text>
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        <element elementId="98">
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              <text>Hisayuki Sasamoto et al., eds. Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday (Osaka: Osaka Kyoiku Tosho, 1999), pp. 59-68. (In Japanese).</text>
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        <element elementId="114">
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            <elementText elementTextId="2751034">
              <text>1999</text>
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              <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday.</text>
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        <element elementId="102">
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            <elementText elementTextId="2751037">
              <text>Reeve and His Tale.</text>
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            <elementText elementTextId="2751038">
              <text>Language and Word Studies.</text>
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        <element elementId="109">
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            <elementText elementTextId="2751039">
              <text>jules SAC 23 (157)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2751031">
                <text>Northern Dialect in Chaucer's Reeve's Tale</text>
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            <description>An account of the resource</description>
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                <text>Documents Chaucer's uses of northern dialect in RvT and assesses their effects.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Blake, N. F.</text>
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        <element elementId="98">
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              <text>Irma Taavitsainen, Gunnel Melchers, and Päivi Pahta, eds. Writing in Nonstandard English (Amsterdam and Philadelphia: J. Benjamins, 1999), pp. 123-50.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2751024">
              <text>1999</text>
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          <elementTextContainer>
            <elementText elementTextId="2751025">
              <text>Writing in Nonstandard English.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Language and Word Studies.</text>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2751029">
              <text>jules SAC 23 (156)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2751021">
                <text>Nonstandard Language in Early Varieties of English</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2751026">
                <text>Assesses the northernisms in RvT and the speech of the bastard in Shakespeare's King John as examples of "nonstandard" language in a time when a standard was only developing. In both pronunciation and lexicon, the northernisms of RvT "should perhaps be considered as nothing more than a different style," not "the exploitation of linguistic prejudices."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751012">
              <text>Hough, Carole.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751013">
              <text>Notes and Queries 244: 434-35,   1999.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2751014">
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            <elementText elementTextId="2751016">
              <text>Miller and His Tale.</text>
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              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2751018">
              <text>Notes and Queries  244 (1999)</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751019">
              <text>jules SAC 23 (155)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2751011">
                <text>The Name of Chaucer's Miller</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2751015">
                <text>The name "Robin" was a generic name for a teller of ribald stories; it was also appropriate to a "robber" or thief.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2751001">
              <text>Giaccherini, Enrico.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2751002">
              <text>European Medieval Drama 2: 85-98,   1998.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751003">
              <text>1998</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2751005">
              <text>Miller and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2751007">
              <text>Reeve and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2751008">
              <text>European Medieval Drama 02 (1998)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2751009">
              <text>jules SAC 23 (154)</text>
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            <name>Title</name>
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              <elementText elementTextId="2751000">
                <text>Theatrical Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2751004">
                <text>Argues that oral/aural and visual aspects of MilT mark it as particularly theatrical, especially in its division of action into upper (John in the tub) and lower (bedroom scene) stages. Similarly, other fabliaux such as RvT and Dame Sirith share aesthetic and structural features with dramatic performances.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750991">
              <text>Shoukri, Doris Enright-Clark.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750992">
              <text>Alif 19 (1999): 97-112.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750993">
              <text>1999</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2750995">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2750996">
              <text>Tale of Melibee.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750997">
              <text>Alif: Journal of Comparative Poetics19 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 23 (171)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2750990">
                <text>The Wife of Bath's Parody of Scholasticism</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2750994">
                <text>Examines the use of Abelardian "sic et non" analysis in Mel as a demonstration of the "futility of arguing from Authority." In Mel, the sense of futility may be inadvertent, but in WBP it results from conscious parody of authoritarian argument. Summary in Arabic, pp. 246-47.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750981">
              <text>Scala, Elizabeth.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750982">
              <text>Film History 29.1-2: 34-45,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750983">
              <text>1999</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750985">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2750986">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750987">
              <text>Film History 29.1-2 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750988">
              <text>jules SAC 23 (170)</text>
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          </elementTextContainer>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2750980">
                <text>Pretty Woman : The Romance of the Fair Unknown, Feminism, and Contemporary Romantic Comedy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750984">
                <text>Argues that the 1990 film Pretty Woman is understandable as an analogue to medieval Fair Unknown romances and that, like WBT, the film affirms and inverts the ideology of romance through self-conscious nostalgia.</text>
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  <item itemId="267061" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750972">
              <text>Rogerson, Margaret.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2750973">
              <text>SSEng 24: 3-21,   1999.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750974">
              <text>1999</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750976">
              <text>Wife of Bath and Her Tale.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750977">
              <text>Sydney Studies in English 24 (1998-99)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750978">
              <text>jules SAC 23 (169)</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750971">
                <text>The Wife of Bath as Standup Comic</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750975">
                <text>Compares carnivalesque elements of WBPT to performance techniques of modern, unruly, "women on top" comediennes such as Roseanne Barr and female impersonators such as Barry Humphries (Dame Edna Everage).</text>
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  <item itemId="267060" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2750963">
              <text>Puhvel, Martin.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750964">
              <text>Neuphilologische Mitteilungen 100: 291-300,   1999.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750965">
              <text>1999</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2750967">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750968">
              <text>Neuphilologische Mitteilungen 100 (1999)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750969">
              <text>jules SAC 23 (168)</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750962">
                <text>The Wife of Bath's Tale: Mirror of Her Mind</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2750966">
                <text>The Wife's "long-winded autobiography" in WBP--a "wishful, wistful self-serving fantasy" and "long, stupendous performance" that seems to "thrill to the idea" of rape--reflects her personality through its "touchiness and pugnacity," "garrulous self-exhibition and self-projecting psychoanalysis of womankind," "nonchalantly imperious approach," "semi-deaf . . . loquaciousness and somewhat forced pretension," "brainwashing lecture," and other characteristic traits.</text>
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  <item itemId="267059" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750953">
              <text>Park, Yoon-Hee.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750954">
              <text>Medieval English Studies 7: 125-47),   1999.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750955">
              <text>1999</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750958">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750959">
              <text>Medieval English Studies 07 (1999)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750960">
              <text>jules SAC 23 (167)</text>
            </elementText>
          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750952">
                <text>The Wife of Bath's Taming of Romance</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750956">
                <text>WBT is sometimes felt by critics to betray Chaucer's latent feminism by ending harmoniously. With its representation of the triumphant heroine and the defeated rapist, the Tale should instead be read as a subversion of traditional male discourse.</text>
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              <elementText elementTextId="2750957">
                <text>In Korean, with English and Korean abstracts.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="267058" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750943">
              <text>Kennedy, Beverly.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750944">
              <text>Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 203-33.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750945">
              <text>1999</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750946">
              <text>Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750948">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2750949">
              <text>Manuscripts and Textual Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750950">
              <text>jules SAC 23 (166)</text>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750942">
                <text>The Rewriting of the Wife of Bath's Prologue in Cambridge Dd.4.24</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750947">
                <text>Argues that the five "additional" passages of WBP (44a-f, 575-84, 609-12, 619-26, and 717-20) and the renumbering of the Wife's five husbands are scribal changes marked by "clerical misogyny and misogamy." These attitudes are elsewhere evident in the scribal practices of Cambridge Dd.4.24, although the changes may have been introduced earlier in the textual history of WBP.</text>
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