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Language and Word Studies&#13;
Chaucer's Influenxe and Later Allusion</text>
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                <text>Uses a "political theology of the refugee as neighbor" to explore contiguities between "Refugee Tales" (2016) and CT. Explicates nuances of "tendre/"tender" in the works and examines the absent presence of Theban refugees in KnT. The Knight "edits out the nasty bits of warfare" and chivalry--evident by contrast with Boccaccio's "Teseida"--and reveals "repressive tendencies that betrays anxiety over the residue of bare life."</text>
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                <text>"When a Stranger Sojourns With You in Your Land": Loving the Refugee as Neighbor in the "Canterbury Tales" and "RefugeeTales."</text>
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              <text>Carlos Prado-Alonso and Rodrigo Pérez Lorido, eds. Of ye Olde Englisch Langage and Textes: New Perspectives on Old and Middle English Languages and Literature (Frankfurt: Peter Lang, 2020), pp. 301-22.</text>
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              <text>Prado-Alonso, Carlos, ed.&#13;
Lorido, Rodrigo Pérez, ed.</text>
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                <text>"In hethenesse": Chaucer's Knight and Sultan Muhammad V of Granada.</text>
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                <text>Reconstructs a career for the Knight, based on the GP description and details from KnT, MkT, and historical sources. Maintains that Chaucer had met the Knight, perhaps in France, and that the Knight was some fifteen years younger than usually thought, having served under Sultan Muhammad V of Granada at Algeciras in 1369, not in the Christian conquest of the port in 1344.</text>
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              <text>McKendry, Anne.</text>
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                <text>The Economics of Waste in the "Knight's Tale" and Late Medieval England.</text>
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                <text>Reads aspects of Theseus's stadium, tournament, and funeral arrangements in KnT as "performance of power" in response to the procession of his "regional rivals": Arcite and Palamon of Thebes, Emetreus of India, and Lygurge of Thrace. George Bataille's "economics of waste" is a lens through which Chaucer's depictions of "extravagant display and extravagant destruction" can be seen to reflect the poet's social and political landscape.</text>
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              <text>Vial, Claire.</text>
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              <text>Naugrette, Jean-Pierre, ed.&#13;
Lanone, Catherine, ed..</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
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              <text>Jean-Pierre Naugrette and Catherine Lanone, eds. Le temp qu'il fait dans la littérature et les artes du monde anglophone / What's the Weather Like in Anglophone Literature and Art (Paris: Honoré Champion, 2020), pp. 57-70.</text>
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              <text>Le temp qu'il fait dans la littérature et les artes du monde anglophone&#13;
What's the Weather Like in Anglophone Literature and Art</text>
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                <text>Having a Heatwave? Of Chaucer's Invention of Spring, the Inconveniences of Falling Asleep in the Sun, and Why a Warm Bed's Best for the Winter.</text>
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                <text>Examines "inner and outer landscapes in relation with the seasons" in three works of medieval literature, including articulation of the aesthetic pleasure evoked at the beginning of GP, effected through Chaucer's thematic range and use of "every single known rhetorical convention of his time regarding spring and the opening of a narrative." Other topics include summer in "Sir Launfal" and winter in "Sir Gawain and the Green Knight." Includes an abstract in French.</text>
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              <text>Thompson, Kenneth J.</text>
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              <text>Chaucer Review 56.3 (2021): 280-95.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Yeoman and Richard II's Archers of the Crown.</text>
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                <text>Focuses on the Yeoman of GP, suggesting that the figure may have been based on Richard II's archers of the crown. Examines the life of Thomas Forster of Drybek, one of these archers, catalogues biographical information about him, and suggests he is a possible exemplar for the Yeoman.</text>
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              <text>Stanisoara, Codruta Mirela.</text>
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              <text>Philologia: Naučno-stručni časopis za jezik, književnost i kulturu/Academic Journal for Language, Literature and Culture 18 (2020): 97-107.</text>
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              <text>Philologia 18 (2020)&#13;
Philologia: Naučno-stručni časopis za jezik, književnost i kulturu/Academic Journal for Language, Literature and Culture 18 (2020)</text>
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              <text>SAC 45:101</text>
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                <text>Three Chaucers: The Man, the Teller, the Anthropologist.</text>
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                <text>Advocates an "anthropological" approach to reading Chaucer's works, especially CT, in which the reader observes the writer's roles as not only poet, narrator, and social historian, but also an anthropologist who crosses borders and invites us to treat the text as a culture. Article in English, with an abstract in Romanian.</text>
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              <text>Otaño Gracia, Nahir I.</text>
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              <text>English Language Notes 58.2 (2020): 35-49.</text>
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              <text>Canterbury Tales--General&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Monk and His Tale</text>
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          <description/>
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                <text>Borders and the Global North Atlantic: Chaucer, Pilgrimage, and Crusade.</text>
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                <text>Includes the Iberian Peninsula and North Africa in conceptualizing the global North Atlantic, and argues that in several places in CT (e.g., GP description of Knight, MLT, Pedro in MkT) Chaucer uses paradigms that are similar to those of "settler colonialism so that England is at the top of a racialized, Christian, European hierarchy in which Muslims are expelled." Encourages alternative views.</text>
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              <text>Canterbury Tales--General&#13;
Chaucer's Infuence and Later Allusion&#13;
Romaunt of the Rose</text>
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                <text>Chaucer's Brown Faces: Race, Interpretation, Adaptation.</text>
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                <text>Employs critical race studies and adaptation studies to trace the role and frequency of "somatic brownness" in CT and Rom. Considers brownness as a racial category that is capacious, before tracing "Chaucerian brownness" in several modern adaptations, including Patience Agbabi's "Telling Tales" (2014).</text>
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              <text>Brenzel, Patrick.</text>
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              <text>Open access Ph.D. dissertation (Ruhr-Universität, Bochum, 2018). Available at https://hss-opus.ub.ruhr-.de/opus4/frontdoor/index/index/year/2020/docId/7373 (accessed November 23, 2022).</text>
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              <text>Canterbury Tales--General&#13;
Language and Word Studies&#13;
Wife of Bath and Her Tale&#13;
Clerk and His Tale&#13;
Franklin and His Tale&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
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        <element elementId="114">
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                <text>"He nys nat gentil, be he duc or erl, / For vileyns synful dedes make a cherl./" A Historical Approach to Nobility in Chaucer's Poetry."</text>
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            <description>An account of the resource</description>
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                <text>Clarifies the ambiguities of nobility and "gentilesse" in Chaucer's era, and examines the presentation of them in CT, particularly in WBT, ClT, NPT, and FranT, arguing that the Franklin's views align with Chaucer's own, i.e., both view virtues largely as matters of action rather than of birth. Three appendices comprise charts of the usage of these and related terms&#13;
in CT.</text>
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              <text>Beidler, Peter G.</text>
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              <text>Chaucer Review 56.3 (2021): 296-308.</text>
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              <text>Canterbury Tales--General&#13;
Facsimiles, Editions, and Translations&#13;
Reeve and His Tale</text>
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        <element elementId="114">
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              <text>2021</text>
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              <elementText elementTextId="2844703">
                <text>Retuning Chaucer's Instrument: Chaucer and the Trots Once Again.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>References a previous article from thirty-five years ago that discussed various translations of important passages from Chaucer and appraised them. As a companion piece, considers ten verse translations of the opening lines of CT. Concludes with an examination of Christopher Lauer's translation of RvT.</text>
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              <text>Wallace, David.</text>
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        <element elementId="98">
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              <text>Speculum 95.1 (2020): 1-35.</text>
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              <text>Speculum 95 (2020)</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Squire and His Tale</text>
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        <element elementId="114">
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                <text>Medieval Studies in Troubled Times: The 1930s.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844696">
                <text>Discusses pre-World War II state of medieval studies, its pro-Germanic/Nordic focus, and the academy's anti-Mediterraneanism. Argues that this period saw significant changes in the field, including a shift toward more interdisciplinary approaches and a renewed interest in the social and political contexts of medieval texts. Illustrates hostility toward Italian literature with references to C. S. Lewis's essay "What Chaucer Really Did to Il Filostrato." Brief reference to SqT (Chaucer's description of the Squire as an expert in "chyvachie").</text>
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              <text>Van Dyke, Carolynn.</text>
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              <text>Susan McHugh, Robert McKay, and John Miller, eds. The Palgrave Handbook of Animals and Literature (Cham: Palgrave Macmillan, 2021), pp. 127-40.</text>
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McKay, Robert, ed.&#13;
Miller, John, ed.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Legend of Good Women</text>
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        <element elementId="114">
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                <text>Chaucer, Lydgate, and the Half-Heard Nightingale.</text>
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                <text>Surveys the functions and understanding of the nightingale in myth, literature, music, and sign theory, observing how the bird "inhabits the borders between states of being." Then discusses its roles in John Lydgate's "A Seying of the Nightingale" and in LGW and TC, where the birs's "de-mythification" nevertheless embodies ambiguous "states of being" between "reverie and dream-vision, melody and song, and traditional femininity and biological masculinity."</text>
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              <text>Torres, Sara V., and Rebecca F. McNamara.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844680">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.1 (2021): 34-49</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 02(2021)</text>
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Knight and His Tale&#13;
Franklin and His Tale</text>
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                <text>Offers pedagogical strategies for confronting "literary representations of sexual violence" in a range of medieval romances and novelle within story collections, including KnT; FranT; and works by Malory, Boccaccio, Gower, and Marguerite de Navarre. Includes "reading approaches, discussion prompts, assignments, and critical contexts" intended "to position students as critical co-investigators."</text>
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              <text>Cham: Palgrave Macmillan, 2020.</text>
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              <text>Queenship and Power.</text>
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Chaucer's Life</text>
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                <text>Chaucer's Queens: Royal Women, Intercession, and Patronage in England, 1328-1394.</text>
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                <text>Investigates the "agency and influence of medieval queens" by comparing the careers of the English queens Philippa of Hainault and Anne of Bohemia and the "almost queen" Joan of Kent. Examines patronage and intercession and explores the extent to which motherhood and coronation combined with other factors to provide "a queen with power and influence." Includes recurrent comments on Chaucer's connections with the three women, particularly Anne's possible patronage of him and his allusions to her.</text>
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              <text>Cambridge: D. S. Brewer, 2020.</text>
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Chaucer's Life</text>
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                <text>The Court of Richard II and Bohemian Culture: Literature and Art in the Age of Chaucer and the "Gawain" Poet.</text>
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                <text>Considers how Bohemian culture in the late fourteenth century influenced English medieval writers including Chaucer, Gower, and the Gawain- poet.Focuses on Anne of Bohemia, who married Richard II, and claims she "may have been in Chaucer's mind as a patroness." Argues that the authors wrote in their vernacular language because they "aspired o be part of a burgeoning vernacular European culture stretching from Paris to Prague and from Brabant to Brandenburg," and not only for nationalist reasons.</text>
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              <text>Thiessen, David.</text>
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              <text>Open access Ph.D. dissertation (University of Waterloo, 2020). Available at https://uwspace.uwaterloo.ca/handle/10012/15637 (accessed October 17, 2022).</text>
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Book of the Duchess&#13;
House of Fame&#13;
Knight and His Tale</text>
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                <text>The Flesh Made Mind: Language and Embodiment in Late Middle English Literature.</text>
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                <text>Compares "contemporary cognitive models of self, that posit an interconnection between body and mind, with Pre-Modern conceptions of an embodied self " as the latter are represented in several late medieval English works including BD, HF, and KnT.</text>
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              <text>Solberg, Emma Margaret.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.2 (2021): 134-53.</text>
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General Prologue to the Canterbury Tales&#13;
Book of the Duchess</text>
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                <text>Response to "#MeToo, Medieval Literature, and Trauma-Informed Pedagogy."</text>
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                <text>Responds to earlier essays in NCSPP, adding comments on the sexual biases of the opening of GP, comparison of the Man in Black of BD and Marie de France's Guigemar, Chauce''s (and others') self-deprecation as a form of (sexualized) power, and thoughts on "cancelling Chaucer" as a form of curricular experimentation.</text>
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              <text>Sobecki, Sebastain.</text>
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              <text>Oxford: Oxford University Press, 2019.</text>
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              <text>ix, 226 pp.</text>
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Chaucer's Retraction</text>
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              <elementText elementTextId="2844637">
                <text>Last Words: The Public Self and the Social Author in Late Medieval England.</text>
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                <text>Claims that "medieval vernacular literature . . . is indexical . . . and created for a specific audience with direct access to the author" as well as the author's social and historical conditions. Focuses on Chaucer's "authorial humility" and intention in Ret, and suggests the work "continues the tradition of . . . mock-remorseful palinodes" in medieval narrative poetry.</text>
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              <text>Smith, D. Vance.</text>
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Book of the Duchess&#13;
Knight and His Tale&#13;
Pardoner and His Tale</text>
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                <text>Arts of Dying: Literature and Finitude in Medieval England.</text>
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            <description>An account of the resource</description>
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                <text>Explores a tradition of literature about dying that "combines medieval work&#13;
on the philosophy of language with contemporary theorizing on death and dying." Analyzes dying and tragedy in KnT, PardT, and BD.</text>
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              <text>Astell, Anne.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Griselda as Mary: Chaucer's "Clerk's Tale" and Alanus de Rupe's Marian Exemplum.</text>
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                <text>Argues that allusions to Mary in ClT "disturb a reception of Grisildis as Stoic heroine and Chistian saint." Claims Griselda is a "failed Pietá and that the tale is "caught between two worlds, critical of its own sacrificial gestures."</text>
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Miller and His Tale</text>
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                <text>On Chaucer's Clerk, His Books, and the Value of Education.</text>
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                <text>Examines how Chaucer's characters in CT, particularly the Clerk in ClT and Nicholas in MilT, reveal "intersections of debt and education" and, therefore, are shapedby their participation in "late medieval England's educational economy."</text>
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            <description>An account of the resource</description>
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                <text>Explores marital struggles and "postnuptial renegotiation of marriage obligations" in WBPT and "The Book of Margery Kempe." Presents "contemporary feminist theories of contracts, consent, and choice" to reveal limitations of "choice" and negotiations for married couples in late medieval England.</text>
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                <text>Freedom and Choice: Postnuptial Negotiation, the Flitch of Bacon Custom, and the Woe of Marriage in "The Wife of Bath's Prologue and Tale" and "The Book of Margery Kempe."</text>
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              <text>Fein, Susanna.</text>
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Canterbury Tales--General&#13;
Clerk and His Tale&#13;
Nun's Priest and His Tale</text>
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                <text>Reading Dreams, Casting the Future and Other Learned Mirths: The Harley Scribe as Proto-Chaucerian Clerk.</text>
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                <text>Claims that "dreamlore and other prognosticative arts in the Harley Scribe's library" make the Harley Scribe "somewhat of a proto-type for Chaucer's clerks and squires""in CT; focuses on Chaunticleer in NPT and the Clerk in ClT.</text>
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              <text>Cham: Palgrave Macmillan, 2021. </text>
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              <text>xix, 360 pp.; color illus.</text>
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              <text>Background and General Criticism</text>
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                <text>Writers, Editors and Exemplars in Medieval English Texts.</text>
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            <description>An account of the resource</description>
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                <text>Explores literary legacy of medieval writers, including Chaucer, Gower, and Wyclif "in light of the translation and interpretive reproduction of the Bible in Middle English. For four essays pertaining to Chaucer, search for Writers, Editors and Exemplars in Medieval English Texts under Alternative Title.</text>
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              <text>Niebrzydowski, Sue.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 325-36.</text>
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              <text>Studies in the Age of Chaucer 42 (2020)</text>
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              <text>Background and General Criticism&#13;
Miller and His Tale&#13;
Wife of Bath and her Tale&#13;
Merchant and His Tale</text>
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              <text>2020</text>
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                <text>Comedy, the Canon, and Medieval Women's Wit.</text>
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            <description>An account of the resource</description>
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                <text>Explores evidence of medieval women's humor, drawing examples from Margaret Mautby Paston and Margery Kempe, preceded by contemplation of why such humor is understudied. Includes comments on Chaucer's Wife of Bath, Alisoun of MilT, and May of MerT as instances where "Laughter, here specifically laughing 'at,' is a mainstay of medieval (and later) misogyny."</text>
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