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              <text>Jacobus, Lee A.</text>
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                <text>Dalila, Misogyny and the 'De Casibus' Tradition</text>
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                <text>Compares Milton's portrayal of Dalila in "Samson Agonistes" with earlier representations by Boccaccio, Chaucer, Lydgate, and Swetnam. Chaucer offers no analysis of her motives; Milton condemns her actions, not her gender.</text>
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                <text>Critical response to essays on MkT by Ann W. Astell, Terry Jones, Henry Ansgar Kelly, Stephen Knight, and Richard Neuse.</text>
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                <text>The Monk's Tragical 'Seint Edward'</text>
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                <text>Triggered by reference to Edward (line 7.1970) as a reminder of the deposition and death of Edward II, MkT is a warning to Richard II.</text>
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              <text>Ashton, Gail.</text>
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              <text>Chaucer Review 34: 416-27,   2000.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>Her Father's Daughter : The Re-Alignment of Father-Daughter Kinship in Three Romance Tales</text>
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                <text>In MLT, Gower's tale of Constance, and Émaré, the role of daughter--the woman cast adrift--is ambiguous, entailing both helplessness and independence, subversion and female power. Such tales reflect the notion of the daughter moving from temporary resident of her father's house to her husband's family unit as a "foreigner."</text>
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              <text>Foster, Edward E.</text>
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              <text>Tale of Melibee.</text>
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              <text>jules SAC 24 (304)</text>
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                <text>Has Anyone Here Read Melibee?</text>
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                <text>Chaucer possibly intended for Mel to be a take-it-or-leave-it kind of work. Its storyline was extremely familiar in the fourteenth century, and its very presence within CT made a statement. Mel is a tale to be known rather than read, both by Chaucer's audience and by audiences today.</text>
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              <text>Ferster, Judith.</text>
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              <text>Denise N. Baker, ed. Inscribing the Hundred Years' War in French and English Cultures (Albany: State University of New York Press, 2000), pp. 73-89.</text>
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              <text>jules SAC 24 (303)</text>
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              <elementText elementTextId="2753540">
                <text>Chaucer's Tale of Melibee : Contradictions and Context</text>
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              <elementText elementTextId="2753545">
                <text>Argues that Chaucer produced Mel to demonstrate his allegiance to Richard II and to challenge the Appellants. Mel deconstructs the advice of Prudence, whose "advisory coup" echoes the Appellants' takeover.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753531">
              <text>Jones, E. A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753532">
              <text>Review of English Studies  51: 248-52,   2000.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753533">
              <text>2000</text>
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            <elementText elementTextId="2753535">
              <text>Tale of Sir Thopas.</text>
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            <elementText elementTextId="2753536">
              <text>Style and Versification.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753537">
              <text>Review of English Studies  51 (2000)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753538">
              <text>jules SAC 24 (302)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2753530">
                <text>'Loo, Lordes Myne, Heere Is a Fit!' : The Structure of Chaucer's Sir Thopas</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753534">
                <text>J. A. Burrow has demonstrated that Th falls into three fits of 18, 9, and 4.5 stanzas, but does not identify the complementary pattern in the number of lines.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753520">
              <text>Kobayashi, Yoshiko.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753521">
              <text>Eigo Seinen 146.8: 496-98,   2000.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753522">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753523">
              <text>"'Prioress's Tale' ni okeru bogo to nikutai."</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753526">
              <text>Prioress and Her Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753527">
              <text>Eigo Seinen  (Tokyo) 146 (2000)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753528">
              <text>jules SAC 24 (301)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2753519">
                <text>The Mother Tongue and the Body in the Prioress's Tale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753524">
                <text>Assesses vernacular religious resources available to women in the late Middle Ages, focusing on English piety at the edge of Latin literary culture.</text>
              </elementText>
              <elementText elementTextId="2753525">
                <text>In Japanese.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
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              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753510">
              <text>Kelly, Henry Ansgar.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753511">
              <text>Speculum 75: 342-88,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753512">
              <text>2000</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753514">
              <text>Prioress and Her Tale.</text>
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            <elementText elementTextId="2753515">
              <text>Language and Word Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753516">
              <text>Speculum 75 (2000)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2753517">
              <text>jules SAC 24 (300)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2753509">
                <text>Bishop, Prioress, and Bawd in the Stews of Southwark</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753513">
                <text>There is little or no archival or topographical evidence to suggest that the Prioress's convent of St. Leonard's Priory in Stratford-at-Bow profited from houses of prostitution in Southwark. Bordellos existed along the Thames (and were duly taxed and fined), but St. Leonard's profits (and those of other religious institutions with property in the area) came from legitimate rent and raising fish. Kelly examines meanings of the word "stew" and its variants.</text>
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  </item>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753500">
              <text>Steinberg, Glenn.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753501">
              <text>Chaucer Review 35 (2000): 182-203,   2000.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753502">
              <text>2000</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753504">
              <text>House of Fame.</text>
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            <elementText elementTextId="2753505">
              <text>Sources, Analogues, and Literary Relations.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2753506">
              <text>Chaucer Review 35 (2000)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753507">
              <text>jules SAC 24 (358)</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753499">
                <text>Chaucer in the Field of Cultural Production : Humanism, Dante, and the House of Fame</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753503">
                <text>Assesses Chaucer's sense of poetic tradition in HF, arguing that while following Dante's use of the vernacular, Chaucer eschewed Italian emulation of classical models because he distrusted "classical pretensions to artistic or moral superiority."</text>
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  <item itemId="267296" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="2753489">
              <text>Serrano Reyes, Jesús L.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753490">
              <text>Ana María Hornero and María Pilar Navarro, eds. Proceedings of the 10th International Conference of S.E.L.I.M. (Zaragoza: Institucion Fernando el Catolico (CSIC), 2000),</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753491">
              <text>2000</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2753492">
              <text>Proceedings of the 10th International Conference of S.E.L.I.M.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753494">
              <text>House of Fame.</text>
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            <elementText elementTextId="2753495">
              <text>Chaucer's Life.</text>
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            <elementText elementTextId="2753496">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753497">
              <text>jules SAC 24 (357)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753488">
                <text>A Catalan 'Vireley' and the 'Femynyne Creature, Sitte in a See Imperiall'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753493">
                <text>Chaucer's sources for HF included not only books but also a visit to Catalonia. Serrano Reyes observes parallels between Chaucer's Lady Fame and the text of a Catalan virelay, which was sung by pilgrims to the Virgin of Montserrat.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753480">
              <text>Martin, Ellen E.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753481">
              <text>John M. Hill and Deborah M. Sinnreich-Levi, eds. The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne (Madison, N.J., and London: Fairleigh Dickinson University Press and Associated University Presses, 2000), pp. 106-29.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753482">
              <text>2000</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753483">
              <text>Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753485">
              <text>House of Fame.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753486">
              <text>jules SAC 24 (356)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753479">
                <text>The Interior Decoration of His Mind : Exegesis in The House of Fame</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753484">
                <text>Examines the relationships between (mis)reading and (mis)writing, exegesis, and the unconscious in HF.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Ishizaka, Ko.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2753471">
              <text>Kansai University Studies in English Language and Literature: 137-44,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2753472">
              <text>2000</text>
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            <elementText elementTextId="2753475">
              <text>House of Fame.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2753476">
              <text>Kansai University Studies in English Language and Literature (2000)</text>
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              <text>jules SAC 24 (355)</text>
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                <text>Residue in the Mind in Chaucer's The House of Fame</text>
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            <description>An account of the resource</description>
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                <text>Discusses the "images" of several scenes in HF, following V. A. Kolve's article "Chaucer and the Visual Arts" (1975).</text>
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                <text>In Japanese.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753459">
              <text>Cooper, Helen.</text>
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        <element elementId="98">
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              <text>New Medieval Literatures 3: 39-66,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753461">
              <text>1999</text>
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        <element elementId="102">
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            <elementText elementTextId="2753463">
              <text>House of Fame.</text>
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            <elementText elementTextId="2753464">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2753465">
              <text>Monk and His Tale.</text>
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        <element elementId="100">
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            <elementText elementTextId="2753466">
              <text>New Medieval Literatures 03 (1999)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (354)</text>
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              <elementText elementTextId="2753458">
                <text>The Four Last Things in Dante and Chaucer : Hugolino and the House of Rumour</text>
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                <text>Assesses Chaucer's relation to Dante as one of "palpable disbelief" in the Italian's claims for authority about the afterlife and God's judgments. In MkT and HF, Chaucer adapts Dante to establish a more worldly and more skeptical sense of poetry. Cooper argues for 1384 as the date of composition for HF and suggests that Dante is, ironically, Chaucer's "man of gret auctorite" (HF 2158).</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753450">
              <text>Clifford, Robert.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2753451">
              <text>Bulletin of the John Rylands University Library of Manchester 81.1: 155-65,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753452">
              <text>1999</text>
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            <elementText elementTextId="2753454">
              <text>House of Fame.</text>
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          <elementTextContainer>
            <elementText elementTextId="2753455">
              <text>Bulletin of the John Rylands University Library of Manchester 81 (1999)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (353)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2753449">
                <text>'A Man of Gret Auctorite' : The Search for Truth in Textual Authority in Geoffrey Chaucer's The House of Fame</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753453">
                <text>Examines Chaucer's use of the dream-vision genre and authoritative texts and suggests that the author "deconstructs any sense of textual authority." The process of granting fame in HF parallels the random process of readers granting authority.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753441">
              <text>Arnovick, Leslie K.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Irma Taavitsainen, Terttu Nevalainen, Pivi Pahta, and Matti Rissanen, eds. Placing Middle English in Context (Berlin and New York: Gruyter, 2000), pp. 411-25.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2753443">
              <text>2000</text>
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            <elementText elementTextId="2753444">
              <text>Placing Middle English in Context.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753446">
              <text>House of Fame.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2753447">
              <text>jules SAC 24 (352)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2753440">
                <text>Whoso thorgh presumpcion . . . mysdeme hyt : Chaucer's Poetic Adaptation of the Medieval 'Book Curse'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753445">
                <text>Argues that lines 81-120 of HF are Chaucer's adaptation of the topos of the "book curse," tracing the "speech act origin" of the curse and exploring Chaucer's use of the device to "tease his audience and manipulate its expectations."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2753432">
              <text>Travis, Peter W.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753433">
              <text>Studies in the Age of Chaucer 22: 1-66,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753434">
              <text>2000</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753436">
              <text>Book of the Duchess.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753437">
              <text>Studies in the Age of Chaucer 22 (2000)</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2753438">
              <text>jules SAC 24 (350)</text>
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              <elementText elementTextId="2753431">
                <text>White</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753435">
                <text>Reads BD as a psychoanalytic exploration of the nature of signification in which the dreamer achieves "his own talking cure." Surveys medieval and modern theories of signification, including those of Aristotle, Anselm, Duns Scotus, Ockham, Buridan, Saussure, John Searle, Saul Kripke, Lacan, Žižek, Kristeva, and Vicky Kirby, and traces parallels between BD and these thinkers, especially Lacan. The process of therapy in BD confronts and deconstructs the "faultline" of noncontradiction in Western thought, enabling the reader to see beyond this "gendered, linguistic, and metaphysical bar."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2753421">
              <text>Robinson, Ian, and Doreen M. Thomas.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753422">
              <text>Loren C. Gruber, ed. Essays on Old, Middle, Modern English and Old Icelandic in Honor of Raymond P. Tripp, Jr. (Lewiston, N.Y.: Mellen Press, 2000), pp. 447-66.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2753423">
              <text>2000</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2753424">
              <text>Essays on Old, Middle, Modern English and Old Icelandic in Honor of Raymond P. Tripp, Jr.</text>
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        <element elementId="112">
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            <elementText elementTextId="2753425">
              <text>Thomas, Doreen M.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753427">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2753428">
              <text>Language and Word Studies.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2753429">
              <text>jules SAC 24 (349)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753420">
                <text>Some Riddles About The Death of Blanche with Hints for a Few Answers</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753426">
                <text>Examines the backgrounds and language of BD to uncover John of Gaunt's romantic entanglements and their ramifications for the poem. The article serves as an introduction to a larger forthcoming study.</text>
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  <item itemId="267288" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753409">
              <text>Owen, Charles A. (Jr.)</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753410">
              <text>John M. Hill and Deborah M. Sinnreich-Levi, eds. The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne (Madison, N.J., and London: Fairleigh Dickinson University Press and Associated University Presses, 2000), pp. 45-66.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2753411">
              <text>2000</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2753412">
              <text>Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne.</text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2753413">
              <text>Owen, Charles W.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2753416">
              <text>Book of the Duchess.</text>
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              <text>jules SAC 24 (348)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2753408">
                <text>Chaucer : Beginnings</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753414">
                <text>Compares and contrasts BD with French sources and analogues and emphasizes the degree to which BD "foreshadows" elements in Chaucer's later works, especially in its reliance on implicit meanings and narrative distance.</text>
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              <elementText elementTextId="2753415">
                <text>On title page and in Table of Contents, author is listed mistakenly as Charles W. Owen.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2753400">
              <text>Homan, Delmar C.</text>
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        <element elementId="98">
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              <text>Publications of the Medieval Association of the Midwest 7: 63-83,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753402">
              <text>2000</text>
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            <elementText elementTextId="2753404">
              <text>Book of the Duchess.</text>
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              <text>Publications of the Medieval Association of the Midwest 07 (2000)</text>
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              <text>jules SAC 24 (347)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2753399">
                <text>Loss, Grief, Reminiscence, and Popular Culture in Chaucer's Book of the Duchess</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753403">
                <text>Assesses the process of consolation in BD in light of modern theories of grief and reminiscence therapy, arguing that the numerology of the poem provides closure.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2753391">
              <text>Haruta, Setsuko.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 213-21.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2753393">
              <text>2000</text>
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          <elementTextContainer>
            <elementText elementTextId="2753394">
              <text>Fiction and Truth: Essays on Fourteenth-Century English Literature.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753396">
              <text>Book of the Duchess.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2753397">
              <text>jules SAC 24 (346)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2753390">
                <text>The Book for the Duchess: Alcyone and White</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines the historical situation of John of Gaunt and Blanche of Castile, challenging the traditional interpretation that The Book of the Duchess is an elegy for Blanche.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2753382">
              <text>Fichte, Joerg O.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753383">
              <text>Loren C. Gruber, ed. Essays on Old, Middle, Modern English and Old Icelandic in Honor of Raymond P. Tripp, Jr. (Lewiston, N.Y.: Mellen Press, 2000), pp. 387-408.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2753384">
              <text>2000</text>
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            <elementText elementTextId="2753385">
              <text>Essays on Old, Middle, Modern English and Old Icelandic in Honor of Raymond P. Tripp, Jr.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753387">
              <text>Book of the Duchess.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2753388">
              <text>jules SAC 24 (345)</text>
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            <name>Title</name>
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              <elementText elementTextId="2753381">
                <text>Topical Argument in Chaucer's Book of the Duchess</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753386">
                <text>Argues that lack of historical evidence prevents us from learning much about the composition of BD. An examination of its topoi, however, reveals that the poem begins as a lament, turns into a consolation, and finally becomes an encomium designed to enlist the patronage of John of Gaunt.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2753373">
              <text>Carruthers, Mary [J.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2753374">
              <text>John M. Hill and Deborah M. Sinnreich-Levi, eds. The Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne (Madison, N.J., and London: Fairleigh Dickinson University Press and Associated University Presses, 2000), pp. 67-87.</text>
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        <element elementId="114">
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            <elementText elementTextId="2753375">
              <text>2000</text>
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            <elementText elementTextId="2753376">
              <text>Rhetorical Poetics of the Middle Ages: Reconstructive Polyphony. Essays in Honor of Robert O. Payne.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753378">
              <text>Book of the Duchess.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (344)</text>
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          <element elementId="50">
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              <elementText elementTextId="2753372">
                <text>'The Mystery of the Bed Chamber' : Mnemotechnique and Vision in Chaucer's The Book of the Duchess</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753377">
                <text>Medieval memory is inherently social and constructive, playing a central role in the process of composition and thus BD is best understood in the context not of psychology but of rhetoric, as an "act of public mourning, of public remembering."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2753363">
              <text>Bahr, Arthur W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2753364">
              <text>Chaucer Review 35: 43-59,   2000.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753365">
              <text>2000</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2753367">
              <text>Book of the Duchess.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <name>Journal by Volume Number</name>
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              <text>Chaucer Review 35 (2000)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2753370">
              <text>jules SAC 24 (343)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753362">
                <text>The Rhetorical Construction of Narrator and Narrative in Chaucer's The Book of the Duchess</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2753366">
                <text>Juxtaposes the various rhetorical styles of BD and its central dialogue to highlight the resolution of the two in the final couplet. Assesses the narrator by comparing his text and its rhetoric and by examining borrowings from Ovid, the figure of the Black Knight, and Chaucerian "trouthe."</text>
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