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              <text>Griffith, John Lance.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.2 (2021): 28-38.</text>
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              <text>Book of the Duchess&#13;
Recordings and Films</text>
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                <text>Medieval Studies and Medievalism: Choosing Good Texts for ESL and General Education Students in Taiwan.</text>
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                <text>Offers pedagogical justification for using Brian Helgeland's movie "A Knight's Tale" in multicultural teaching, with attention to the movie's brief mention of BD and discussion of the poem's usefulness in broadening student awareness.</text>
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              <text>Fumo, Jamie C.</text>
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              <text>Viator 52.2 (2021): 179-226.</text>
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                <text>"What me is": Insomnia Cures, Saintly Miracles, and Chaucer's "Book of the Duchess" as Illness Narrative.</text>
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                <text>Interprets BD as an early example of "illness narrative." BD's structuring concern with sickness and healing, centered upon insomnia detached from the courtly discourse of lovesickness, reflects the preoccupations of late medieval natural philosophy and medicine. Adduces analogues for BD's portrayal of healing and personal narrative, including the healing of insomnia, in hagiographic miracle collections. The "salutary potential of narrative" revealed in BD resonates with modern sociological perspectives on illness.</text>
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              <text>Antelmi, Gerardina.</text>
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              <text>Estela González de Sande, ed., Interconexiones: Estudios comparativos de literatura, lengua y cultura italianas (Madrid: Dykinson, 2021), pp. 25-34.</text>
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              <text>González de Sande, Estela, ed.,</text>
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              <text>Interconexiones: Estudios comparativos de literatura, lengua y cultura italianas</text>
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              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Il sonno dei poeti genera capolavori: Una riflessione sul sonno in Dante, Petrarca, Boccaccio e su "The Book of the Duchess" di Chaucer.</text>
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                <text>Examines the "topos of the dream" in Dante, Petrarch, and Boccaccio and compares the dream vision in BD. Points to similarities with mystical and shamanic experiences toward ecstasy that go beyond the similarities and differences in the medieval literary tradition of the oneiric state.</text>
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              <text>Donaghey, Brian, Noel Harold Kaylor, Jr., Philip Edward Phillips, and Paul E. Szarmach, eds., with assistance from Kenneth C. Hawley.</text>
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              <text>Tempe: Arizona Center for Medieval &amp; Renaissance Studies, 2019.</text>
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              <text>xxviii, 496 pp.</text>
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              <text>Medieval and Renaissance Texts and Studies, no. 505&#13;
Arizona Studies in the Middle Ages and Renaissance, no. 40.</text>
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              <text>Kaylor, Noel Harold Jr., ed.&#13;
Phillips, Philip Edward, ed.&#13;
Szarmach, Paul E. Szarmach, ed. &#13;
Hawley, Kenneth C. </text>
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              <text>Boece&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Laater Allusion&#13;
Bibliographies, Reports, and Reference</text>
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                <text>Remaking Boethius: The English Language Translation Tradition of "The Consolation of Philosophy."</text>
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                <text>Compiles extensive, authoritative information about each of the English translations of Boethius's "Consolation of Philosophy" from Alfred the Great to H. R. James (1897)--complete translations (including Bo), partial versions, abridgments, selections, versions spurious or lost, etc. Individual sections include a biography of the translator, particulars of the translation (influences, audiences, and links with earlier translations), samples, and a bibliography (manuscripts, editions, and secondary sources). The section on Chaucer's Bo is augmented by a separate section on "An Early Adaptation of Chaucer's translation . . ." that addresses "The Boke of Coumfort of Bois" (after c. 1450).</text>
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              <text>Davidson, Clare.</text>
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              <text>Chaucer Review 56.4 (2021): 341-59.</text>
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              <text>Treatise on the Astrolabe&#13;
Chaucer's Life</text>
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                <text>Chaucerian Guilt and the "Treatise on the Astrolabe."</text>
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                <text>Examines the trauma of sexual violence, focusing on Chaucer's rape of Cecily Chaumpaigne, contextualizing the study of trauma through contemporary theorists Cathy Caruth and Ruth Leys along with Astr. Considers "the relationship between Chaucer's 'raptus,' various legal and cultural referents, and the materiality of sexual violence for modern readers." Addresses the role of modern readers and the guilt these readers might feel based on their "constructed intimacy with the figure of Father Chaucer."</text>
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              <text>Ott, Ashley R.</text>
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              <text>Essays in Medieval Studies 35 (2021): 135-52.</text>
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              <text>Essays in Medieval Studies 35 (2021)</text>
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              <text>Chaucer's Retraction</text>
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                <text>Erasure and Afterlife in Chaucer's "Retraction."</text>
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                <text>Examines Ret as both an act of penance and an artistic act. Argues that the request for erasure causes the literary event to become embedded in memory, and is, therefore, an impossible request.</text>
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              <text>Gellert, Anamaria Ramona.</text>
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              <text>Journal of the Early Book Society 23 (2020): 101-39; 7 b&amp;w illus.</text>
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              <text>Parson and His Tale&#13;
Manuscripts and Textual Studies</text>
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                <text>The Parson's Treatise and the Pictorial Cycle of Vices and Virtues in Cambridge University Library MS Gg.4.27.</text>
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                <text>Discusses the Virtues and Vices miniatures that accompany ParsT in Cambridge University Library, MS Gg.4.27, as they relate to Chaucer's text, in the "context ofmtheir wider medieval iconographic tradition" and the "imagery of affective meditation." Comments on the effects of the mutilation of the manuscript, its interplay of text and image, and individual iconographic details,arguing generally  that the images increase the effectiveness of the text as a tool of meditation.</text>
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              <text>Runstedler, Curtis.</text>
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              <text>Neophilologus 104 (2020): 263-81.</text>
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              <text>Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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        <element elementId="114">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845020">
                <text>Explores the reception of John Gower as an alchemist in the sixteenth century, including description of Elias Ashmole's notion that Gower was Chaucer's "master" and "mentor" in alchemical science.</text>
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              <elementText elementTextId="2850918">
                <text>John Gower's Alchemical Afterlife in Elias Ashmole's "Theatrum Chemicum Britannicum" (1652).</text>
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              <text>Larson, Wendy A.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2845013">
              <text>Maureen B. M. Boulton, ed. Literary Echoes of the Fourth Lateran Council in England and France, 1215–1405 (Toronto: Pontifical Institute of Medieval Studies, 2019), pp. 229-70.</text>
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              <text>Literary Echoes of the Fourth Lateran Council in England and France, 1215–1405</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845016">
              <text>Background and General Criticism&#13;
Canon's Yeoman and His Tale&#13;
Parson and His Tale</text>
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        <element elementId="114">
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              <elementText elementTextId="2845010">
                <text>Confessing Something New: The Twenty-First Canon of the Fourth Lateran Council and English Literature.</text>
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          <element elementId="41">
            <name>Description</name>
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            <elementTextContainer>
              <elementText elementTextId="2845011">
                <text>Surveys the cultural impact of "Omnis utriusque sexus," and shows how Chaucer, Gower, and Hoccleve used "confessional discourse" to help construct subjectivities in their works. Comments on ParsT as the "best known confessional manual in Middle English," and explains how in CYPT the Canon's Yeoman's "subjectivity is located at the intersection of confessional discourse and that of alchemy, creating a tension from which he cannot escape."</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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              <text>Douib, Mohamed Karim.</text>
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              <text>SLOAP International Journal of Linguistics, Literature and Culture 7.2 (2021): 70-81.</text>
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            <elementText elementTextId="2845006">
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              <text>Nun's Priest and His Tale</text>
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        <element elementId="114">
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            <elementText elementTextId="2845009">
              <text>2021</text>
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        <elementContainer>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845003">
                <text>Argues that "the discarded historical event" of the Peasants' Revolt "surfaces" in NPT "not to record the cracks and crevices in the dwindling feudal system, but to participate in the bestialization and grotesquing of the 1381 insurgents and the trivialization of their rising and their cause."</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2850919">
                <text>History and Literature in the "Nun's Priest's Tale": The Return of the Repressed.</text>
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  <item itemId="276593" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2844996">
              <text>Irvin, Matthew W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844997">
              <text>Chaucer Review 56.1 (2021): 1-32.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2844998">
              <text>Chaucer Review 56.1 (2021)</text>
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              <text>Monk and His Tale</text>
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            <elementText elementTextId="2845000">
              <text>SAC 45:139</text>
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        <element elementId="114">
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            <elementText elementTextId="2845001">
              <text>2021</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2844995">
                <text>Using Michel de Certeau's idea of the tactic, argues that the Monk represents the monastic estate, and that he uses tragedies to attack the Host, representative of the city, and the Knight, representative of the nobility. Explores the Monk's own relationship to patience and fortune, suggesting that his tragic method positions him as most able to guard against fortune.</text>
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          <element elementId="50">
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              <elementText elementTextId="2850732">
                <text>The Narrative Tactics of Chaucer's Monk.</text>
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  <item itemId="276592" public="1" featured="0">
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844987">
              <text>Schaefer, Ursula.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2844988">
              <text>Anna Kathrin Bleuler and Manfred Kern, eds. Poesie des Widerstreits: Etablierung und Polemik in den Literaturen des Mittelalters (Heidelberg: Winter, 2020), pp. 271-98.</text>
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            <elementText elementTextId="2844989">
              <text>Bleuler, Anna Kathrin, ed.&#13;
Kern, Manfred, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2844990">
              <text> Poesie des Widerstreits: Etablierung und Polemik in den Literaturen des Mittelalters</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2844991">
              <text>Tale of Sir Thopas&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844992">
              <text>SAC 45:138</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2844993">
              <text>2020</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844985">
                <text>Inszeniertes Scheitern: Geoffrey Chaucer's "Tale of Sir Thopas."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844986">
                <text>Shows not only that Th is a send-up of the tail-rhyme romance and its conventions, but that the poem's metadiscursive horizon of expectation, established by means of the characterization of Chaucer the Pilgrim, resonates in the tale and reveals Chaucer's skills as a versifier, romancer, and poet.</text>
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  <item itemId="276591" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Witalisz, Władysław.</text>
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          <elementTextContainer>
            <elementText elementTextId="2844980">
              <text>Władysław Witalisz and Ewa Rusek, eds. Across Borders: Cultural and Linguistic Shifts in the 21st Century (Frankfurt: Peter Lang, 2020), pp. 63-73.</text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2844981">
              <text>Witalisz, Władysław, ed.&#13;
Rusek, Ewa, ed.</text>
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        <element elementId="108">
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          <elementTextContainer>
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              <text>Across Borders: Cultural and Linguistic Shifts in the 21st Century.</text>
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              <text>SAC 45:137</text>
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              <text>2020</text>
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              <elementText elementTextId="2844977">
                <text>Chaucer's Paraprosdokian Rhetoric and the Reading of the "Prioress's Tale."</text>
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              <elementText elementTextId="2844978">
                <text>Reads the GP description of the Prioress as an ironic frame for PrT, concluding that they combine as an "exercise in depicting and ridiculing popular anti-Semitism rather than condoning it."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wicher, Andrzej.</text>
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              <text>Iudaica Russica 1.4 (2020): 102-14.</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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          <element elementId="50">
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              <elementText elementTextId="2844969">
                <text>The Anti-Jewish Prejudice in Christopher Marlowe's "Jew of Malta," William Shakespeare's "Merchant of Venice" and Geoffrey Chaucer's "Prioress's Tale."</text>
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              <elementText elementTextId="2844970">
                <text>Compares the antisemitism in the three works, describing the Jews of PrT as "an undistinguished mass with no face, and no individuality, a mass that can instinctively react, if given a chance, against their Christian neighbour"; they are less distinct than the Jewish characters in Marlowe's and Shakespeare's works, perhaps attributable to the Prioress's parochiality and lack of human charity, but also typical of medieval and early modern England.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wallace, Andtew.</text>
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        <element elementId="98">
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            <elementText elementTextId="2844964">
              <text>The Presence of Rome in Medieval and Early Modern Britain: Texts, Artefacts and Beliefs (Cambridge: Cambridge University Press, 2020), pp. 172-218.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2844965">
              <text>Presence of Rome in Medieva land Early Modern Britain: Texts, Artefacts and Beliefs</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844966">
              <text>Prioress and Her Tale&#13;
Background and General Criticism</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844967">
              <text>SAC 45:135</text>
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        <element elementId="114">
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            <elementText elementTextId="2844968">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2844961">
                <text>The Dead.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844962">
                <text>In Wallace's volume dedicated to examining various aspects of the importance of Rome and the Latin language--classical and Christian--in early British culture, this chapter focuses on their roles in theorizing and depicting relations between living and dying in literature from Chaucer to Donne, anticipated by Augustine and Dante. Discusses aspects of the GP description of the Prioress and PrPT, emphasizing the importance of song and prayer as metaphysical/theological bridges between life and death</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rabin, Andrew.</text>
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              <text>Notes and Queries 266 (2021): 164-65.</text>
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              <text>Prioress and Her Tale&#13;
Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844954">
                <text>Claims that Chaucer may have been aware of a fourteenth-century alchemical work prescribing an "elixir" of "a grain of wheat soaked in wine" that prolongs life long enough for someone whose death is imminent to "speak, make their will, and confess." Chaucer's interest in alchemy, evinced in CYT, suggests the possibility of his awareness of this recipe.</text>
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              <elementText elementTextId="2850920">
                <text>An Alchemical Analogue to the Virgin's 'Greyn': "The Prioress's Tale," ll. 662-72.</text>
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  <item itemId="276587" public="1" featured="0">
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              <text>Lampert-Weissig, Lisa.</text>
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            <elementText elementTextId="2844949">
              <text>Studies in the Age of Chaucer 43 (2021): 111-49; 3 b&amp; w illus.</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 45:133</text>
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        <element elementId="114">
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            <elementText elementTextId="2844952">
              <text>2021</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2844947">
                <text>Reads PrT and the thirteenth-century Anglo-Norman "Hugo de&#13;
Lincolnia" as "conspiracy theory narratives," showing "how they use language and imagery to generate aesthetic emotions, especially fear and disgust," and revealing connections "both to other contemporary narratives and to a long tradition of antisemitic narrative that extends through 'The Protocols of the Elders of Zion' to the global conspiracy theories of the early twenty-first century.</text>
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              <elementText elementTextId="2850921">
                <text>The Wasps' Nest: Antisemitism, Conspiracy Theory, and "The Prioress's Tale."</text>
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              <description>A name given to the resource</description>
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          <elementTextContainer>
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              <text>Johnson, Hannah.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2844941">
              <text>Exemplaria 32.3 (2020): 187-205</text>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2844945">
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2844939">
                <text>Combines neighbor theory with Pauline notions of debt, payment, and the "dual commandment" to love God and neighbor, exploring usury, neighborly obligation, Christian-Jewish proximity, and market economy in "The Childe of Bristowe" and PrT--found together in London, British Library, MS Harley 2382. Emphasizes how in PrT, unlike in "Childe," "usury operates as a foundational imaginary" foreclosing any possibility of the Christian community conceiving of the Jews as neighbors or individuals.</text>
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          </element>
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              <elementText elementTextId="2850922">
                <text>"The Childe of Bristowe," "The Prioress's Tale," and the Possibility of Neighbor Love.</text>
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          </element>
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  <item itemId="276585" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Graver, Bruce.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2844933">
              <text>Wordsworth Circle 52 (2020): 92-103.</text>
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          <elementTextContainer>
            <elementText elementTextId="2844934">
              <text>Wordsworth Circle 52 (2020): 92-103.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2844935">
              <text>Prioress and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
Style and Versification</text>
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          <elementTextContainer>
            <elementText elementTextId="2844936">
              <text>SAC 45:131</text>
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        <element elementId="114">
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            <elementText elementTextId="2844937">
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850733">
                <text>Argues that Wordsworth chose to publish his translation of PrT "for a very simple reason: he wanted to give an example of close translation of Chaucer, and it was the only one ready and unobjectionable." However, various critics found the translation objectionable for its antisemitism, "promulgation of Roman Catholic superstition," and insensitivity to Chaucer's irony.</text>
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              <elementText elementTextId="2851249">
                <text>Why Chaucer's Prioress's Tale?</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Considers PrT and its depiction of premodern antisemitism and relation to premodern race. Ties PrT's construction of Jews as a cursed monolith to the workings of structural racism. Discusses Agbabi's "Sharps an Flats," which demonstrates "how Chaucer's tale can usefully function as a parable for thinking about racism."</text>
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                <text>Retelling the "Prioress's Tale": Antisemitism, Racism, and Patience Agbabi's "Telling Tales."</text>
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Prioress and Her Tale</text>
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                <text>Reflections on Chaucer, Pedagogy, and the Profession of Medieval Studies</text>
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                <text>Recounts personal experiences of studying PrT and its reception as a prelude to examining the role and status of medieval studies in twenty-first-century British educational culture, particularly its inequalities, colonialisms, and appropriations, and efforts to combat them.</text>
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              <text>Odobo, Ugwoke Oloto.</text>
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              <text>[Nigeria]: Zion Printing Press, 2018.</text>
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              <text>vii, 116 pp.</text>
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              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 45:128</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844913">
              <text>2018</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Item not seen. Citation derives from WorldCat record.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Death Hunters: An Adaptation of Geoffrey Chaucer's "The Pardoner's Tale."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Douib, Mohamed Karim.</text>
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              <text>International Journal of Language and Literary Studies 3.4 (2021): 154-66.</text>
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            <description>An account of the resource</description>
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                <text>Claims that the "Pardoner's atypical sexuality is subversive of the medieval gender matrix and that his challenge to heteronormativity is ultimately encompassed and disarmed." The descriptions of the Pardoner in GP and PardPT disrupt "the medieval normative order," but his "containment and silencing" by the Host and Knight reinforce the status quo."</text>
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                <text>De/Stabilizing Heterosexuality in the Pardoner's Tale.</text>
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              <text>Maguire, Laurie.</text>
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              <text>Rory Loughnane and Andrew J. Power, eds. Early Shakespeare 1588–1594 (New York: Cambridge University Press, 2020), pp. 121-46.</text>
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Power, Andrew J., ed.</text>
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              <text>Early Shakespeare 1588–1594</text>
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              <text>Franklin and His Tale&#13;
Chaucer's Influence and Later Allusion</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores relations between Franklin--the tale-telling character of "Arden of Faversham"--and Chaucer's Franklin as narrator of FranT, concentrating on scenes in the play attributed to Shakespeare, and focusing on the "subject matter and literary artfulness" as well as the unreliability of the two fictional tale-tellers. Also considers Chaucer's more general "association with domestic tragedy" in early modern reception.</text>
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                <text>Early Shakespeare, Chaucer, and Narrative Theory: "Arden of Faversham" and (the) Franklin's Tale.</text>
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              <text>Franklin and His Tale</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>Pulling Back from Politics: Second Nature and Oikonomia in the "Franklin's Tale."</text>
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                <text>Contextualizes FranT using Hannah Arendt's "The Human Condition," and argues that the tale represents another moment in CT where journeys end abruptly before the destination is reached. Considers how the tale functions as "a parable of how household management, oikonomia, merged with and supplanted politics." Ends with a discussion of Dorigen and how she views the rocky Breton coast.</text>
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