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              <text>Rogers, Janine.</text>
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              <text>Dissertation Abstracts International 60 (1998): 4420A,   1998.</text>
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                <text>Professional book production and circulation in the fifteenth and early sixteenth centuries, including Chauceriana, present courtly models for gender, eventually affecting rural gentry. The Findern MS revises femininity, and the female voice can be found in some love lyrics. In contrast, the commonplace book of Richard Hill presents ideals of masculinity for the merchant community.</text>
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              <text>Roche Ruiz de Garibay, Idoia.</text>
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              <text>Ana Mara Hornero and Mara Pilar Navarro, eds. Proceedings of the 10th International Conference of S.E.L.I.M. (Zaragoza: Institucion Fernando el Catolico (CSIC), 2000), pp. 183-92.</text>
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                <text>The Canterbury Tales : Can Relevance Account for Different Translations of the Same Source Text?</text>
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                <text>Follows Sperber and Wilson's cognitive theory of communication, assessing three Spanish translations of lines from GP. The translator is both an addressee (of the source text) and an addresser (of his own audience).</text>
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              <text>Robinson, Peter.</text>
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              <text>Joe Bray, Miriam Handley, and Anne C. Henry, eds. Ma(r)king the Text: The Presentation of Meaning on the Literary Page ( Aldershot, Hants; and Brookfield, Vt.: Ashgate, 2000), pp. 309-28.</text>
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                <text>Ma(r)king the Electronic Text : How, Why, and for Whom?</text>
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                <text>Summarizes the strengths and weaknesses of TEI (Text Encoding Initiative) encoding for electronic texts in the humanities, advocating a middle ground between "realist" and "anti-realist" theories of what can and should be represented. Expresses concerns about the future of electronic editing, drawing examples from The Wife of Bath Prologue on CD-ROM (1996; SAC 20 [1998], no. 11) and The General Prologue on CD-ROM (2000; SAC 24 [2002], no. 41), among others.</text>
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              <text>David Raybin and Linda Tarte Holley, eds. Closure in The Canterbury Tales: The Role of The Parson's Tale (Kalamazoo: Medieval Institute Publications, Western Michigan University, 2000), pp. 77-93.</text>
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                <text>Prolegomenon to a Print History of The Parson's Tale : The Novelty and Legacy of Wynken de Worde's Text</text>
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                <text>Preliminary collations of The Parson's Tale lines 10.75-551 indicate that de Worde's 1498 edition of the Tale derived from a high-quality manuscript rather than from William Caxton's second edition. Such editorial effort reflects high regard for The Parson's Tale in the fifteenth century and influenced later reception.</text>
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              <text>Murphy, Michael, ed.</text>
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              <text>Franklin and His Tale.</text>
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                <text>Canterbury Marriage Tales : The Wife of Bath, The Clerk, The Merchant, The Franklin</text>
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                <text>A "reader-friendly" edition of four Tales in The Canterbury Tales, i.e., in modernized spelling, with glosses and notes.</text>
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              <text>Matthews, William.</text>
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        <element elementId="98">
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            <elementText elementTextId="2756421">
              <text>Arthuriana 7: 31-62,   1997.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Chaucer's Life.</text>
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              <text>Manuscripts and Textual Studies.</text>
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            <elementText elementTextId="2756427">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2756428">
              <text>Arthuriana 07 (1997)</text>
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        <element elementId="109">
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            <elementText elementTextId="2756429">
              <text>jules SAC 24 (34)</text>
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                <text>Caxton and Malory : A Re-View</text>
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              <elementText elementTextId="2756423">
                <text>Contests N. F. Blake's views of Caxton, Caxton's publishing plans, and his motives and quality as an editor, discussing at length the Canterbury Tales editions of 1478 and 1484 and other works of Chaucer. Matthews defends Caxton as a careful editor, assesses evidence related to the lost manuscript Caxton used in revising The Canterbury Tales, and argues both that Caxton may have commissioned Stefano Surigone's memorial of Chaucer and that John Leland offers reliable information about the Chaucer tablet at Westminster Abbey.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Matthews, David.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2756411">
              <text>Studies in the Age of Chaucer 22: 93-114,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2756412">
              <text>2000</text>
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            <elementText elementTextId="2756414">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2756415">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2756416">
              <text>Studies in the Age of Chaucer 22 (2000)</text>
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              <text>jules SAC 24 (33)</text>
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              <elementText elementTextId="2756409">
                <text>Infantilizing the Father : Chaucer Translations and Moral Regulation</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756413">
                <text>Surveys translations and bowdlerizations of The Canterbury Tales from ca. 1870 to the present, identifying variations on the tendency to present the work as morally regulatory or innocent. Focuses on adaptations by Mary (Mrs. H. R.) Haweis, Charles Cowden Clarke, Frank Ernest Hill, and Eleanor Farjeon.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2756401">
              <text>Machan, Tim William.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2756402">
              <text>Text 13 (2000): 9-25.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2756403">
              <text>2000</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2756405">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="100">
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            <elementText elementTextId="2756406">
              <text>Text: Transactions of the Society for Textual Scholarship 13 (2000)</text>
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        <element elementId="109">
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            <elementText elementTextId="2756407">
              <text>jules SAC 24 (32)</text>
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              <elementText elementTextId="2756400">
                <text>'I Endowed Thy Purposes' : Shakespeare, Editing, and Middle English Literature</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756404">
                <text>Questions why Shakespeare--rather than Chaucer or others--is the "favorite son" of Anglo-American textual theory, arguing that the "unilinear transmission" of Shakespeare's plays makes it easier to pursue the illusion of authorial intent. Based on multiple witnesses, Middle English texts do not--or should not--fall victim to the cult of the author.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2756391">
              <text>Lerer, Seth.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756392">
              <text>Huntington Library Quarterly 59.4: 381-96,   1998.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756393">
              <text>1998</text>
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            <elementText elementTextId="2756395">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2756396">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2756397">
              <text>Huntington Library Quarterly 59 (1998)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756398">
              <text>jules SAC 24 (31)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2756390">
                <text>The Wiles of a Woodcut : Wynkyn de Worde and the Early Tudor Reader</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756394">
                <text>Explores de Worde's multiple uses of the same woodcut (a depiction of an exchange of rings) in various books he produced. Found twice in de Worde's TC, the woodcut may reflect his reception of TC via the summary of it in John Skelton's "Phyllyp Sparowe." Also discusses intertextualities resulting from use of the woodcut in Stephen Hawes's "Pastime of Pleasure" and "Conforte of Louers," "The Squyre of Lowe Degre" (de Worde's "Unto Youre Dore"), and "The IIII Leues of a Truelove."</text>
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  <item itemId="267572" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2756382">
              <text>Kelen, Sarah A.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756383">
              <text>British Library Journal  25.1: 180-87,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2756384">
              <text>1999</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2756386">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="100">
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            <elementText elementTextId="2756387">
              <text>British Library Journal  25 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2756388">
              <text>jules SAC 24 (30)</text>
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              <elementText elementTextId="2756381">
                <text>Tyrwhitt's Urry's Chaucer's Works : The Tracks of Editorial History</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756385">
                <text>A British Library copy of John Urry's Works of Chaucer, shelf-mark 642.m.1, contains Thomas Tyrwhitt's notes. These notes record Tyrwhitt's "progress towards his own edition," including commentary on glosses, source material, and apocrypha.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2756366">
              <text>Keegan, Paul, ed.</text>
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        <element elementId="98">
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            <elementText elementTextId="2756367">
              <text>London : Penguin Press, 2000.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2756368">
              <text>2000</text>
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            <elementText elementTextId="2756369">
              <text>xliv, 1139 pp.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2756374">
              <text>General Prologue to the Canterbury Tales.</text>
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            <elementText elementTextId="2756375">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2756376">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2756377">
              <text>Pardoner and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2756379">
              <text>jules SAC 24 (29)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2756365">
                <text>The New Penguin Book of English Verse</text>
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          <element elementId="41">
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                <text>Representative British poetry (lyrics and selections from narrative verse), ranging from Middle English lyrics to poetry written in the 1990s. Arranged chronologically, with no introduction or notes, but with indexes of poets, first lines, and titles. Chaucer selections (pp. 9-15, 20-30) include portions of The Parliament of Fowls, Troilus and Criseyde, The General Prologue, The Knight's Tale, The Miller's Tale, The Wife of Bath's Prologue, and The Pardoner's Tale, with glosses.</text>
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            <elementText elementTextId="2756353">
              <text>Karibe, Tsuneronri, Hisaaki Sasagawa, Ryoichi Koyama, and Yoshiharu Tanaka, eds.</text>
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        <element elementId="98">
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            <elementText elementTextId="2756354">
              <text>Tokyo : Shohakusha, 2000.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2756355">
              <text>2000</text>
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                <text>Compares each line of TC in Larry Benson's, F. N. Robinson's, R. K. Root's, and B. A. Windeatt's editions in preparation for a larger study that will account for differences of word choice and syntax among these editions.</text>
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                <text>Geoffrey Chaucer : Kantaberi Monogatari Soh-jyoka ( Geoffrey Chaucer: The General Prologue to the Canterbury Tales )</text>
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              <elementText elementTextId="2756323">
                <text>'The Rethoricke of Pedlers, Tinkers, Coblers, Rogues' : Popularizing National Identity in Elizabethan Pamphlets and Plays</text>
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              <elementText elementTextId="2756326">
                <text>Juxtaposition of sixteenth-century editions of works of Chaucer and Langland with Elizabethan plays and pamphlets shows how the later authors use "Reformation-inspired literary traditions" to develop a sense of popular traditions that bind together the English people.</text>
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              <text>Arnell, Carla Ann.</text>
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                <text>Medieval Illuminations : Patterns of Medievalism in the Fiction of Jeanette Winterson, Iris Murdoch, and John Fowles</text>
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                <text>Explores the medievalism of three contemporary English writers; includes discussion of Chaucerian echoes in John Fowles's "A Maggot."</text>
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              <text>Miller and His Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Shipman and His Tale.</text>
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              <text>Leonard Michael Koff and Brenda Deen Schildgen, eds. The Decameron and the Canterbury Tales: New Essays on an Old Question (Madison, N.J.: Fairleigh Dickinson University Press, 2000), pp. 85-101.</text>
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                <text>Studies two ways CT borrows from Boccaccio: first, in transforming exemplary narratives into "novelles" and, second, in the use of narrative detail to create local history. MilT, RvT, and ShT are examples.</text>
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                <text>Chaucer's Uncommon Voice : Some Contexts for Influence</text>
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            <description>An account of the resource</description>
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                <text>Italian vernacular literature (rather than French court culture) inspired Chaucer to develop his authorial voice. FranT is a reading of Decameron 10.5 that illustrates the development of Chaucer's distinctly English agenda.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Phillips, Helen.</text>
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            <elementText elementTextId="2756283">
              <text>Nottingham French Studies 38: 120-36,   1999.</text>
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          <elementTextContainer>
            <elementText elementTextId="2756284">
              <text>1999</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756286">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2756287">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2756288">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2756289">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2756290">
              <text>Nottingham French Studies 38 (1999)</text>
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              <text>jules SAC 24 (71)</text>
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                <text>Fortune and the Lady : Machaut, Chaucer and the Intertextual 'Dit'</text>
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              <elementText elementTextId="2756285">
                <text>Summarizes how contemporary intertextual theory complicates traditional notions of source relations. Surveys intertextual relations in Chaucer's works, especially examples where, by failing to "include the conclusion" from his source(s), Chaucer provokes deep engagement from his audience. Machaut's Fortune presents a very complex "palimpsest" for the depiction of Fortune in BD because Chaucer knew and capitalized on Machaut's relations with Boethius and the Roman de la Rose--themselves "inherently unstable" texts. Phillips also draw examples from TC, WBP, and other Chaucerian works.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2756270">
              <text>Mast, Isabelle.</text>
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            <elementText elementTextId="2756271">
              <text>Katherine J. Lewis, Noël James Menuge, and Kim M. Phillips, eds. Young Medieval Women (New York: St. Martin's Press, 1999), pp. 103-32.</text>
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          <name>Date</name>
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            <elementText elementTextId="2756272">
              <text>1999</text>
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            <elementText elementTextId="2756273">
              <text>Young Medieval Women.</text>
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              <text>Lewis, Katherine J., ed.</text>
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            <elementText elementTextId="2756275">
              <text>Menuge, Noël James, ed.</text>
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            <elementText elementTextId="2756276">
              <text>Phillips, Kim M., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2756278">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2756279">
              <text>jules SAC 24 (70)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2756269">
                <text>Rape in John Gower's Confessio amantis and Other Related Works</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756277">
                <text>In Confessio amantis and his other works, Gower avoids the word "rape," perhaps because of its ambiguity, and he presents forced coitus in ways sympathetic to the victim and cognizant of female repression. Mast includes recurrent comparisons with rape in Chaucer's works.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2756258">
              <text>Koff, Leonard Michael, and Brenda Deen Schildgen, eds.</text>
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        <element elementId="98">
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            <elementText elementTextId="2756259">
              <text>Madison, N.J. : Fairleigh Dickinson University Press, 2000.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756260">
              <text>2000</text>
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            <elementText elementTextId="2756261">
              <text>352 pp.</text>
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        <element elementId="112">
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            <elementText elementTextId="2756262">
              <text>Schildgen, Brenda Deen, ed.</text>
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            <elementText elementTextId="2756263">
              <text>Wallace, David.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756266">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2756267">
              <text>jules SAC 24 (69)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2756257">
                <text>The Decameron and the Canterbury Tales: New Essays on an Old Question</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756264">
                <text>Eleven studies on reception and influence, the shared culture of the two authors, and specific tales. Includes an introduction by Koff and an afterword by David Wallace. For essays that pertain to Chaucer, search for Decameron and the Canterbury Tales: New Essays on an Old Question under Alternative Title.</text>
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  <item itemId="267560" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756248">
              <text>Hanly, Michael.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756249">
              <text>Viator 28: 306-32,   1997.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756250">
              <text>1997</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756252">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2756253">
              <text>Chaucer's Life.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756254">
              <text>Viator 28 (1997)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756255">
              <text>jules SAC 24 (68)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756247">
                <text>Courtiers and Poets : An International Network of Literary Exchange in Late Fourteenth-Century Italy, France, and England</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756251">
                <text>Examines how the careers of several courtiers-diplomats-poets can help us reconstruct the "nature of literary transmission" from Italy to France to England. Discusses Philippe de Mézières, Honorat Bovet, Jean Muret and Giovanni Moccia, and Richart Eudes. The first two had contact with Chaucer, and all reflect how he may have had access to Italian humanist learning.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756238">
              <text>Farrell, Thomas (J.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756239">
              <text>Medieval Perspectives 15.2: 34-48,   2000.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756240">
              <text>2000</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756242">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2756243">
              <text>Clerk and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756244">
              <text>Medieval Perspectives 15 (2000)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756245">
              <text>jules SAC 24 (67)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756237">
                <text>Philological Theory in Sources and Analogues</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756241">
                <text>Defines the assumptions underlying J. Burke Severs's analysis of the relation of ClT to Petrarch's version of the material and clarifies how Farrell's own assumptions differ from those in his analysis for Sources and Analogues II. Severs was more confident in his assumptions and less sensitive to the evidence of the glosses and to textual mouvance.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756229">
              <text>Echard, Siân.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756230">
              <text>Journal of Medieval and Early Modern Studies 30: 185-210,   2000.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756231">
              <text>2000</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756233">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756234">
              <text>Journal of Medieval and Early Modern Studies 30 (2000)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756235">
              <text>jules SAC 24 (66)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2756228">
                <text>House Arrest : Modern Archives, Medieval Manuscripts</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756232">
                <text>Cultural and institutional practice has frequently estimated the status of Gower's poetry and the value of his manuscripts, not through assessment of his own achievements, but through his historical and literary proximity to Chaucer.</text>
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          </element>
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