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              <text>Collins, Arthur.</text>
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              <text>Literature in North Queensland 8.1 (1980): 7-13.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 12/18/2023</text>
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                <text>Amor Vincit Omnia (How the Tales came to be told).</text>
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            <description>An account of the resource</description>
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                <text>Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.</text>
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              <text>Behrend, Megan.</text>
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              <text>Studies in the Age of Chaucer 43 (2021): 1-43; 6 b&amp;w illus.</text>
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              <text>Manuscripts and Textual Studies&#13;
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Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Legend of Good Women</text>
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                <text>"Un-English" Chaucer: Macaronic Verse and Codicological Form in Cambridge University Library, MS Gg.4.27.</text>
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                <text>Uncouples Chaucer's fifteenth-century reception from "monolingual nationalist ideas of Englishness," focusing on rhetorical and codicological features of two trilingual love lyrics in Cambridge University Library, MS Gg.4.27 (Gg): "De amico ad amicam" and "Responcio." Argues that the poems are "integral" to Gg and that their forms and presentation "mobilize the permeability and fungibility of languages in contact," aligning Chaucer with a "multilingual future" rather than monolingual Englishness. Suggests that a Gg illustration may be a Chaucer portrait. Includes comments on the use of French in manuscript copies of PF, and epistolary form in LGW and TC.</text>
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              <text>Notes and Queries 266 (2021): 253-55.</text>
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Proverbs</text>
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                <text>"Proverbs" and Chaucer's Metrical Practice.</text>
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            <description>An account of the resource</description>
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                <text>Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer's oeuvre.</text>
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              <text>Sayers, William.</text>
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              <text>Language and Word Studies&#13;
Complaint of Mars</text>
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                <text>Chaucer and the Color Adjective "blew."</text>
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            <description>An account of the resource</description>
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                <text>Examines Chaucer's limited use of "blew"/"blue" in depictions of color, focusing on the phrase "teres blewe" in Mars, 8. Notes that the connotation of "blue" with melancholy surfaces later, and traces Chaucer's usage of "blewe" to its Gallo-Romance ancestor "bloi."</text>
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              <text>Robinson, Peter.</text>
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              <text>Liverpool: Liverpool University Press, 2020.</text>
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              <text>ix, 272 pp.</text>
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              <text>Complaint of Chaucer to His Purse</text>
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                <text>Poetry &amp; Money: A Speculation.</text>
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            <description>An account of the resource</description>
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                <text>Explores the "metaphors, paradoxes, contradictions, and mysteries which link" poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry "in which money is the theme and its absence the concern."</text>
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              <text>Hoces Lomba, María de.</text>
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              <text>Complaint of Chaucer to His Puirse</text>
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              <text>SAC 45:174</text>
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              <text>254 pp.</text>
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              <text>Open access Ph.D. dissertation (Universitat d'Alacant/Universidad de Alicante, 2019). Available at https://rua.ua.es/dspace/bitstream/10045/95549/1/&#13;
tesis_maria_de_hoces_lomba.pdf (accessed June 4, 2023).</text>
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                <text>Retórica forense y literatura: El "orator perfectus" y la obra literaria como instrumento de defensa jurídica.</text>
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                <text>Explores general connections between literature and law, with specific reference to Purse. Claims that Chaucer's understanding of "classics, rhetoric, and law" sets up Purse as a "literary defense or vindication" and uses "love poetry" to create a lighter tone.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>Barbara Marczuk and Iwona Piechnik, eds. Discours religieux: Langages, textes, traductions (Kraków: Biblioteka Jagiellonska, 2020), pp. 305-17.</text>
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              <text>Marczuk, Barbara, ed.&#13;
Piechnik, Iwona, ed.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>"And biddeth ek for hem that ben despeired": Chaucer's Bidding Prayer for Lovers as an Example of (Mock)religious Discourse.</text>
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                <text>Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent concern with religious, cosmic love that is higher than and preferable to courtly or worldly love.</text>
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              <text>Renevey, Denis.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 351-64.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Discloses how compilations of devotional literature such as "Disce mori" can help us to recognize a "female textual subjectivity," exploring the work's makeup as compilation, and commenting on how "references [in it] to passages and characters from secular-lovebestsellers"--including TC--"assume a familiarity" with such works andindicate a pervasive "femin ization of the self."</text>
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                <text>"Olde feble wymmen with perseuerance ouercome many longe pilgrimages": Mapping the Feminine in "Disce mori."</text>
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              <text>Powrie, Sarah.</text>
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              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.1 (2021): 18-33.</text>
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              <text>Troilus and Criseyde</text>
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                <text>Criseyde, Consent, and the #MeToo Reader.</text>
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            <description>An account of the resource</description>
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                <text>Confronts the humor and "problematic sexual biases evident" in TC. Focuses on the consummation scene of Book III and the ways that "#MeToo activism" can inform a conversational pedagogy for engaging with the text, including analysis of the narrator's "victim-blaming" of Criseyde, Pandarus's "surreptitious coercion," and Troilus's susceptibility to biased gender assumptions--all viewed in light of comparative examples drawn from modern media and legal proceedings.</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 7 (2021): 117-38.</text>
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            <elementText elementTextId="2845211">
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              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845208">
                <text>Analyzes the structure and function of reporting verbs, such as  "seyde" and "quod, "in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect speeches, and subjectivity. In Japanese, with English abstract.</text>
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              <elementText elementTextId="2851936">
                <text>Chaucer's Speech and Thought Representations through Their Reporting Verbs: The Case of "Troilus and Criseyde."</text>
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              <text>Matthews, Ricardo.</text>
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              <text>PMLA 133 (2018): 296-313.</text>
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            <elementText elementTextId="2845203">
              <text>PMLA 133 (2018)</text>
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              <text>Style and Versification&#13;
Troilus and Criseyde&#13;
Book of the Duchess&#13;
Legend of Good Women</text>
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        <element elementId="114">
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            <elementText elementTextId="2845206">
              <text>2018</text>
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              <elementText elementTextId="2845199">
                <text>Song in Reverse: The Medieval Prosimetrum and Lyric Theory</text>
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            <description>An account of the resource</description>
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                <text>Treats prosimetrum as "a unique medieval genre that mixes not only prose and verse but also narrative and lyric," and studies its implications for theorizations of the lyric mode, particularly the opposition between the Romantic notion of lyrics as expression of individual subjectivities and the medieval idea of a given "song's unique arrangement" of rhetorical conventions of genre and mode. Links these concerns with the "twelfth-century discovery of self" and explores broad-ranging examples, with recurrent attention to Italian, French, and English writing, including examples from BD and LGWP, with extended explication of Troilus's Petrarchan song embedded in TC.</text>
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              <text>Köseoğlu, Berna.</text>
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        <element elementId="98">
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              <text>Research Journal of English Language and Literature 6.1 (2018): 153-59.</text>
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              <text>Research Journal of English Language and Literature 06 (2018)</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde</text>
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        <element elementId="114">
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            <elementText elementTextId="2845198">
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                <text>The Concept of Love in Medieval Literature: The Idea of Love in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Observes several traditional conventions of love in TC, especially Troilus's suffering and Pandarus's role as go-between.</text>
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              <text>Hao, Tianhu.</text>
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              <text>Interdisciplinary Studies of Literature 4.4 (2020): 20-33.</text>
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              <text>Interdisciplinary Studies of Literature 04 (2020)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845188">
              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850913">
                <text>Analyzes how Chaucer''s uses of sailing and door/gates imagery in TC resonate with similar imagery in Ovid's "Amores" and "Ars amatoria," reflecting a differing view of history and producing a different tone. In English, with an abstract in English and in Chinese.</text>
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                <text>A Comparative Study of Two Images in Ovid's Amatory Poems and Chaucer's "Troilus and Criseyde."</text>
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                <text>"Go Little Book": The Matter of Troy and the Ecology of the Medieval Codex.</text>
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                <text>Uses two of the "modes of existence" theorized by Bruno Latour--technological and fictional--to examine medieval manuscripts, arguing that the "affordances and ecologies" of codices as technology encouraged the "proliferation" of fictional beings in the matter of Troy. Examines Chaucer's "litel book," addressed in TC, as a "sentient artifact" and as a "remediation" of its source in Boccaccio's "Filostrato" and  ancient tradition.</text>
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                <text>Discusses in dialogue format a hybrid "general education honors course focusing on the description, understanding, and classification of animals over time," including comments on the use of PF in this course and syllabi for it from 2019 and 2021.</text>
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              <text>Baeten, Somayeh.</text>
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                <text>Comparative analysis of the "correspondences" and the "disparities of ideas" in these works while revealing their "individual intentions." Originally presented as Baeten's Ph.D. dissertation, Ludwig-Maximilians-Universität, 2019.</text>
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                <text>Birds, Birds, Birds: A Comparative Study of Medieval Persian and English Poetry, Especially Attar's "Conference of Birds"" "The Owl and the Nightingale," Chaucer's "The Parliament of Fowls" and "The Canterbury Tales."</text>
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              <text>Stadnik, Katarzyna.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's "Legend of Dido": Negotiating Worldviews through Narrative Fiction.</text>
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                <text>Analyzes the "Legend of Dido" in LGW to reveal how narrative serves as a "cognitive tool for shaping worldviews" held within cultural communities. Discusses the "cognitive-cultural underpinnings" and strategies Chaucer uses to tell a fragmentary version of the Dido and Aeneas narrative. Examines how Chaucer's "epistemic stance" influences the expression of selected social-cultural categories in the story.</text>
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                <text>Examines LGW as a poetic work that invites criticism as a function of how it is structured. Looks in depth at Alceste and her efforts in the poem, reappraising how she achieves success with the God of Love.</text>
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                <text>"Charitable and trewe': Multiplicity, Prudence, and Pity in the Prologue of Chaucer's "Legend of Good Women."</text>
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Legend of Good Women</text>
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                <text>The introduction to this edition of Valerius includes a section on "The Later Middle Ages: Benoit, Guido, Chaucer, and Boccaccio," discussing whether or not "medieval writers were familiar with Valerius Flaccus." Demonstrates that, although Chaucer is the only one of the four who "seems to make explicit reference" to the classical writer, the evidence that he knew the "Argonautica" 'is not convincing," despite the references to "Valerye" at LGWP, G 280, and "Argonautycon" at LGW, 1457.</text>
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              <text>Carrettoni, María Celeste.</text>
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              <text>Auster 24 (2019): n.p.</text>
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              <text>Auster 24 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845130">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845131">
              <text>SAC 45:159</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845132">
              <text>2019</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845125">
                <text>La leyenda de Dido, de Geoffrey Chaucer: Hipotextos y pluralidad de voces.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851930">
                <text>Analyzes how the "Legend of Dido" differs from Virgil's "Aeneid" and Ovid's "Heroides," VII. Claims that Chaucer's narrator is more self-referential and that the plurality of voices of the narrator, along with the characters' voices, results in a growing complexity that problematizes the interpretation of the legend. This "multivocality" anticipates techniques used in CT.</text>
              </elementText>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        </elementSet>
      </elementSetContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845119">
              <text>Balestrini, María Cristina.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845120">
              <text>Auster 24 (2019): n.p.</text>
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        <element elementId="100">
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          <description/>
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            <elementText elementTextId="2845121">
              <text>Auster 24 (2019)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2845122">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845123">
              <text>SAC 45:158</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845124">
              <text>2019</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845117">
                <text>La "llave del recuerdo" y los anómalos relatos de metamorfosis en "The Legend of Good Women" de Geoffrey Chaucer.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851929">
                <text>Studies Chaucer's engagement with Ovidian sources to consider how LGW is a "narrative of metamorphosis." Argues that the metamorphosis is due to the creative process of ""vernacularization of the classical authority,""which establishes a shared cultural memory in the vernacular.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276607" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845111">
              <text>Masciandaro, Nicola.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845112">
              <text>On the Darkness of the Will ([Italy]: Mimesis, 2018): 37-71.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845113">
              <text>On the Darkness of the Will</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845114">
              <text>House of Fame&#13;
Book of the Duchess&#13;
Canon's Yeoman and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845115">
              <text>SAC 45:157</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845116">
              <text>2018</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845109">
                <text>Of a Leaden Hue: Chaucerian Non-Mysticism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845110">
                <text>Studies aspects of "mystical non-mysticism" in Chaucer's poetry. Explores the "nomenclative impotentiality" of the narrator's "non-self-naming" in HF, 1873–82, and his "unknowing" elsewhere in the poem. Comments on the Black Knight's tearless sorrow in BD as "paramystical," and argues that in Chaucer's works "the Canon's Yeoman figures most clearly the dark relation between Chaucer's poetry and the labor of mystical becoming."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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  <item itemId="276606" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845103">
              <text>Colley, John.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845104">
              <text>Studies in the Age of Chaucer 43 (2021): 45-73.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845105">
              <text>Studies in the Age of Chaucer 43 (2021)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845106">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845107">
              <text>SAC 45:154</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845108">
              <text>2021</text>
            </elementText>
          </elementTextContainer>
        </element>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845101">
                <text>Chaucer's "Ebrayk Josephus" and "The House of Fame."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845102">
                <text>Investigates the reference to the "Judeo-Roman historian Josephus" in HF, 1429–36, exploring how his authority varies in the Middle Ages "depending on the extent to which he is understood as a Christian or a Jew," and showing how, in Chaucer's poem, "classical reception . . . is enmeshed in the intersecting discourses of race and authority." Explicates the imagery and diction associated with Josephusin HF, probes Chaucer's "own thoughts" about Jews, and integrates traditional classical reception with critical race studies.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="276605" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845096">
              <text>Cawsey, Kathy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845097">
              <text>Images of Language in Middle English Vernacular Writings (Woodbridge: Brewer, 2020), pp. 13-43.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845098">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845099">
              <text>SAC 45:153; rev. mea 6/26/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845100">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845912">
              <text>Images of Language in Middle English Vernacular Writings.</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845094">
                <text>Vernacular Transformations of the Latin Inheritance: Chaucer's "House of Fame."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851928">
                <text>Argues that in its adaptations of poetic traditions (particularly representations of the four elements and "ars grammatica") and in dealing "explicitly with the problematics of language and poetry," HF is "almost an anti-'ars-poetica'." In it, Chaucer is more sceptical than Latin "auctores," showing "what happens in a world of fallen language when 'auctoritas' is no longer authoritative, and readers can become re-writers."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276604" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845087">
              <text>Falk, Seb.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845088">
              <text>New York: Norton, 2020.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845089">
              <text>xv, 392 pp.; 56 b&amp;w illus.; 9 color plates</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845090">
              <text>The Light Ages: A Medieval Journey of Discovery.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845091">
              <text>Equatorie of the Planetis&#13;
Treatise on the Astrolabe&#13;
Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845092">
              <text>SAC 45:152</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845093">
              <text>2020</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845085">
                <text>The Light Ages: The Surprising Story of Medieval Science.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851927">
                <text>Combines a biography of Benedictine astronomer John Westwyk with contextualizing information about medieval science, technology, education, and innovation, particularly in the monastic settings of St. Albans Abbey and its Tynemouth Priory. Credits Westwyk with writing Equat and describes his contributions to Richard of Wallingford's legacy, explaining much about medieval mathematics, numerals, time-keeping, optics, mapmaking, navigation, and scientific instruments. Draws examples from CT and observes relations between Equat and Astr, characterizing Westwyk as one who "saw himself as an astronomical apprentice" to Chaucer. Originally published by Allen Lane in 2020 as The Light Ages: A Medieval Journey of Discovery. </text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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