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              <text>Pugh, William White Tison.</text>
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              <text>Dissertation Abstracts International 61: 2705A,   2001.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 25 (283)</text>
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                <text>Play and Game in Sir Gawain and the Green Knight and Troilus and Criseyde</text>
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                <text>Play and game reveal to knightly protagonists human imperfection and divine truth. Pandarus is the "game-master" of TC, and Troilus achieves perspective through the game of courtly love.</text>
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              <text>Robertson, Elizabeth.</text>
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              <text>Elizabeth Robertson and Christine M. Rose, eds. Representing Rape in Medieval and Early Modern Literature (New York and Basingstoke: Palgrave, 2001), pp. 281-310.</text>
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              <text>Representing Rape in Medieval and Early Modern Literature.</text>
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              <text>Robertson, Elizabeth, ed.</text>
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              <text>Rose, Christine M., ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 25 (284)</text>
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                <text>Public Bodies and Psychic Domains : Rape, Consent, and Female Subjectivity in Geoffrey Chaucer's Troilus and Criseyde</text>
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                <text>Examines "the role rape plays in the formation of Criseyde's character," contrasting Criseyde with Helen of Troy and Lucretia. Criseyde is a "choosing subject," and the language of rape helps to define the ambiguities of choice she faces.</text>
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              <text>Walls, Kathryn.</text>
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              <text>Explicator 59.2 (2001): 59-62.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 25 (285)</text>
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                <text>Chaucer's Troilus and Criseyde 1.540-875</text>
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                <text>Neither Pandarus, Troilus, nor Chaucer is to be taken at face value in TC 1.540-875. All three are deceivers.</text>
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              <text>Warren, Victoria.</text>
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              <text>Chaucer Review 36: 1-15,   2001.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 25 (286)</text>
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                <text>(Mis)Reading the 'Text' of Criseyde : Context and Identity in Chaucer's Troilus and Criseyde</text>
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                <text>Troilus cannot read the "text" of Criseyde's face because he is too self-absorbed. Thinking only of what she can do for him, he neglects her "context," fails to acknowledge her vulnerability, and thinks of her as an "image in stasis." Although critics have been willing to accept Troilus's critique, Chaucer expects the reader to go deeper.</text>
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              <text>Yang, Ming-Tsang.</text>
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              <text>Studies in Language and Literature (National Taiwan University) 10: 27-49,   2001.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Studies in Language and Literature (National Taiwan University) 10 (2001)</text>
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              <text>jules SAC 25 (287)</text>
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                <text>The Poetics of Translation in Chaucer's Troilus and Criseyde</text>
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                <text>Yang considers several aspects of translation and the rhetoric of translation in TC: the narrator's "double role" as translator and author, Pandarus as translator, Diomede as a "force of the translation process," Criseyde as "text" that is translation and retranslated, and Troilus's rise to the sphere as Chaucer's translation of Boccaccio's "Filostrato" from a secular to a religious poem.</text>
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              <text>Davenport, Tony.</text>
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              <text>Helen Cooney, ed. Nation, Court and Culture: New Essays on Fifteenth-Century English Poetry (Dublin and Portland, Ore.: Four Courts Press, 2001), pp. 129-51.</text>
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              <text>2001</text>
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              <text>Nation, Court and Culture: New Essays on Fifteenth-Century English Poetry.</text>
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              <text>Cooney, Helen, ed.</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>jules SAC 25 (288)</text>
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                <text>Fifteenth-Century Complaints and Duke Humphrey's Wives</text>
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                <text>Examines two mid-fifteenth-century complaints that reflect public distrust of Humphrey, duke of Gloucester, arguing that these complaints are more Lydgatian than Chaucerian, since Chaucer's own complaints had little influence at the time. An appendix includes the two poems.</text>
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              <text>Kinch, Ashby McDalton.</text>
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              <text>Dissertation Abstracts International 61: 3988A,   2001.</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Book of the Duchess.</text>
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              <text>jules SAC 25 (289)</text>
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                <text>Playing at Death : The Suspended Subject of Middle English Lyric</text>
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                <text>Central to medieval love poetry is the figure of dying for love--found in works by Marcabru, Bernart de Ventadorn, Dante, Petrarch, Chaucer (BD, TC, complaints), and Alain Chartier, as well as in the Harley lyrics and the Findern manuscript. Donne provides an afterlife.</text>
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              <text>Quinn, William A.</text>
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              <text>Studies in the Age of Chaucer 23: 109-41,   2001.</text>
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              <text>ABC.</text>
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              <text>Studies in the Age of Chaucer 23 (2001)</text>
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              <text>jules SAC 25 (290)</text>
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                <text>Chaucer's Problematic Priere : An ABC as Artifact and Critical Issue</text>
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                <text>Explores ABC as a prayer, especially in its relations with Psalm 118 and 119 and the rosary, and in light of the possibility that it was presented to Duchess Blanche for inclusion in her devotional primer. Quinn confronts several formal features and rhetorical-theological cruces in ABC, showing that they can be resolved as expressions of orthodox faith-valid as a heuristic method and as a form of historicism.</text>
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              <text>Mize, Britt.</text>
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              <text>Chaucer Review 35: 351-77,   2001.</text>
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              <text>Adam Scriveyn.</text>
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              <text>Chaucer Review 35 (2001)</text>
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              <text>jules SAC 25 (291)</text>
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                <text>Adam, and Chaucer's Words unto Him</text>
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                <text>Adam is a more complex work than generally thought, evoking Adam the "first father" and "the earthly instrument of chaos and capriciousness." The scribe's "long lokkes" link him to Chaucer's other prideful, foppish characters. The threatened "scabbes" would deface his hair and mirror the act of "rubbing and scraping the manuscript."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Forni, Kathleen.</text>
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        <element elementId="98">
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              <text>Gainesville : University Press of Florida, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2759830">
              <text>2001</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2759831">
              <text>xviii, 261 pp.</text>
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            <elementText elementTextId="2759833">
              <text>Chaucerian Apocrypha.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>jules SAC 25 (292)</text>
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              <elementText elementTextId="2759827">
                <text>The Chaucerian Apocrypha : A Counterfeit Canon</text>
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            <description>An account of the resource</description>
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                <text>Forni traces the complex relationship between Chaucer's canon and the apocrypha, with particular focus on the "Folio" canon, from Thynne's 1532 "Workes" edition to editions of the eighteenth century. The first part examines the formation of the Folio canon, considering the political, ideological, and commercial interests behind the various editions. Through case studies of spurious works, the second part assesses the impact of attribution and disattribution on Chaucer's reputation and lines of critical inquiry.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2759819">
              <text>Forni, Kathleen.</text>
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        <element elementId="98">
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            <elementText elementTextId="2759820">
              <text>Huntington Library Quarterly 64: 139-50,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759821">
              <text>2001</text>
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            <elementText elementTextId="2759823">
              <text>Chaucerian Apocrypha.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2759824">
              <text>Huntington Library Quarterly 64 (2001)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (293)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2759818">
                <text>'Chaucer's Dreame' : A Bibliographer's Nightmare</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2759822">
                <text>"The Isle of Ladies" --first published as "Chaucer's Dreame" with the "Fairest of the Fair" as "Additions" in Speght's 1598 edition--has been confused by both scribes and early editors with BD and Lydgate's "Temple of Glass." This confused transmission illustrates the difference between pre-print culture, in which texts were part of a shared culture, and print culture, in which "the marketing of 'authority' is an important part of the revolution of 'print capitalism.'"</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2759810">
              <text>Landman, James H.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2759811">
              <text>New Medieval Literatures 4: 139-70,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2759812">
              <text>2001</text>
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            <elementText elementTextId="2759814">
              <text>Chaucerian Apocrypha.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2759815">
              <text>New Medieval Literatures 04 (2001)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2759816">
              <text>jules SAC 25 (294)</text>
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              <elementText elementTextId="2759809">
                <text>Pleading, Pragmatism, and Permissible Hypocrisy : The 'Colours' of Legal Discourse in Late Medieval England</text>
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              <elementText elementTextId="2759813">
                <text>Decried by detractors such as Gower and Langland, legal discourse was a way of bridging the growing gap between legal tradition and contemporary reality. Although it satirizes legal pragmatism, The "Tale of Beryn" reflects appreciation of such pragmatism, also evident in John Fortescue's "The Declaracion."</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Shippey, T. A.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2759798">
              <text>Ad Putter and Jane Gilbert, eds. The Spirit of Medieval English Popular Romance. Longman Medieval and Renaissance Library. (New York: Longman, 2000), pp. 78-96.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2759799">
              <text>2000</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2759800">
              <text>The Spirit of Medieval English Popular Romance.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2759801">
              <text>Putter, Ad, ed.</text>
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            <elementText elementTextId="2759802">
              <text>Gilbert, Jane, ed.</text>
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        <element elementId="102">
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            <elementText elementTextId="2759804">
              <text>Chaucerian Apocrypha.</text>
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            <elementText elementTextId="2759805">
              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2759806">
              <text>Longman Medieval and Renaissance Library.</text>
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              <text>jules SAC 25 (295)</text>
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                <text>The Tale of Gamelyn : Class Warfare and the Embarrassments of Genre</text>
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                <text>Attributes the popularity of "Gamelyn," in part, to its association with CT, arguing that Chaucer intended to adapt "Gamelyn" for telling by the Knight's Yeoman, even though Chaucer "did not like yeomen very much." Also assesses the tension between chivalric sentiment and the emphasis in Gamelyn on bourgeois ethos.</text>
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              <text>Little, Katherine.</text>
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              <text>Studies in the Age of Chaucer 23: 225-53,   2001.</text>
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              <text>Parson and His Tale.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Language and Word Studies.</text>
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              <text>Studies in the Age of Chaucer 23 (2001)</text>
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              <text>jules SAC 25 (252)</text>
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                <text>Chaucer's Parson and the Specter of Wycliffism</text>
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                <text>ParsPT and the GP description of the Parson reflect "concerns over the limits of late-medieval pastoral language." While the GP Parson suggests Wycliffite emphasis on Scripture, one finds a more orthodox view in ParsPT, with its focus on self-reformation through penance. The "disunity" of ParsT--an innovative vernacular articulation of contrition combined with a traditional catalog of sins--shows Chaucer exploring issues of language and lay instruction prompted by Wycliffite discourse.</text>
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              <text>Hallissy, Margaret.</text>
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              <text>Confrontation 70-71: 13-19,   2000.</text>
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            <elementText elementTextId="2759778">
              <text>2000</text>
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              <text>Chaucer's Retraction.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Confrontation 70-71 (2000)</text>
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              <text>jules SAC 25 (253)</text>
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          <element elementId="50">
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                <text>The End of Medieval Literature : The Case of Geoffrey Chaucer</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759779">
                <text>Explores Chaucer's play "with the very concepts of finished and unfinished" in CT, surveying the ends of several tales and Ret. Suggests that Chaucer's sense of an ending distinguishes him from modern sensibility.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2759765">
              <text>Aloni, Gila, and Shirley Sharon-Zisser.</text>
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            <elementText elementTextId="2759766">
              <text>Mediterranean Historical Review 16.2: 69-77,   2001.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759767">
              <text>2001</text>
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              <text>Sharon-Zisser, Shirley.</text>
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              <text>Treatise on the Astrolabe.</text>
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            <elementText elementTextId="2759771">
              <text>Language and Word Studies.</text>
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            <elementText elementTextId="2759772">
              <text>Mediterranean Historical Review 16 (2001)</text>
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        </element>
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            <elementText elementTextId="2759773">
              <text>jules SAC 25 (254)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2759764">
                <text>Geoffrey Chaucer's 'Lyne Oriental' : Mediterranean and Oriental Languages in the 'Treatise on the Astrolabe'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2759769">
                <text>Describes Chaucer's use of Arabic and Hebrew diction in Astr as "horizontal multilingualism," i.e., "not colonialist or Orientalist."</text>
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          </element>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Malaczkov, Szilvia.</text>
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            <elementText elementTextId="2759756">
              <text>Perspectives: Studies in Translatology 9.1: 33-44,   2001.</text>
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        <element elementId="114">
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            <elementText elementTextId="2759757">
              <text>2001</text>
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            <elementText elementTextId="2759759">
              <text>Boece.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2759761">
              <text>Perspectives: Studies in Translatology 09 (2001)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2759762">
              <text>jules SAC 25 (255)</text>
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            <name>Title</name>
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              <elementText elementTextId="2759754">
                <text>Geoffrey Chaucer's Translation Strategies</text>
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                <text>Malaczkov assesses Chaucer's techniques of translation in Bo, focusing on his glosses and arguing that Chaucer chose to translate for meaning or content rather than for form.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Howes, Laura L.</text>
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              <text>Soundings 83: 161-83,   2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2759748">
              <text>2000</text>
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              <text>Book of the Duchess.</text>
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          <elementTextContainer>
            <elementText elementTextId="2759751">
              <text>Soundings 83 (2000)</text>
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              <text>jules SAC 25 (257)</text>
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              <elementText elementTextId="2759745">
                <text>'The Slow Curve of the Footwalker' : Narrative Time and Literary Landscapes in Middle English Poetry</text>
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                <text>Howes explains how walking through landscape ("pedestrian logic") helps to organize many medieval narratives, including "Sir Orfeo," "Sir Gawain and the Green Knight," and Chaucer's BD. She illuminates her explanations with comparisons to the layouts of medieval cathedrals and the late thirteenth-century pleasure garden, the Park of Hesdin.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2759737">
              <text>Lassahn, Nicole.</text>
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            <elementText elementTextId="2759738">
              <text>Essays in Medieval Studies 17: 49-64,   2001.</text>
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        <element elementId="114">
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            <elementText elementTextId="2759739">
              <text>2001</text>
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              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2759742">
              <text>Essays in Medieval Studies 17 (2001)</text>
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              <text>jules SAC 25 (258)</text>
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                <text>Chaucer and Langland : Literary Representations of History in 14th Century England</text>
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                <text>Compares Chaucer's use of history in BD with that of Langland in "Piers Plowman," suggesting that focus on contemporary events is common to the poets and perhaps indicative of their common audience. Such commonalities and the habits of mind they reflect may enable us to define more clearly what is meant by "Ricardian" literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Watson, Robert A.</text>
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              <text>Modern Philology 98: 543-76,   2001.</text>
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              <text>Book of the Duchess.</text>
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              <text>Modern Philology 98 (2001)</text>
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              <text>jules SAC 25 (259)</text>
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                <text>Dialogue and Invention in the Book of the Duchess</text>
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                <text>Watson coins the phrase "Ciceronian Platonism," defined as the "emphasis on the poetics of 'sermo'," suggesting that the earliest evidence of Chaucer's interest in the notion appears in BD, a poem offering "a Socratic therapy as filtered through both Ciceronian and Christian experience."</text>
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            <elementText elementTextId="2759719">
              <text>Amtower, Laurel.</text>
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              <text>Philological Quarterly 79: 273-91,   2000.</text>
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              <text>House of Fame.</text>
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              <text>Philological Quarterly 79 (2000)</text>
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              <text>jules SAC 25 (260)</text>
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                <text>Authorizing the Reader in Chaucer's House of Fame</text>
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                <text>HF advocates an "ethics of reading" as the narrator struggles to accommodate contradictions found in literary texts. Book 1 ponders the legend and textual transmission of the Dido and Aeneas story. Book 2 learns about the suspect nature of language in its ability to relay "truth." Book 3 realizes the role of Fortune in canonizing literary texts and their subject matter. Because HF privileges reading over writing, subjective judgment prevails over auctoritas.</text>
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              <text>Davenport, Tony.</text>
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              <text>Notes and Queries 246: 222-24,   2001.</text>
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              <text>House of Fame.</text>
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              <text>Notes and Queries 246 (2001)</text>
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              <text>jules SAC 25 (261)</text>
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                <text>Chaucer's House of Fame 111-18 : A Windsor Joke?</text>
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                <text>Argues that the pilgrimage of HF 116 was to the medieval hermitage of St. Leonard, two miles west of Windsor Castle; the associated weariness evokes the use of pilgrimages for amorous trysts.</text>
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            <elementText elementTextId="2759701">
              <text>Evans, Ruth.</text>
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              <text>Studies in the Age of Chaucer 23: 43-69,   2001.</text>
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              <text>House of Fame.</text>
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              <text>Studies in the Age of Chaucer 23 (2001)</text>
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              <text>jules SAC 25 (262)</text>
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                <text>Chaucer in Cyberspace : Medieval Technologies of Memory and The House of Fame</text>
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                <text>HF provokes reflection on the "historical processes of memorialization." Such concepts as the brass tablet, apostrophe to Thought, inscribed ice block, and House of Rumor are analogous to conceptualizations of personal and cultural memory (history) by Bernard of Clairvaux (stained parchment), Freud ("Mystic Pad"), and Derrida (the "archive"). Concern with gender, subjectivity, authority, and absence indicates the modernity of Chaucer's depictions of memory and encourages recognition of the paradoxical and constitutive relationships between past and present.</text>
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              <text>Hagiioannu, Michael.</text>
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              <text>Chaucer Review 36: 28-47,   2001.</text>
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              <text>2001</text>
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              <text>House of Fame.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 36 (2001)</text>
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              <text>jules SAC 25 (263)</text>
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                <text>Giotto's Bardi Chapel Frescoes and Chaucer's House of Fame : Influence, Evidence, and Interpretations</text>
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                <text>Chaucer's visit to Florence (December-May 1373) would have brought him into contact with Giotto's frescos. These, along with his exposure to Dante's works, led him to explore the implications and limitations of "individual perspective" in HF.</text>
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            <elementText elementTextId="2759682">
              <text>Wicher, Andrzej.</text>
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              <text>Studia Anglica Posnaniensia 36: 289-301,   2001.</text>
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              <text>2001</text>
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              <text>House of Fame.</text>
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              <text>Studia Anglica Posnaniensia 36 (2001)</text>
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              <text>jules SAC 25 (264)</text>
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                <text>The Idea of Cultural Continuity in G. Chaucer's House of Fame</text>
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                <text>In HF, the description of Fame's hall raises questions about the status of classical authors. The poem as a whole reflects "Chaucer's struggle to find some place  [. . .] for his individual talent in the mainstream of the Western and Mediterranean tradition."</text>
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