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              <text>Kidwai, Abdur Raheem.</text>
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              <text>xiv, 152pp.</text>
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Man of Law and His Tale</text>
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                <text>Images of the Prophet Muhammad in English Literature.</text>
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                <text>Includes commentary on depictions of Islam and Muhammad in MLT and GP: despite the pejorative naming of the Prophet in MLT, GP is "the inaugural English text which set in motion cross-cultural understanding between the West and the Muslim world."</text>
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              <text>van Gelderen, Elly. </text>
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              <text>xix, 201 pp.; illus. </text>
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              <text>Treatise on the Astrolabe&#13;
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                <text>Analyzing Syntax through Texts: Old, Middle, and Early Modern English.</text>
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                <text>Classroom textbook of examples for syntactical analysis in English language history, with texts reproduced in color manuscript, original-language transcriptions, and modern translations, plus commentary on significant features of language and presentation for placing the date, dialect, and register of the samples as well as with their places in the development of English. Chapter 5.2 examines Astro 1.1-5 from Houghton Library, Harvard University, MS English 920.</text>
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              <text>Wrocław: Zaklad Narodowy Imienia Ossolińskich, 1963</text>
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              <text>334 pp.</text>
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Facsimiles, Editions, and Translations</text>
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              <text>Prẹczkowska, Helena, trans.</text>
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                <text>Opowieści Kanterberyjskie: Wybór</text>
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                <text>Item not seen. WorldCat records indicate this is a Polish translation of selections from the CT.</text>
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              <text>Nisters, David.</text>
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              <text>New York: Peter Lang, 2018.</text>
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              <text>Münsteraner Monographien zur englischen Literatur / Münster Monographs on English Literature, no. 39.</text>
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              <text>Nun's Priest and His Tale&#13;
Manciple and His Tale&#13;
Chaucer's Influence and Later Allen</text>
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                <text>Poetry and Authority:  Chaucer, Vernacular Fable and the Role of Readers in Fifteenth-Century England.</text>
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                <text>Item not seen. From publisher's website: "This study argues that the vernacular fable constituted a productive site for negotiating scholastic poetics in late medieval England. On the basis of a close reading" of NPT and ManT, "the book analyses how the concept of textual authority came to be both challenged and vindicated in the face of the growing importance of an empowered vernacular readership. Thus, the fables of John Lydgate and the presentation of Chaucer's texts in some of the earliest printed editions" of CT "indicate the development of a Chaucerian poetics that was grounded in Chaucer's own critical reflection on the scholastic account of poetic fiction. University of Leipzig dissertation, 2018.</text>
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              <text>Fulton, Helen.</text>
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              <text>Journal of the Australasian Universities Language and Literature Association 106 (2006): 25-42.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Performance of Social Class: Domestic Violence in the Griselda Story.</text>
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                <text>Assesses the late-medieval and early modern popularity of the "story of Griselda" as an exploration of the "paradox of her non-noble status and her fitness to hold the moral high ground" and a reflection of anxiety "about marriages based on unequal social status." Examines social class and domestic abuse in ClT, versions by Boccaccio and Petrarch, and later adaptations, considering emphases, similarities, and differences</text>
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Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>Year's Work in Medievalism 28 (2012): 2-9.</text>
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                <text>Examines ClT and Maria Edgeworth's "The Modern Griselda" in light of their respective contemporaneous conduct manuals for women, arguing that the protagonist of each narrative becomes "monstrous" in "fulfilling too completely the ideals of womanhood extolled by their particular cultural milieus."</text>
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                <text>The More Things Change: Maria Edgeworth's "The Modern Griselda."</text>
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          <description/>
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              <text>Geibun-Kenkyu (Keio University) 73 (1997): 27-47.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845341">
              <text>Geibun-Kenkyu 73 (1997)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2845342">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>mea; 02/04/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845344">
              <text>1997</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845337">
                <text>Griselda and Her Virtues.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851942">
                <text>Compares nine versions of the Griselda narrative (including ClT), exploring what virtues in addition to patience are emphasized in each and arguing that shifts in emphasis account for the story's medieval and early modern popularity. ClT emphasizes pathos, Griselda's "status as wife" (recurrent uses of "wifely"), and her constancy (recurrent uses of "sad").</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Lewis, Sean Gordon.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2845332">
              <text>Enarratio:  Journal of the Medieval Association of the Midwest 22 (2018): 51-78; 4 illus.</text>
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            <elementText elementTextId="2845333">
              <text>Enarratio 22 (2018)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845334">
              <text>Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845335">
              <text>mea; 02/01/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845336">
              <text>2018</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845329">
                <text>Pynson's Chaucers of 1526: Reading Cues and Reading Practices.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845330">
                <text>Focuses on Pynson's woodcuts in his 1526 editions of CT, TC, and an anthology headed by HF, assessing them and other paratextual materials (table of contents, incipits, etc.) for the ways they pose a variety of reader strategies. Contrasts Pynson's approaches with those of Caxton and Wynken de Worde, and corrects earlier interpretations of the woodcut that accompanies HF.</text>
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  </item>
  <item itemId="276633" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845323">
              <text>Langdon, Alison.</text>
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          <name>Published</name>
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            <elementText elementTextId="2845324">
              <text>Enarratio:  Journal of the Medieval Association of the Midwest 17 (2010): 61-76.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845325">
              <text>Enarratio 17 (2010)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845326">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845327">
              <text>mea; 02/01/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845328">
              <text>2010</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845321">
                <text>"As Far as Resoun Axeth": Chaucer's Challenge to the Griselda Tradition.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845322">
                <text>Assesses ClT in comparison with its sources to argue that Chaucer's version critiques Griselda's complete submission of her will to Walter's, disclosing its ethical invalidity as lacking right reason.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="276632" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845315">
              <text>Zuraikat, Malek.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845316">
              <text>Jordan Journal of Modern Languages and Literature 9.1 (2017): 95-105.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845317">
              <text>Jordan Journal of Modern Languages and Literature 09 (2017)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845318">
              <text>Knight and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845319">
              <text>mea; 01/27/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845320">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845313">
                <text>The Status of Women in the Patriarchal Society of Chaucer's "The Knight's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851941">
                <text>Assesses female silence as resistance to masculine power in KnT, arguing that the strategy is limited. In KnT women succeed when they "express their need" for male protection, but not when they oppose or resist patriarchy. Includes an abstract in Arabic.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="276631" public="1" featured="0">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845307">
              <text>Mundo, Frank.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845308">
              <text>West Conshohocken, PA: Infinity, 2010.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845309">
              <text>233 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845310">
              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845311">
              <text>mea; 01/27/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845312">
              <text>2010</text>
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          </elementTextContainer>
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      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845305">
                <text>Brubury Tales.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845306">
                <text>Item not seen. WorldCat record indicates this collection of stories in verse emulates CT as a tale-telling contest, conducted by security guards after riots in Los Angeles.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276630" public="1" featured="0">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845299">
              <text>Librach, Ronald S.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845300">
              <text>Interpretations 14.2 (1983): pp. 1-14</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845301">
              <text>Interpretations 14 (1983)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845302">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845303">
              <text>mea; 01/27/2024</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845304">
              <text>1983</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845297">
                <text>The Cloak of Romance: Love and Death in "The Knight's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845298">
                <text>Explores nuances of Boethian Providence, fortune, destiny, and human perceptions of them in KnT, along with relations between death and love in their worldly and spiritual manifestations. Argues that in KnT Chaucer burlesques the "romantic sensibility" that ignores "the natural reality over which death--at once the end of Fortune's caprice and the end of Providence's plan for man's communion with a loving God--presides."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  </item>
  <item itemId="276629" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845291">
              <text>Davis, Isabel.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845292">
              <text>Literature Compass 6.4 (2009): 842-63.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845293">
              <text>Literature Compass 06 (2009)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845294">
              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 01/27/2024</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845296">
              <text>2009</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2845289">
                <text>Expressing the Middle English "I."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852090">
                <text>Surveys uses of first-person narrative in late medieval English literary texts, agreeing with and extending earlier critics' arguments that find in this literature notions of selfhood often attributed to the early modern period. Observes how and where medieval subjectivity is distinguishable from modern autobiography and rooted in Christian and late Antique writing--Boethius and Augustine especially. Assesses generally comic effects of Chaucer's first-person voice in CT.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="276628" public="1" featured="0">
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                <text>Amor Vincit Omnia (How the Tales came to be told).</text>
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            <description>An account of the resource</description>
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                <text>Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.</text>
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              <text>Behrend, Megan.</text>
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Parliament of Fowls&#13;
Troilus and Criseyde&#13;
Legend of Good Women</text>
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                <text>"Un-English" Chaucer: Macaronic Verse and Codicological Form in Cambridge University Library, MS Gg.4.27.</text>
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Proverbs</text>
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                <text>"Proverbs" and Chaucer's Metrical Practice.</text>
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                <text>Argues that Prov, although attributed to Chaucer in medieval manuscripts and in the Riverside Chaucer, contains verse forms not found elsewhere in Chaucer's oeuvre.</text>
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Complaint of Mars</text>
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        <element elementId="114">
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                <text>Chaucer and the Color Adjective "blew."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines Chaucer's limited use of "blew"/"blue" in depictions of color, focusing on the phrase "teres blewe" in Mars, 8. Notes that the connotation of "blue" with melancholy surfaces later, and traces Chaucer's usage of "blewe" to its Gallo-Romance ancestor "bloi."</text>
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              <text>Robinson, Peter.</text>
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        <element elementId="98">
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              <text>Liverpool: Liverpool University Press, 2020.</text>
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            <elementText elementTextId="2845252">
              <text>ix, 272 pp.</text>
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              <text>Complaint of Chaucer to His Purse</text>
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        <element elementId="109">
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        <element elementId="114">
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                <text>Poetry &amp; Money: A Speculation.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Explores the "metaphors, paradoxes, contradictions, and mysteries which link" poetry and money, including description of Purse among examples of fourteenth-to-twentieth-century poetry "in which money is the theme and its absence the concern."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hoces Lomba, María de.</text>
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        <element elementId="102">
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              <text>Complaint of Chaucer to His Puirse</text>
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        <element elementId="109">
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            <elementText elementTextId="2845245">
              <text>SAC 45:174</text>
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            <elementText elementTextId="2845247">
              <text>254 pp.</text>
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            <elementText elementTextId="2850912">
              <text>Open access Ph.D. dissertation (Universitat d'Alacant/Universidad de Alicante, 2019). Available at https://rua.ua.es/dspace/bitstream/10045/95549/1/&#13;
tesis_maria_de_hoces_lomba.pdf (accessed June 4, 2023).</text>
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              <elementText elementTextId="2845240">
                <text>Retórica forense y literatura: El "orator perfectus" y la obra literaria como instrumento de defensa jurídica.</text>
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            <description>An account of the resource</description>
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                <text>Explores general connections between literature and law, with specific reference to Purse. Claims that Chaucer's understanding of "classics, rhetoric, and law" sets up Purse as a "literary defense or vindication" and uses "love poetry" to create a lighter tone.</text>
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              <text>Ruszkiewicz, Dominika.</text>
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              <text>Barbara Marczuk and Iwona Piechnik, eds. Discours religieux: Langages, textes, traductions (Kraków: Biblioteka Jagiellonska, 2020), pp. 305-17.</text>
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Piechnik, Iwona, ed.</text>
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              <text>Discours religieux: Langages, textes, traductions</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>SAC 45:173</text>
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              <text>2020</text>
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                <text>"And biddeth ek for hem that ben despeired": Chaucer's Bidding Prayer for Lovers as an Example of (Mock)religious Discourse.</text>
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                <text>Argues that Chaucer's alterations to Boccaccio's "Filostrato" in TC, I.22–49, were influenced by liturgical "bidding prayers," and that the God-centered Boethianism of the passage works with the ending of Chaucer's poem to "frame" its recurrent concern with religious, cosmic love that is higher than and preferable to courtly or worldly love.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Renevey, Denis.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 351-64.</text>
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              <text>Studies in the Age of Chaucer 42 (2020): 351-64.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845224">
                <text>Discloses how compilations of devotional literature such as "Disce mori" can help us to recognize a "female textual subjectivity," exploring the work's makeup as compilation, and commenting on how "references [in it] to passages and characters from secular-lovebestsellers"--including TC--"assume a familiarity" with such works andindicate a pervasive "femin ization of the self."</text>
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                <text>"Olde feble wymmen with perseuerance ouercome many longe pilgrimages": Mapping the Feminine in "Disce mori."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Powrie, Sarah.</text>
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            <elementText elementTextId="2845218">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.1 (2021): 18-33.</text>
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            <elementText elementTextId="2845219">
              <text>New Chaucer Studies: Pedagogy &amp; Profession 2.1 (2021)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 45:171</text>
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        <element elementId="114">
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            <elementText elementTextId="2845222">
              <text>2021</text>
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            <name>Title</name>
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                <text>Criseyde, Consent, and the #MeToo Reader.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851937">
                <text>Confronts the humor and "problematic sexual biases evident" in TC. Focuses on the consummation scene of Book III and the ways that "#MeToo activism" can inform a conversational pedagogy for engaging with the text, including analysis of the narrator's "victim-blaming" of Criseyde, Pandarus's "surreptitious coercion," and Troilus's susceptibility to biased gender assumptions--all viewed in light of comparative examples drawn from modern media and legal proceedings.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2845209">
              <text>Nakao, Yoshiyuki.</text>
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            <elementText elementTextId="2845210">
              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 7 (2021): 117-38.</text>
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            <elementText elementTextId="2845211">
              <text>Bulletin of University Education Center, Fukuyama University Studies in Higher Education 07 (2021)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845212">
              <text>Language and Word Studies&#13;
Troilus and Criseyde</text>
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            <elementText elementTextId="2845213">
              <text>SAC 45:170</text>
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        <element elementId="114">
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            <elementText elementTextId="2845214">
              <text>2021</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845208">
                <text>Analyzes the structure and function of reporting verbs, such as  "seyde" and "quod, "in representing speech and thought in TC from a variety of viewpoints, including syntactical position of the reporting verbs, balance of direct and indirect speeches, and subjectivity. In Japanese, with English abstract.</text>
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              <elementText elementTextId="2851936">
                <text>Chaucer's Speech and Thought Representations through Their Reporting Verbs: The Case of "Troilus and Criseyde."</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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              <text>Matthews, Ricardo.</text>
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        <element elementId="98">
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            <elementText elementTextId="2845202">
              <text>PMLA 133 (2018): 296-313.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2845203">
              <text>PMLA 133 (2018)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2845204">
              <text>Style and Versification&#13;
Troilus and Criseyde&#13;
Book of the Duchess&#13;
Legend of Good Women</text>
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        </element>
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            <elementText elementTextId="2845205">
              <text>SAC 45:169</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2845206">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2845199">
                <text>Song in Reverse: The Medieval Prosimetrum and Lyric Theory</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845200">
                <text>Treats prosimetrum as "a unique medieval genre that mixes not only prose and verse but also narrative and lyric," and studies its implications for theorizations of the lyric mode, particularly the opposition between the Romantic notion of lyrics as expression of individual subjectivities and the medieval idea of a given "song's unique arrangement" of rhetorical conventions of genre and mode. Links these concerns with the "twelfth-century discovery of self" and explores broad-ranging examples, with recurrent attention to Italian, French, and English writing, including examples from BD and LGWP, with extended explication of Troilus's Petrarchan song embedded in TC.</text>
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  <item itemId="276617" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Köseoğlu, Berna.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2845194">
              <text>Research Journal of English Language and Literature 6.1 (2018): 153-59.</text>
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          <elementTextContainer>
            <elementText elementTextId="2845195">
              <text>Research Journal of English Language and Literature 06 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845197">
              <text>SAC 45:168</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2845198">
              <text>2018</text>
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          <element elementId="50">
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              <elementText elementTextId="2845191">
                <text>The Concept of Love in Medieval Literature: The Idea of Love in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2845192">
                <text>Observes several traditional conventions of love in TC, especially Troilus's suffering and Pandarus's role as go-between.</text>
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