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              <text>Straus, Barrie Ruth.</text>
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              <text>Eve Salisbury, Georgiana Donavin, and Merrall Llewelyn Price, eds. Domestic Violence in Medieval Texts (Gainesville: University Press of Florida, 2002), pp. 122-38.</text>
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              <text>Domestic Violence in Medieval Texts.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>vxl sac 26: 179</text>
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                <text>Reframing the Violence of the Father: Reverse Oedipal Fantasies in Chaucer's Clerk's, Man of Law's, and Prioress's Tales</text>
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                <text>Straus explores how ClT, MLT, and PrT adapt and accommodate the traditions and conventions of the family romance to "articulate a profound cultural anxiety about paternity."</text>
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              <text>Webb, Diana.</text>
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              <text>Houndmills, Basingstoke; and New York : Palgrave, 2002.</text>
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              <text>xviii, 201 pp.</text>
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              <text>vxl sac 26:180</text>
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                <text>Medieval European Pilgrimage, c. 700-c. 1500</text>
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                <text>An introduction to pilgrimage in medieval western Europe that describes motives for pilgrimage, kinds of pilgrims, geography, relics and souvenirs, responses to pilgrimage, etc. Webb pays recurrent attention to CT, especially as a depiction of social variety.</text>
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              <text>Wheeler, Lyle Kip.</text>
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        <element elementId="98">
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              <text>DAI 62 : 2756A, 2002.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Dissertation Abstracts International 62 (2002)</text>
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              <text>vxl sac 26:181</text>
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                <text>'Of Pilgrims and Parables': The Influence of the Vulgate Parables on Chaucer's 'Canterbury Tales'</text>
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                <text>Chaucer's use of the Vulgate parables influenced the frame structure of CT, provided a number of images, and strongly affected PardT. Wheeler tallies allusions to and quotations from the parables throughout CT.</text>
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              <text>Wurtele, Douglas (J.)</text>
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        <element elementId="98">
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              <text>Florilegium 19: 1-25, 2002.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Merchant and His Tale.</text>
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              <text>Florilegium 19 (2002)</text>
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              <text>vxl sac 26:182</text>
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                <text>The Bane of Flattery in the World of Chaucer and Langland</text>
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                <text>Patristic and scholastic writers condemn flattery as misuse of speech and an activity conducive to fraud. Chaucer's stricture on flattery initially appears comic, yet it is more direct and explicit than Langland's harsh condemnation, which Chaucer may have known. NPT, ParsT, WBT, and MerT illustrate how seriously Chaucer treats the problem of flattery.</text>
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              <text>Zangen, Britta.</text>
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        <element elementId="98">
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              <text>Gabriele Genge, ed. Sprachformen des Körpers in Kunst und Wissenschaft. Kultur und Erkenntnis, no. 25 (Tübingen and Basel: A. Francke, 2000), pp. 244-58.</text>
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              <text>2000</text>
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              <text>Sprachformen des Körpers in Kunst und Wissenschaft.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>vxl sac 26:183 &amp; 24:255</text>
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                <text>Frauen(körper) in der Patriarchalen Welt des Mittelalters: Chaucers Canterbury Tales</text>
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                <text>CT is startlingly antifeminist ("erschreckend frauenfeindlich") in its depiction of women and of male attitudes toward women. Recent criticism has begun to recognize this antifeminism but has not fully overcome adulation of the author.</text>
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              <text>Greenwood, M. K. Smolenska.</text>
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        <element elementId="98">
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              <text>BAM 61 : 25-58, 2002.</text>
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          <name>Date</name>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Parson and His Tale</text>
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              <text>Plowman and the Tale</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2761877">
              <text>Bulletin des Anglicistes Médiévistes 61 (2002)</text>
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              <text>vxl sac 26:184</text>
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                <text>Chaucer's Parson and Plowman in the General Prologue to the Canterbury Tales</text>
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                <text>In GP the Parson and the Plowman are polysemic figures that emerge from the expression of conflicting, dialogic voices--not idealized role models. Free indirect speech in the Parson's description allows the audience to suspect that he is a whitened sepulcher; the Plowman's low profile and overall silence invite us to guess his unvoiced thoughts.</text>
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              <text>Sola Buil, Ricardo J.</text>
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              <text>SELIM 9 (1999): 111-27, 1999.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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              <text>General Prologue to the Canterbury Tales</text>
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          <description/>
          <elementTextContainer>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 09 (1999)</text>
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              <text>vxl sac 26:185</text>
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                <text>The Canterbury Tales and Its Dramatic Background</text>
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              <elementText elementTextId="2761864">
                <text>The liveliness of characterization in GP and elsewhere in CT derives from theatrical rather than narrative tradition. The interplay between typicality and individuality reflects the dual traditions of narration and drama.</text>
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              <text>Green, Richard Firth.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Emily Steiner and Candace Barrington, eds. The Letter of the Law: Legal Practice and Literary Production in Medieval England (New York: Cornell University Press, 2002), pp. 105-14.</text>
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          <name>Date</name>
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            <elementText elementTextId="2761854">
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          <elementTextContainer>
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              <text>The Letter of the Law: Legal Practice and Literary Production in Medieval England.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>Knight and His Tale.</text>
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              <text>vxl SAC 27-186</text>
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                <text>Palamon's Appeal of Treason in the Knight's Tale</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761856">
                <text>Legal diction and references in KnT reflect concern in the 1380s with the growing influence of the Court of Chivalry and the revival of trial by battle.</text>
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              <text>Greenwood, Maria Katarzyna.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761842">
              <text>Roberta Mullini, introd. Tudor Theatre: For Laughs? Puzzling Laughter in Plays of the Tudor Age/Tudor Théâtre: Pour Rire? Rires et Problèmes dans le Théâtre des Tudor (Bern: Peter Lang, 2002), pp. 21-39.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761843">
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761844">
              <text>Tudor Theatre: For Laughs? Puzzling Laughter in Plays of the Tudor Age/Tudor Théâtre: Pour Rire? Rires et Problèmes dans le Théâtre des Tudor.</text>
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        <element elementId="112">
          <name>Contributor</name>
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              <text>Mullini, Roberta, intro.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761847">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2761848">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2761849">
              <text>vxl sac 26:187</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2761840">
                <text>Garlands of Derision: The Thematic Imagery in Chaucer's The Knight's Tale and Shakespeare's A Midsummer Night's Dream</text>
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              <elementText elementTextId="2761846">
                <text>Bakhtinian analysis of references to garlands and garlanding in KnT and A Midsummer Night's Dream. Greenwood traces the classical traditions of garlands of love and glory, arguing that depictions of both "veer towards negative criticism" in these two works. Shakespeare distrusts them and Chaucer uses them to provoke alternative readings.</text>
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  <item itemId="268096" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761831">
              <text>Minnis, Alastair J.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761832">
              <text>PoeticaT 55 : 23-37, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761833">
              <text>2001</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761835">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2761836">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761837">
              <text>Poetica: An International Journal of Linguistic Literary Studies 55 (2001)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761838">
              <text>vxl sac 26:188</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761830">
                <text>'Goddes Speken in Amphibologies': The Ambiguous Future of Chaucer's Knight's Tale</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761834">
                <text>Minnis surveys depictions of ambiguous pagan oracles in medieval literature, including Calchas's foreknowledge in TC and the temple scenes in KnT, arguing that Chaucer and other medieval poets held that pagans as well as Christians had the ability and agency to affect future events.</text>
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  <item itemId="268095" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761821">
              <text>Moisan, Thomas E.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761822">
              <text>Upstart Crow 7 : 36-49, 1987.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761823">
              <text>1987</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761825">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2761826">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761827">
              <text>Upstart Crow 07 (1987)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761828">
              <text>vxl sac 26:189</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761820">
                <text>Chaucerian Solempnytee and the Illusion of Order in Shakespeare's Athena and Verona</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761824">
                <text>Rhetorically and thematically, the association of Theseus with solempnytee in KnT strains against the chaotic forces at work in the world of the Tale. Shakespeare opens the gap between Theseus's solemnity and comedy in A Midsummer Night's Dream for subversive effect; in Romeo and Juliet, solemnity becomes ironic.</text>
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  </item>
  <item itemId="268094" public="1" featured="0">
    <collection collectionId="8">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761811">
              <text>Wing, Susan L.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761812">
              <text>Cornelia N. Moore and Raymond A. Moody, eds. Comparative Literature East and West: Traditions and Trends. Selected Conference Papers (Honolulu: College of Languages, Linguistics, and Literature, University of Hawaii, and the East-West Center, 1989), pp. 139-51.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761813">
              <text>1989</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761814">
              <text>Comparative Literature East and West: Traditions and Trends.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761816">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2761817">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761818">
              <text>vxl sac 26:190</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761810">
                <text>Something About Emilia: Woman as Love Object in Boccaccio, Chaucer, Anne de Graville, and Shakespeare and Fletcher</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761815">
                <text>Wing explores similarities and differences among the characterizations of Emelye in Boccaccio's Teseida, KnT, Anne de Graville's Le beau romant, and The Two Noble Kinsmen. The characterizations differ, but only in Shakespeare and Fletcher's play is the character's passivity exposed as powerlessness.</text>
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  </item>
  <item itemId="268093" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761802">
              <text>Bishop, Louise M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761803">
              <text>Texas Studies in Literature and Language 44 : 231-46, 2002.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761804">
              <text>2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761806">
              <text>Miller and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2761807">
              <text>Texas Studies in Literature and Language 44 (2002)</text>
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        <element elementId="109">
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            <elementText elementTextId="2761808">
              <text>vxl sac 26:191</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2761801">
                <text>'Of Goddes Pryvetee nor of His Wyf': Confusion of Orifices in Chaucer's Miller's Tale</text>
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                <text>Augustine's glossing of God's corporeality (especially pertaining to Exodus 33) underlies the comments on the limitations of human knowledge in MilP. Confusion about the nature of flesh and about orifices hints at the ultimate ineffability of God's "pryvetee" and of womanhood.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Edwards, Elizabeth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2761793">
              <text>Dalhousie Review 82.1 : 91-112, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Miller and His Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Dalhousie Review 82 (2002)</text>
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                <text>The Economics of Justice in Chaucer's Miller's and Reeve's Tales</text>
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                <text>Assesses payment and revenge in MilT and RvT as economies of sexual exchange following Aristotelian notions of "distributive" justice, reflected in the "poetic" justice of the Tales. Women are the commodity in MilT and RvT, as in KnT and CkT. Edwards assesses plenty and scarcity in light of Georges Bataille's "expenditure" theory.</text>
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              <text>Johnston, Andrew James.</text>
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          <name>Published</name>
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              <text>Manfred Pfister, ed. A History of English Laughter: Laughter from Beowulf to Beckett and Beyond (Amsterdam and New York: Rodopi, 2002), pp. 17-33.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2761785">
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              <text>A History of English Laughter: Laughter from Beowulf to Beckett and Beyond.</text>
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              <text>Miller and His Tale.</text>
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                <text>The Exegetics of Laughter: Religious Parody in Chaucer's Miller's Tale</text>
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                <text>Johnston assesses the interactions between religious allusion and satire in MilT, exploring the exegetical traditions of God's private parts, the Flood, and Absolon's use of the Song of Songs. The Tale generates laughter that ridicules religion and religious hermeneutics, yet its multilayered techniques simultaneously affirm exegetical thinking.</text>
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              <text>King, Pamela M.</text>
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        <element elementId="98">
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              <text>Leeds Studies in English 32 (2001): 212-28. Reprinted in Pamela M. King and Alexandra F. Johnston, eds. Reading Texts for Performance and Performances as Texts (London: Routledge, 2020), pp. 102-18.</text>
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            <elementText elementTextId="2761776">
              <text>2001</text>
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              <text>Miller and His Tale.</text>
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              <text>Leeds Studies in English 32 (2001)</text>
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              <text>vxl sac 26:194</text>
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            <elementText elementTextId="2839434">
              <text>Reading Texts for Performance and Performances as Texts.</text>
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            <name>Title</name>
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              <elementText elementTextId="2761773">
                <text>'He Pleyeth Herodes upon a Scaffold Hye'?</text>
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                <text>Explores the possible "theatrical context" of MilT, clarifying the cultural value of Absolon's status as a parish clerk and arguing that Chaucer's plot and treatment of gender in his characterization of Absolon were inspired by "amateur theatricals of the parish clerks at Clerkenwell," which Chaucer observed when he worked on the scaffolds at Smithfield in 1390.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2761764">
              <text>Parry, Joseph D.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2761765">
              <text>Philological Quarterly  80.2 : 133-67, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761766">
              <text>2001</text>
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              <text>Miller and His Tale.</text>
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              <text>Merchant and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2761770">
              <text>Philological Quarterly 80 (2001)</text>
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            <elementText elementTextId="2761771">
              <text>vxl sac 26:195</text>
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            <name>Title</name>
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                <text>Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2761767">
                <text>Because Alisoun in MilT and May in MerT are exempted from retribution for their active roles in adultery and deception, readers are invited to ask how women are or are not fully part of the systems by which we conceptualize accountability for actions; how fully integrated women are into the structures of interpretation that allow us to imagine the ends of human actions and stories; how those structures render our own readerly judgments; and how we ultimately discern and judge our own role in making narrative yield meaning.</text>
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          <elementTextContainer>
            <elementText elementTextId="2761754">
              <text>Walker, Greg.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761755">
              <text>Roberta Mullini, introd. Tudor Theatre: For Laughs? Puzzling Laughter in Plays of the Tudor Age/Tudor Théâtre: Pour Rire? Rires et Problèmes dans le Théâtre des Tudor (Bern: Peter Lang, 2002), pp. 1-20.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761756">
              <text>2002</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761757">
              <text>Tudor Theatre: For Laughs? Puzzling Laughter in Plays of the Tudor Age/Tudor Théâtre: Pour Rire? Rires et Problèmes dans le Théâtre des Tudor.</text>
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              <text>Mullini, Roberta, intro.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2761760">
              <text>Miller and His Tale.</text>
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              <text>vxl sac 26:196</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2761753">
                <text>Laughable Men: Comedy and Masculinity from Chaucer to Shakespeare</text>
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            <description>An account of the resource</description>
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                <text>According to Walker, the three males in MilT anticipate familiar types of masculine "fool" in English dramatic tradition: John as cuckolded senex amans, Nicholas as the punished "Priapic fool," and Absolon as the "squeamish, infantalised male." Walker identifies similar figures in later traditions of drama, film, and television.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Walker, Greg.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2761746">
              <text>Elaine Treharne, ed. Writing Gender and Genre in Medieval Literature: Approaches to Old and Middle English Texts (Cambridge: Brewer, 2002), pp. 61-91.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2761747">
              <text>2002</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2761748">
              <text>Writing Gender and Genre in Medieval Literature: Approaches to Old and Middle English Texts.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2761750">
              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2761751">
              <text>vxl sac 26:197</text>
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                <text>Rough Girls and Squeamish Boys: The Trouble with Absolon in The Miller's Tale</text>
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            <description>An account of the resource</description>
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                <text>Absolon's rejection of Alison's sexuality in MilT suggests the kind of masculinity invoked by Mariology and by popular representations of the Annunciation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Giaccherini, Enrico.</text>
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              <text>Rivista di Letterature Moderne e Comparate 26 : 99-121, 1976.</text>
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                <text>'The Reeve's Tale' e 'Decameron' IX, 6</text>
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                <text>Compares and contrasts RvT and Boccaccio's version in the Decameron with their respective sources: Le meunier et les II. clers and De gombert et des II. clers. Plots and characterization in the works are similar, although outlook and purpose vary.</text>
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              <text>Horobin, S. C. P.</text>
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              <text>Neophilologus 86 : 609-12, 2002.</text>
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              <text>vxl sac 26:199</text>
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                <text>Chaucer's Norfolk Reeve</text>
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                <text>In RvT, Chaucer's "treatment of the Northern dialect" is fairly consistent, but the Reeve's dialect includes "distinctive features characteristic of the Norfolk dialect."</text>
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              <text>Pearcy, Roy J.</text>
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              <text>ChauR 36: 370-73, 2002.</text>
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              <text>Chaucer Review 36 (2002)</text>
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              <text>vxl sac 26:200</text>
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                <text>A Northern Idiom in RvT: 3964, 'As digne as water in a dich'</text>
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              <elementText elementTextId="2761721">
                <text>In RvT, Symkin's wife is not as "worthy as stinking ditch water" but "as worthy as ditch water is stinking."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2761709">
              <text>Shimonomoto, Keiko.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Tokyo : Waseda University Enterprise, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>viii, 129 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl</text>
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                <text>The Use of Ye and Thou in the Canterbury Tales, and Collected Articles</text>
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              <elementText elementTextId="2761713">
                <text>Reprints the author's 1986 University of Sheffield M.A. thesis on second-person pronouns, forms of address, and use of the imperative in CT. Includes eight additional articles: four on Chaucer, three on Nicholas Love, and one on linguistic communities and linguistic change as aspects of intercultural relations between Japan and Western nations. For four articles that pertain to Chaucer, search for The Use of Ye and Thou in the Canterbury Tales under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2761697">
              <text>Simpson, James.</text>
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        <element elementId="98">
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            <elementText elementTextId="2761698">
              <text>Oxford: Oxford University Press, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2761699">
              <text>2002</text>
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              <text>xviii, 661 pp.: 11 b&amp;w figs.</text>
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              <text>Background and General Criticism.</text>
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              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2761705">
              <text>Oxford English Literary History, Volume 2: 1350-1547.</text>
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              <text>vxl sac 26:152</text>
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                <text>Reform and Cultural Revolution</text>
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                <text>The volume surveys the literature of late medieval and early modern English writers in relation to political institutions contemporary with the literature, tracing an arc of "diminishing liberties." Simpson characterizes the shift in literature from the medieval to the modern as rigidification of generic categories, narrowing of options, and focusing of rhetorical expansiveness-reflections of how medieval reforming instincts gave way in time to totalitarian pressures of church and state. Individual chapters address particular literary modes (tragic, elegiac, political, comic, dramatic, and various religious modes).</text>
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                <text>Chaucer is considered for his place in an "Ovidian" elegiac tradition, his roles in the shift from Ricardian to Lancastrian poetics and beyond, his representations of religious suffering, and his uses of the comic mode, especially in the various romances of CT.</text>
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            <elementText elementTextId="2761688">
              <text>Steinberg, Gillian.</text>
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              <text>Sheila Delany, ed. Chaucer and the Jews: Sources, Contexts, Meanings (New York and London: Routledge, 2002), pp. 229-36.</text>
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              <text>Chaucer and the Jews: Sources, Contexts, Meanings .</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism.</text>
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              <text>vxl</text>
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                <text>Teaching Chaucer to the 'Cursed Folk of Herod'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2761692">
                <text>Teaching Chaucer at Yeshiva University requires special sensitivity to the backgrounds of the students.</text>
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