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                  <text>Chaucer Bibliography Online</text>
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              <text>Giaccherini, Enrico.</text>
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              <text>Pisa : Edizioni Plus, 2002.</text>
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              <text>ix, 184 pp.</text>
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              <text>Book of the Duchess.</text>
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              <text>vxl sac 26:272</text>
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                <text>Orfeo in Albione</text>
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                <text>Five chapters, focusing on "Sir Orfeo," "The Awntyrs off Arthure," the "Second Shepherd's Play," BD, and Pearl, respectively. The study emphasizes the intertextual relationships between classical myths, on the one hand, and Celtic and Anglo-Saxon myths, on the other, exploring the transformation of ancient myths into modern narratives.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Krummel, Miriamne.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Exemplaria 13 : 497-528, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762624">
              <text>2001</text>
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          <name>Chaucer Subject</name>
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              <text>Book of the Duchess.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Exemplaria 13 (2001)</text>
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          <name>Source</name>
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              <text>vxl sac 26:273</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Tale of Ceïx and Alceone: Alceone's Agency and Gower's 'Audible Mime'</text>
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                <text>Contrasts Gower's story of Ceyx and Alcyone with versions by Ovid and Chaucer (in BD). Gower imagined a new dramatic possibility in the character of Alcyone and thereby subverted "monolithic notions of culture and gender" (503).</text>
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              <text>Vaughan, Miceal F.</text>
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              <text>Lingua Humanitatis (Korea International Association for Humanistic Studies in Language) 2.2 : 85-107, 2002.</text>
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        <element elementId="114">
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            <elementText elementTextId="2762614">
              <text>2002</text>
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              <text>Book of the Duchess.</text>
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              <text>Language and Word Studies</text>
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            <elementText elementTextId="2762618">
              <text>Lingua Humanitatis (Korea International Association for Humanistic Studies in Language) 02 (2002)</text>
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          <name>Source</name>
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              <text>vxl sac 26:274</text>
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                <text>Hunting for the Hurt in Chaucer's Book of the Duchess</text>
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                <text>Focusing on orthography, rhyme, "near-rhyme," and meaning, Vaughan suggests that "hunting for the hurt" in BD, and not just the hart, gives prominence to the narrator's unresolved emotional and physical pain. The hert(e)/hart/heart word-play in BD is a "critical commonplace," but the hert(e)/hurt associations (cf. BD 883-84) are equally important.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Di Rocco, Emilia.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2762604">
              <text>Revista di Letterature Moderne e Comparate 55 : 373-92, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762605">
              <text>2002</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2762607">
              <text>House of Fame.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2762608">
              <text>Revista di Letterature Moderne e Comparate 55 (2002)</text>
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          <name>Source</name>
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              <text>vxl sac 26:275</text>
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                <text>Riscrivere 'Fama': Da Chaucer a Pope</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762606">
                <text>Contrasts Chaucer's concern for the role of authors in the preservation of historical "fame" with Pope's emphasis on the enduring value of art. Di Rocco shows how Pope's personal interest in fame is tempered by humility like that of Chaucer's Dreamer.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kaplan, M. Lindsay.</text>
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              <text>David Lee, ed. Signs of the Early Modern 1: 15th and 16th Centuries. EMF, Studies in Early Modern France, no. 2 (Charlottesville, Va.: Rookwood, 1996), pp. 101-28.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2762595">
              <text>1996</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2762596">
              <text>Signs of the Early Modern 1: 15th and 16th Centuries.</text>
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              <text>Lee, David, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>House of Fame.</text>
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              <text>vxl sac 26:276</text>
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                <text>Ars Infamia: The Poetics of Defamation in Early Modern England</text>
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                <text>Kaplan explores medieval and early modern legal discourse about slander and defamation. Though HF is concerned with the relation between poetry and slander, in Chaucer's time "defamation was not understood as having temporal consequences for the average person." Spenser's "Faerie Queene," however, "participates in the contemporary anxiety over the effects of slander."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2762582">
              <text>Léon Sendra, Antonio R., and Jesús L. Serrano Reyes.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2762583">
              <text>SELIM 9 : 123-42, 1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762584">
              <text>1999</text>
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        <element elementId="112">
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            <elementText elementTextId="2762585">
              <text>Serrano Reyes, Jesús L.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2762587">
              <text>House of Fame.</text>
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            <elementText elementTextId="2762588">
              <text>Chaucer's Life</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2762589">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 09 (1999)</text>
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              <text>vxl sac 26:277</text>
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                <text>Chaucer and Montserrat</text>
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            <description>An account of the resource</description>
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                <text>The authors maintain that Chaucer's visit to Monserrat inspired aspects of HF and suggest that Chaucer's man of great authority (HF 2158) was Pedro IV.</text>
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              <text>Mroczkowski, Przemyslaw.</text>
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              <text>Leszek S. Kolek and Wojciech Nowicki, eds. Discourses of Literature: Studies in Honour of Alina Szala (Lublin: Maria Curie-Sklodowska University Press, 1997), pp. 21-26.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762573">
              <text>1997</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762574">
              <text>Discourses of Literature: Studies in Honour of Alina Szala.</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762575">
              <text>Kolek, Leszek S., ed.</text>
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            <elementText elementTextId="2762576">
              <text>Nowicki, Wojciech, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762578">
              <text>House of Fame.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762579">
              <text>vxl sac 26:278</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2762570">
                <text>Chaucer and Some Modern Perspectives</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762577">
                <text>Comments on modern efforts to "get ahead" and contrasts them with attitudes toward success in HF.</text>
              </elementText>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762562">
              <text>Dor, Juliette.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762563">
              <text>André Crépin, ed. Angleterre et Orient au Moyen Age (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2002.), pp. 65-78.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762564">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762565">
              <text>Angleterre et Orient au Moyen Age.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762567">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762568">
              <text>vxl</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2762561">
                <text>L'Altérité de l'Orientalisme de La Légende des femmes vertueuses de Chaucer</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2762566">
                <text>LGW examines possible heterosexual love relationships between pre-Christian Western and Oriental protagonists. Chaucer systematically deconstructs the cliché of female unfaithfulness and the racial prejudices against Oriental women; what matters here is the sex of the lovers, never their race.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762552">
              <text>Moon, Hi Kyung.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762553">
              <text>Medieval English Studies 11.1 : 117-30, 2003.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762554">
              <text>2003</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762557">
              <text>Legend of Good Women.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762558">
              <text>Medieval English Studies 11 (2003)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762559">
              <text>vxl sac 26:280</text>
            </elementText>
          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762551">
                <text>'The Legend of False Men'?: Chaucer's Legend of Good Women Re-titled</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762555">
                <text>Human experience explodes the reductive and stereotypical distinctions between good and bad and between women and men posed in LGW, undercutting the title of the poem, rendering the narrator's task pointless, and encouraging the reader to reject the inappropriate perspective imposed by the God of Love. The work stalls because it cannot keep up the pretence of being about women or about goodness.</text>
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              <elementText elementTextId="2762556">
                <text>In English, with Korean abstract.</text>
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          </element>
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    </elementSetContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762543">
              <text>Phillips, Helen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762544">
              <text>ChauR 37 : 101-28, 2002.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762545">
              <text>2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762547">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762548">
              <text>Chaucer Review 37 (2002)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762549">
              <text>vxl sac 26:281</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762542">
                <text>Register, Politics, and the Legend of Good Women</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762546">
                <text>Chaucer's political commentary is often disguised by ambiguity--the refusal ever to mean one thing--and the multiple nuances of his words. In revising LGWP, Chaucer inserted allusions to the "dangerous talk" of his day--to texts and interpretation but also to "contemporary controversies about oppression."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762533">
              <text>Robertson, Kellie.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762534">
              <text>SAC 24 : 115-47, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762535">
              <text>2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762537">
              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2762538">
              <text>Chaucer's Life.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762539">
              <text>Studies in the Age of Chaucer 24 (2002)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762540">
              <text>vxl sac 26:282</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762532">
                <text>Laboring in the God of Love's Garden: Chaucer's Prologue to The Legend of Good Women</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762536">
                <text>Describes Chaucer responsibilities as a justice of the peace from 1385 to 1389, particularly "the enforcement of highly controversial labor regulations," and explores how the "trope of poet as accused laborer" in LGWP suggests his concerns about such responsibilities. Seen in light of a charge of trespass brought against Matilda Nemeg, LGWP shows the poet forced to justify his labor as judicial defense; like the C-text of "Piers Plowman," LGWP contemplates intellectual labor, vernacularity, and the difficulties of trying to textualize identity.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762523">
              <text>Kong, Sung-Uk.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762524">
              <text>Medieval English Studies 9.1: 133-53, 2001.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762525">
              <text>2001</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762528">
              <text>Parliament of Fowls.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762529">
              <text>Medieval English Studies 9 (2001)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762530">
              <text>vxl</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762522">
                <text>The Narrative Structure of The Parliament of Fowls</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762526">
                <text>Explores narrative technique and meaning in PF; shifts in narrative strategies reveal intention.</text>
              </elementText>
              <elementText elementTextId="2762527">
                <text>In Korean, with Korean and English abstracts.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="268168" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762514">
              <text>Manaf, Nor Faridah Abdul.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762515">
              <text>Islamic Quarterly 46 : 247-58, 2002.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762516">
              <text>2002</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762518">
              <text>Parliament of Fowls.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762519">
              <text>Islamic Quarterly 46 (2002)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762520">
              <text>vxl sac 26:284</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762513">
                <text>The Influence of Farid Al-Din Attar's Mantiq al-Tayr (The Conference of the Birds) on Western Writers: From Chaucer to Peter Brook</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762517">
                <text>Tallies similarities among PF, the Persian Mant̓iq al-T̓ayr, and Peter Brook's theatrical adaptation, "Conference of Birds." The author comments on titles, frame, and universality of message.</text>
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          </element>
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              <text>Ruud, Jay.</text>
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              <text>Geardagum 22 : 1-28, 2002.</text>
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                <text>Realism, Nominalism, and the Inconclusive Ending of the Parliament of Fowls</text>
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                <text>Is PF realist or nominalist? Ultimately, the poem's debate and epistemological investigation of the two positions is more conducive to reader participation than a conclusive ending would have been.</text>
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                <text>Proposes a reading for PF 215-16: "and with a harde file / She couched hem." "Couched" comes from French "cocher," meaning "to cut a notch or groove," a necessary step in arrow-making.</text>
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              <text>Romaunt of the Rose.</text>
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                <text>In Korean, with French and Korean abstracts.</text>
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              <text>Kumamoto, Sadahiro.</text>
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              <text>Yoko Iyeiri and Margaret Connolly, eds. And Gladly Wolde He Lerne and Gladly Teche: Essays on Medieval English Presented to Professor Matsuji Tajima on His Sixtieth Birthday (Tokyo: Kaibunsha, 2002), pp. 95-107.</text>
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                <text>The Function of Word Classes and the Import of French in Middle English Poetry: A Comparative Study of The Romaunt of the Rose and Le Roman de la Rose</text>
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                <text>Kumamoto compares the word classes of rhyme words in Rom with those of the Old French source. There are wide differences when rhymes involve verbs and adverbs; the use of pronouns in rhymes is confined to the English text.</text>
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              <text>Sánchez Martí, Jordi.</text>
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              <text>Romaunt of the Rose.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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                <text>Applies modern translation theories to Rom, identifying Chaucer's goal of testing the "capacity of English to attain higher spheres of expression." Far from being a servile translator, Chaucer composed a "metapoem" with a range of translational strategies (dilution, concentration, specification, explicitation, and variation), anticipating his later tendency to transform his source texts completely.</text>
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              <text>An, Sonjae.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>The influences of Boethius, Dante, and Petrarch ("Canzoniere") on TC are not fully evident to readers unfamiliar with these sources because Chaucer nowhere indicates what he is doing. Such secrecy renders interpretations of his text complex.</text>
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                <text>In English, with Korean abstract.</text>
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              <text>Besserman, Lawrence [L.]</text>
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          <elementTextContainer>
            <elementText elementTextId="2762448">
              <text>ELN 40.1 : 14-22, 2002.</text>
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          <elementTextContainer>
            <elementText elementTextId="2762449">
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              <text>Troilus and Criseyde.</text>
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              <text>English Language Notes 40 (2002)</text>
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                <text>Chaucer's Troilus and Criseyde and the Durham Ordinances of 1385</text>
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                <text>The original audience of TC would have read the decision of the Trojan Parliament in light of the 1385 Durham Ordinances, clause 3. Since this clause explicitly prohibits the imprisoning of unarmed women, the parallel suggests Criseyde's status as a tragic victim.</text>
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              <text>Ciccone, Nancy.</text>
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              <text>Neophilologus 86 : 641-58, 2002.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Saving Chaucer's Troilus 'with Desir and Resoun Twight'</text>
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                <text>Critics' inability to sympathize with Troilus in TC results from their failure to recognize the "medieval practical reasoning that informs Troilus's deliberations and ultimately humanizes him." His philosophising "reflects a withdrawal from the narrative world," and, like Criseyde, he "falls victim" to dominant culture.</text>
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              <text>Dauby, Helene.</text>
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              <text>André Crépin, ed. Angleterre et Orient au Moyen Age (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2002.), pp. 79-95.</text>
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              <text>Angleterre et Orient au Moyen Age</text>
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                <text>Touches d'Orientalisme dans le Troïlus de Chaucer</text>
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                <text>In TC, Chaucer attempts to recreate the Oriental atmosphere of Troy and its environment: the maze of walls hiding wealthy rooms and pleasant gardens, the secret corridor, the Greeks' tents, Sarpedon's entertainments, the wiles of Pandarus, and Troilus's fatalism.</text>
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              <text>Donaldson, E. Talbot.</text>
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              <text>Maynard Mack and George deForest Lord, eds. Poetic Traditions of the English Renaissance (New Haven, Conn.; and London: Yale University Press), 1982, pp. 67-83.</text>
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              <text>Poetic Traditions of the English Renaissance.</text>
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              <text>Mack, Maynard, ed.</text>
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              <text>Lord, George DeForest, ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Cressid False, Criseyde Untrue: An Ambiguity Revisited</text>
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                <text>Chaucer and Shakespeare use different narrative techniques to lend ambiguity to the characterization of Criseyde/Cressida, but each uses ambiguity to create sympathy for his character.</text>
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              <text>Gútierrez Arranz, José María.</text>
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              <text>SELIM 9 : 143-52, 1999.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 09 (1999)</text>
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                <text>The Precepts of Classical Rhetoric in the Letters of Geoffrey Chaucer's Troylus &amp; Criseyde</text>
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                <text>Identifies instances in which the letters in TC follow rhetorical principles found in Cicero, medieval rhetoricians, and Ovid's Heroides.</text>
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              <text>Helmbold, Anita Jayne.</text>
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              <text>DAI 63 : 1841A, 2002.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Dissertation Abstracts International 63 (2002)</text>
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              <text>vxl sac 26:296</text>
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                <text>Speaking Volumes: Chaucer and the Legacy of the Troilus Frontispiece</text>
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                <text>An iconographic analysis suggesting that the illustration of Chaucer reading to the court of Richard II benefited the Lancastrian campaign to recognize "English as the national language of England" (exemplified by Chaucer as supreme "user and perfecter" of the language, not by "his skill as an author per se").</text>
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