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                  <text>Chaucer Bibliography Online</text>
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              <text>Nakao, Yoshiyuki.</text>
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        <element elementId="98">
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              <text>SiMELL 8: 69-86, 1993.</text>
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          <name>Date</name>
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              <text>1993</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies</text>
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              <text>Studies in Medieval English Language and Literature 08 (1993)</text>
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              <text>vxl sac 26:302</text>
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                <text>The Ambiguity of the Phrase 'As She That' in Chaucer's Troilus and Criseyde</text>
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                <text>Nakao assesses the use of "as she that" as it is applied to Criseyde, identifying the unusually high frequency of the phrase in TC, its various functions and semantic range, and the way that Chaucer exploits this variety "to hold in balance his opposite attitudes towards Criseyde."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Pearcy, Roy J.</text>
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          <name>Published</name>
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              <text>SAC 24 : 269-97, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762867">
              <text>2002</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Studies in the Age of Chaucer 24 (2002)</text>
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              <text>vxl sac 26:303</text>
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                <text>'And Nysus doughter song with fressh entente': Tragedy and Romance in Troilus and Criseyde</text>
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                <text>Differences between eschatological and historical time in TC pose parallel differences between Troilus's personal Boethian tragedy and the epic tragedy of the fall of Troy. Similarities between Criseyde and analogous women in other siege stories (in "Fouke le Fitz Waryn," John of Garland's "Parisiana Poetria," and Ovidian accounts of Scylla) suggest ways in which Criseyde is a tragic precipitator of catastrophe.</text>
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              <text>Pugh, Tison.</text>
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              <text>Philological Quarterly 80.1 : 17-35, 2001.</text>
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              <text>2001</text>
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            <elementText elementTextId="2762860">
              <text>Troilus and Criseyde.</text>
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              <text>Philological Quarterly 80 (2001)</text>
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              <text>vxl sac 26:304</text>
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                <text>Queer Pandarus: Silence and Sexual Ambiguity in Chaucer's Troilus and Criseyde</text>
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                <text>Although not lovers, Troilus and Pandarus express deep affection for each other, and Pandarus gains Troilus's dependence. In addition, Pandarus's speeches, silences, and gaze (staging sexual scenes for his pleasure), as well as more fluid medieval conceptions of gender and sexuality, allow for a queer reading. Ultimately, though, Pandarus's friendship, like Criseyde's love, fails Troilus.</text>
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              <text>Sanyal, Jharna.</text>
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              <text>Supriya Chaudhuri and Sukanta Chaudhuri, eds. Writing Over: Medieval to Renaissance (Calcutta: Allied, in collaboration with the Department of English, Jadavpur University, 1996), pp. 11-22.</text>
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              <text>1996</text>
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            <elementText elementTextId="2762849">
              <text>Writing Over: Medieval to Renaissance.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 26: 305</text>
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                <text>From Medieval to Renaissance: Two Criseyde Texts</text>
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                <text>Compares Criseyde of TC with her analogues in Henryson's "Testament," Shakespeare's "Troilus and Cressida," and Dryden's "Truth Found Too Late," arguing that in Chaucer's and Shakespeare's versions she is a victim of predatory males and is left open to interpretation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Shimonomoto, Keiko.</text>
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              <text>Keiko Shimonomoto. The Use of Ye and Thou in the Canterbury Tales, and Collected Articles (Tokyo: Waseda University Enterprise, 2001), pp. 64-71.</text>
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          <elementTextContainer>
            <elementText elementTextId="2762838">
              <text>2001</text>
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          <elementTextContainer>
            <elementText elementTextId="2762839">
              <text>The Use of Ye and Thou in the Canterbury Tales, and Collected Articles.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies.</text>
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              <text>vxl</text>
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                <text>The Modes of Speech and Thought Presentation in Chaucer's Troilus and Criseyde</text>
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                <text>Originally published in English Literature (Waseda University) 70 (1994). Ambiguities of speech and thought in TC, particularly Criseyde's, are more likely functions of narrative strategy than reflections of individuated consciousness or characterization.</text>
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              <text>Smith, Valerie.</text>
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            <elementText elementTextId="2762825">
              <text>J. A. Jowitt and R. K. S. Taylor, eds. Self and Society in Shakespeare's Troilus and Cressida and Measure for Measure. Bradford Centre Occasional Papers, no. 4 (Bradford: University of Leeds Department of Adult and Continuing Education, 1982), pp. 61-79.</text>
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            <elementText elementTextId="2762826">
              <text>1982</text>
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          <elementTextContainer>
            <elementText elementTextId="2762827">
              <text>Self and Society in Shakespeare's Troilus and Cressida and Measure for Measure.</text>
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              <text>Jowitt, J. A., ed.</text>
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              <text>Taylor, R. K. S., ed.</text>
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          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl sac 26:307</text>
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                <text>The History of Cressida</text>
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                <text>Smith assesses characterizations of Criseyde, focusing on Chaucer's, Henryson's, and Shakespeare's characterizations but commenting on others. She argues that the character must be understood in light of contemporaneous attitudes toward, for example, war and the status of women.</text>
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              <text>Stanley, Eric G.</text>
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          <description/>
          <elementTextContainer>
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              <text>PoeticaT 55 : 1-21, 2001.</text>
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        <element elementId="114">
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            <elementText elementTextId="2762817">
              <text>2001</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 55 (2001)</text>
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              <text>vxl sac 26:308</text>
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            <description>A name given to the resource</description>
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                <text>Celebrating English Nationhood</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762818">
                <text>Surveys attitudes toward patriotism among early English writers. According to Stanley, Criseyde's claim to Diomedes that she loves the city of Troy (TC 5. 953-57) is untrue.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2762805">
              <text>Stokes, Myra.</text>
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        <element elementId="98">
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            <elementText elementTextId="2762806">
              <text>Litteraria Pragensia 9.18 : 62-83, 1999.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2762807">
              <text>1999</text>
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            <elementText elementTextId="2762809">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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            <elementText elementTextId="2762811">
              <text>Litteraria Pragensia 9.18 (1999)</text>
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              <text>vxl sac 26:309</text>
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          <element elementId="50">
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              <elementText elementTextId="2762804">
                <text>The Contract of Love-Service: Lancelot and Troilus</text>
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              <elementText elementTextId="2762808">
                <text>Stokes compares the pledges of love-troth in the "Prose Lancelot" and TC, suggesting that they reflect a "specific kind of romantic relationship," neither marital nor illicit nor clandestine, but "solemn and binding" and based on the man's service to the woman. The scene in Lancelot may be a source of the exchange of vows in TC 3.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2762795">
              <text>Wallace, David.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Comparison 13 (1982): 98-119 : 98-119, 1982.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2762797">
              <text>1982</text>
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            <elementText elementTextId="2762799">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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            <elementText elementTextId="2762801">
              <text>Comparison 13 (1982)</text>
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            <elementText elementTextId="2762802">
              <text>vxl sac 26:310</text>
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              <elementText elementTextId="2762794">
                <text>Chaucer and the Poets of the Pieno Tricento</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762798">
                <text>The tension between sensual love and orthodox truth in TC can be seen in nascent form in Boccaccio's "Filocolo," even though Chaucer depends for his plot on "Filostrato." The tension is rooted in Dante's "Comedy" and in the "Roman de la Rose," but Chaucer, Boccaccio, and Petrarch negotiate it in ways that can be thought characteristic of the late-medieval period.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2762786">
              <text>Wilcockson, Colin.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2762787">
              <text>N&amp;Q 247 : 320-23, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762788">
              <text>2002</text>
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        <element elementId="102">
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            <elementText elementTextId="2762790">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2762791">
              <text>Notes and Queries 247 (2002)</text>
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        <element elementId="109">
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            <elementText elementTextId="2762792">
              <text>vxl sac 26:311</text>
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              <elementText elementTextId="2762785">
                <text>The Woodbind and the Nightingale Images in Troilus and Criseyde Book II, Lines 918-924 and Book III, Lines 1230-1239</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762789">
                <text>Notes possible allusions to Marie de France's "Chevrefoil" and "Laùstic" in TC.</text>
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  <item itemId="268195" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2762776">
              <text>Windeatt, Barry.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2762777">
              <text>English Miscellany 26-27 : 79-103, 1977-78.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2762778">
              <text>1977</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2762780">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2762781">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762782">
              <text>English Miscellany 26-27 (1977-78)</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2762783">
              <text>vxl sac 26:312</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2762775">
                <text>The 'Peynted Process': Italian to English in Chaucer's 'Troilus'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762779">
                <text>In TC, Chaucer's "greater vehemence," his increase in specificity, and his heightening of emotion characterize his adaptations of Boccaccio's "Filostrato."</text>
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  <item itemId="268194" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762767">
              <text>Wittig, Joseph [S.]</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762768">
              <text>Yoko Iyeiri and Margaret Connolly, eds. And Gladly Wolde He Lerne and Gladly Teche: Essays on Medieval English Presented to Professor Matsuji Tajima on His Sixtieth Birthday (Tokyo: Kaibunsha, 2002), pp. 181-94.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762769">
              <text>2002</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762770">
              <text>And Gladly Wolde He Lerne and Gladly Teche (Tajima).</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762772">
              <text>Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2762773">
              <text>vxl sac 26: 313</text>
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              <elementText elementTextId="2762766">
                <text>Troilus and the Law of Kind</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2762771">
                <text>Examines TC 4.958-1078, comparing the context of these lines with that of their source in Boethius's Consolation of Philosophy. The Christian import of the poem's closing lines is implicit in TC 4.</text>
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  <item itemId="268193" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762757">
              <text>Horvath, Richard P.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762758">
              <text>Chaucer Review 37 : 173-89, 2002.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762759">
              <text>2002</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2762761">
              <text>Envoy to Bukton.</text>
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            <elementText elementTextId="2762762">
              <text>Envoy to Scogan.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762763">
              <text>Chaucer Review 37 (2002)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2762764">
              <text>vxl sac 26:314</text>
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              <elementText elementTextId="2762756">
                <text>Chaucer's Epistolary Poetic: The Envoys to Bukton and Scogan</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2762760">
                <text>Rather than personal comments to private friends, Buk and Scog may be seen as Chaucer's experiments with "[t]urning the relationship between writer and reader into a poetic subject of its own." The characteristic sense of play and seemingly "intimate" bond between poet and addressee are typical of Chaucer.</text>
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              <text>Finlayson, J. Caitlin.</text>
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                <text>Medieval Sources for Keatsian Creation in 'La Belle Dame sans Merci'</text>
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                <text>A major source of Keats's poem is the Middle English "La Belle Dame sans Mercy," mistakenly attributed to Chaucer in the 1782 edition of "The Poetical Works of Geoffrey Chaucer," which Keats owned.</text>
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              <text>Masciandaro, Nicola.</text>
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              <text>DAI 63 : 934A, 2002.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Former Age</text>
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              <text>Dissertation Abstracts International 63 (2002)</text>
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                <text>The Voice of the Hammer: Work in Medieval English Literature</text>
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            <description>An account of the resource</description>
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                <text>Uses Form Age and Fragment 8 of CT as part of a larger exploration of medieval attitudes toward work.</text>
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              <text>Staley, Lynn.</text>
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              <text>SAC 24 : 1-47, 2002.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Studies in the Age of Chaucer 24 (2002)</text>
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                <text>The Man in Foul Clothes and a Late Fourteenth-Century Conversation About Sin</text>
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              <elementText elementTextId="2762731">
                <text>Examines the related topoi of the man in foul clothing and the wedding guest with no robe as they are depicted in "Cleanness," "St. Erkenwald," Langland's "Piers Plowman," Julian of Norwich's "The Showings," and CYPT, arguing that the texts confront one another, respond to Richard Fitzralph's sermon on Becket's relics, and "interrogate the institutional church," particularly activities surrounding St. Paul's Cathedral and issues of clerical purity. CYPT reflects the poet's "keen awareness of the ambiguous identity of the Regular Canons."</text>
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              <text>Powell, Stephen D.</text>
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              <text>ChauR 37 : 40-58, 2002.</text>
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              <text>Manciple and His Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Chaucer Review 37 (2002)</text>
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                <text>Game Over: Defragmenting the End of the Canterbury Tales</text>
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              <elementText elementTextId="2762721">
                <text>Although the link between ManT and ParsT has been seen as tenuous, ManT leads symbolically and actually into ParsT, and it simultaneously extends the piety of ParsT back into CT as a whole.</text>
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              <text>Waters, Claire M.</text>
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              <text>SAC 24 : 75-113, 2002.</text>
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            <elementText elementTextId="2762710">
              <text>2002</text>
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              <text>Parson and His Tale.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Studies in the Age of Chaucer 24 (2002)</text>
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              <text>vxl sac 26:264</text>
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                <text>Holy Duplicity: The Preacher's Two Faces</text>
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                <text>Surveys the "traditions of preaching theory that Chaucer drew on in creating his Parson and Pardoner," focusing on the preacher's paradoxical "persona," the relationship between the "person" and the "office," and the use of the physical body in the performance of spiritual truth. Chaucer's two preachers reflect the paradox in differing ways: the Pardoner's duplicitous single mindedness and the Parson's simple efforts to bridge the earthly/spiritual divide. Waters draws on preaching theories of Maurice of Sully, Humbert of Romans, Thomas of Chobham, and others.</text>
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            <elementText elementTextId="2762699">
              <text>Cole, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762700">
              <text>Speculum 77 : 1128-67, 2002.</text>
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        <element elementId="114">
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            <elementText elementTextId="2762701">
              <text>2002</text>
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            <elementText elementTextId="2762703">
              <text>Treatise on the Astrolabe.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2762704">
              <text>Speculum 77 (2002)</text>
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            <elementText elementTextId="2762705">
              <text>vxl sac 26:265</text>
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                <text>Chaucer's English Lesson</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2762702">
                <text>Explores how Chaucer's prologue to Astr engaged "new models of English translation" from the 1380s, including Wycliffite translations. Traditionally, critics have focused on Chaucer's continental models of translation.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2762690">
              <text>Lipson, Carol S.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2762691">
              <text>Journal of Technical Writing and Communication 12 : 243-56, 1982.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2762692">
              <text>1982</text>
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            <elementText elementTextId="2762694">
              <text>Treatise on the Astrolabe.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2762695">
              <text>Journal of Technical Writing and Communication 12 (1982)</text>
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            <elementText elementTextId="2762696">
              <text>vxl sac 26:266</text>
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              <text>Osborn, Marijane.</text>
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                <text>Originally published in the Journal of Liberal Arts (Waseda University) 100 (1996), the article surveys criticism of Chaucer's prose style in Bo. Shimonomoto calls for more appropriate discourse analysis, examining two passages in which Chaucer uses repetition to organize and create cohesion.</text>
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              <text>Davis, Steven.</text>
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                <text>Guillaume de Machaut, Chaucer's Book of the Duchess, and the Chaucer Tradition</text>
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                <text>Suggests that Froissart's Dit dou bleu chevalier is "a poem so like" BD that it "seems certain one is modeled upon the other" (45).</text>
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