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              <text>Finlayson, John.</text>
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              <text>Anglia 121: 557-80. ,   2003.</text>
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              <text>Anglia: Zeitschrift für Englische Philologie 121 (2003)</text>
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              <text>vxl SAC 27:217</text>
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                <text>The Merchant's Tale: Literary Contexts, the Play of Genres, and Institutionalized Sexual Relations</text>
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                <text>The combination of genres in MerT (fabliau, encomium, moral allegory, mock-heroic, and parody) satirizes the social institutions and literary genres within which sex and love are contained and represented. The encomium fuses reality and idealization; the allegorical debate mocks January and parodies the literary elevation of sex. The garden scene parodies courtly love, the Edenic fall, and the authority of the gods.</text>
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              <text>Finley, William K.</text>
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              <text>Appendix 3 in William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del. : Oak Knoll; London: British Library, 2003), pp. 423-37.</text>
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              <text>Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures.</text>
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              <text>General prologue to the Canterbury Tales.</text>
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              <text>vxl SAC 27: 104</text>
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                <text>Chaucer at Home: The Canterbury Pilgrims at Georgian Court</text>
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            <description>An account of the resource</description>
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                <text>Introduces and reprints Robert van Vorst Sewell's "The Canterbury Pilgrimage: A Decorative Frieze" (New York: American Art Galleries, n.d.), which Sewell wrote to accompany the mural frieze he painted in George Gould's Georgian Court mansion, now part of Georgian Court College, Lakeside, N.J. The introduction comments on other interior decorations in the United States that use CT as subject matter.</text>
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              <text>Fisher, Judith L., and Mark Allen.</text>
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              <text>William K. Finley and Joseph Rosenblum, eds. Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures (New Castle, Del. : Oak Knoll; London: British Library, 2003), pp. 233-73.</text>
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              <text>Chaucer Illustrated: Five Hundred Years of the Canterbury Tales in Pictures.</text>
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              <text>Allen, Mark.</text>
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              <text>Clerk and His Tale.</text>
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              <text>vxl SAC 27: 106</text>
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                <text>Victorian Illustrations to Chaucer's Canterbury Tales</text>
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            <description>An account of the resource</description>
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                <text>The authors explore two kinds of Victorian medievalism (antiquarian detail and moral didacticism) in visual tradition, surveying Victorian depictions of CT in painting and book illustration and focusing on various illustrations of ClT. Includes a descriptive catalog of illustrations to CT, 1809-96.</text>
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              <text>Flake, Timothy Harve.</text>
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              <text>DAI 64: 1645A,   2003.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>Dissertation Abstracts International 64 (2003)</text>
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              <text>vxl SAC 27: 147</text>
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                <text>Experience and Repentance in Three 'Canterbury Tales'</text>
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                <text>Chaucer attempts to represent simultaneously three levels of reality in his three "confessional" characters (the Wife of Bath, the Pardoner, and the Canon's Yeoman): actual life, idealized fiction, and higher truth.</text>
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              <text>Fleming, John V.</text>
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              <text>Robert G. Benson and Susan J. Ridyard, eds. New Readings of Chaucer's Poetry (Rochester, N.Y., and Cambridge: D. S. Brewer, 2003), pp. 51-74.</text>
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              <text>New Readings of Chaucer's Poetry.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl SAC 27:199</text>
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                <text>The Best Line in Ovid and the Worst</text>
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                <text>Fleming examines Chaucer's mixture of sacred and secular texts and illustrates how Chaucer's idea of the Wife of Bath grew from an amalgamation of Le Roman de la Rose, Ovid, and St. Jerome, particularly in WBP.</text>
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              <text>Fleming, John V.</text>
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              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York : Peter Lang, 2003), pp. 205-33.</text>
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              <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>vxl 27:243</text>
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                <text>Madame Eglentyne: The Telling of the Beads</text>
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                <text>The description of the Prioress's rosary exemplifies Chaucer's word play and his literary engagement with other writers, particularly Jean de Meun and Ovid. Fleming compares the Prioress's rosary with rosaries in medieval art and assesses the significance of her name, Madame Eglentyne, in romance and sacred romance alike.</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl SAC 27:107</text>
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                <text>Muses of the Monastery</text>
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                <text>Discusses hostility toward fiction within ascetic cultures of the Middle Ages; brief references to ParsT, NPT, and MilT.</text>
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              <text>Fletcher, Alan J.</text>
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              <text>Studies in the Age of Chaucer 25: 53-121,   2003.</text>
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              <text>Chaucer's Life.</text>
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              <text>ABC</text>
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              <text>Legend of Good Women</text>
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              <text>Friar and His Tale.</text>
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              <text>Studies in the Age of Chaucer 25 (2003)</text>
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              <text>vxl SAC 27: 108</text>
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                <text>Chaucer the Heretic</text>
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                <text>Chaucer deploys his "appropriations of the culture of heresy with versatility" in ABC, LGWP, and CT (Pardoner, Friar, Summoner, Monk, and Parson). Fletcher measures these appropriations against the shifting political fortunes of Lollardy in Chaucer's lifetime to reflect upon the difficulties of reading biography through literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Forni, Kathleen.</text>
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        <element elementId="98">
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              <text>Chaucer Review 37: 253-64, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764052">
              <text>2003</text>
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              <text>Recordings and Films.</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2764056">
              <text>Chaucer Review 37 (2003)</text>
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        <element elementId="109">
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            <elementText elementTextId="2764057">
              <text>vxl SAC 25:10</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2764049">
                <text>Reinventing Chaucer: Helgeland's A Knight's Tale</text>
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                <text>Despite inaccuracies and major differences from Chaucer's KnT, Helgeland's film "A Knight's Tale" does maintain a "Chaucer effect" that has secured the poet's "iconic status" since the Renaissance. Yet anachronisms abound; rock music replaces chant; and the central premise of the plot-that patents of nobility are necessary to compete-is inaccurate.</text>
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              <text>Fowler, Elizabeth.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Ithaca : Cornell University Press, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764036">
              <text>2003</text>
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            <elementText elementTextId="2764037">
              <text>xiv, 263 pp.</text>
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              <text>Pardoner and His Tale.</text>
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            <elementText elementTextId="2764041">
              <text>Chaucer's Retraction.</text>
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            <elementText elementTextId="2764042">
              <text>Shipman and His Tale.</text>
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            <elementText elementTextId="2764043">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2764044">
              <text>Knight and His Tale.</text>
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              <text>Prioress and Her Tale.</text>
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              <text>Parson and His Tale.</text>
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            <elementText elementTextId="2764047">
              <text>vxl SAC 27: 230</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Literary Character: The Human Figure in Early English Writing</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764038">
                <text>Fowler explores literary character and characterization as processes of the reader's engagement with "social persons" posited by a given text through various habituated devices and understood in light of various historical contexts-psychological, political, economic, and philosophical.</text>
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                <text>She focuses on Chaucer's Pardoner (particularly in light of three constructions of intentionality--confessional, ministerial, and poetic), Langland's Lady Meed, Skelton's Elynour Rummynge, and figures from Spenser's "Faerie Queene." Includes commentary on ParsT and Ret, ShT, WBP, and the GP descriptions of the Knight and Prioress.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764024">
              <text>Fumo, Jamie C.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2764025">
              <text>Studies in Philology 100: 278-314,   2003.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764026">
              <text>2003</text>
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        <element elementId="102">
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            <elementText elementTextId="2764028">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2764029">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2764030">
              <text>Studies in Philology 100 (2003)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764031">
              <text>vxl SAC 27: 281</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764023">
                <text>'Little Troilus': Heroides 5 and Its Ovidian Contexts in Chaucer's Troilus and Criseyde</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764027">
                <text>Fumo analyzes Chaucer's use of Ovid's Heroides 5 (Oenone's letter to Paris) in TC, discussing Chaucer's sustained and allusive use of this text and its "metanarrative function" in the structure of TC.</text>
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  <item itemId="268319" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764012">
              <text>Fumo, Jamie Claire.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764013">
              <text>DAI 64: 891A,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764014">
              <text>2003</text>
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        <element elementId="102">
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2764017">
              <text>Squire and His Tale.</text>
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            <elementText elementTextId="2764018">
              <text>Franklin and His Tale.</text>
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            <elementText elementTextId="2764019">
              <text>Manciple and His Tale.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764020">
              <text>Dissertation Abstracts International 64 (2003)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764021">
              <text>vxl SAC 27: 109</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2764011">
                <text>The Road to Delphi: Chaucerian Poetics and the Legacy of Apollo</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764015">
                <text>A mythographic history of the figure of Apollo from Augustan Rome to Chaucer. Fumo focuses on the importance of Apollo to Chaucer's poetic self-conception and on Chaucer's representations of the deity in TC, in SqT and FranT, and in ManT.</text>
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  <item itemId="268318" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764003">
              <text>Ganim, John.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764004">
              <text>Donka Minkova and Theresa Tinkle, eds. Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly (Frankfurt and New York: Lang, 2003), pp. 175-89.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764005">
              <text>2003</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764006">
              <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly .</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764008">
              <text>Chaucer's Life.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764009">
              <text>vxl SAC 27:13</text>
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                <text>Mary Shelley, Godwin's Chaucer, and the Middle Ages</text>
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                <text>Ganim argues that Mary Shelley was influenced by her father, William Godwin, who wrote "Life of Chaucer" and from whom she learned a dual attitude toward the Middle Ages: people are shaped by historical circumstances, and they must seek to rise above these circumstances through reason and individual discovery.</text>
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  <item itemId="268317" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2763994">
              <text>Cable, Thomas.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763995">
              <text>C. B. McCully and J. J. Anderson, eds. English Historical Metrics (Cambridge and New York : Cambridge University Press, 1996), pp. 7-29.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2763996">
              <text>1996</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763997">
              <text>English Historical Metrics.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2763999">
              <text>Style and Versification.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764000">
              <text>vxl SAC 27:62</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Clashing Stress in the Metres of Old, Middle, and Renaissance English</text>
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                <text>Cable traces a pattern of development in English stress "clashing," affected by stress subordination and stress spacing. Chaucer's "alternating metre has frequent stress subordination, but it is less clear that it makes systematic use of stress spacing," found more frequently in alliterative and Shakespearean meters.</text>
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  <item itemId="268316" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2763985">
              <text>Caie, Graham [D.]</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2763986">
              <text>Hiroshima Studies in English Language and Literature 46 : 1-12, 2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2763987">
              <text>2001</text>
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            <elementText elementTextId="2763989">
              <text>Manuscripts and Textual Studies.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2763990">
              <text>Hiroshima Studies in English Language and Literature 46 (2001)</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 27:31</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2763984">
                <text>'Glosyinge is a glorious thyng': Chaucer's Rhetoric, Manuscripts and Readers</text>
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              <elementText elementTextId="2763988">
                <text>Caie comments on the presence of glosses in English literary manuscripts, arguing that glosses to WBP, MerT, and MLT can be read as attempts by Chaucer (or his scribes) to contain the subversive potential of texts that the glosses accompany.</text>
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  <item itemId="268315" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763975">
              <text>Campbell, Emma.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2763976">
              <text>Comparative Literature 55: 191-216,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763977">
              <text>2003</text>
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            <elementText elementTextId="2763979">
              <text>Clerk and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <elementTextContainer>
            <elementText elementTextId="2763981">
              <text>Comparative Literature 55 (2003)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2763982">
              <text>vxl SAC 27: 212</text>
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          </elementTextContainer>
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            <name>Title</name>
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              <elementText elementTextId="2763974">
                <text>Sexual Poetics and the Politics of Translation in the Tale of Griselda</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763978">
                <text>Campbell applies Judith Butler's theories of performative gender identity and "cultural translation" to ClT and its sources in Petrarch and Boccaccio. In Chaucer's version, authority is translated to the vernacular and to oral discourse, challenging to Petrarch's version but nevertheless asserting masculine authority over feminine texts and bodies.</text>
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  <item itemId="268314" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763966">
              <text>Cannon, Christopher.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763967">
              <text>Piero Boitani and Jill Mann, eds. The Cambridge Companion to Chaucer, 2d ed. (Cambridge: Cambridge UP, 2003), pp. 233-50.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763968">
              <text>2003</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763969">
              <text>Cambridge Companion to Chaucer, 2d ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763971">
              <text>Style and Versification.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763972">
              <text>vxl SAC 2763</text>
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          </elementTextContainer>
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      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2763965">
                <text>Chaucer's Style</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2763970">
                <text>Though traditional at root, Chaucer's diction, syntax, and rhetoric are made fresh by the poet's careful combination and articulation of traditional features. Doubleness (as in mixed styles, ambiguity, and irony) is characteristic of his style and a means to "generate dynamism in language."</text>
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          </element>
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  </item>
  <item itemId="268313" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2763957">
              <text>Carruthers, Leo.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763958">
              <text>Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), pp. 51-67.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763959">
              <text>2003</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2763960">
              <text>Drama, Narrative and Poetry in The Canterbury Tales .</text>
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          <elementTextContainer>
            <elementText elementTextId="2763962">
              <text>Canterbury Tales-General.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763963">
              <text>vxl 27: 144a</text>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763956">
                <text>Narrative Voice, Narrative Framework: The Host as 'Author' of The Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2763961">
                <text>Carruthers examines the framing structure and links of CT, with particular attention to the Host's role. Harry Bailey is both a unifying instrument in the poet's hands and an extension of Chaucer's identity, an alter ego who will ultimately be silenced in Ret.</text>
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  <item itemId="268312" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763947">
              <text>Carruthers, Leo, and Adrian Papahagi, eds.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763948">
              <text>Paris : Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763949">
              <text>2003</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763950">
              <text>Papahagi, Adrian, ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763952">
              <text>Background and General Criticism.</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763953">
              <text>AMAES, no.10.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763954">
              <text>vxl SAC 27: 96</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763946">
                <text>Paroles et Silences dans la Littérature Anglaise au Moyen Age</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763951">
                <text>Includes two essays that pertain to Chaucer; search for Paroles et Silences under Alternative Title.</text>
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  </item>
  <item itemId="268311" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763938">
              <text>Carter, Susan.</text>
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                <text>Coupling the Beastly Bride and the Hunter Hunted: What Lies Behind Chaucer's Wife of Bath's Tale?</text>
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                <text>Chaucer's WBT destabilizes gender roles rather than focusing on the issues of kingship at the core of most of the loathly-lady tales. WBT engages issues of personal power politics as it creates a lively, garrulous character, but the moral lies in the collapse of gender roles and the acceptance of ambivalence.</text>
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              <text>Chance, Jane.</text>
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                <text>Representing Rebellion: The Ending of Chaucer's Knight's Tale and the Castration of Saturn</text>
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                <text>The Knight, in representing the gods, omits any reference to the castration of Saturn in order to justify the ascendancy of Jupiter, the authority of Theseus, and the political situation of the later fourteenth century, "a dark time in which Jupiter's lechery, doubleness, and treason substitute for the Golden Age of Saturn."</text>
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              <text>Chickering, Howell D.</text>
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              <text>Nicolay Yakovlev, ed. Lecture Series (St. Petersburg: Linguistic Society of St. Petersburg, 2003), pp. 20-37. Rpt. from Yazyk i rechevaya deyatet'nost' (Language and Language Behavior) 4 (2001): Supplement.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>vxl SAC 27:170</text>
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                <text>Ironic Tones of Voice in the General Prologue</text>
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                <text>Close reading of several GP descriptions (including the Knight, Monk, Clerk, Sergeant at Law, and Summoner) shows how Chaucer's shifting tones produce ironic implications.</text>
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              <text>Clarke, Catherine A. M.</text>
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              <text>Reading Medieval Studies 29: 19-30,   2003.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Book of the Duchess.</text>
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          <elementTextContainer>
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              <text>vxl SAC 27: 98</text>
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                <text>Overhearing Complaint and the Dialectic of Consolation in Chaucer's Verse</text>
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                <text>Clarke discusses the motif of eavesdropping in TC, KnT, and BD. Overhearing (both deliberate and accidental) places speaker and listener in a dialectic relationship.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2763899">
              <text>Clark, Glenn Jeffrey.</text>
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        <element elementId="98">
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              <text>DAI 63: 2550A,   2003.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763901">
              <text>2003</text>
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              <text>Background and General Criticism.</text>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 63 (2003)</text>
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          <description/>
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            <elementText elementTextId="2763905">
              <text>vxl SAC 27: 97</text>
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                <text>Drama and the Culture of Commercial Hospitality in Early Modern England</text>
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                <text>Clark mentions Chaucer in the context of conceptions of "drinking-house culture."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
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              <text>Cohen, Jeffrey Jerome, ed.</text>
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          <name>Date</name>
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              <text>2003</text>
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              <text>xxix, 323 pp.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Squire and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2763893">
              <text>Pardoner and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>Medieval Cultures, no. 35.</text>
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              <text>vxl SAC 27:171</text>
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                <text>Medieval Identity Machines</text>
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                <text>Bodies in medieval literature are depicted as rhizomatic, unfinished identity machines invented by texts, such as TC, CT, and others. Commentary draws on theories of Gilles Deleuze, Felix Guattari, and others. Particular references to SqT, WBP, PardT, MLT, and especially GP, with a close comparison to the opening of "The Sultan of Babylon."</text>
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