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              <text>Jimura, Akiyuki.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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              <text>Masahiko Kanno, Gregory K. Jember, and Yoshiyuki Nakao, eds. A Love of Words: English Philological Studies in Honour of Akira Wada (Tokyo: Eihosha, 1998), pp. 103-14.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764641">
              <text>1998</text>
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            <elementText elementTextId="2764642">
              <text>Love of Words: English Philological Studies in Honour of Akira Wada .</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Language and Word Studies.</text>
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              <text>vxl 27:75</text>
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                <text>Metathesis in Chaucer's English</text>
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            <description>An account of the resource</description>
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                <text>Some examples of metathesis in CT and TC (e.g., ax/ask, thurgh/thrugh, open/opne) may result from modern editorial selection; others (e.g., lisped/lipsed in GP 1.264-65) may indicate Chaucer's creative indication of individual speech patterns.</text>
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              <text>Jimura, Akiyuki, Yoshiyuki Nakao, and Masatsugu Matsuo.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2764629">
              <text>Hiroshima : Hiroshima University Studies, Graduate School of Letters, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764630">
              <text>2002</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2764631">
              <text>iv, 100 pp.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2764632">
              <text>Nakao, Yoshiyuki.</text>
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              <text>Matsuo, Masatsugu.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2764635">
              <text>Manuscripts and Textual Studies.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2764636">
              <text>vxl SAC 27:36</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Comprehensive Collation of the Hengwrt and Ellesmere Manuscripts of The Canterbury Tales: General Prologue</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A computer-assisted comparison of the Hengwrt and Ellesmere manuscripts of GP. Clarifies differences and similarities in spellings, lexis, syntax, and metrics in the two manuscripts.</text>
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              <text>Jimura, Akiyuki, Yoshiyuki Nakao, and Masatsugu Matsuo.</text>
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            <elementText elementTextId="2764618">
              <text>Okayama : University Education Press, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764619">
              <text>2002</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2764620">
              <text>v, 173 pp.</text>
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            <elementText elementTextId="2764621">
              <text>Nakao, Yoshiyuki.</text>
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              <text>Matsuo, Masatsugu.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2764624">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2764625">
              <text>vxl SAC 27:24</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764616">
                <text>A Comprehensive Textual Comparison of Chaucer's Dream Poetry</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2764623">
                <text>A computer-assisted comparison of editions of BD, HF, and PF. Clarifies spellings, lexis, syntax, and metrics, analyzing versions by Benson, Robinson, Root, Brewer, and Havely.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764608">
              <text>Johnston, Andrew James.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2764609">
              <text>Poetica 34 : 73-97,   2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764610">
              <text>2002</text>
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        <element elementId="102">
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            <elementText elementTextId="2764612">
              <text>Knight and His Tale.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2764613">
              <text>Poetica: Zeitschrift für Sprach- und Literaturwissenschaft 34 (2002)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2764614">
              <text>vxl SAC 27:183</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764607">
                <text>The Keyhole Politics of Chaucerian Theatricality: Voyeurism in the Knight's Tale</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Focuses on the occupatio that addresses Emelye's ritual ablutions in the temple of Diana. Discusses the way Chaucer identifies different modes of seeing--all-inclusive panoramic vision vs. the privileged view of the voyeur--with the Knight's staging of his own narratorial power and the specific politics of chivalric culture.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764591">
              <text>Jones, Terry, Robert Yeager, Terry Dolan, Alan Fletcher, and Juliette Dor.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>New York: St. Martin's Press, 2004; London: Methuen, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764593">
              <text>2003</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2764594">
              <text>x, 408 pp.; 130 illus.</text>
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              <text>Yeager, Robert.</text>
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              <text>Dolan, Terry.</text>
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              <text>Fletcher, Alan.</text>
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              <text>Dor, Juliette</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2764601">
              <text>Chaucer's Life.</text>
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            <elementText elementTextId="2764602">
              <text>ABC</text>
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              <text>Parson and His Tale</text>
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              <text>Chaucer's Retraction</text>
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            <elementText elementTextId="2764605">
              <text>vxl SAC 27:14</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764590">
                <text>Who Murdered Chaucer? A Medieval Mystery</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764599">
                <text>A biography and social history of Chaucer's final years, focusing on Henry Bolingbroke's Lancastrian overthrow of Richard II and the political and social turmoil from which the usurpation resulted and to which it contributed. The book presents Thomas Arundel, Archbishop of Canterbury, as a key figure, both in the political arena and in efforts to suppress CT for its scandalous depictions of the Church.</text>
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              <elementText elementTextId="2764600">
                <text>Obscurities surrounding Chaucer's death may indicate that Arundel's suppression was effective, perhaps deadly to Chaucer himself. The study assesses "censorship" of the illustrations to the Ellesmere manuscript and reads ABC, ParsT, and Ret as Chaucer's responses to suppression. Reprises suggestions by early biographers that Chaucer may not have died until 1402, perhaps finding temporary refuge in Holland.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764581">
              <text>Kabir, Ananya Jahanara.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764582">
              <text>Archiv 238: 280-98. ,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764583">
              <text>2001</text>
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            <elementText elementTextId="2764585">
              <text>Summoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2764587">
              <text>Archiv für das Studium der Neueren Sprachen und Literaturen 238 (2001)</text>
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        <element elementId="109">
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              <text>vxl SAC 27:209</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764580">
                <text>From Twelve Devouring Dragons to the Develes Ers: The Medieval History of an Apocryphal Punitive Motif</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764584">
                <text>Traces the history of the motif of infernal punishment in the devil's anus, suggesting that the earliest evidence of the motif is found in the "Seven Heavens Apocryphon" of Irish visionary tradition and that Chaucer's use of the motif in SumP derives from this tradition, perhaps inflected by the "Visio sancti Pauli."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764570">
              <text>Kane, George.</text>
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        <element elementId="98">
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            <elementText elementTextId="2764571">
              <text>London: Athlone, 1980.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764572">
              <text>1980</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2764573">
              <text>34 pp.</text>
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            <elementText elementTextId="2764576">
              <text>General Prologue to the Canterbury Tales.</text>
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              <text>Language and Word Studies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764578">
              <text>vxl SAC 27:172</text>
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                <text>The Liberating Truth: The Concept of Integrity in Chaucer's Writing</text>
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                <text>Chaucer's uses of the term trouthe (truth, integrity) indicate that he is a serious moralist, though sometimes ironic. Kane focuses on GP but also draws examples from FranT, CYT, Anel, and Langland's Piers Plowman.</text>
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              <elementText elementTextId="2764575">
                <text>John Coffin Memorial Lecture, 11 May 1979, University of London.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764561">
              <text>Kanno, Masahiko.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764562">
              <text>Masahiko Kanno, Gregory K. Jember, and Yoshiyuki Nakao, eds. A Love of Words: English Philological Studies in Honour of Akira Wada (Tokyo: Eishosha, 1998), pp. 115-31.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764563">
              <text>1998</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764564">
              <text>Love of Words: English Philological Studies in Honour of Akira Wada.</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764566">
              <text>Language and Word Studies.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764567">
              <text>vxl 27:76</text>
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                <text>Chaucer's View of 'Mesure'</text>
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              <elementText elementTextId="2764565">
                <text>Kanno examines instances of "mesure" and its synonyms in Chaucer's works, comparing those meanings with the virtue of moderation in Confucianism. The meanings range from "calculation" to "moderation." Generally, Chaucer's distinction between good and evil is based on a practical point of view.</text>
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              <text>Kanno, Masahiko, Gregory K. Jember, and Yoshiyuki Nakao, eds.</text>
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              <text>Tokyo : Eihosha, 1998.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2764552">
              <text>1998</text>
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            <elementText elementTextId="2764553">
              <text>xii, 303 pp.</text>
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            <elementText elementTextId="2764554">
              <text>Jember, Gregory K., ed.</text>
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            <elementText elementTextId="2764555">
              <text>Nakao, Yoshiyuki, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764557">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764558">
              <text>vxl 27:118</text>
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              <elementText elementTextId="2764549">
                <text>A Love of Words: English Philological Studies in Honour of Akira Wada</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764556">
                <text>Sixteen essays on topics ranging from Old English semantics to Joyce's Portrait of the Artist as a Young Man, commemorating the 65th birthday of Akira Wada. For four essays that pertain to Chaucer, search for Love of Words: English Philological Studies under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764538">
              <text>Karras, Ruth Mazo.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2764539">
              <text>Jacqueline Murray and Konrad Eisenbichler, eds. Desire and Discipline: Sex and Sexuality in the Premodern West (Toronto: University of Toronto Press, 1996), pp. 201-16.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764540">
              <text>2003</text>
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          <elementTextContainer>
            <elementText elementTextId="2764541">
              <text>Desire and Discipline: Sex and Sexuality in the Premodern West.</text>
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        </element>
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              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2764544">
              <text>Shipman and His Tale.</text>
            </elementText>
            <elementText elementTextId="2764545">
              <text>Clerk and His Tale.</text>
            </elementText>
            <elementText elementTextId="2764546">
              <text>Manciple and His Tale.</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>vxl SAC 27:119</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2764537">
                <text>Sex, Money, and Prostitution in Medieval English Culture</text>
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              <elementText elementTextId="2764542">
                <text>Karras surveys depictions of female commercialized sex in the English late Middle Ages. It is difficult, she suggests, to separate kinds and degrees of prostitution, because prostitution was regarded as an "extreme case" of the general sinfulness of female sexuality. Chaucerian examples include the Wife of Bath and the wives in ShT, CkT, and ManT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764529">
              <text>Kelen, Sarah A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764530">
              <text>JEBS 6: 109-23, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764531">
              <text>2003</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764533">
              <text>Facsimiles, Editions, and Translations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764534">
              <text>Journal of the Early Book Society 06 (2003)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764535">
              <text>vxl SAC 27:25</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764528">
                <text>Climbing up the Family Tree: Chaucer's Tudor Progeny</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764532">
                <text>Demonstrates that "Tudor editions of Chaucer imagined Chaucer himself as a Tudor poet" (109); concludes with three illustrations from Houghton Library copies of STC 5075 and 5077.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764520">
              <text>Kendrick, Laura.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764521">
              <text>Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), 83-98.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764522">
              <text>2003</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764523">
              <text>Drama, Narrative and Poetry in The Canterbury Tales .</text>
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        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764525">
              <text>Canterbury Tales-General.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2764526">
              <text>vxl 27:153</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="2764519">
                <text>Linking the Canterbury Tales: Monkey-business in the Margins</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764524">
                <text>Kendrick compares the jocular action and imagery of the links in CT to the marginal imagery of Gothic psalters and Books of Hours.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764510">
              <text>Kendrick, Laura.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764511">
              <text>Colette Stévanovitch and René Tixier, eds. Surface et profondeur: Mélanges offerts à Guy Bourquin à l'occasion de son 75e anniversaire (Nancy: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 165-78.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764512">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764513">
              <text>Surface et profondeur: Mélanges offerts à Guy Bourquin à l'occasion de son 75e anniversaire.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <description/>
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              <text>vxl SAC 27:233</text>
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                <text>Chaucer's Pardoner and the Figure of the Charlatan in Medieval French and Occitan Poetry</text>
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                <text>Kendrick considers a portion of PardP (lines 352-88) in light of two thirteenth-century charlatans' spiels invented for performance by jongleurs: Rutebeuf's "Dit de l'herberie" and Peire Cardenal's "Dit de l'onguent."</text>
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              <text>Ganim, John M.</text>
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              <text>Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), pp. 70-82.</text>
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            <elementText elementTextId="2764503">
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              <text>Drama, Narrative and Poetry in The Canterbury Tales.</text>
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              <text>Canterbury Tales-General.</text>
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              <text>vxl 27:148</text>
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                <text>Drama, Theatricality and Performance: Radicals of Presentation in The Canterbury Tales</text>
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                <text>CT accommodates apparently conflicting forms of address and confusions of narrative, dramatic, and expository genres. Chaucer manipulates a number of Northrup Frye's "radicals of presentation," allowing perpetual reinterpretation through the overlay of what had usually been considered quite distinct radicals of presentation.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764492">
              <text>Gellrich, Jesse M.</text>
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        <element elementId="98">
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            <elementText elementTextId="2764493">
              <text>Germanic Review 77: 146-59,   2002.</text>
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            <elementText elementTextId="2764494">
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              <text>Pardoner and His Tale.</text>
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              <text>Germanic Review 77 (2002)</text>
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              <text>vxl SAC 27:231</text>
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              <elementText elementTextId="2764491">
                <text>Allegory and Materiality: Medieval Foundations of the Modern Debate</text>
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              <elementText elementTextId="2764495">
                <text>Modern notions of the "key role of materiality in allegory," as theorized by Walter Benjamin and echoed by Paul de Man, have clear precedents in patristic and medieval commentaries on allegory and supposition, although the sense of "material" is more broadly construed in medieval thought. In PardPT, Chaucer explores the materiality of allegory, the random contingency of reference, and the self-referential nature of the allegorical mode.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764483">
              <text>Gilles, Sealy.</text>
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              <text>Studies in the Age of Chaucer 25: 157-97,   2003.</text>
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            <elementText elementTextId="2764485">
              <text>2003</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2764488">
              <text>Studies in the Age of Chaucer 25 (2003)</text>
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              <text>vxl SAc 27: 282</text>
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              <elementText elementTextId="2764482">
                <text>Love and Disease in Chaucer's Troilus and Criseyde</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764486">
                <text>Reads the depiction of Troilus's love-sickness against "new theories of contagion" that resulted from the devastations of the plague. Criseyde internalizes the anti-feminist "logic of disease" and names herself the "infective other." Troilus's "love-sickness mimics the progress of a viral infection" and leads--in his "apotheosis"--to a cure only when his body leaves the "earthbound cycle of contagion."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764473">
              <text>Ginsberg, Warren.</text>
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        <element elementId="98">
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              <text>SAC 25: 331-37,   2003.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764475">
              <text>2003</text>
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            <elementText elementTextId="2764476">
              <text>Colloquium: The Manciple's Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764478">
              <text>Manciple and His Tale.</text>
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            <elementText elementTextId="2764479">
              <text>Studies in the Age of Chaucer 25 (2003)</text>
            </elementText>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764480">
              <text>vxl SAC 27: 259</text>
            </elementText>
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                <text>The Manciple's Tale: Response</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764477">
                <text>Comments on the five contributions to SAC 25's "Colloquium: The Manciple's Tale," reading them as a "snapshot of some of the ways . . . Chaucerians read today" and exploring how the interruptions and reversals in ManT efface moral distinctions.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2764464">
              <text>Godsall-Myers, Jean E., ed.</text>
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        <element elementId="98">
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              <text>Boston: Brill, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764466">
              <text>2003</text>
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            <elementText elementTextId="2764467">
              <text>xii, 194 pp.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764469">
              <text>Background and General Criticism.</text>
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              <text>vxl SAC 27: 110</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764463">
                <text>Speaking in the Medieval World</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2764468">
                <text>Eight essays by various authors suggest that looking carefully at the ways characters speak in medieval texts gives information about the social networks of medieval society and reveals artistic skills of writers who considered speech significant. For three essays that pertain to Chaucer, search for Speaking in the Medieval World under Alternative Title.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764455">
              <text>Goldie, Matthew Boyd.</text>
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        <element elementId="98">
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            <elementText elementTextId="2764456">
              <text>Oxford : Blackwell, 2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764457">
              <text>2003</text>
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        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764458">
              <text>xxxviii, 301 pp. : 13 b&amp;w figs.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764460">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>vxl SAC 27:111</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2764454">
                <text>Middle English Literature: A Historical Sourcebook</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2764459">
                <text>Collects forty-five documents and images as backgrounds to fourteenth- and fifteenth-century English literature; arranged under seven headings and keyed (by chart) to a variety of canonical Middle English literary texts. All of the selected texts are Middle English or Middle English translations from Latin or French; most are excerpted. Topics include social institutions, conflict, sexuality, labor, spectacle, etc. An introduction accompanies each selection, and the volume includes a Middle English glossary, table of dates, bibliography, and index. Designed for classroom use.</text>
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              <text>Gray, Douglas, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764447">
              <text>Oxford : Oxford University Press, 2003.</text>
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          <name>Date</name>
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          <elementTextContainer>
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            </elementText>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764449">
              <text>526 pp : 15 b&amp;w illus.; 4 maps.</text>
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          <description/>
          <elementTextContainer>
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              <text>Bibliographies, Reports, and Reference.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl 5</text>
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            <name>Title</name>
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                <text>The Oxford Companion to Chaucer</text>
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            <description>An account of the resource</description>
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                <text>A single-volume encyclopedia with more than 2,000 entries, composed by a team of thirteen contributors and the editor. Alphabetized entries include each of Chaucer's works, important sources and analogues, character and place names, select contemporaries and critics of Chaucer, and a variety of general literary and cultural topics (e.g., "allusion," "London," "versification"). Longer entries include brief bibliographies keyed to a reference bibliography, and the entries are cross-listed.</text>
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              <text>Greenwood, Maria Katarzyna.</text>
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          <name>Published</name>
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              <text>Colette Stévanovitch and René Tixier, eds. Surface et profondeur: Mélanges offerts à Guy Bourquin à l'occasion de son 75e anniversaire (Nancy: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 179-98.</text>
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              <text>Surface et profondeur: Mélanges offerts à Guy Bourquin à l'occasion de son 75e anniversaire.</text>
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              <text>Prioress and Her Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764443">
              <text>vxl SAC 27:244</text>
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                <text>Pointless Piety and Pathos in Chaucer's Prioress's Tale</text>
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                <text>Piety and pathos heighten the impact of PrT and promote the narrator's reputation for religious correctness, yet all aspects of her Tale are undermined by pointlessness. Greenwood argues that the Tale is dialogistic and Menippean; a satirical subtext emerges out of the contrast between polysemia and aporia of expressions of feelings, on the one hand, and clarity and factual exposition, on the other.</text>
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              <text>Greenwood, Maria Katarzyna.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2764427">
              <text>Leo Carruthers and Adrian Papahagi, eds. Paroles et silences dans la littérature anglaise au Moyen Age (Paris : Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 135-54.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2764428">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2764429">
              <text>Paroles et silences dans la littrature anglaise au Moyen Âge .</text>
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          <name>Chaucer Subject</name>
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              <text>Tale of Melibee.</text>
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              <text>Manciple and His Tale.</text>
            </elementText>
            <elementText elementTextId="2764433">
              <text>Parson and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2764434">
              <text>vxl SAC 27: 149</text>
            </elementText>
          </elementTextContainer>
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              <elementText elementTextId="2764425">
                <text>Tell It All or Not At All: Tact, Tactlessness and Good Advice in The Manciple's Tale, The Tale of Melibee and The Parson's Tale</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2764430">
                <text>ManT, Mel, and ParsT are hardly tales at all, but rather a joke, an allegory, and a sermon. Yet they provide interesting comparisons between speakers and listeners, ways of speaking and ways of holding back. Reading between the lines is needed before the wisdom of the works emerges.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764414">
              <text>Green, Richard Firth.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764415">
              <text>SAC 25: 27-52. ,   2003.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764416">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764417">
              <text>Biennial Chaucer Lecture, the New Chaucer Society, Thirteenth International Congress, 18-21 July 2002, University of Colorado at Boulder.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764419">
              <text>Language and Word Studies.</text>
            </elementText>
            <elementText elementTextId="2764420">
              <text>Canon's Yeoman and His Tale.</text>
            </elementText>
            <elementText elementTextId="2764421">
              <text>Tale of Sir Thopas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764422">
              <text>Studies in the Age of Chaucer 25 (2003)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764423">
              <text>vxl SAC 27:71</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2764413">
                <text>Changing Chaucer</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2764418">
                <text>Explores the semantic and cultural background of the word "elvysshe" as applied to alchemy in CYT (8.751, 8.842). Like elves, alchemists were secretive, elusive, liminal figures, distrusted and associated with transformation. Though modern editors gloss "elvysshe" metaphorically, its literal sense is applicable, indicating Chaucer's disillusionment with the scientific potential of alchemy.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764405">
              <text>Guha, Arnab.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764406">
              <text>DAI 63: 4133A,   2003.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764407">
              <text>2003</text>
            </elementText>
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          <elementTextContainer>
            <elementText elementTextId="2764409">
              <text>Background and General Criticism.</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764410">
              <text>Dissertation Abstracts International 63 (2003)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764411">
              <text>vxl SAC 27:112</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
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              <elementText elementTextId="2764404">
                <text>Weaving the Word: A Textual Consideration of User-Disorientation in Hypertextual Space</text>
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              <elementText elementTextId="2764408">
                <text>Considers the work of Chaucer, among others, as an example of non-hypertextual writing that nonetheless creates the user disorientation often associated with negotiations of hypertext.</text>
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          <elementTextContainer>
            <elementText elementTextId="2764396">
              <text>Gwiazda, Piotr.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764397">
              <text>Carmina Philosophiae 11: 75-91,   2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764398">
              <text>2002</text>
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              <text>Former Age.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2764401">
              <text>Carmina Philosophiae 11 (2002)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2764402">
              <text>vxl SAC 27: 302</text>
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              <elementText elementTextId="2764395">
                <text>Reading the Commonplace: Boethius, Chaucer, and the Myth of the Golden Age</text>
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              <elementText elementTextId="2764399">
                <text>Reads Form Age as a "document of hope"; its lamentation of present ills recalls the Golden Age of the past but does so to provide a blueprint for a perfect and enduring future.</text>
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