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              <text>Cheney, Patrick.</text>
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              <text>Curtis Perry and John Watkins, eds. Shakespeare and the Middle Ages (New York: Oxford University Press, 2009), pp. 103-25.</text>
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              <text>Shakespeare and the Middle Ages.</text>
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              <text>Perry, Curtis, ed.</text>
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              <text>Watkins, John, ed.</text>
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          <name>Chaucer Subject</name>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Parliament of Fowls</text>
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              <text>vxl sac 33:34</text>
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                <text>The Voice of the Author in 'The Phoenix and Turtle': Chaucer, Shakespeare, Spenser</text>
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                <text>Cheney examines how Shakespeare's "The Phoenix and Turtle" echoes PF, particularly as "a poem about the politics of authorship." As a "great poet of self-crowning," Spenser responds to Chaucer's self-effacing pursuit of fame. Shakespeare sets these two poses in opposition in his poem and comments on how poetry engages political crisis.</text>
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              <text>Thaisen, Jacob.</text>
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              <text>Journal of the Early Book Society 11 (2008): 121-43.</text>
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              <text>2009</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Journal of the Early Book Society 11 (2008).</text>
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              <text>vxl sac 33:19</text>
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                <text>Overlooked Variants in the Orthography of British Library, Additional MS 35286</text>
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                <text>Thaisen illustrates how a distribution of orthographical variants can be an "internal standard of reference," using as an example the Ad3 manuscript of CT. He comments on the order of tales in the manuscript and on various features of the manuscript's ordinatio, stemmatic relations, planning, and transmission. Tabulating orthographical variants and aligning them with available dialectical information, Thaisen maintains that the manuscript was "copied consecutively" from GP to ParsT, "based on a single exemplar."</text>
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              <text>Thaisen, Jacob.</text>
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              <text>Kwartalnik Neofilologiczny 56.3 (2009): 205-21.</text>
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              <text>2009</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Kwartalnik Neofilologiczny (Warsaw) 56 (2009).</text>
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              <text>vxl sac 33:20</text>
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            <name>Title</name>
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                <text>Statistical Comparison of Middle English Texts: An Interim Report</text>
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                <text>Using available electronic transcriptions of manuscripts of WBP and MilT tests the reliability of a statistical model ("interpolated, modified Kneser-Ney smoothed 3-gram backoff model") for determining various linguistic and scribal features of the manuscripts. Thaisen compares statistical data with results from more traditional methods to call for further investigation of the use of statistics and electronic transcriptions in manuscript study.</text>
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              <text>Weldon, James.</text>
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              <text>Neophilologus 93 (2009): 703-25.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2781864">
              <text>Neophilologus 93 (2009).</text>
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              <text>vxl sac 33:21</text>
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            <name>Title</name>
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              <elementText elementTextId="2781857">
                <text>The Naples Manuscript and the Case for a Female Readership</text>
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                <text>The intended audience of the Naples manuscript was secular females, evidenced by its internal style and content of four romances and inclusion of medical recipes. The advice to wives in ClT points to the instruction of women--and thus to the intended audience.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Albritton, Benjamin L.</text>
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              <text>Dissertation Abstracts International A70.04 (2009): n.p.</text>
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              <text>2009</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 70 (2009).</text>
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              <text>vxl sac 33:22</text>
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                <text>Citation and Allusion in the Lays of Guillaume de Machaut</text>
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                <text>Considers Machaut's allusions to earlier works in his lays (e.g., "Roman de Fauvel" and "Remede de Fortune") and gauges Machaut's impact on English court poetry, using Chaucer and Froissart as examples.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Breeze, Andrew.</text>
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        <element elementId="98">
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              <text>National Library of Wales Journal 34 (2008): 311-21.</text>
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        <element elementId="114">
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              <text>2008</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2781845">
              <text>National Library of Wales Journal 34 (2008).</text>
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              <text>vxl sac 33:23</text>
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                <text>Jean de Meun and Dafydd ap Gwilym</text>
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                <text>Like Chaucer, the fourteenth-century Welsh poet Dafydd ap Gwilym borrowed from Jean de Meun, using "Le Roman de la Rose" as the source for "Y Gwynt" ('The Wind'). Breeze notes sixteen motifs common to both poems and contrasts the Welsh poet's method of imitation with Chaucer's preference for direct translation.</text>
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              <text>Gutiérrez Arranz, José M.</text>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2009.</text>
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              <text>xiii, 135 pp.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Troilus and Criseyde</text>
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              <text>vxl sac 33:24</text>
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                <text>The Cycle of Troy in Geoffrey Chaucer: Tradition and "Moralitee"</text>
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                <text>Commenting on medieval literary renditions of the story of Troy, Gutiérrez Arranz identifies places where Chaucer refers or alludes to this material, focusing on Chaucer's references to specific characters.</text>
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              <text>Heffernan, Carol Falvo.</text>
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              <text>Cambridge: D. S. Brewer, 2009.</text>
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              <text>ix, 151 pp.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer's Life.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Chaucer Studies, no. 40.</text>
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              <text>vxl sac 33:25</text>
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                <text>Comedy in Chaucer and Boccaccio</text>
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                <text>Exploring the question "When is Chaucer known in Italy?" Heffernan surveys other scholars who have examined Chaucer's writings within the Italian tradition and focuses on shared comedic themes in the works of Boccaccio and Chaucer. She reviews historical background of Chaucer's two trips to Italy in 1373 and 1378 and argues that the trips offered Chaucer a chance for literary exchange, which heavily influenced his fabliaux. Heffernan examines parallel comic tales in the Decameron and CT; Chaucer's comedy "is not so much derivative of Boccaccio's as part of a common European comic tradition that both poets inherited and revived" (129).</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2781809">
              <text>Ingham, Patricia Clare.</text>
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              <text>Elizabeth Scala and Sylvia Federico, eds. The Post-Historical Middle Ages ((New York: Palgrave Macmillan, 2009), pp. 13-35.</text>
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        <element elementId="114">
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            <elementText elementTextId="2781811">
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            <elementText elementTextId="2781812">
              <text>The Post-Historical Middle Ages.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2781814">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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            <elementText elementTextId="2781815">
              <text>vxl sac 33:26</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2781808">
                <text>Amorous Dispossessions : Knowledge, Desire, and the Poet's Dead Body</text>
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                <text>Ingham considers evidence from the exhumation of Petrarch's skull and from Chaucer studies to demonstrate the role of "amorous dispossessions" in historicist pursuits. Lacan's comments on courtly love theorize such dispossessions and complicate notions of truth and knowledge. The author discusses the "problem" that Chaucer's knowledge of Petrarch causes for claims about historical periods and explores aspects of global study of Chaucer.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2781800">
              <text>Connolly, Margaret.</text>
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        <element elementId="98">
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            <elementText elementTextId="2781801">
              <text>Philologie im Netz Supplement 4 (2009): 5-20.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781802">
              <text>2009</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781804">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2781805">
              <text>PhiN: Philologie im Netz Supplement 04  (2009).</text>
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        <element elementId="109">
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            <elementText elementTextId="2781806">
              <text>vxl sac 33:11</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2781799">
                <text>'Dr Furnivall and Mother like the same old books': Mary Haweis and the Experience of Reading Chaucer in the Nineteenth Century</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781803">
                <text>Describes how Mary Haweis's 1877 publication of "Chaucer for Children: A Golden Key" brought Chaucer's stories to the domestic realm of women and children as a tool for organization and education. Connolly suggests that Haweis authored later books such as "Chaucer for Schools" (1881) and "Tales of Chaucer" (1887) with the aim of commoditizing Chaucer and her texts.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2781791">
              <text>Edwards, A. S. G.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781792">
              <text>Textual Cultures 4.2 (2009): 54-62.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2781793">
              <text>2008</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2781795">
              <text>Facsimiles, Editions, and Translations.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2781796">
              <text>Textual Cultures: Texts, Contexts, Interpretation 04 (2009).</text>
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        <element elementId="109">
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            <elementText elementTextId="2781797">
              <text>vxl sac 33:12</text>
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              <elementText elementTextId="2781790">
                <text>W. W. Greg and Medieval English Literature</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781794">
                <text>Surveys Greg's publications that address medieval English literature, including Greg's commentary on early printed editions of Chaucer.</text>
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  <item itemId="270046" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2781782">
              <text>Klitgård, Ebbe.</text>
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        <element elementId="98">
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            <elementText elementTextId="2781783">
              <text>Perspectives: Studies in Translatology 16.3-4 (2009): 133-41.</text>
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        <element elementId="114">
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            <elementText elementTextId="2781784">
              <text>2009</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2781786">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2781787">
              <text>Perspectives: Studies in Translatology 16 (2009).</text>
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            <elementText elementTextId="2781788">
              <text>vxl sac 33:13</text>
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                <text>Translation as Transformation : Two Translators of Chaucer in 19th Century Denmark</text>
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            <description>An account of the resource</description>
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                <text>Klitgård assesses the translation practices of two Danish translations of Chaucer: T. C. Bruun's 1823 translation "The Wife of Slagelse; After Pope's The Wife in Bath," which follows the modernizations of Dryden and Pope; and Charlotte Louise Westergaard's 1853 booklet, which places Chaucer as the first British author.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2781772">
              <text>Lauer, Christopher, trans.</text>
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              <text>Richmond, Surrey: Oneworld Classics, 2009.</text>
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        <element elementId="114">
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            <elementText elementTextId="2781774">
              <text>2009</text>
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            <elementText elementTextId="2781775">
              <text>517 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2781777">
              <text>Facsimiles, Editions, and Translations.</text>
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              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
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            <elementText elementTextId="2781779">
              <text>vxl sac 33:14</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <text>Snell, William.</text>
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              <text>Philologie im Netz, Supplement 4 (2009): 41-54.</text>
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              <text>PhiN: Philologie im Netz, Supplement 04 (2009).</text>
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              <text>vxl sac 33:15</text>
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                <text>A Woman Medievalist Much Maligned : A Note in Defense of Edith Rickert (1871-1938)</text>
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                <text>Clarifies Edith Rickert's role in her collaborative work with John Matthews Manly--i.e., "Chaucer Life-Records" and "Text of the 'Canterbury Tales'"--arguing that people need to study the background of Rickert to see her as an important female medievalist and scholar.</text>
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              <text>Horobin, Simon.</text>
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              <text>Review of English Studies 60 (2009): 371-81.</text>
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              <text>Adam Scriveyn</text>
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              <text>Review of English Studies 60 (2009).</text>
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              <text>vxl sac 33:15</text>
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                <text>The Criteria for Scribal Attribution: Dublin, Trinity College MS 244 Reconsidered</text>
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                <text>Reconsideration of Alan J. Fletcher's evidence (RES 58 [2007]: 597-632) does not support the claim that Adam Pynkhurst is the scribe of Dublin, Trinity College MS 244.</text>
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              <text>Merrill, Darin A.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A70.05 (2009): n.p.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2781743">
              <text>2009</text>
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            <elementText elementTextId="2781745">
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              <text>Canterbury Tales--General</text>
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              <text>Dissertation Abstracts International 70 (2009).</text>
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              <text>vxl sac 33:17</text>
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                <text>A Comparative Analysis of the Text of the Hengwrt and Ellesmere Manuscripts of the 'Canterbury Tales,' based on the Hengwrt Digital Edition, Estelle Stubbs, Ed</text>
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                <text>Analysis of the two fundamental CT manuscripts indicates "that the organization and theme of the individual tales affected" copy quality; for example, scribes copied moral tales more conscientiously than they copied bawdy ones, and prose tales were less "carefully" copied than poetic tales.</text>
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              <text>Pearsall, Derek.</text>
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              <text>Marlene Villalobos Hennessy, ed. Tributes to Kathleen L. Scott. English Medieval Manuscripts: Readers, Makers and Illuminators (London: Harvey Miller, 2009), pp. 197-220.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2781733">
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              <text>Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2781738">
              <text>vxl sac 33:18</text>
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              <elementText elementTextId="2781730">
                <text>Beyond Fidelity: The Illustration of Late Medieval English Literary Texts</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781735">
                <text>Distinguishes between the modern "expressive" function of book illustration and various medieval practices. Modern practice is evident in W. Russell Flint's 1928 illustrations to CT, while the Ellesmere illustrations evince efforts to "restore social and cultural norms" that the poem undermines. Pearsall comments on the horses and costumes of the Ellesmere illustrations and those in Cambridge University Library MS Gg.4.27. He discusses medieval practices exemplified in manuscripts of Gower's "Confessio Amantis" and of "Piers Plowman. 29 b&amp;w illus.</text>
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              <text>Ackroyd, Peter, trans.</text>
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        <element elementId="98">
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              <text>London: Penguin; New York: Viking, 2009.</text>
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          <elementTextContainer>
            <elementText elementTextId="2781723">
              <text>xii, 436 pp. [11] b&amp;w illus.</text>
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              <text>Bantock, Nick, illus.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>vxl sac 33:9</text>
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                <text>The Canterbury Tales--Geoffrey Chaucer: A Retelling by Peter Ackroyd</text>
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              <elementText elementTextId="2781725">
                <text>Primarily a prose modernization of CT (Th in verse; Mel and ParsT excluded) that emulates Chaucer's shifts in register and idiom. Includes a translator's note and an introduction on Chaucer's life and works. Illustratrd by Nick Bantock.</text>
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            <elementText elementTextId="2781709">
              <text>Boenig, Robert, and Andrew Taylor, eds.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2781711">
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          <elementTextContainer>
            <elementText elementTextId="2781712">
              <text>lviii, 400 pp. [11] b&amp;w illus.</text>
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              <text>Taylor, Andrew, ed.</text>
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            <elementText elementTextId="2781716">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2781717">
              <text>vxl sac 33:10</text>
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                <text>The Canterbury Tales : A Selection</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781714">
                <text>Selections from Boenig and Taylor's 2008 edition of CT (SAC 32 [2010], no. 16), including GP, KnT, MilPT, RvPT, WBPT, SumPT, ClPT, SqE, FranPT, PardPT, PrPT, NPPT, and Ret. Also contains an introduction (pp. ix-lviii), brief bibliography, and fifteen "background documents" that include selections from sources and historical records. Glosses to the Middle English are included in the margins to the text, with brief notes at the bottom of the page.</text>
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              <text>xlviii, 338 pp.</text>
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              <text>The Chaucer Bibliographies, [no. 8].</text>
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                <text>Chaucer's "Monk's Tale" and "Nun's Priest's Tale" : An Annotated Bibliography 1900-2000</text>
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              <text>Edmondson, George.</text>
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                <text>Naked Chaucer</text>
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                <text>The appearance of naked "Geoff" Chaucer in Brian Helgeland's film, "A Knight's Tale," "challenges the logic of the present . . . assumed by presentism," even while reminding us that historical periods exist, "each one haunted by the moment of its diachronic foundation." In a Lacanian sense and by means of an "allegorized sexuality," "Geoff" is a reminder of the uncanny presence of the past in the present. Edmondson compares moments in the film to KnT and to the prologue to Th.</text>
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                <text>The Negative Erotics of Medievalism</text>
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                <text>The authors contemplate the relationship of medievalism to medieval studies, considering several (re)constructions of the Middle Ages, including Brian Helgeland's A Knight's Tale and various critics' efforts to gloss "queynte." Such considerations reveal more about the desires of the present than about the nature of the past.</text>
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              <text>Spearing, Anthony, reader.</text>
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              <text>Tokyo: Senshu University, 2009.</text>
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              <text>2 audio discs (141 min).</text>
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              <text>Miura, Hiroshi.</text>
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              <text>Spearing, A. C., reader.</text>
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                <text>The Canterbury Tales: The Knight's Tale</text>
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                <text>Middle English reading of KnT, preceded by lines 1-78 of GP. Recorded by Spearing, with the assistance of Hiroshi Miura.</text>
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