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              <text>Taitt, P. S.</text>
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              <text>Studia Neophilologica 41 (1969): 112-14.</text>
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              <text>Studia Neophilologica 41 (1969)</text>
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              <text>mea; 04/10/2016 No SAC</text>
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                <text>Harry Bailly and The Pardoner's Relics: An Interpretation of the Host's Behaviour at the End of 'The Pardoner's Tale' in Chaucer's 'Canterbury Tales'</text>
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                <text>Comments on the Host's "outrage" and the "silence" of the other pilgrims at the end of PardT, attributing them both to failure to "separate art from reality."</text>
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              <text>Dubs, Kathleen.</text>
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              <text>Kathleen Dubs and Janka Kascáková, eds. Does It Really Mean That? Interpreting the Literary Ambiguous (Newcastle: Cambridge Scholars, 2011), pp. 35-58.</text>
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              <text>Does It Really Mean That? Interpreting the Literary Ambiguous.</text>
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              <text>Dubs, Kathleen, ed.</text>
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              <text>Kascáková, Janka, ed.</text>
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              <text>mea sac 35:77.</text>
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                <text>Harry Bailly: Chaucer's Critic?</text>
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                <text>Through Harry Bailly in CT, Chaucer explores the literary tastes of his new audience.  Although the Host's interpretations of Chaucer's tales are usually wrong-headed, Chaucer uses the Host to suggest appropriate audience reactions to various medieval literary forms.</text>
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              <text>Richardson, Thomas C.</text>
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              <text>Laura C. Lambdin and Robert T. Lambdin, eds.  Chaucer's Pilgrims: An Historical Guide to the Pilgrims in the "Canterbury Tales".  (Westport, Conn.; and London: Greenwood, 1996), pp. 324-39.</text>
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              <text>1996</text>
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              <text>Chaucer's Pilgrims: An Historical Guide to the Pilgrims in "The Canterbury Tales."</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>jules SAC 18 (1996), 137</text>
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                <text>Harry Bailly: Chaucer's Innkeeper</text>
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                <text>Characterizes the Host by examining the social history of his profession as an innkeeper and its possible associations with prostitution.  In his interactions with other pilgrims,the Host reveals a "desire to be entertained with merry stories" and an obsession with male sexuality.</text>
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              <text>Groves, Beatrice.</text>
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              <text>Beatrice Groves, Literary Allusion in "Harry Potter" (New York: Routledge, 2017), pp. 38-59. </text>
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Pardoner and His Tale</text>
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              <text>mea; SAC 42: 42</text>
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              <text>2017</text>
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                <text>Harry Potter's Medieval Hallows: Chaucer and the "Gawain"-Poet.</text>
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                <text>Argues that the most "tempting objects" in J. K. Rowling's "Deathly Hallows" derive in part from the girdle in "Sir Gawain and the Green Knight"; the "thirty pieces of silver that persuade" the biblical Judas to betray Jesus; and the "deadly pile of gold" in PardT, the latter being the "direct source" of the Rowling chapter titled "Tale of the Three Brothers," with variants derived from the "Buddhist folk tradition" and fairy tales.</text>
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              <text>Harward, Vernon.</text>
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              <text>Studies in Scottish Literature 10 (1972): 48-50.</text>
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              <text>1972</text>
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              <text>Troilus and Criseyde</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Studies in Scottish Literature 10 (1972)</text>
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              <text>mea; 12/18/2015 No SAC</text>
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                <text>Hary's 'Wallace' and Chaucer's 'Troilus and Criseyde'</text>
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                <text>Argues that Troilus's wooing and loss of Criseyde in TC influenced the depiction of Wallace's wooing and loss of the Bradefute maiden in Hary's "Wallace."</text>
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              <text>Foster, Edward E.</text>
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              <text>Chaucer Review 34: 398-409,   2000.</text>
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              <text>Tale of Melibee.</text>
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              <text>jules SAC 24 (304)</text>
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                <text>Has Anyone Here Read Melibee?</text>
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                <text>Chaucer possibly intended for Mel to be a take-it-or-leave-it kind of work. Its storyline was extremely familiar in the fourteenth century, and its very presence within CT made a statement. Mel is a tale to be known rather than read, both by Chaucer's audience and by audiences today.</text>
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              <text>Kano, Koichi.</text>
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              <text>The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 69-86.</text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Has the Absurd in the "Wife of Bath's Tale" Been Solved?: With Special Reference to the Citation of Classical Works.</text>
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                <text>Interprets WBT as a story in which the knight finally accepts the absurdity caused by himself, persuaded by the old woman's words citing classical works. In Japanese.</text>
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                <text>Hasteth yow; the sonne wole adoun': Unfair Treatment of the 'Parson's Tale'</text>
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                <text>Points to the position of ParsT as the last tale of CT, and discusses reasons for this placement by taking into account Harry Bailly's attitude  toward the Parson, the meaning of evening time, and Chaucer's adoption of prose rather  than verse for this tale. In Japanese.</text>
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              <text>Fyler, John M.</text>
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                <text>Hateful Contraries in "The Merchant's Tale." </text>
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              <elementText elementTextId="2832969">
                <text>Argues that the narrator in MerT "augments the malignity of the tale itself by debunking all idealism and mocking its naiveté, but in his blindness and rhetorical ineptitude points to a sordid reality that he fails to gloss over." Yet, the tale reveals a "psychologically healthy middle ground outside the experience of the narrator or his characters, where body and soul, real and ideal, experience and innocence meet."</text>
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              <name>Title</name>
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              <text>Fumo, Jamie C.</text>
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              <text>Chaucer Review 46 (2011): 20-38.</text>
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              <text>Troilus and Criseyde</text>
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              <elementText elementTextId="2797886">
                <text>Hating Criseyde: Last Words on a Heroine from Chaucer to Henryson</text>
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              <elementText elementTextId="2797890">
                <text>Expressions of hatred of Criseyde belie a persistent love for her and thus motivate new attempts at telling her story. In this way, hatred serves as "a sign of dispossession" of Criseyde "that invites repossession by the next author."</text>
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            <elementText elementTextId="2778797">
              <text>Perkins, Nicholas.</text>
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        <element elementId="98">
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2778799">
              <text>2008</text>
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            <elementText elementTextId="2778801">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="100">
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            <elementText elementTextId="2778803">
              <text>Chaucer Review 43 (2008).</text>
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        <element elementId="109">
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                <text>Haunted Hoccleve? The Regiment of Princes, the Troilean Intertext, and Conversations with the Dead</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2778800">
                <text>Hoccleve's authorial identity develops through "borrowings and echoes" derived from TC: "Boethian  dialogue; diseased language; and gendered subjects." These allusions work as conjurings--understood as both invocation and exorcism--of the "spectral Chaucerian corpus."</text>
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              <text>Heor, Woo Ree.</text>
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        <element elementId="98">
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              <text>Ph.D. dissertation (City University of New York, 2023), Dissertation Abstracts International A84.11(E). Freely accessible at https://academicworks.cuny.edu/gc_etds/5372 (accessed January 31, 2025).</text>
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              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>Troilus and Criseyde</text>
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                <text>Haunting at Troy: Troy Narratives, Trauma, and Desire for the Past in Late Medieval English Literature.</text>
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                <text>Identifies a "dichotomy of fascination and revulsion towards Troy" in several Middle English narratives, and argues that in TC and Henryson's "Testament of Cresseid," Criseyde "signifies the repeated theme of loss and treachery inherent in the medieval concept of Trojanness."</text>
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            <elementText elementTextId="2844752">
              <text>Vial, Claire.</text>
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              <text>Naugrette, Jean-Pierre, ed.&#13;
Lanone, Catherine, ed..</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations&#13;
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        <element elementId="114">
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              <text>Jean-Pierre Naugrette and Catherine Lanone, eds. Le temp qu'il fait dans la littérature et les artes du monde anglophone / What's the Weather Like in Anglophone Literature and Art (Paris: Honoré Champion, 2020), pp. 57-70.</text>
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              <text>Le temp qu'il fait dans la littérature et les artes du monde anglophone&#13;
What's the Weather Like in Anglophone Literature and Art</text>
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                <text>Having a Heatwave? Of Chaucer's Invention of Spring, the Inconveniences of Falling Asleep in the Sun, and Why a Warm Bed's Best for the Winter.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844751">
                <text>Examines "inner and outer landscapes in relation with the seasons" in three works of medieval literature, including articulation of the aesthetic pleasure evoked at the beginning of GP, effected through Chaucer's thematic range and use of "every single known rhetorical convention of his time regarding spring and the opening of a narrative." Other topics include summer in "Sir Launfal" and winter in "Sir Gawain and the Green Knight." Includes an abstract in French.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2853193">
              <text>Petrosillo, Sara.</text>
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        <element elementId="98">
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              <text>Columbus: Ohio State University Press, 2023.</text>
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            <elementText elementTextId="2853195">
              <text> xii, 200 pp.; 11 b&amp;w illus.</text>
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          <name>Series</name>
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            <elementText elementTextId="2853196">
              <text>Interventions: New Studies in Medieval Culture</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Wife of Bath and Her Tale&#13;
Squire and His Tale</text>
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              <text>SAC 47:93</text>
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          <name>Date</name>
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            <elementText elementTextId="2853199">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853191">
                <text>Hawking Women: Falconry, Gender, and Control in Medieval Literary Culture.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2853192">
                <text>Assesses various medieval works to show that training instructions for medieval falconry "offer a means of understanding how poetic languageworks, and particularly how it works to represent women." One section describes how  metaphors of mewed hawks "portend ambivalence about women," with close attention to hawking imagery applied to and used by Criseyde in TC 3.1783 and 4.1310, contrasting  Boccaccio's "Filostrato" and the imagery on a fourteenth-century ivory mirror back. Also comments on hawking imagery in WBP, 415–17, and adapts material on SqT derived from Petrosillo;s 2018 essay in the journal Medieval Feminist Forum.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2716844">
              <text>Shassere, Kathy E.</text>
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        <element elementId="98">
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              <text>Tennessee Philological Bulletin 21 (1984): 57.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2716846">
              <text>1984</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2716848">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2716849">
              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2716850">
              <text>Tennessee Philological Bulletin 21 (1984)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2716851">
              <text>mea/ 5.27.95 SAC 08 (26)</text>
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      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2716843">
                <text>Hawthorne's Chaucer Connections</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2716847">
                <text>Hawthorne's "The Custom House" follows the form and structure of GP, perhaps in conscious imitation.</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
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            <elementText elementTextId="2854900">
              <text>Parks, Edd Winfield.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854901">
              <text>Essays in Honor of Walter Clyde Curry (Nashville: Vanderbilt University Press, 1954), pp. 103-115.</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2854902">
              <text>Essays in Honor of Walter Clyde Curry</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2854903">
              <text>Chaucer's Influence and Later Allusion&#13;
Franklin and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854904">
              <text>mea; 5/29/26</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2854905">
              <text>1954</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854898">
                <text>Hayne's Adaptation of Chaucer's Franklin's Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854899">
                <text>Shows how Paul Hamilton Hayne adapted FranT in his narrative poem "The Wife of Brittany" (1870), addressing his acknowledgement of Chaucer's influence, and his claims of originality. Focuses on modifications of the main characters, simplification of plot, and reduction of digression.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777334">
              <text>Lee, Dongchoon.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777335">
              <text>Medieval and Early Modern English Studies 14 (2006): 265-300.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777336">
              <text>2007</text>
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        <element elementId="102">
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            <elementText elementTextId="2777339">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2777340">
              <text>Medieval and Early Modern English Studies 14 (2006).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2777341">
              <text>vxl SAC 31:239</text>
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          </elementTextContainer>
        </element>
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              <elementText elementTextId="2777333">
                <text>he Franklin's Tale: A Moral Tale or a Fiction?</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2777337">
                <text>Reads FranT as Chaucer's satiric portrayal of the narrator, focusing on the character of the Franklin, contradictions within his narrative, his characters' concern with public show, and legal aspects of Arveragus and Dorigen's clandestine marriage.</text>
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                <text>In Korean, with English abstract.</text>
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          </element>
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  </item>
  <item itemId="267033" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2750700">
              <text>Gaynor, Stephanie.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750701">
              <text>Medieval Encounters 5: 375-90,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2750702">
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            <elementText elementTextId="2750704">
              <text>Prioress and Her Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2750705">
              <text>Medieval  Encounters: Jewish, Christian and Muslim Culture in Confluence and Dialogue 05 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2750706">
              <text>jules SAC 23 (195)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>He Says, She Says : Subjectivity and the Discourse of the Other in the Prioress's Portrait and Tale</text>
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              <elementText elementTextId="2750703">
                <text>Examines an "uncanny chain of othering" whereby the GP description of the Prioress, the PrP, and PrT associate the Prioress with Jews through imagery of sensuality and filth. Also explores how this association reflects the "fears and fantasies" of dominant, male Christian attempts--and failures--to define self against these others.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795470">
              <text>California Health Kids Resource Center.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795471">
              <text>Hayward, Calif.: California Health Kids Resource Center, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2795472">
              <text>2002</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2795474">
              <text>"The Canterbury Tales by Geoffrey Chaucer."</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Canterbury Tales--General</text>
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        <element elementId="109">
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          <elementTextContainer>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2795469">
                <text>Health Connections: AIDS Education Lessons to Supplement Literature-Based Instruction for Grades 6-12</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2795475">
                <text>Item not seen; cited in WorldCat, where [vol. 3] is entitled "The Canterbury Tales by Geoffrey Chaucer," with the volumes described as "Lesson-plan booklets integrating HIV/AIDS education with core literature in grades 6-12."</text>
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              <description>A name given to the resource</description>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2707358">
              <text>Fichte, Joerg O.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707359">
              <text>Willi Erzgraber and Sabine Volk, eds.  Mundlichkeit und Schriftlichkeit im englischen Mittelalter.  Script Oralia, vol. 5 (Tubingen: Gunter Narr Verlag, 1988), pp. 121-31.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2707360">
              <text>1988</text>
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              <text>Mundlichkeit und Schriftlichkeit im englischen Mittelalter.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>Canterbury Tales--General.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
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              <text>ScriptOralia,  no. 05 (1988)</text>
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        <element elementId="109">
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              <text>jules SAC 12 (122)</text>
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              <elementText elementTextId="2707357">
                <text>Hearing and Reading in the 'Canterbury Tales'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2707362">
                <text>Examines both "authorial strategies guiding and determining the reception" of CT and the reception itself--especially the "free-flowing live speech" of WBP and CYP, oralizations in KnT and MLT, dialogue in MilT and FrT, and figures of sound in various tales designed for reading.  CT presents "a complex pattern of orality and literacy," reflected in the notes in various editions.</text>
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            <elementText elementTextId="2808069">
              <text>Koban, Charles.</text>
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              <text>Chaucer Review 5.3 (1971): 225-39.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2808071">
              <text>1971</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Chaucer Review 05 (1971)</text>
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          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2808075">
              <text>mea; 2/23/2016 No SAC</text>
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              <elementText elementTextId="2808068">
                <text>Hearing Chaucer Out: The Art of Persuasion in the 'Wife of Bath's Tale'</text>
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              <elementText elementTextId="2808072">
                <text>Uses WBT to exemplify Chaucer's combination of narrative devices characteristic of the rhetoric of oral persuasion: plot combined with exemplary materials and "direct statement" of theme or moral directive. WBT concerns human willfulness, evident in the rape of the maiden, concern with female desire, digressions from the plot, and the loathly lady's pillow lecture on gentilesse. If readers imagine themselves as part of the "gestalt" of an oral audience they can recognize the unified nature of the tale.</text>
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            <elementText elementTextId="2852227">
              <text>Silvera, Frank, reader.&#13;
Sackler, Howard, dir.</text>
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        </element>
        <element elementId="98">
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            <elementText elementTextId="2852228">
              <text>New York: Caedmon, [1954]. (TC 1021).</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
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              <text>Sound recording. LP record.</text>
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          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 11/19/2025</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2852232">
              <text>1954</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852225">
                <text>Hearing Poetry. Volume One: Chaucer Through Milton.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852226">
                <text>Item not seen. WorldCat record indicates this includes selections from LGW Prologue, read by Frank Silvera.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="267115" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2751579">
              <text>Sasamoto, Hisayuki, Tomohiro Hida, Ikuo Watanabe, Ryo Yoshida, and Masahiro Ishiharada, eds.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2751580">
              <text>Osaka: Osaka Kyoiku Tosho, 1999.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751581">
              <text>1999</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2751582">
              <text>554 pp.</text>
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        <element elementId="112">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751583">
              <text>Hida, Tomohiro, ed.</text>
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            <elementText elementTextId="2751584">
              <text>Watanabe, Ikuo, ed.</text>
            </elementText>
            <elementText elementTextId="2751585">
              <text>Yoshida, Ryo, ed.</text>
            </elementText>
            <elementText elementTextId="2751586">
              <text>Ishiharada, Masahiro, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751588">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>jules SAC 23 (117)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2751578">
                <text>Hearts to the English-American Language and Literature: Essays Presented to Emeritus Professor Sutezo Hirose in Honour of His 88th Birthday</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2751587">
                <text>Includes two reminiscences and thirty-four essays in Japanese. For the reminiscence and the six essays that pertain to Chaucer, search for Hearts to the English-American Language and Literature under Alternative Title.</text>
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  <item itemId="263562" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2715876">
              <text>McMillan, Ann.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2715877">
              <text>Constance H. Berman, Charles W. Connell, and Judith Rice Rothschild, eds. The Worlds of Medieval Women (Morgantown: West Virginia University Press, 1985), pp. 122-29.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715878">
              <text>1985</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715879">
              <text>The Worlds of Medieval Women.</text>
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        <element elementId="102">
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            <elementText elementTextId="2715881">
              <text>Legend of Good Women.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2715882">
              <text>jules SAC 09 (237)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2715875">
                <text>Heaven, Hell, and 'The Legend of Good Women'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2715880">
                <text>In LGW, Chaucer explodes "the notion that women are, or should be, self-ordained victims."  Women in Cupid's Paradise wallow in an "orgy of self-congratulation" for having died for love.  The pathos of women destroyed by passion is emphasized in the sorrowing fields of Hades.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698833">
              <text>Ludlum, Chas. D.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698834">
              <text>Notes and Queries 221 (1976): 391-92.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698835">
              <text>1976</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2698837">
              <text>Complaint of Chaucer to His Purse.</text>
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              <text>Lyrics and Short Poems.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>Notes and Queries 221 (1976)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2698840">
              <text>jules - 20/9/94 SAC 1 (24)</text>
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                <text>Heavenly Word-Play in Chaucer's 'Complaint to His Purse'</text>
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            <name>Description</name>
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              <elementText elementTextId="2698836">
                <text>Chaucer uses traditional religious language, especially Marian and celestial terms, in Purse.</text>
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