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              <text>Beal, Jane.</text>
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              <text>Albrecht Classen, ed. Communication, Translation, and Community in the Middle Ages and Early Modern Period: New Cultural-Historical and Literary Perspectives (Boston: De Gruyter, 2022), pp. 233-52.</text>
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              <text>Background and General Criticism&#13;
Legend of Good Women&#13;
Tale of Melibee&#13;
Nun's Priest and His Tale&#13;
Parson and His Tale&#13;
Chaucer's Retraction&#13;
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                <text>The Chaucerian Translator.</text>
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                <text>Argues that the "Chaucerian narrator could easily and perhaps more readily be called the Chaucerian translator," observing emphasis on translation in LGWP and in Ret, assessing Chaucer's many uses of sources and approaches to translation, including satirizing mistranslation and lack of translation (e.g., in NPT), and exploring the penitential, even salvific effects of good translations in MelP, ParsT, and Ret.</text>
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              <text>Baker, David.</text>
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              <text>Robert Tubbs, Alice Jenkins, and Nina Engelhardt, eds. The Palgrave Handbook of Literature and Mathematics (Cham: Palgrave Macmillan, 2021), pp. 23-40.</text>
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              <text>Tubbs, Robert, ed. &#13;
Jenkins, Alice Jenkins, ed.&#13;
Engelhardt, Nina, ed.</text>
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              <text>Background and General Criticism&#13;
Pardoner and His Tale&#13;
Summoner and His Tale&#13;
Troilus and Criseyde&#13;
Language and Word Studies</text>
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                <text>Numbered Possibilities: Chaucer and the Evolution of Late-Medieval Mathematics.</text>
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                <text>Exemplifies how Chaucer "has a great deal of fun with the coalescence of medieval arithmetic, geometry and logic into a single discipline more recognizable today as mathematics," exploring the "proto-probabilistic" dicing and poison-bottle selection of PardT; the "ars-metrick" divisibility of the farthing / farting/parting pun and possible links with the pseudo-Alcuin "Propositiones ad acuendos iuvenas" in SumT; and a range of allusions to logic, mathematics,  and physics in TC, including "dulcarnon," "sliding," and Ralph Strode.</text>
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              <text>Robertson, Michael.</text>
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              <text>Dictionaries: Journal of the Dictionary Society of North America 43 (2022): 55-93.</text>
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Facsimiles, Editions, and Translations</text>
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                <text>New Solutions for Words in Thomas Speght's Chaucer Glossaries.</text>
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                <text>Accounts for seventeen words found in the glossaries of Speght's 1598 and 1602 editions of Chaucer's works that are labeled "unidentified" in Jürgen Schäfer's "Early Modern English Lexicography" (1989), tracing them "to manuscript variants and corruptions or misprints in the text of Chaucer" and assessing attestations of these g"host words" in later dictionaries and elsewhere.</text>
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              <text>Okamoto, Hiroki.</text>
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              <text>Ritsumeikan Studies in Language and Culture 33 (2022): 658-83.</text>
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Reeve and His Tale</text>
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                <text>The Path of English Literatures as a Vernacular: Chaucer, Dialect, Marginality.</text>
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                <text>Claims that by composing his poetry in English, Chaucer participated in the European movement of promoting the vernacular literatures. Argues that Chaucer's neutral depiction of dialectal features in the two clerks' speeches in RvT affirms the diversity in English and contributes to the cultural richness of the language. In Japanese.</text>
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              <text>Nishihara, Takayuki, and Yoshiyuki Nakao.</text>
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              <text>Studies in Education (Bulletin of the Graduate School of Humanities and Social Sciences, Hiroshima University) 3 (2022): 120-28.</text>
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                <text>Tense Shift in Chaucer's Narrative Text: With Special Regard to the Synchronization of Subjectivity and Phenomena."</text>
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              <text>Fukumoto, Tomoko.</text>
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              <text>Zephyr (Kyoto University Research Information Repository) 33 (2021): 36-46.</text>
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Book of the Duchess&#13;
Parliament of Fowls</text>
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                <text>Investigates relations between reflexive pronouns and reflexive verbs in BD and PF. In Japanese.</text>
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              <text>Early Middle English 4 (2022): 87-95.</text>
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Miller and His Tale&#13;
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              <text>D'Anca, Christene.</text>
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                <text>"Hende": A Handy Middle English Adjective.</text>
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            <description>An account of the resource</description>
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                <text>Clarifies the "nuanced semantic versatility" of "hende" in romances and fabliaux, with particular attention to MilT and "Dame Sirith," showing how various connotations obtain in differing contexts, and suggesting that editors "might apply distinct glosses to each of the eleven instances of the word applied to Nicholas" in MilT, "including a blend of positive, negative, physical, conceptual, and inverse meanings."</text>
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              <text>Amsler, Mark.</text>
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              <text>Amsterdam: Amsterdam University Press, 2021. New York and London: Routledge, 2025.</text>
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              <text>264 pp.</text>
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              <text>Language and Word Studies&#13;
Miller and His Tale&#13;
Canterbury Tales--General&#13;
Troilus and Criseyde</text>
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        <element elementId="114">
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                <text>The Medieval Life of Language: Grammar and Pragmatics from Bacon to Kempe</text>
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                <text>Studies "pragmatics as an important aspect of premodern understanding of language and meaning," exploring "pragmatic ideas and metapragmatic awareness" in various kinds of medieval discourse. Details the contexts, functions, and significations of the interjection "allas" in portions of CT and TC, and examines MilPT for ways it "deconstructs the notion of stable, authorial, intentional meaning and explores narrative dialogism and the pragmatics of identity and affective power for comic and satiric effect."</text>
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              <text>Solberg, Emma Maggie.</text>
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              <text>PMLA 137 (2022): 52-69.</text>
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              <text>Style and Versification&#13;
Tale of Sir Thopas&#13;
Book of the Duchess&#13;
Parson and His Tale</text>
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        <element elementId="114">
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            <elementText elementTextId="2848103">
              <text>2022</text>
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              <elementText elementTextId="2848096">
                <text>Imagining the Bob and Wheel.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848097">
                <text>Focuses on the poetic form made famous by "Sir Gawain and the Green Knight" and Th, but also considers poetic form in the scorpion passage of BD and alliteration in ParsP. Discusses myths surrounding the "bob and wheel" form that are often perpetuated both by students engaging in cursory internet searches and incorrect online study guides.</text>
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  <item itemId="276972" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Putter, Ad.</text>
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        <element elementId="98">
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            <elementText elementTextId="2848091">
              <text>English Language Linguistics 26 (2022): 471-85.</text>
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            <elementText elementTextId="2848092">
              <text>English Language Linguistics 26 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2848093">
              <text>Style and Versification</text>
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        <element elementId="109">
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              <text>SAC 46:107</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2848095">
              <text>2022</text>
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            <name>Title</name>
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              <elementText elementTextId="2848088">
                <text>Linguistic Change and Metre: The Demise of Adjectival Inflections and the Scansion of "High" and "Sly" in Chaucer, Gower and Hoccleve.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848089">
                <text>Treats the scansion of "high" and "sly" in works by Chaucer, Gower, and Hoccleve--all "careful metrists"--as evidence of the demise of "inflection of monosyllabic adjectives (final -e for weak and plural adjectives)." Posits that irregularities in usage are due to the "vulnerability of schwa after front vowels," and offers several cautions for editors.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Greene, Darragh.</text>
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        <element elementId="98">
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              <text>Garry L. Hagberg, ed. Literature and Its Language: Philosophical Aspects (Cham: Palgrave Macmillan, 2022), pp. 149-71.</text>
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              <text>Hagberg, Garry L., ed. </text>
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            <elementText elementTextId="2848084">
              <text>Literature and Its Language: Philosophical Aspects</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Parliament of Fowls&#13;
Franklin and His Tale&#13;
Nun's Priest and His Tale</text>
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              <text>SAC 46:105</text>
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        <element elementId="114">
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            <elementText elementTextId="2848087">
              <text>2022</text>
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              <elementText elementTextId="2848079">
                <text>"What is this world?": Chaucer, Realism and Metaphysics.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850705">
                <text>Explores the question of what Chaucer "holds to be the nature of reality," focusing on "the metaphysics of beauty" in PF, the "nature of the rocks" in FranT, and the "ontology of narrative itself" in NPT, and showing that "Chaucer's sensate faith in and appreciation of the reality of things underpins the characteristic attention to everyday detail evident in his poetry."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2848073">
              <text>Voight, Valerie.</text>
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        <element elementId="98">
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              <text>Comparative Drama 55 (2021): 307-30.</text>
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          <elementTextContainer>
            <elementText elementTextId="2848075">
              <text>Comparative Drama 55 (2021)</text>
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            <elementText elementTextId="2848076">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>SAC 46:104</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848078">
              <text>2021</text>
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              <elementText elementTextId="2848071">
                <text>"I am not against your faith yet I continue mine": Virginal Vocation in "The Two Noble Kinsmen."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850838">
                <text>Compares Emelye of KnT and Emilia of Shakespeare and Fletcher's "The Two Noble Kinsmen," arguing that Emelye's desire for a non-patriarchal subjectivity is developed in her literary descendant--that "monastic connotations in Chaucer's depictions of Emelye" adumbrate Emilia's "attempts to carve out a homosocial space for herself," and that this "Catholic resonance within the play" is submerged but not wholly dispelled by prevailing Reformation sensibility that privileges marital chastity over virginity.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Utz, Richard.</text>
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        <element elementId="98">
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          <description/>
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            <elementText elementTextId="2848066">
              <text>Studies in Medievalism 31 (2022): 159-75.</text>
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              <text>Studies in Medievalism 31 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2848068">
              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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                <text>Writing, Men, Empire: Kipling's Medievalist Imagination.</text>
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                <text>Considers how Rudyard Kipling incorporates a Chaucer-centered medievalism in his writings, emphasizing the conservative, imperialist bent of this reception. As a point of departure, draws attention to Kipling's late short story "Dayspring Mishandled," which weaves a tale of manuscript forgery around allusion to rivalry for a woman, recalling KnT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Trow, M. J. </text>
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              <text>Edinburgh: Severn House, 2022.</text>
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              <text>220 pp.</text>
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              <text>SAC 46:101</text>
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                <text>A murder mystery in which Geoffrey Chaucer and his friend John Gower try to solve a double murder while barricaded in the Tabard Inn, defended against the rebellious peasants in 1381. Features historical and fictional characters, some of the latter based on CT.</text>
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                <text>The Yeoman's Tale.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Trow, M. J. </text>
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              <text>219 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>The Knight's Tale.</text>
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                <text>A murder mystery in which the investigator--Geoffrey Chaucer, 'Comptroller of His Grace's Woollens and poet to the court of the late king"--seeks the murderer of Lionel, duke of Clarence.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Trow, M. J.</text>
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              <text>[London]: Lume, 2022.</text>
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              <text>282 pp.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:100</text>
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            <elementText elementTextId="2848046">
              <text>2022</text>
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                <text>The Clerk's Tale.</text>
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                <text>A murder mystery, set in Oxford, in which Geoffrey Chaucer investigates homicide amidst town–gown tensions, rivalries in the colleges, debates, Lollards, and astrolabes. Features historical and fictional characters, including Ralph Strode and a shipman whose boat is named the "Madeleine."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2848032">
              <text>Terrell, Katherine H.</text>
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        <element elementId="98">
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              <text>Columbus: The Ohio State University Press, 2022.</text>
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            <elementText elementTextId="2848034">
              <text>viii, 232 pp.</text>
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        <element elementId="104">
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            <elementText elementTextId="2848035">
              <text>Interventions: New Studies in Medieval Culture.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2848036">
              <text>Chaucer's Influence and Later Allusion&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 46:99</text>
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        <element elementId="114">
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            <elementText elementTextId="2848038">
              <text>2022</text>
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              <elementText elementTextId="2848030">
                <text>Scripting the Nation: Court Poetry and the Authority of History in Late Medieval Scotland.</text>
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                <text>Describes a "widespread nationalistic feeling" in late medieval and early modern Scotland, with particular attention to Latin chroniclers, court poets in the reign of James IV, and their similar uses of Scottish myths of origin in resistance to English  ones. Includes discussion of how the Selden manuscript "appropriates Chaucerian material to its own nationalistic vision"; how William Dunbar "claims Chaucer as a literary ancestor" while he asserts his own nationalistic voice; and how, for Gavin Douglas, Chaucer exemplifies past English glory that has degenerated in contrast with growing Scottish prestige.</text>
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              <name>Title</name>
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              <text>Stretter, Robert.</text>
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        <element elementId="98">
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              <text>Comparative Drama 55 (2021): 331-54.</text>
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              <text>Comparative Drama 55 (2021)</text>
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            <elementText elementTextId="2848027">
              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>SAC 46:96</text>
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        <element elementId="114">
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              <text>2021</text>
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                <text>Chaucer, Shakespeare, and the Lost Friendship Plays of the Admiral's Men.</text>
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                <text>Identifies complex intertextual relations among KnT, the story of Amis and Amiloun, Shakespeare and Fletcher's "Two Noble Kinsmen." and archival references to two lost Tudor plays, "Palamon and Arcite" and "Alexander and Lodowick, "exploring differences between motifs of medieval sworn brotherhood and humanist classical friendship. In this light, considers "The Two Noble Kinsmen" as a critique of male-friendship plays performed by the Admiral's Men.</text>
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              <text>Stenner, Rachel.</text>
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              <text>Comparative Drama 55 (2021): 259-82.</text>
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            <elementText elementTextId="2848018">
              <text>Comparative Drama 55 (2021)</text>
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            <elementText elementTextId="2848019">
              <text>Chaucer's Influence and Later Allusion&#13;
Troilus and Criseyde</text>
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              <text>SAC 46:95</text>
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        <element elementId="114">
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            <elementText elementTextId="2848021">
              <text>2021</text>
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              <elementText elementTextId="2848014">
                <text>The Word of Apollo: Prophecy and Vatic Poetry in Geoffrey Chaucer's "Troilus and Criseyde" and William Shakespeare's "Troilus and Cressida."</text>
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                <text>Argues that allusion to Apollo in TC conveys an ambivalent attitude toward literary authority by affiliating it with sexual violence, an ambivalence that Shakespeare echoes in "Troilus and Cressida." Both writers use Apollo to problematize intertextuality and "allow the shadow of sexual violence to hover in the background of their texts as a means to question the foundations of poetic prophecy."</text>
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              <text>Smith, Nathanial B.</text>
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              <text>Comparative Drama 55 (2021): 234-58.</text>
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              <text>House of Fame&#13;
Chaucer's Influence and Later Allusion&#13;
Sources, Analogues, and LIterary Relations</text>
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                <text>The Framing of the Shrews: Dream Skepticism from "The House of Fame" to "The Taming of the Shrew."</text>
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                <text>Shows that Shakespeare's "Taming of the Shrew" and the anonymous "Taming of a Shrew" feature skeptical parody of Stoic certainty about distinguishing reality from illusion or dream. As in HF, the "framing fictions" of the plays "make a show" of controlling uncertainty and reveal the skeptical "circularity" of any "dogmatic quest for authoritative certainty." Assesses how "[s]cenes problematizing authoritative instruction proliferate" throughout HF and the plays and, in the latter, destabilize antifeminist certainties.</text>
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              <text>Schreyer, Kurt.</text>
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                <text>Stealing Shives: "Titus Andronicus" as Chaucerian Anti-Romance.</text>
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                <text>Identifies narrative, linguistic, and thematic similarities between Chaucer's KnT, MilT, and RvT and Shakespeare's "Titus Andronicus," and argues that the brutal treatment of Lavinia in Shakespeare's play resonates with the aspects of courtly love depicted and refracted in Chaucer's three tales and in TC, thereby "blurring the lines" between "violent 'Roman'" and "courtly' Romance.'"</text>
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              <text>Rutter, Tom.</text>
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              <text>Comparative Drama 55 (2021): 404-13.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>2021</text>
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                <text>Explores how resonance with CT in '1 Henry IV, 1.2, "communicates the pre-Reformation otherness of the world" and raises questions about "cultural distance and appropriation" that circulate among the essays collected in this special issue of "Comparative Drama." Also comments on allusions to Chaucer in John Dryden's preface to his "Troilus and Cressida" and his "The Grounds of Criticism in Tragedy," as well as in Ben Jonson's "Entertainment at Bolsover."</text>
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              <text>Rush, Rebecca.</text>
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              <text>Princeton: Princeton University Press, 2021.</text>
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              <text> x, 284 pp.</text>
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Style and Versification</text>
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              <text>2021</text>
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                <text>The Fetters of Rhyme: Liberty and Poetic Form in Early Modern England</text>
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            <description>An account of the resource</description>
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                <text>Considers briefly Chaucer's influence on the revival of poetic couplets in early modern English verse, especially as mediated by George Puttenham's "The Arte of English Poesie."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Reid, Lindsay Ann.</text>
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              <text>Comparative Drama 55 (2021): 211–33.</text>
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              <text>Comparative Drama 55 (2021): 211-33.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:89</text>
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              <text>2021</text>
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                <text>Reading at the Seams in "Titus Andronicus": Shakespeare's "House of Fame" and Its Virgilian-Ovidian-Chaucerian Resonances.</text>
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                <text>Focuses on depictions of Dido in HF and in Shakespeare's "Titus," arguing that "Shakespeare found in Chaucer's "House of Fame" a medieval vernacular model for . . . [the] Virgilian-Ovidian hybridity" of the character, and showing that the two works share "thematic strands," including reputation, rumor, imperial authority, and the "weight of textual authority."</text>
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              <text>Ramirez, Janina.</text>
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              <text>London: W. H. Allen, 2022; Toronto: Hanover Square, 2023.</text>
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              <text> xv, 447 pp.; illus.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale</text>
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              <text>2022&#13;
2023</text>
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                <text>Femina: A New History of the Middle Ages, through the Women Written Out of It.</text>
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                <text>Includes a brief summary of KnT and posits that the petitioning of Theseus by the Theban women may have inspired the "final act" of suffragette Emily Wilding Davison when she reached "towards the king's horse" at the Epsom Derby of 1913. Also notes that, as a child, Wilding Davison adopted the pen name "Emelye."</text>
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