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              <text>Correia, Eduardo.</text>
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              <text>Ph.D. dissertation (King's College London, 2022), Dissertation Abstracts International C84.01(E). Abstract available via ProQuest Dissertations &amp; Theses Global (accessed January 30, 2025).</text>
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              <text>issertation Abstracts International 84 (E)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 47:195</text>
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              <text>2022</text>
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                <text>Beyond the Lines: Materiality and Non-Linear Time in Medieval English Literature.</text>
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                <text>Uses "mostly . . . a phenomenological approach" to explore "how objects in Medieval English Literature disrupt individual linear time." Addresses various texts and, in a chapter on TC, argues that "Criseyde is representative of Freudian melancholia" and "that she embodies the revolt of the Lemnian women ("Thebaid" 5) . . . extracting what for her is the truth content" of the episode.</text>
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              <text>Contzen, Eva von.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023): 62-81.</text>
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              <text>Archiv für das Studium der neueren Sprachen und Literaturen 175 (2023)</text>
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              <text>Troilus and Criseyde&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 47:194</text>
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        <element elementId="114">
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              <text>2023</text>
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                <text>Sir Francis Kynaston Translating Chaucer: The Untimely "Troilus."</text>
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                <text>Argues that Kynaston's Latin translation of Books I and II of TC, published in 1635, exemplifies "heterochrony"--a "temporal counter-site located in the present and indicative of alternative modernities." Addresses the "perceived outdatedness of Chaucer's English," the "timelessness" of Latin, Kynaston's effort to "ensure Chaucer's relevance," and the translator's "engagement with the various layers of pasts" in TC.</text>
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              <text>Confer, Shayne.</text>
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              <text>Kentucky Philological Review 37 (2023): 19-25.</text>
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              <text>Kentucky Philological Review 37 (2023)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>"Good Traders in the Flesh": Pandarus and the Audience.</text>
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                <text>Focuses on the scene of "intimacy" between Pandarus and Criseyde in TC and its excision from Shakespeare's "Troilus and Cressida," arguing that Chaucer's expansion/embellishment of the original in Boccaccio's "Filostrato" compels the audience to identify with Pandarus and share the narrator's voyeuristic enjoyment. Shakespeare's play effects similar audience identification in Pandarus's Epilogue, implicating the audience in Pandarus's ongoing "reduction of sexuality to commodification."</text>
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              <text>Sharp, David.</text>
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              <text>Philological Quarterly 102 (2023): 285-94.</text>
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              <text>Philological Quarterly 102 (2023)</text>
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        <element elementId="102">
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              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 47:192</text>
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        <element elementId="114">
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            <elementText elementTextId="2853927">
              <text>2023</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853921">
                <text>Centers on LGW, 212-18, where Alceste, the Queen of Love, has an appearance similar to a daisy, and suggests that a source for this could be Remigius of Auxerre's "Commentum in Martianum Capellam."</text>
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                <text>Chaucer's Mythology of the Daisy and the Remigian .</text>
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              <text>Garcia, Anca Olguta Giorgiana.</text>
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              <text>Ph.D. dissertation (University of South Florida, 2023), Dissertation Abstracts International A85.01 (E). Accessible via ProQuest Dissertations &amp; Theses Global (accessed January 1, 2025).</text>
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              <text>iv, 308 pp</text>
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              <text>Dissertation Abstracts International 85 (E).</text>
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              <text>Legend of Good Women</text>
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              <text>SAC 47:191</text>
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            <elementText elementTextId="2853919">
              <text>2023</text>
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              <elementText elementTextId="2853911">
                <text>Reading Suffering between the Lines: Trauma and Witnessing in Old and Middle English Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Applies modern trauma theory to medieval English texts: "Beowulf," "Dream of the Rood," "Pearl," and LGW. Addresses sexual abuse and the witnessing of such abuse in LGW, focusing on "tropes of indirection, silence, and repetition."</text>
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              <text>Dumitrescu, Irina.</text>
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              <text>Uwe Baumann, Marc Laureys, and Konrad Vössing, eds. Heroinnen und Heldinnen in Geschichte, Kunst und Literatur (Göttingen: V&amp;R unipress; Bonn University Press, 2022), pp. 357-74.</text>
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              <text>Baumann, Uwe, ed.&#13;
Laureys, Marc, ed. &#13;
Vössing, Konrad, ed.</text>
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              <text>Heroinnen und Heldinnen in Geschichte, Kunst und Literatur</text>
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            <elementText elementTextId="2853908">
              <text>Legend of Good Women</text>
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              <text>SAC 47:190</text>
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              <text>2022</text>
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                <text>Charismatic Heroines in Chaucer's "Legend of Good Women."</text>
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                <text>Argues that the female protagonists of LGW are heroic in their combinations of strength and suffering, and, "adapting a notion of charisma from Joseph Roach," characterizes their heroism as "charismatic.""The "extraordinary virtues and qualities" of these women combine with their vulnerabilities and pathos-laden suffering to produce "a complex, specifically feminine charisma"--aligned with the rhetorical tradition of "ethopoeia" and with the practices of affective piety.</text>
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              <text>Mendes, Fernanda Pereira.</text>
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              <text>302 pp. </text>
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              <text>Dissertation Abstracts International 86 (E).</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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              <text>From Al Andalus to Dante Alighieri: The Reception of the "Book of the Ladder of Muhammad," by Alfonso X, in Europe.</text>
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                <text>Do Al Andalus a Dante Alighieri: A Receção do "Livro da Escada de Maomé," de Afonso X, na Europa [From Al Andalus to Dante Alighieri: The Reception of the "Book of the Ladder of Muhammad," by Alfonso X, in Europe].</text>
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                <text>Surveys "the wide influence exerted by the Islamic eschatological narrative known as 'Mohamme's Ladder' on European literary production until the 17th century." Discusses the possibility that Chaucer knew the work, and assesses correspondences between the "Escada" and HF (also "Pearl" and "Paradise Lost"), perhaps mediated by Dante's "Commedia." In Portuguese,&#13;
with an abstract in English.</text>
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              <text>Lawrence, Ryan Wesley.</text>
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              <text>175 pp.</text>
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            <elementText elementTextId="2853888">
              <text>Dissertation Abstracts International 84 (E).</text>
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              <text>House of Fame&#13;
Troilus and Criseyde&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 47:187</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2853891">
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                <text>Writing with the Grain: Form, Flow, and the Environment in Late Medieval Poetry.</text>
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          <element elementId="41">
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              <elementText elementTextId="2853884">
                <text>Argues that "late medieval poets envisioned the environment as a participant in the production of poetry," reading HF for the ways that it represents "creativity born within the whirl of the Aristotelian world of fluctuation." Also assesses Henryson's "Testament of Cresseid" "alongside" TC, disclosing "a view of poetic production characterized by human-environmental correspondences, where poets follow forms that are latent in the environment itself."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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              <text>Fonzo, Kimberly.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Toronto: University of Toronto Press, 2022.</text>
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            <elementText elementTextId="2853879">
              <text>viii, 187 pp.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2853881">
              <text>SAC 47:186</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853882">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2853875">
                <text>Retrospective Prophecy and Medieval English Authorship.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Examines how Langland, Gower, and Chaucer--who approached Ricardian prophetic discourse in different ways--were later co-opted as prophets of various events and outlooks: Langland foretelling the English Reformation, Gower predicting the deposition of Richard II, and Chaucer anticipating "modern rational scepticism." Chapter 4 focuses on how, in HF, Chaucer's adaptation of the dream-vision form and the Dantesque role of biblical prophet underlies understanding of him as harbinger of skepticism and how "various editorial missteps and . . . deceptions" led to the apocryphal "Chaucer's Prophecy" being considered evidence that the poet was "ahead of his time."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853868">
              <text>Yee, Pamela M.</text>
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          </elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2853869">
              <text>Ph.D. dissertation (University of Rochester, 2022), Dissertation Abstracts In ternational A84.04(E). xi, 270 pp. Fully accessible via http://hdl.handle.net/1802/37031 (accessed January 12, 2026).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2853870">
              <text> xi, 270 pp.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853871">
              <text>Dissertation Abstracts In ternational 84 (E)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853872">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853873">
              <text>SAC 47:184</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853874">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853866">
                <text>Words of the Wounded: Traumatic Grief and Narrative Therapy in Middle English Dream Visions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853867">
                <text>Uses "the frameworks of illness narrative, narrative medicine, and trauma theory" along with the model found in Boethius's "Consolation of Philosophy" to "examine the doctor–patient relationship" in BD, Gower's "Confessio Amantis," and "Pearl," "assessing how well each therapist-figure attends to his or her patient." Investigates therapeutical versus penitential confession in BD.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="277546" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853860">
              <text>Taylor, Andrew.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853861">
              <text>Florilegium 36 (2019): 88-101.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853862">
              <text>Florilegium 36 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853863">
              <text>Book of the Duchess</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853864">
              <text>SAC 47:182</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853865">
              <text>2019</text>
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          </elementTextContainer>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853858">
                <text>Driving the Night Away: Early Chapters in the History of Reading.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853859">
                <text>Discusses the history of silent reading and commercial manuscript production for private reading, starting with Chaucer's BD and including considerations of the Auchinleck manuscript and British Library, MS Harley 978, to suggest that meditative consideration of conscience and silent reading may have been linked social practices. A revised address to the Canadian Society of Medievalists delivered in 2004;</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277545" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853851">
              <text>McCarter, Christina.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853852">
              <text>Ph.D. dissertation (Purdue University, 2021), Dissertation Abstracts International A85.01 (E). Fully accessible at https://hammer.purdue.edu/articles/thesis/HINGED_BOUND_COVERED_THE_SIGNIFYING_POTENTIAL_OF_THE_MATERIAL_CODEX/15057483?file=28992765 (accessed January 31, 2025).</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853853">
              <text> 181 pp. </text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853854">
              <text>Dissertation Abstracts International 85 (E). </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853855">
              <text>Book of the Duchess&#13;
Parliament of Fowls</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853856">
              <text>SAC 47:180</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853857">
              <text>2021</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853849">
                <text>Hinged, Bound, Covered: The Signifying Potential of the Material Codex.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853850">
                <text>Explores how the material book is a "metaphorically rich signifier" in contemporary culture and in a selection of English narratives, including BD and PF--where the narrators' books, serving as portals to the dream experience, result in "poetic output" and reveal how books Aallow such creative thinking" as a "byproduct of physically grounded reading."</text>
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            </elementTextContainer>
          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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              <text>Mann, Jill.</text>
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              <text>Essays in Criticism 73 (2023): 379-405.</text>
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              <text>Book of the Duchess&#13;
Sources, Analohues, and Literary Relations&#13;
Franklin and His Tale</text>
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                <text>Death and Betrayal in "The Book of the Duchess."</text>
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                <text>Questions claims that BD is a poem of consolation, arguing that it is instead a "renewal of grief," focusing its three units of "reading, dreaming, [and] remembering," attending to source materials, and suggesting that the Black Knight may have been forgetful or "unfaithful to the memory of his love." Includes comments on "the difficulty of sustaining an extremity of grief" in FranT and on the fears that grief can engender.</text>
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Style and Versification</text>
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                <text>Argues that the forest described in BD, 416-26, is "both topographical and ekphrastic," comparing details of the forest with aspects of Wenceslas Hollar's engravings of the nave of Old St. Paul's Cathedral, reproduced in William Dugdale's history of the cathedral.</text>
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                <text>The Forest in Chaucer's "The Book of the Duchess," Ll. 416-426: Echoes of the Nave and Tower of Old St Paul's Cathedral."</text>
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              <text>Edwards, Elizabeth.</text>
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              <text>Florilegium 36 (2019): 164-80.</text>
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              <text>Florilegium 36 (2019)</text>
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                <text>Mourning Becomes the Duchess: Chaucer, Text, Tomb.</text>
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                <text>Reads Chaucer's BD in the context of the material and ritual aspects of Blanche's death, using Freud's concept of the work of mourning to address the public, political, social, and economic work of John of Gaunt's mourning. A revised version of an address to the Canadian Society of Medievalists delivered in 2014.</text>
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              <text>Minnis, Alastair J.&#13;
Machan, Tim William,</text>
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        <element elementId="98">
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              <text>New Medieval Literatures 23 (2023): 130-78.</text>
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              <text>New Medieval Literatures 23 (2023)</text>
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              <text>Boece&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="114">
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            <elementText elementTextId="2853824">
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                <text>The Occasion of Chaucer's "Boece."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2854114">
                <text>Challenges the "dominant paradigm" for the date and composition of Bo, dismantling "several doubtful propositions"--influence on Usk's "Testament," Chaucer's use of Bo in his other works, Chaucer as a "poor Latinist." Analyzes Bo as a "late-medieval academic translation" that combines various sources, intermingling text, glosses, and commentaries in a late-career, politically sensitive product, perhaps a "gift to some person of power." Also assesses Cambridge University Library, MS Ii.3.21, as "A Presentation Copy in the Making?"</text>
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              <description>A name given to the resource</description>
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              <text>Griffin, Conan M., trans.</text>
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        <element elementId="98">
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              <text>Boston, Mass.: Brill, 2023.</text>
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              <text>xix, 188 pp.</text>
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              <text>Boece&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 47:175</text>
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        <element elementId="114">
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            <elementText elementTextId="2853816">
              <text>2023</text>
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                <text>Chaucer's Translation of Boethius's "The Consolation of Philosophy": A Modern English Rendering.</text>
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              <elementText elementTextId="2853810">
                <text>Translates Bo into modern idiomatic English, with text based on "The Riverside Chaucer," 3rd ed. (1986), and bottom-of-page notes, a glossary of proper names, and a citation glossary of Middle English words in Bo accompanied by Latin equivalents. Introductory materials include a brief life of Boethius, comments on the structure and content of Bo, and the influence and legacy of Boethius's Consolation in English.</text>
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              <description>A name given to the resource</description>
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              <text>Morrison, Clinton Ervin, Jr.</text>
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        <element elementId="99">
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              <text>Ph.D. dissertation (Ohio State University, 2023). Abstract available at http://rave.ohiolink.edu/etdc/view?acc_num=osu1681770955665872 (accessed August 19, 2025). Full text embargoed until May 8, 2028.</text>
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              <text>Anelida and Arcite</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2853808">
              <text>2023</text>
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            <name>Title</name>
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              <elementText elementTextId="2853802">
                <text>Dancing Descriptions: Choreographing Middle English Romance.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853803">
                <text>Explores "how late-fourteenth and fifteenth-century [English] poets use dance to experiment and play with descriptions of motion." Includes discussion of Anel as well as Osbern Bokenham's "Legend of Holy Women," Thomas Chestre's "Sir Launfal," John Lydgate's "Troy Book" and "Siege of Thebes," and "Sir Gawain and the Green Knight."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2853796">
              <text>Runstedler, Curtis.</text>
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              <text>Curtis Runstedler. Alchemy and Exemplary Poetry in Middle English Literature (Cham: Palgrave Macmillan, 2023), pp. 89-129.</text>
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              <text>Alchemy and Exemplary Poetry in Middle English Literature</text>
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              <text>Canon's Yeoman and His Tale&#13;
Second Nun and Her Tale</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2853801">
              <text>2023</text>
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              <elementText elementTextId="2853794">
                <text>Alchemists Behaving Badly in Chaucer's "Canon's Yeoman's Tale."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2853795">
                <text>Explores the "moral value for Chaucer's audience" of CYPT and articulates "alchemical connections" elsewhere in CT, especially SNT. Focuses on the diction and imagery of CYP, on CYT as a negative exemplum, and on the Yeoman's final rejection of alchemy as evidence of Chaucer's disclosure of "the misuse of power and human intellect and the impact of moral blindness."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2853788">
              <text>Johnson, Eleanor.</text>
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        <element elementId="98">
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            <elementText elementTextId="2853789">
              <text>Eleanor Johnson. Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England (Chicago: University of Chicago Press, 2023), pp. 102-25.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853790">
              <text>Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England </text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853791">
              <text>Canon's Yeoman and His Tale&#13;
Style and Versification</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853792">
              <text>SAC 47:170</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853793">
              <text>2023</text>
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                <text>Chaucer's Yeoman's Wasting Body: Pollution and Contagion.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2853787">
                <text>Reads CYP in the context of late medieval English concerns about waste as "ecosystemic misconduct par excellence,"  linking to the plague the Canon's Yeoman's social contagion and the damage done to him by his working environment. Explicates the lexical, sonic, and rhythmic nature of the Yeoman's lists to show how they evoke "ecosystemic danger" in "weird" and "wonderful" ways.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Zuraikat, Malek J.</text>
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        <element elementId="98">
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              <text>Orbis Litterarum: International Review of Literary Studies 78 (2023): 205-16.</text>
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            <elementText elementTextId="2853782">
              <text>Orbis Litterarum: International Review of Literary Studies 78 (2023)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2853783">
              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2853784">
              <text>SAC 47:167</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853785">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853778">
                <text>The Concept of Destiny and Free Will in Chauntecleer's Dream</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854113">
                <text>Contends that NPT "shows how free will and destiny . . . mysteriously connive together to form what can be called 'conditional free will'," arguing that the combination of Chauntecleer's dream and the outcome of the plot compromise Augustinian, Bradwardinian, and Boethian ideas so that while the dream destines the encounter between fox and rooster, the cock's escape depends upon his will to survive and Russell's will to speak. Surveys related criticism.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853772">
              <text>Yıldız, Nazan.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853773">
              <text>RumeliDE Dil ve Edebiyat Araştırmaları Dergisi 28 (2022): 498-507.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2853774">
              <text>RumeliDE Dil ve Edebiyat Araştırmaları Dergisi 28 (2022)</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853775">
              <text>Tale of Melibee&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853776">
              <text>SAC 47:166</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853777">
              <text>2022</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2853770">
                <text>A Lady Philosophy or a Concealed Wife of Bath: Geoffrey Chaucer's Prudence in the "Tale of Melibee."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854087">
                <text>Traces "similarities between Boethius's Lady Philosophy and Chaucer''s Prudence" in Mel regarding "the authority of women over men as the source of knowledge and wisdom." Comments on female empowerment and Prudence as a "Wife of Bath in disguise." Includes an abstract in Turkish.</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853764">
              <text>Wright, Joshua C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853765">
              <text>Neophilologus 107 (2023): 301-0.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853766">
              <text>Neophilologus 107 (2023)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853767">
              <text>Tale of Sir Thopas&#13;
Prioress and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853768">
              <text>SAC 47:165</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853769">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853762">
                <text>The Pilgrim's Carnivalesque: The Textual Chaucer and the Negation of Narration in "The Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853763">
                <text>Reads Th through the lens of Mikhail Bakhtin's concept of the carnivalesque as a dismantling of the religious and moral authority established by PrT in order to reassert the carnivalesque as the organizing principle of CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="277533" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853756">
              <text>Wiemann, Dirk.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853757">
              <text>Dirk Wiemann. Anglophone Verse Novels as Gutter Texts: Postcolonial Literature and the Politics of Gaps (New York: Bloomsbury Academic, 2023), pp. 133-92.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853758">
              <text>Detoxing England: Patience Agbabi's "Telling Tales."</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853759">
              <text>Prioress and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853760">
              <text>SAC 47:164</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853761">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853754">
                <text>In/Verse Britain: The Poetics of the Post-Nation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854124">
                <text>Includes a subsection titled "Detoxing England: Patience Agbabi's 'Telling Tales,'" arguing that Agbabi successfully detoxifies CT's "ideologeme of othering, most obviously in religious, sexual and racial dichotomies." Uses case-study comparison of PrT and Agbabi's "Sharps an Flats," considering style as well as matter, with attention to reception of PrT by the pilgrim audience through to Robert Lumiansky's 1948 prose summary.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="277532" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853747">
              <text>Kelly, Maggie S.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853748">
              <text>Ph.D. dissertation (University of North Carolina at Greensboro, 2023), Dissertation Abstracts International A84.12(E). Fully accessible at https://libres.uncg.edu/ir/listing.aspx?id=46652 (accessed January 31, 2025).</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853749">
              <text>vi, 206 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853750">
              <text>Dissertation Abstracts International 84 (E).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853751">
              <text>Prioress and Her Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853752">
              <text>SAC 47:163</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853753">
              <text>2023</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853745">
                <text>Blood Cries Out: Negotiating Embodiment and Otherness in the Premodern World.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853746">
                <text>Addresses "medieval and early modern literary uses of blood symbolism to describe and represent these marginalized groups: Christ, women, Jews, and disabled persons." Chapter 4 considers "the concepts of ritual murder libel, blood libel, and Jewish male menstruation" in PrT, Shakespeare's "The Merchant of Venice," and Marlowe's "The Jew of Malta."</text>
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          </element>
        </elementContainer>
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    </elementSetContainer>
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