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              <text>Schiff, Randy. </text>
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              <text>John A. Geck, Rosemary O'Neill, and Noelle Phillips, eds. Beer and Brewing in Medieval Culture and Contemporary Medievalism (Cham: Palgrave Macmillan, 2022), pp. 341-62</text>
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                <text>Alcohol, Community, and Chaucer's Pardoner: Ale as a Populist Antidote to Alienating Avant-Gardism.</text>
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                <text>Assesses references to ale and wine in PardPT as they reflect the Pardoner's "submerged desire" to bond with the Host and his simultaneous attempt to compete with Harry as leader of the pilgrimage. Argues that "the metaphorical ale-stake associated with the Summoners' body" in GP frames the ale-stake of PardP, setting the Pardoner's "conflicted masculinity" in competition for and against the "hyper-masculine" Host, who repudiates the Pardoner's over-reaching efforts to reach and outreach him.</text>
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              <text>Cham: Palgrave Macmillan, 2022.</text>
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              <text>xvii, 407 pp.</text>
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              <text>The New Middle Ages.</text>
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              <text>O'Neill, Rosemary, ed.&#13;
Phillips, Noelle, ed.&#13;
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                <text>Beer and Brewing in Medieval Culture and Contemporary Medievalism.</text>
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                <text>Thirteen essays, an introduction by the editors, and an afterword by Ren Navarro "describe alcohol consumption in the Middle Ages across much of Northern Europe, engage with the various myths employed in modern craft beer advertising and beer production, and examine how gender intersects with beer production and consumption." For two essays that pertain to Chaucer, search for Beer and Brewing in Medieval Culture and Contemporary Medievalism under Alternative Title.</text>
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              <text> xiii, 302 pp.; 8 b&amp;w illus.</text>
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Chaucer's Life&#13;
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                <text>Anne of Bohemia.</text>
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                <text>Investigates Anne of Bohemia as a figure of queenship--socially, politically, and economically-- along the way questioning arguments for claims that she was Chaucer's patron (often grounded in LGWP), treating them as probabilities rather than facts. Also comments on late medieval notions of "womanhood" and "femininity" in Chaucer's works, suggesting that he "might well have written about" such concepts "with Anne in mind."</text>
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              <text>Fry, Chandler Thomas.</text>
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Dissertation Abstracts International A82.11(E). Open access at https://dukespace.lib.duke.edu/items/d005dd73-6232-43ef-94ce-537d1d9a7767 (accessed December 19, 2024).</text>
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Knight and His Tale</text>
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                <text>Reasoning Rebellion and Reformation: Natural Law and the Ethics of Power and Resistance in Late Medieval English Literature.</text>
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                <text>Clarifies the "centrality and complexities" of political and ethical law discourse in late medieval England, showing how it is used in works by Thomas Usk and how in TC and KnT Chaucer "questions the view that the natural law is an unshakeable foundation for effective resistance."</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 3-26.</text>
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              <text>The Presidential Address. The New Chaucer Society, Expo2021, July 18-22, 2021.</text>
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                <text>Contemplates the value of studying Chaucer in light of national and international calls to decenter the poet and his works, considering the history and politics of these calls, the nature of canon-making, and several instances where "Chaucer's work has been reimagined in positive political ways." Advocates continued study of Chaucer because "his writings and the history of their reception continue to generate new and important ways" of understanding and counteracting racism, antifeminism, class bias, and binary reductionism.</text>
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Irish, Bradley J., ed.</text>
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Troilus and Criseyde&#13;
Wife of Bath and Her Tale</text>
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                <text>Geoffrey Chaucer: Reading with Feeling.</text>
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                <text>Surveys historical interest and recent theorization of emotion and affect produced by 'works, and assesses the role of books in the opening of TC (tears as ink) and in WBP (Jankyn's book) as "affective, emotional objects that arouse a range of feelings in their makers and readers."</text>
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              <text>xx, 270 pp.</text>
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Legend of Good Women&#13;
Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Rethinks the uses and "affordances" of paper in medieval England and on the Continent, i.e., its potentialities, manifestations, and material significations in book production and other cultural practices. Opens with an explanation of how Chaucer associates paper with Dido in LGW, 1198-202, changing his source in Virgil, and evoking emotion and majesty. Chapter 5, "Paper in the Medieval Literary Imagination," focuses in part on the "interplay" of TC and its sources insofar as "their comments on the material properties of writing-supports is evidence of paper's wider cultural acceptance."</text>
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              <text>Bose, Mishtooni. </text>
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              <text>Franklin and His Tale&#13;
Knight and His Tale&#13;
Nun's Priest and His Tale&#13;
Troilus and Criseyde</text>
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              <text>Louise D'Arcens, and Sif Ríkharðsdóttir, eds. Medieval Literary Voices: Embodiment, Materiality and Performance (Manchester: Manchester University Press, 2022), pp. 75-94.</text>
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                <text>The Body Speaks in "The Franklin's Tale."</text>
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                <text>Examines the ""fissure between spoken utterances and the body's voice" in Arveragus's burst into tears (FranT 5.1479–80), engaging the theme of truth in the Tale and the "dynamic between . . . irruptions of the somatic voice and the dissociative occasions that precipitate them." Contrasts this episode with its analogue in Boccaccio's Tale of Menedon, and addresses instances of somatic speech in KnT, NPT, TC and in "Sir Gawain and the Green Knight."</text>
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              <text>Fulton, Helen.</text>
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              <text>Medieval Literary Voices</text>
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Style and Versification</text>
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              <text>Louise D'Arcens, and Sif Ríkharðsdóttir, eds. Medieval Literary Voices: Embodiment, Materiality and Performance (Manchester: Manchester University Press, 2022), pp. 37-55. </text>
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                <text>Voice of Authority: Free Indirect Discourse in Chaucer's General Prologue.</text>
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                <text>Investigates free indirect discourse in GP, focusing on Chaucer's personae, the variety of his narrative positions, and their "focalisations" internal and external to the diegesis of the poem. Comments on focalization in the descriptions of the Wife of Bath and the Physician, and on free indirect discourse as a "sub-type" of focalization in those of the Monk and the Parson.</text>
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              <text>Manchester: Manchester University Press, 2022.</text>
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              <text>xviii, 302 pp.</text>
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            <elementText elementTextId="2848317">
              <text>Manchester Medieval Literature and Culture.</text>
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              <text>Ríkharðsdóttir, Sif, ed.&#13;
Ganim, John M.</text>
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              <text>Background and General Criticism</text>
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              <elementText elementTextId="2848312">
                <text>Medieval Literary Voices: Embodiment, Materiality and Performance.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848313">
                <text>Twelve essays by various authors on the concept of "voice" in medieval literature, with an introduction by the editors, an appreciative tribute to David Lawton by John M. Ganim, and a comprehensive index. Generally, the essays focus on the literature of late medieval England. For two essays that pertain to Chaucer, search for Medieval Literary Voices under Alternative Title.</text>
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              <text>Copeland, Rita.</text>
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              <text>xiv, 415 pp.</text>
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              <text>Oxford Studies in Medieval Literature and Culture.</text>
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              <text>Background and General Criticism&#13;
Style and Versification&#13;
Knight and His Tale</text>
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                <text>Emotion and the History of Rhetoric in the Middle Ages.</text>
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                <text>Explores emotion as a device of rhetoric from Antiquity through the fifteenth century, and describes the influence of Aristotle's "Rhetoric" on political, ethical, and literary discourse from the thirteenth century forward. Assesses a wide range of texts, including discussions of rhetorical handbooks, style, and emotion in Chaucer generally, and of "enthymematic oratory" in KnT.</text>
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              <text>Chelis, Theodore.</text>
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        <element elementId="98">
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              <text>Ph.D. dissertation. Pennsylvania State University, 2022. &#13;
Abstract accessible at https://etda.libraries.psu.edu/catalog/22564tbc126 (accessed November 15, 2023).</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 46:127</text>
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        <element elementId="114">
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          <elementTextContainer>
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            <name>Title</name>
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                <text>Forms of Shame: Gower, Chaucer, Hoccleve.</text>
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            <description>An account of the resource</description>
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                <text>Argues that "the vernacular literature of late medieval England contributes importantly to the theorizing of psychological subjectivity and that this theorizing is connected fundamentally with the history of shame"; focuses on selected works by Chaucer, John Gower, and Thomas Hoccleve.</text>
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              <name>Title</name>
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              <text>Chace, Jessica Ann.</text>
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        <element elementId="98">
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              <text>Ph.D. Dissertation. New York University, 2020,&#13;
Dissertation Abstracts International A82.01 (E). Full-text available from ProQuest Dissertations and Theses; accessed December 18, 2024</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2848292">
              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Second Nun and Her Tale&#13;
Chaucerian Apocrypha</text>
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        <element elementId="109">
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          <description/>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848294">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"For semyvif he semed": Affective Responses to the Half-Alive Human in Middle English Literature, ca. 1350-1450.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848288">
                <text>Uses the concept of "semyvif " (half-alive) to examine "Piers Plowman," the "Tale of Beryn," TC, SNT, and "Morte Darthur" for ways that they broaden "our historical understanding of disability and its conceptual range."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848280">
              <text>Carlson, David R.</text>
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          </elementTextContainer>
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        <element elementId="98">
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              <text>Toronto: Pontifical Institute of Mediaeval Studies, 2021.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848282">
              <text>[xi], 345 pp.</text>
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          </elementTextContainer>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848283">
              <text>Studies and Texts, no. 226.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2848284">
              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848285">
              <text>SAC 46:125</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848286">
              <text>2021</text>
            </elementText>
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            <name>Title</name>
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              <elementText elementTextId="2848278">
                <text>Gower and Anglo-Latin Verse.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Chapter 3, "Gower and Estates Satire before Chaucer," includes brief mention of Chaucer in situating and analyzing Gower's uses of estates satire in his "Mirour de l'Omme," "Vox Clamantis," and Confessio&#13;
Amantis.</text>
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            </elementTextContainer>
          </element>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
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            <elementText elementTextId="2848272">
              <text>Bude, Tekla.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848273">
              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England (Philadelphia: University of Pennsylvania Press, 2022), pp. 146-68.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848274">
              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England</text>
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        </element>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Franklin and His Tale&#13;
Book of the Duchess&#13;
Fortune&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 46:124</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848277">
              <text>2022</text>
            </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2848271">
                <text>Argues that Chaucer "experiments with the body-disabling power of music as a site of poetic potential," tallying how, in CT, "musical performance nearly always causes narrative tension" and music "prosthetizes disability"--"advental"  insofar as it is "promised but always in a state of deferral."  Examines how "sonic bodies inhabit crip asynchronies for purposes of poesis" in the "body of Echo" in FranT, the "lyric I" in For, BD as a poem, and Troilus's body in TC.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2850704">
                <text>Disability, Music, and Chaucer's Advental Bodies.</text>
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          </element>
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  </item>
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              <text>Bower, Hannah.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2848264">
              <text>Oxford: Oxford University Press, 2022.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848265">
              <text>xii, 259 pp.; 8 illus.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848266">
              <text>Oxford English Monographs.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
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Language and Word Studies&#13;
Style and Versification&#13;
Canon's Yeoman and His Tale</text>
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          </elementTextContainer>
        </element>
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          <description/>
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            <elementText elementTextId="2848268">
              <text>SAC 46:122</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848269">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848261">
                <text>Middle English Recipes and Literary Play, 1375-1500.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2848262">
                <text>Explores relations between the practical purposes of medieval medical recipes and their imaginative and aesthetic effects, focusing on how the texts of these recipes reflect their broader discursive culture, c. 1375-1500. Cites Chaucer's recurrent uses (often parodic) of the discourse of recipes (CYT) and of medical terms, metaphors, and similes--uses that help to clarify less well-known texts.</text>
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            <elementText elementTextId="2848239">
              <text>Buchanan, Peter.</text>
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        <element elementId="98">
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              <text>Ph.D. Dissertation. University of Oxford, 2021.&#13;
Dissertation Abstracts International C83.10(E) (2021).</text>
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              <text>Dissertation Abstracts International C83.10(E) (2021)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2848242">
              <text>Background and General &#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Clerk and His Tale&#13;
Canon's Yeoman and His Tale</text>
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          <description/>
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              <text>SAC 46:123</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848244">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2848237">
                <text>Contingent Chaucer: Experience, Time, and Modality in Chaucerian Poetics.</text>
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          </element>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2848238">
                <text>Argues that Chaucer is a "philosophical poet" who "innovated a radical, anti-teleological poetics of contingency," showing how in CYT, ClT, TC, and HF he "reworks his sources to articulate his vision of contingency, and contest humanist narratives of utopian perfectibility and idealistic, teleological poetics."</text>
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              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
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              <text>Bordalejo, Barbara.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2848224">
              <text>Digital Medievalist 14, special issue (2021). 8 pp.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2848225">
              <text>Digital Medievalist 14, special issue (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848226">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848227">
              <text>SAC 46:121</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2848228">
              <text>2022</text>
            </elementText>
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                <text>Canterbury Tales Project Special Issue: Introduction.</text>
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                <text>Recounts brief personal history of experience with the Canterbury Tales Project, describes scholarly inattention to the project, and introduces the five essays in this special issue. For the five essays search for Digital Medievalist 14, special issue under Journal by Volume Number.</text>
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              <text>Dwyer, Seamus.</text>
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              <text>Roman Bleier, Brian Coleman, and Clare Fletcher, eds. Memory and Identity in the Medieval and Early Modern World (New York: Peter Lang, 2022), pp. 193-208.</text>
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              <text>Adam Scriveyn&#13;
Language and Word Studies</text>
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                <text>Scraping, Scribing and Shriving: The Language of Writing, Judgement and Penitence in Chaucer's "Adam Scriveyn."</text>
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                <text>Surveys critical attention to Adam and reads the poem as an exhortation to "moral and professional penitence." Focuses on "corect," "rubbe," and "scrape" as scribal activities and as metaphorical links to penitential erasure in Chaucer and other works in Middle English.</text>
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                <text>Examines joy in TC--looking forward to it in Books 1 and 2, experiencing it in Book 3, and remembering it in Books 4 and --as aspects of Troilus's identity and of the poem itself. Anticipated joy shapes the characterization of Troilus as a courtly lover, and the "memory of joy makes the ending of the text tragic."</text>
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              <text>Hanna, Natalie.</text>
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Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Worthiest Knight: Heroic Identity in "Troilus and Criseyde."</text>
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              <elementText elementTextId="2851972">
                <text>Questions how and to what extent recurrent mention of Hector in TC helps to characterize Troilus as a knight. Instances and collocations of "knight," "worthy," related terms, and references to Hector, generally not found in Chaucer's source text, Boccaccio's "Filostrato," help to establish Troilus's "archetypal" knightly virtues.</text>
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              <text>Morgan, Gerald.</text>
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              <text>Roman Bleier, Brian Coleman, and Clare Fletcher, eds. Memory and Identity in the Medieval and Early Modern World (New York: Peter Lang, 2022), pp. 121-53. </text>
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              <text>Memory and Identity in the Medieval and Early Modern World</text>
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              <text>Book of the Duchess&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>An Aristotelian Ideal: The Beauty and Virtue of Blanche in Chaucer's "Book of the Duchess."</text>
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              <elementText elementTextId="2848190">
                <text>Explicates the rhetorical, conventional, and philosophical aspects of the combination of physical beauty and moral virtue in Chaucer's portrait of Blanche in BD, "a triumph of the poet's art." Clarifies similarities and differences between Chaucer's portrait and its source in Machaut's "Judement du roy de Behaigne," and explains how Chaucer's idealization reflects Aristotelian and Ciceronian notions of virtue.</text>
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              <text>New York: Peter Lang, 2022.</text>
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              <text>Publications of the Centre for Medieval and Renaissance Studies, Trinity College Dublin, no. 8.</text>
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Fletcher, Clare, ed.</text>
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              <text>Background and General Criticism</text>
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                <text>Memory and Identity in the Medieval and Early Modern World.</text>
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                <text>Collects twelve essays from the 2016 conference on memory and identity, with a preface and a cumulative index. For four essays that pertain to Chaucer, search for Memory and Identity in the Medieval and Early Modern World under Alternative Title.</text>
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              <text>Berensmeyer, Ingo.</text>
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              <text>Boston, Mass.: De Gruyter, 2022.</text>
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              <text>ix, 304 pp; 18 illus.</text>
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Canterbury Tales--General</text>
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                <text>A Short Media History of English Literature.</text>
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            <description>An account of the resource</description>
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                <text>Historical survey of the relations between literary texts in English and material presentation, from oral and dramatic performance through manuscripts and books, to audio, visual, and digital forms. Includes a section on key terms, a timeline, and an extensive index. A section on Chaucer emphasizes CT, and its variety and flexibility of voicing in manuscript, print, and later adaptation.</text>
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