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              <text>Sherbo, Arthur.</text>
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              <text>vxl sac 29:27</text>
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                <text>From the Sale Catalogue of the Library of Samuel Rogers</text>
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                <text>Lot 1543 is "Chaucer (black letter): printed by Wyllyam Bonham, at the sign of the Reed [sic] Lyon," given to Rogers (1763 - 1855) by his friend Horne Tooke.</text>
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              <text>Haas, Renate.</text>
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              <text>53 pp.; b&amp;w illus. </text>
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Franklin and His Tale</text>
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                <text>Cites and quotes a portion of Dorigen's "song" in FranT 4.857-94 as an early, pre-Romantic lyrical example of the "'Crossing Brooklyn Ferry' effect" in poetry, a trope by which reference to a physical space links the inner concerns of multiple people.</text>
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              <text>Goossens, Louis.</text>
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              <text>Louis Goossens, and others. By Word of Mouth: Metaphor, Metonymy, and Linguistic Action in a Cognitive Perspective. Pragmatics &amp; Beyond, New Series, no. 33 (Philadelphia: John Benjamins, 1995), pp. 175-204.</text>
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              <text>By Word of Mouth: Metaphor, Metonymy, and Linguistic Action in a Cognitive Perspective.</text>
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              <text>mea 4/10/2013 No SAC</text>
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                <text>From Three Respectable Horses' Mouths: Metonymy and Conventionalization in a Diachronically Differentiated Data Base</text>
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                <text>Uses data from Aelfric, Chaucer, and Shakespeare to demonstrate how metonymy "works as a tool for meaning extension in a diachronically diverse data base," arguing that there is "something of a metonymy-metaphor continuum" and a complex relation between metonymy and conventionalization. The data (including 26 examples from Chaucer), are all concerned with "linguistic action" and involve the word "mouth" or its equivalent.</text>
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              <text>Meyer, Shannon Rae.</text>
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              <text>Dissertation Abstracts International A76.07 (2015): n.p.</text>
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              <text>Book of the Duchess</text>
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                <text>Considers "the trope of the female body entowered" in selected romances and lyrics, BD, and the Paston letters.</text>
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              <text>Bale, Anthony.</text>
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              <text>Literature Compass 5.5 (2008): 918-34.</text>
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              <text>vxl SAC 32:96.</text>
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                <text>From Translator to Laureate: Imagining the Medieval Author</text>
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                <text>Surveys medieval  notions of authorship from the twelfth century to the late fifteenth century, commenting on topics such as anonymity, laureateship, Mandeville's "Travels," "The Cloud of Unknowing," "The Book of Margery Kempe," and the development of a modern idea of authorship in early print culture. Recurrent and sustained attention to Chaucer's works and to reception of them.</text>
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              <text>Dauby, Hélène.</text>
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              <text>Anglophonia 29 (2011): 79-89.</text>
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              <text>Man of Law and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Anglophonia: French Journal of English Studies 29 (2011).</text>
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        <element elementId="109">
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              <text>mea SAC 35:106.</text>
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                <text>From Trevet to Gower and Chaucer</text>
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                <text>Chaucer and Gower both adapted the story of Constance from the Anglo-Norman chronicle of Trevet. A comparison of the proper names, institutional terms, and speeches shows that Gower closely follows Trevet while Chaucer modifies the story in MLT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2764581">
              <text>Kabir, Ananya Jahanara.</text>
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        <element elementId="98">
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            <elementText elementTextId="2764582">
              <text>Archiv 238: 280-98. ,   2001.</text>
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        <element elementId="114">
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            <elementText elementTextId="2764583">
              <text>2001</text>
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              <text>Summoner and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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            <elementText elementTextId="2764587">
              <text>Archiv für das Studium der Neueren Sprachen und Literaturen 238 (2001)</text>
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              <text>vxl SAC 27:209</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2764580">
                <text>From Twelve Devouring Dragons to the Develes Ers: The Medieval History of an Apocryphal Punitive Motif</text>
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            <description>An account of the resource</description>
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                <text>Traces the history of the motif of infernal punishment in the devil's anus, suggesting that the earliest evidence of the motif is found in the "Seven Heavens Apocryphon" of Irish visionary tradition and that Chaucer's use of the motif in SumP derives from this tradition, perhaps inflected by the "Visio sancti Pauli."</text>
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              <text>Dauphant, Clothilde.</text>
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        <element elementId="98">
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              <text>In Miren Lacassagne, ed. Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps (Paris: Presses de l'Université Paris-Sorbonne, 2017), pp. 81-94. </text>
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              <text>Lacassagne, Miren,ed.</text>
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              <text>Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps</text>
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              <text>Lyrics and Short Poems&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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        <element elementId="109">
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              <text>mea; SAC 42:225</text>
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        <element elementId="114">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2833414">
                <text>Frontières d'un genre aux frontiers d'une langue: Ballades typiques et atypiques d'Eustache Deschamps, John Gower et Geoffrey Chaucer.</text>
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                <text>Traces changes in the putatively fixed form of the balade as used by Eustache Deschamps, John Gower, Chaucer, and others, commenting on variations in number of stanzas, rhyme schemes, the inclusion of envoys, etc. Includes comments on Ven, For, Ros, Wom Nob, Truth, Gent, Sted, Scog, Buk, Purse, and "Hyd Absolon" embedded in LGW.</text>
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          <elementTextContainer>
            <elementText elementTextId="2799358">
              <text>Amoils, E. R.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>English Studies in Africa 17 (1974): 17-37.</text>
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        <element elementId="114">
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            <elementText elementTextId="2799360">
              <text>1974</text>
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              <text>Physician and His Tale</text>
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              <text>Parson and His Tale</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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        <element elementId="100">
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              <text>English Studies in Africa 17 (1974)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2799367">
              <text>mea 10/22/2014 No SAC</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2799357">
                <text>Fruitfulness and Sterility in the 'Physician's' and 'Pardoner's Tales'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2799361">
                <text>Explores the complementary thematic interconnections of PhyT and PardPT (integrity and fraudulence, spiritual fertility and sterility, virtue and vice, defeat of death), reading their interdependence in light of ParsT and the section of the "Roman de la Rose" that underlies their juxtaposition in Part 6 of CT.</text>
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  <item itemId="274938" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2831106">
              <text>Huppé, Bernard F., and D. W. Robertson Jr.</text>
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        <element elementId="98">
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              <text>Princeton, NJ: Princeton University Press, 1963.</text>
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            <elementText elementTextId="2831108">
              <text>vii, 157 pp.</text>
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              <text>Background and General Criticism&#13;
Book of the Duchess&#13;
Parliament of Fowls</text>
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        <element elementId="109">
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            <elementText elementTextId="2831110">
              <text>mea; 4/26/2020</text>
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            <elementText elementTextId="2831111">
              <text>1963</text>
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              <text>Robertson, D. W., Jr.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2831105">
                <text>Interprets BD and PF as allegories, offering "An Approach to Medieval Poetry" (pp. 3-31) as an introduction to exegetical or patristic criticism and a justification of the method. Explores the imagery, structures, ironic juxtapositions, and meanings of the two poems as, respectively, Christian consolation and a Christian alternative to worldly love.</text>
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                <text>Fruyt and Chaf: Studies in Chaucer's Allegories.</text>
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              <text>Davis, Rebecca.</text>
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              <text>Studies in the Age of Chaucer 37 (2015): 101-32</text>
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            <elementText elementTextId="2818297">
              <text>Studies in the Age of Chaucer 37 (2015)</text>
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              <text>House of Fame</text>
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            <elementText elementTextId="2818299">
              <text>39:204&#13;
mea; 2/29/2018</text>
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              <elementText elementTextId="2825015">
                <text>Fugitive Poetics in Chaucer's "House of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825651">
                <text>Argues that motion in HF is "not the antithesis to form but its condition of possibility." Water imagery links Boethian "enclynyng," the littoral "field of sand" that signals transition between Books I and II, and the eel-trap shape of the House of Rumor; Geffrey is a "second Aeneas" who is making literary tradition. Various puns (e.g., sand/sound, tides/tidings) and the "anaphoric circles" of repeated "O"s in lines 1961–76 engage formal and thematic concerns so that HF shares some formal features with Pearl and anticipates the restless poetics of CT. Includes 5 b&amp;w figures.</text>
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              <text>McClellan, William.</text>
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              <text>Exemplaria 17 (2005): 103-34.</text>
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            <elementText elementTextId="2770437">
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              <text>Exemplaria 17 (2005)</text>
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              <text>vxl sac 29:217</text>
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                <text>Ful Pale Face : Agamben's Biopolitical Theory and the Sovereign Subject in Chaucer's Clerk's Tale</text>
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                <text>McClellan relates Giorgio Agamben's theory of the ambiguity of political sovereignty and his ideas on "gesture" and "shame" to Walter's sovereignty and Griselda's submission in ClT. Argues that these are key to understanding the Tale: "The paradoxes of sovereignty, the medium of gesture, and the disarray of shame [are] the cruxes of a political allegory that has long disturbed and baffled readers."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sheridan, Christian.</text>
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              <text>Sandra M. Hordis and Paul Hardwick, eds. Medieval English Comedy (Turnhout, Belgium: Brepols, 2007), pp. 111-23.</text>
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              <text>Medieval English Comedy.</text>
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              <text>Shipman and His Tale</text>
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                <text>Funny Money: Puns and Currency in the Shipman's Tale</text>
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                <text>Sheridan assesses the "common logic" of puns and money in ShT. Both pose the threat of vacuity--meaninglessness or lack of value--while simultaneously offering pleasure.</text>
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          <elementTextContainer>
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              <text>Olson, Donald W.</text>
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              <text>Cham: Springer, 2018.</text>
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Style and Versification</text>
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            <description>A name given to the resource</description>
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                <text>Further Adventures of the Celestial Sleuth: Using Astronomy to Solve More Mysteries in Art, History, and Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2837418">
                <text>Includes discussion of MerT that explains Chaucer's precision in using astronomical data for poetic purposes. Suggests that Chaucer used Alfonsine tables, and aligns the astronomical details and imagery of MerT with celestial events that occurred in April, May, and June of 1389.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
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              <text>Mogan, Joseph J., Jr.</text>
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        <element elementId="98">
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              <text>Papers on Language and Literature 1 (1965): 72-77.</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <elementText elementTextId="2824343">
                <text>Further Aspects of Mutability in Chaucer's "Troilus."</text>
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              <elementText elementTextId="2824344">
                <text>Identifies two examples of the "memento mori" motif and two of "ubi sunt" in TC, three of these added by Chaucer to his material, and all of them contributing to the poem's dominant theme of the transitory nature of human love and life.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725795">
              <text>Jacobs, Edward Craney.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2725796">
              <text>Chaucer Review 15 (1981): 151-54.</text>
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              <text>1981</text>
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              <text>Prioress and Her Tale.</text>
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              <text>jules SAC 04 (101)</text>
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                <text>Further Biblical Allusions for Chaucer's Prioress</text>
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            <description>An account of the resource</description>
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                <text>Madame Eglentyne's "Amor vincit omnia," where we would expect "Caritas vincit omnia," is used for ironic effect.  Since Paul defines "caritas" as the "bond of perfection," Chaucer's use of the motto to bind together the Prioress' rich beads is another element of parody.</text>
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              <name>Title</name>
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            <elementText elementTextId="2767672">
              <text>Green, Richard Firth.</text>
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              <text>Pardoner and His Tale.</text>
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                <text>Further Evidence for Chaucer's Representation of the Pardoner as a Womanizer</text>
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                <text>Details from a Latin flyting poem indicate that the Pardoner in GP is presented as an example of "effeminizing heterosexuality."</text>
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          <elementTextContainer>
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              <text>Nishimura, Masahito.</text>
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              <text>Cossio, Andoni.</text>
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              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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                <text>Further Notes on J. R. R. Tolkien's Photostats of "The Equatorie of the Planetis" (MS Peterhouse 75.I).</text>
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                <text>Identifies which folios of Cambridge, Peterhouse, MS 75.I are included (photostatic copies) in the Tolkien archive of Oxford, Bodleian Library, Tolkien VC 277, using the copies to assess Tolkien's possible assistance to Derek J. Price and R. M. Wilson in their 1955 Cambridge University Press edition of Equat and the putative attribution of Equat to Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sanders, Barry.</text>
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              <text>Papers on Language and Literature 4 (1968): 192-95.</text>
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              <text>Papers on Language and Literature 04 (1968)</text>
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              <text>Language and Word Studies&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 11/03/2017</text>
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                <text>Further Puns from the "Prologue" and "Tale" of the Wife of Bath.</text>
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              <elementText elementTextId="2816142">
                <text>Discusses four sexual puns in WBPT: on purse/chest, candle-lighting, flour and grinding, and "borel" or coarse cloth.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
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              <text>Fichte, Joerg O.</text>
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              <text>Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 243-54.</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2711258">
              <text>1986</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711259">
              <text>The Cambridge Chaucer Companion.</text>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2711261">
              <text>Bibliographies, Reports, and Reference.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711262">
              <text>jules SAC 10 (4)</text>
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          </elementTextContainer>
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    </itemType>
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              <elementText elementTextId="2711255">
                <text>Further Reading: A Guide to Chaucer Studies</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2711260">
                <text>Selective bibliography of materials on Chaucer.</text>
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            </elementTextContainer>
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  <item itemId="272563" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2808188">
              <text>Isaacs, Neil D.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2808189">
              <text>Studies in the Literary Imagination 4.2 (1971): 11-27.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808190">
              <text>1971</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Troilus and Criseyde</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2808193">
              <text>Studies in the Literary Imagination 04 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808194">
              <text>mea; 2/28/2016 No SAC</text>
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              <elementText elementTextId="2808187">
                <text>Further Testimony in the Matter of 'Troilus'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2808191">
                <text>Challenges D. W. Robertson's moral condemnations of the major characters of TC, and justifies personal affection for the character of Criseyde; presented in the pose of a legal defense against prosecution.</text>
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  <item itemId="262046" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2700947">
              <text>Doyle, A. I., and George B. Pace.</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700948">
              <text>Studies in Bibliography 28 (1975): 41-61.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700949">
              <text>1975</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700950">
              <text>Pace, George B.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2700952">
              <text>Manuscripts and Textual Studies.</text>
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              <text>ABC.</text>
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            <elementText elementTextId="2700954">
              <text>Truth.</text>
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            <elementText elementTextId="2700955">
              <text>Against Women Unconstant.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2700956">
              <text>Studies in Bibiliography 28 (1975)</text>
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        <element elementId="109">
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          <elementTextContainer>
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              <text>jules - 7/10/94 SAC 1 (236)</text>
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                <text>Further Texts of Chaucer's Minor Poems</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Transcriptions of previously unpublished manuscript versions of three minor poems:  "ABC" from Melbourne MS.; "Truth" from Nottinghame ME LM I; "Wom Unc" from Bodleian Fairfax 16.</text>
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  <item itemId="269569" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776895">
              <text>Goldstein, R. James.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776896">
              <text>SAC 29 (2007): 87-140.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776897">
              <text>2007</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2776899">
              <text>Man of Law and His Tale</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2776901">
              <text>Studies in the Age of Chaucer 29 (2007)</text>
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              <text>vxl SAC 31:194</text>
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                <text>Future Perfect: The Augustinian Theology of Perfection and the Canterbury Tales</text>
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              <elementText elementTextId="2825864">
                <text>Goldstein considers Custance of MLT and Alisoun of WBP in relation to the Augustinian theology of perfection, particularly in light of late fourteenth-century adaptations of Augustine, both orthodox and heterodox. MLT exemplifies the deterministic operation of grace, while the Wife of Bath's autobiography comically explores a "mediocritist" outlook. Goldstein posits a "perfection group" (on the model of the "marriage group") that anatomizes Augustinian ideals of perfection: i.e., MLT, WBP, ClT, SumT, MerT, SNT, CYT, and ParsT.</text>
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