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              <text>Kern-Stähler, Annette.</text>
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              <text>Anglistik 21.2 (2010): 171-79.</text>
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              <text>Anglistik 21 (2010).</text>
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              <text>vxl sac 34:71</text>
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                <text>Sweet Poison and Its Antidote: Troilus and Criseyde and the 'Disce mori'</text>
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                <text>Assesses the location and implications of one stanza from TC (1.400-406) as quoted in the "Disce mori," a fifteenth-century manual of religious instruction addressed to "Dame Alice." The quotation indicates that some may have read TC as a warning against secular love.</text>
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              <text>Laird, Edgar (S.)</text>
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              <text>Chaucer Review 44 (2010): 344-50.</text>
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              <text>Parliament of Fowls</text>
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              <text>Knight and His Tale</text>
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              <text>Chaucer Review 44 (2010).</text>
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              <text>vxl sac 34:72</text>
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                <text>Chaucer, Clanvowe, and Cupid</text>
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                <text>By taking into account the increasing degree of willful irrationality attributed to Cupid in Chaucer's PF, KnT, and LGW and in Clanvowe's "Boke of Cupid," it becomes possible to view the writers' "god of Love [as] to some extent a collaborative creation."</text>
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              <text>Lerer, Seth.</text>
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              <text>Brian Cummings and James Simpson, eds. Cultural Reformations: Medieval and Renaissance in Literary History (New York: Oxford University Press), pp.75-91.</text>
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              <text>2010</text>
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              <text>Cultural Reformations: Medieval and Renaissance in Literary History.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Facsimiles, Editions, and Translations</text>
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              <text>Truth</text>
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              <text>Troilus and Criseyde</text>
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              <text>vxl sac 34:73</text>
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                <text>Literary Histories</text>
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                <text>Lerer assesses the mid-sixteenth-century versions of Truth and TC in Tottel's "Miscellany" (among other texts) as evidence of Renaissance reception of medieval literary history.</text>
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              <text>Lerer, Seth.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 83-95.</text>
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              <text>2010</text>
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              <text>Chaucer: Contemporary Approaches.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Truth</text>
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              <text>Knight and His Tale</text>
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              <text>Chaucerian Apocrypha</text>
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              <text>vxl sac 34:74</text>
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                <text>Receptions: Medieval, Tudor, Modern</text>
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                <text>Lerer comments on the recent study of Chaucer reception and exemplifies the "status of Chaucer's authority" in a letter of Alice Paston to her son, a version of Truth in Tottel's "Miscellany," and an allusion to KnT in "The Two Noble Kinsmen." Each context "modernizes" Chaucer's authority to suit an immediate purpose. Lerer includes a text of the two "Chaucerian" poems in Tottel's "Miscellany."</text>
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              <text>Luft, Joanna, and Thomas Dilworth.</text>
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              <text>F. Scott Fitzgerald Review 8 (2010): 79-91.</text>
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              <text>2010</text>
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              <text>Dilworth, Thomas.</text>
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              <text>Legend of Good Women</text>
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              <text>F. Scott Fitzgerald Review 08 (2010)</text>
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              <text>vxl sac 34:75</text>
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                <text>The Name Daisy: The Great Gatsby and Chaucer's Prologue to The Legend of Good Women</text>
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                <text>Rejects a previous attempt to link Fitzgerald's Daisy Fay and Alceste of LGWP, arguing instead that, via imagery, Gatsby's love for Daisy in the novel resonates with the love of Chaucer's narrator for the daisy in the poem.</text>
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              <text>McCabe, Richard A., ed.</text>
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              <text>xxiii, 826 pp.; 25 b&amp;w illus.</text>
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              <text>Knight and His Tale</text>
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              <text>Squire and His Tale</text>
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              <text>Canterbury Tales--General</text>
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              <text>vxl sac 34:76</text>
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                <text>The Oxford Handbook of Edmund Spenser</text>
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                <text>Covers a wide range of concerns in Spenser criticism, with forty-two individual essays arranged under five headings: Contexts, Works, Poetic Craft, Sources and Influence, and Reception. The handbook cites Chaucer and his works recurrently, with particular attention to Chaucerianism in Spenser's language and Spenser's emulation of his predecessor. In "Spenser's Language(s): Linguistic Theory and Poetic Diction" (pp. 367-84), Dorothy Stephens discusses Chaucer's linguistic influence. In "Spenser, Chaucer, and Medieval Romance" (pp. 553-72), Andrew King assesses how Spenser successfully bridges the "opposition" between English medieval romance and Chaucer's works. King focuses on TC, SqT, MerT, and the openendedness of CT.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788427">
              <text>Riddy, Felicity.</text>
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          <name>Published</name>
          <description/>
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              <text>Michael O'Neill, ed. The Cambridge History of English Poetry (New York: Cambridge University Press, 2010), pp. 96-114.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788429">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788430">
              <text>The Cambridge History of English Poetry.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2788432">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788433">
              <text>vxl sac 34:77</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788426">
                <text>Late Medieval Literature in Scotland: Henryson, Dunbar and Douglas</text>
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            <description>An account of the resource</description>
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                <text>Riddy describes the literary accomplishments of Robert Henryson, William Dunbar, and Gavin Douglas as they together "created Older Scots as a literary language." Includes recurrent references to Chaucer and Chaucerianism in the works of these poets.</text>
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  <item itemId="270676" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788418">
              <text>Rossiter, William.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788419">
              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 2-27.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788420">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2788421">
              <text>Standing in the Shadow of the Master?</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788423">
              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788424">
              <text>vxl sac 34:78</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788417">
                <text>'Disgraces the name and patronage of his master Chaucer': Echoes and Reflections in Lydgate's Courtly Poetry</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788422">
                <text>In his courtly verse, Lydgate elevates Chaucer's established topoi and discourse to bolster his own unique reformations and enhancements of Chaucerian style.</text>
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  <item itemId="270675" public="1" featured="0">
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        <elementSet elementSetId="1">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788408">
              <text>Santini, Monica.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2788409">
              <text>Bern: Peter Lang, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788410">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788411">
              <text>255 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788413">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2788414">
              <text>Tale of Sir Thopas</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788415">
              <text>vxl sac 34:79</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788407">
                <text>The Impetus of Amateur Scholarship: Discussing and Editing Medieval Romances in Late-Eighteenth [sic] and Nineteenth-Century Britain</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788412">
                <text>Tracing the revival of the romance genre, Santini describes in chronological order the work of amateur scholars, editors, and editorial societies that produced editions and commentary on Middle English romances between 1760 and 1860. Comments on the role of Chaucer's popularity in this revival and on his list of romances in Th.</text>
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  <item itemId="270674" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788399">
              <text>Saunders, Corinne.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788400">
              <text>Corinne Saunders, ed. A Companion to Medieval Poetry (Cambridge: D. S. Brewer, 2010), pp. 647-60.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788401">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788402">
              <text>A Companion to Medieval Poetry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788404">
              <text>Chaucer's Influence and Later Allusion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788405">
              <text>vxl sac 34:80</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788398">
                <text>Epilogue: Afterlives of Medieval English Poetry</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788403">
                <text>Discusses the "living tradition" of Middle English poetry in later English culture, commenting on continuities, revivals, and imitations, with recurrent references to the status of Chaucer.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270673" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788390">
              <text>Edwards, A. S. G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788391">
              <text>Corinne Saunders, ed. A Companion to Medieval Poetry (Malden, Mass.: Wiley-Blackwell, 2010), pp. 520-37.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788392">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788393">
              <text>A Companion to Medieval Poetry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788395">
              <text>Chaucer's Influence and Later Allusion.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788396">
              <text>vxl sac 34:61</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788389">
                <text>Poetic Language in the Fifteenth Century</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788394">
                <text>Edwards cites the "pivotal" nature of the 1532 publication of John Gower's "Confessio Amantis" and Chaucer's "Werkes" and explores "Chaucerian modes and language" in fifteenth-century poetry by Hoccleve, Lydgate, Dunbar, and Henryson--a "subject that has yet to receive exhaustive study." Also comments on alliterative tradition, lyric legacies, and "verse translations from the classics."</text>
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  </item>
  <item itemId="270672" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788378">
              <text>Gelineau, David.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788379">
              <text>SEL: Studies in English Literature 50 (2010): 557-81.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788380">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788382">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
            <elementText elementTextId="2788383">
              <text>Wife of Bath and Her Tale</text>
            </elementText>
            <elementText elementTextId="2788384">
              <text>Facsimiles, Editions, and Translations</text>
            </elementText>
            <elementText elementTextId="2788385">
              <text>Chaucerian Apocrypha</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2788386">
              <text>SEL: Studies in English Literature 50 (2010).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788387">
              <text>vxl sac 34:62</text>
            </elementText>
          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788377">
                <text>Following the Leaf Through Part of Dryden's 'Fables'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788381">
                <text>Arguing that the sequence of tales in Dryden's "Fables" is significant and meaningful, Gelineau examines a sequence of tales in which Dryden "uses the Chaucerian tales, with their Catholic love of order, to frame his critique of military brutality and to epitomize everything that [King] William has come to reject." The sequence opens with the pseudo-Chaucerian "Flower and the Leaf" and closes with Dryden's version of WBT.</text>
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  <item itemId="270671" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788367">
              <text>Gross, John, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788368">
              <text>New York: Oxford University Press, 2010.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788369">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788370">
              <text>xix, 339 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788371">
              <text>"Tale of Miss Hunter Dunn [Geoffrey Chaucer Rewrites Sir John Betjeman."</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788372">
              <text>Sharpless, Stanley S.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl sac 34:63</text>
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                <text>The Oxford Book of Parodies</text>
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                <text>Surveys parodies in English, including two brief examples from Alexander Pope that parody Chaucer, plus Stanley J. Sharpless's "The Tale of Miss Hunter Dunn [Geoffrey Chaucer Rewrites Sir John Betjeman]" (pp. 6-7).</text>
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            <elementText elementTextId="2788358">
              <text>Havely, Nick.</text>
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              <text>Textual Cultures: Texts, Contexts, Interpretation 5.1 (2010): 76-98.</text>
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            <elementText elementTextId="2788360">
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Textual Cultures: Texts, Contexts, Interpretation 05 (2010).</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>From 'Goodly Maker' to Witness Against the Pope: Conscripting Dante in Henrician England</text>
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              <elementText elementTextId="2788361">
                <text>Havely documents Dante's reception in sixteenth-century England, focusing on the perception of Dante in relation to England as "empire" and treatments of Dante as a "proto-Protestant" writer. Observes recurrently how Dante and Chaucer were yoked in Henrician literary tradition.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2788348">
              <text>Haydock, Nickolas A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2788349">
              <text>Amherst, N.Y.: Cambria Press, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788350">
              <text>2010</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2788351">
              <text>xii, 376 pp. : 6 b&amp;w figs.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2788353">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2788354">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>vxl sac 34:65</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2788347">
                <text>Situational Poetics in Robert Henryson's "Testament of Cresseid"</text>
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              <elementText elementTextId="2788352">
                <text>Haydock examines poetic authority in Henryson's "Testament" as it simultaneously affirms and seeks to replace TC, in effect treating Chaucer's poem in Chaucerian fashion. One of Henryson's three major works, "Testament" is part of his effort to emulate Virgil and a Scottish response to English literary and political hegemony. Informed by Boethian thought, its depiction of Cresseid was influenced by Saint Jerome's association of tragedy and prostitution, and the work anticipates R. I. Moore's exploration of persecution, René Girard's theory of victimization, and formulations of female subjectivity by Freud, Lacan, and Žižek. "Testament" deeply influenced Shakespeare's "Troilus and Cressida" and, more generally, the Renaissance reception of Chaucer. Haydock's book includes comments on editions of Chaucer and Henryson, Kinaston's Latin translation of "Testament" and TC, and the modern reconstruction of Abbot House at Dumfermline Abbey.</text>
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  <item itemId="270668" public="1" featured="0">
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2788338">
              <text>Higl, Andrew.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2788339">
              <text>Joshua R. Eyler, ed. Disability in the Middle Ages: Reconsiderations and Reverberations (Burlington, Vt.: Ashgate, 2010), pp. 167-81.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2788340">
              <text>2010</text>
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          <elementTextContainer>
            <elementText elementTextId="2788341">
              <text>Disability in the Middle Ages: Reconsiderations and Reverberations.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788343">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2788344">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
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        <element elementId="109">
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            <elementText elementTextId="2788345">
              <text>vxl sac 34:66</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2788337">
                <text>Henryson's Textual and Narrative Prosthesis onto Chaucer's Corpus: Cresseid's Leprosy and Her 'Schort Conclusioun'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788342">
                <text>Treating a book or a "corpus" of literature as a body encourages a prosthetic approach to texts and to narratives. Henryson's addition to Chaucer's TC in his "Testament of Cresseid" works as a "double prosthesis" in which Henryson seeks to rehabilitate an incomplete narrative (Criseyde's outcome in TC is missing) by adding a disability (Cresseid's leprosy) to it.</text>
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  <item itemId="270667" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2788325">
              <text>Higl, Andrew G.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788326">
              <text>DAI A70.07 (2010): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788327">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788329">
              <text>Chaucer's Influence and Later Allusion</text>
            </elementText>
            <elementText elementTextId="2788330">
              <text>Chaucerian Apocrypha</text>
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            <elementText elementTextId="2788331">
              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2788332">
              <text>Cook and His Tale</text>
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            <elementText elementTextId="2788333">
              <text>Manuscripts and Textual Studies</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788334">
              <text>Dissertation Abstracts International 70 (2010)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2788335">
              <text>vxl sac 34:67</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788324">
                <text>Joining the 'Canterbury Tales': The Story Telling Game and the Interactive Work</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788328">
                <text>Examining how post-Chaucerian writers and critics even to the present day have added and responded to CT, Higl argues that their works are analogous to the pilgrims' fictive contest. The dissertation assesses the evidence of reception in select CT manuscripts (particularly reception of the Wife of Bath), reactions to CkT up through the twenty-first century, Lydgate's uses of CT, and Beryn and the Plowman.</text>
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  <item itemId="270666" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788315">
              <text>Honeyman, Chelsea.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788316">
              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 65-81.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2788317">
              <text>2010</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788318">
              <text>Standing in the Shadow of the Master?</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788320">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2788321">
              <text>House of Fame</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788322">
              <text>vxl sac 34:68</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2788314">
                <text>The Palice of Honour: Gavin Douglas' Renovation of Chaucer's House of Fame</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788319">
                <text>Honeyman situates Palice of Honour within the development of an autonomous tradition of Scottish poetry, addressing the work as a self-aware response to HF.</text>
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  </item>
  <item itemId="270665" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2788306">
              <text>Hordis, Sandra M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788307">
              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 46-64.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788308">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788309">
              <text>Standing in the Shadow of the Master?</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788311">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788312">
              <text>vxl sac 34:69</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788305">
                <text>Metatextual Resistance in Henryson's Testament of Cresseid</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788310">
                <text>Hordis argues that Henryson's poem aggressively explores Chaucer's authorial authority. The text was produced in a time of emergent efforts by the Scots to construct a national identity, and it questions English literary influence.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kamath, Stephanie A. Viereck Gibbs.</text>
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              <text>Chaucer Review 45 (2010): 32-58.</text>
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              <text>2010</text>
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            <elementText elementTextId="2788301">
              <text>Chaucer's Influence and Later Allusion.</text>
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            <elementText elementTextId="2788302">
              <text>Chaucer Review 45 (2010).</text>
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              <text>vxl sac 34:70</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788296">
                <text>John Lydgate and the Curse of Genius</text>
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            <description>An account of the resource</description>
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                <text>In both "Reson and Sensuallyte" and "Troy Book," Lydgate establishes the literary authority of English poetry by placing it in the "allegorical landscape" of the "Roman de la Rose." He frequently follows Chaucer's "method of Rose citation," while Genius's anathema in "Troy Book" follows both Gower's and Chaucer's precedent of inserting "internal critiques" into their works.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2788287">
              <text>Johnson, Eleanor Bayne.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2788288">
              <text>DAI A70.10 (2010): n.p.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788289">
              <text>2010</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788291">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2788292">
              <text>Style and Versification</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788293">
              <text>Dissertation Abstracts International 70 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2788294">
              <text>vxl sac 34:51</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788286">
                <text>Sensible Prose and the Sense of Meter: Boethian Prosimetrics in Fourteenth-Century England</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2788290">
                <text>Considers the alternation between the pedagogy of argument (prose sections) and pleasure (metrical sections) in "prosimetrum," arguing that the form of Boethius's "Consolation" was as essential as its content for writers such as Chaucer, Usk, Hoccleve, and Julian of Norwich.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2788272">
              <text>Kamath, Stephanie Gibbs, and Rita Copeland.</text>
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            <elementText elementTextId="2788273">
              <text>Rita Copeland and Peter T. Struck, eds. The Cambridge Companion to Allegory (Cambridge and New York: Cambridge University Press, 2010), pp. 136-47.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788274">
              <text>2010</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2788275">
              <text>The Cambridge Companion to Allegory.</text>
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          <elementTextContainer>
            <elementText elementTextId="2788276">
              <text>Copeland, Rita.</text>
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            <elementText elementTextId="2788277">
              <text>Copeland, Rita, ed.</text>
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            <elementText elementTextId="2788278">
              <text>Struck, Peter, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2788280">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2788281">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2788282">
              <text>House of Fame</text>
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            <elementText elementTextId="2788283">
              <text>Legend of Good Women</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2788284">
              <text>vxl sac 34:52</text>
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            <name>Title</name>
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              <elementText elementTextId="2788271">
                <text>Medieval Secular Allegory: French and English</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788279">
                <text>Kamath and Copeland survey the legacy of philosophical allegory and secular allegory--largely inspired by the "Roman de la Rose"--in late medieval France and, by extension, England. They focus on Machaut, Froissart, and Deschamps and their relative impact on Chaucer, Gower, and Christine de Pizan. In BD, HF, and LGW, Chaucer consistently uses strategies that embed "new and always productive ambiguities about the capacities and limitations of allegory as a literary form."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2788260">
              <text>Lavezzo, Kathy.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2788261">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010),  pp. 47-64.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2788262">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788263">
              <text>Chaucer: Contemporary Approaches.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788265">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2788266">
              <text>Language and Word Studies</text>
            </elementText>
            <elementText elementTextId="2788267">
              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2788268">
              <text>Tale of Sir Thopas</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788269">
              <text>vxl sac 34:53</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788259">
                <text>England</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788264">
                <text>Traces recent critical engagement with the "problem" of late medieval English national identity in Chaucer, especially as it reflects anxieties about political upheaval, linguistic variety, cultural "hybridity," and English geographical isolation. Lavezzo draws together comments on the Auchinleck Book, "Sir Orfeo," Higden's "Polychronicon," and several of the tales in CT, especially Th, which, she argues, obliquely engages concerns of nation presented directly in Guy of Warwick.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788246">
              <text>Rossiter, William T.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788247">
              <text>Cambridge: D. S. Brewer, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788248">
              <text>2010</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788249">
              <text>235 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788251">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2788252">
              <text>Chaucer's Life</text>
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            <elementText elementTextId="2788253">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2788254">
              <text>Monk and His Tale</text>
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            <elementText elementTextId="2788255">
              <text>Troilus and Criseyde</text>
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        </element>
        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2788256">
              <text>Chaucer Studies, no. 41.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2788257">
              <text>vxl sac 34:54</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788245">
                <text>Chaucer and Petrarch</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2788250">
                <text>Assesses Chaucer's relationship with Petrarch, focusing on translation theory, humanism, and Chaucer's uses of the Italian writer as source for ClT and the "Canticus Troili" of TC. Also assesses Chaucer's references to Petrarch in ClT and in MkT, as well as his interactions with Italians and Italian culture (including the works of Dante and Boccaccio) in London and on his Italian journeys. Comments on Chaucer's notions of translation and literary production, derived from various classical and medieval sources, particularly in comparison with Petrarch's.</text>
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  <item itemId="270659" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788236">
              <text>Yeager, R. F.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788237">
              <text>Corinne Saunders, ed. A Companion to Medieval Poetry (Malden, Mass.: Wiley-Blackwell, 2010), pp. 476-95.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788238">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788239">
              <text>A Companion to Medieval Poetry.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788241">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2788242">
              <text>Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788243">
              <text>vxl sac 34:55</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2788235">
                <text>The Poetry of John Gower</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788240">
                <text>Considering the possibility that Gower "was the foremost poet of his age," Yeager contrasts the poetic powers of Gower and Chaucer and compares Gower's poetic techniques in "In Praise of Peace" and "Confessio Amantis" with Chaucer's techniques in CT.</text>
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          </element>
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