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              <text>Stasik, Tamara L.</text>
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                <text>Forms of Living: Asceticism, Culture, and Articulating the 'Medeled Liyf' in Late Medieval English Literature</text>
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                <text>Using ClT and other texts, looks at the intersection of asceticism and secular lifestyles.</text>
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              <text>Espie, Jeffrey George.</text>
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              <text>Dissertation Abstracts International A78.08 (2016): n.p.</text>
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                <text>Forms of Mediation: Chaucer, Spenser and English Literary History.</text>
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                <text>Considers Spenser's perception of Chaucer as inspiration, influence, and creator whose creations have themselves been mediated by other writers and society.</text>
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                <text>Forms of Perspective and Chaucer's Dream Spaces: Memory and the Catalogue in 'The House of Fame'</text>
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                <text>Examines three interiors within HF, and the use of the "catalogue" as a way of articulating and revealing the spatial relationships within the poem. Compares the "navigation of space" in HF to classical and medieval techniques of a "memory palace."</text>
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              <text>Chelis, Theodore.</text>
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              <text>Ph.D. dissertation. Pennsylvania State University, 2022. &#13;
Abstract accessible at https://etda.libraries.psu.edu/catalog/22564tbc126 (accessed November 15, 2023).</text>
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                <text>Forms of Shame: Gower, Chaucer, Hoccleve.</text>
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            <description>An account of the resource</description>
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                <text>Argues that "the vernacular literature of late medieval England contributes importantly to the theorizing of psychological subjectivity and that this theorizing is connected fundamentally with the history of shame"; focuses on selected works by Chaucer, John Gower, and Thomas Hoccleve.</text>
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              <text>Sisk, Jennifer Lynn.</text>
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        <element elementId="98">
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              <text>DAI A69.05 (2008): n.p.</text>
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              <text>2008</text>
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              <text>Second Nun and Her Tale</text>
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              <text>Canon's Yeoman and His Tale</text>
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          <elementTextContainer>
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              <text>vxl SAC 32:140.</text>
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                <text>Forms of Speculation: Religious Genres and Religious Inquiry in Late Medieval England</text>
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                <text>Sisk contends that a number of late medieval works, including Fragment 8 of CT, "obliquely" address contemporary religious issues. These works mark a departure from more traditional (and clearly didactic) religious treatises and may even suggest that these texts merit further consideration as witnesses to intellectual history.</text>
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              <text>Boffey, Julia.</text>
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              <text>Ursula Schaefer, ed. The Beginnings of Standardization: Language and Culture in Fourteenth-Century England (Frankfurt am Main: Peter Lang, 2006), pp. 61-70.</text>
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              <text>Beginnings of Standardization: Language and Culture in Fourteenth-Century England.</text>
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              <text>Lyrics and Short Poems.</text>
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              <text>vxl sac 30:298</text>
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                <text>Analyzes the terms - "song," "dite," "tretyse," etc. - used for short poems in Middle English, including terms in Chaucer's works.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 34 (1991):88-100.</text>
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                <text>Investigates the ways CT problematizes the medium of speech and, through its self-conscious narrators, comments on the changing value of spoken language.  Though Chaucer preserves and allows resistance to the tyrannies of high literary  form, his relation to the poetry of common speech is problematic.</text>
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              <text>x, 317 pp.; illus.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde&#13;
Knight and His Tale&#13;
Man of Law and His Tale</text>
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                <text>Argues that "the nascent art of international relations . . . among England, Scotland, and France, creates a heightened awareness of the connections between literary and political mediation central to the distinct textures of medieval wartime." Explores examples in literary and historical texts and treats Chaucer as an "emblematic figure" of such mediation in various works, especially KnT, MLT, and TC. A version of Chapter 4, "'Wereyed on every side': Chaucer's Troilus and Criseyde and the Logic of Siege Warfare," was published under the same title in New Medieval Literatures 20 (2020): 74-106.</text>
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              <text>Colette Stévanovitch, Elise Louviot, Philippe Mahoux-Pauzin, Dominique Hascoët, eds. La Formule dans la Littérature et la Civilisation de l'Angleterre Médiévale (Nancy: Presses Universitaires de Nancy, Regards Croisés sur le Monde Anglophone, 2011), pp. 189-206.</text>
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              <text>La Formule dans la Littérature et la Civilisation de l'Angleterre Médiévale</text>
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              <text>mea sac 35:133.</text>
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                <text>Explores the type, use, and functions of formulas in Th, in relation to parody; in Mel, in dramatic form reinforcing allegory.</text>
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            <elementText elementTextId="2773623">
              <text>Rock, Catherine A.</text>
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              <text>Chaucer Review 40 (2006): 416-32.</text>
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          <elementTextContainer>
            <elementText elementTextId="2773628">
              <text>Chaucer Review 40 (2006)</text>
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                <text>Forsworn and Fordone: Arcite as Oath-Breaker in the Knight's Tale</text>
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                <text>Arcite breaks his oath of brotherhood with Palamon, the promise he made to Theseus never to return to Athens, and the code of knighthood by doing menial labor disguised as a "povre laborer." The "ignoble, freakish manner of [his] death" thus suits the manner of his living.</text>
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          <elementTextContainer>
            <elementText elementTextId="2793862">
              <text>Schofield, Ian, composer.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <elementTextContainer>
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              <text>Andover Down, U.K.: Caddy Publishing, 2009.</text>
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          <elementTextContainer>
            <elementText elementTextId="2793864">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2793865">
              <text>Musical score; 21 pp.</text>
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              <text>Burgess, Daphne.</text>
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          <elementTextContainer>
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              <text>Recordings and Films</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Forth Pilgrim, Forth: Cantata for Baritone and Orchestra</text>
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            <description>An account of the resource</description>
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                <text>Score for voice and orchestra in forty-two bars (fifteen minutes). The text that accompanies the score, compiled from twenty-six lines selected from KnT and Truth by Daphne Burgess, is given in Middle English; a modern "paraphrase" also included.</text>
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              <text>Proceedings of the International Patristic, Mediaeval, &amp; Renaissance Conference 5 (1980): 119-35.</text>
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            <elementText elementTextId="2719990">
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              <text>Proceedings of the International Patristic, Mediaeval and Renaissance Conference 05 (1980)</text>
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                <text>The Clerk and his tale serve as a corrective to the Wife of Bath's philosophy by "exploiting a fictional and moral failure of nerve on the Wife's part," since it is not realism but weakness that motivates the Wife.</text>
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  <item itemId="273773" public="1" featured="0">
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              <text>Bartholomew, Barbara.</text>
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              <text>The Hague: Mouton, 1966.</text>
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Clerk and His Tale&#13;
Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>1966</text>
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                <text>Fortuna and Natura: A Reading of Three Chaucer Narratives.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2819706">
                <text>Studies the "dynamic relationship" between Fortuna and Natura in PhyT, ClT, and KnT, surveying in an Introduction (pp. 9-45) their presence elsewhere in Chaucer's works and his antecedents. In PhyT which "approaches allegory" the "destructive forces of Fortuna" are implied and "roundly defeated," while "Nature's love, though overt, is "not always sufficient for human need." Walter and Griselda in ClT "dramatize the differences between Fortuna's fickle tyranny and Natura's stable love," although Griselda transcends nature. Less schematic and more ambiguous than the other two Tales, KnT capitalizes on the opposition between nature and fortune to reinforce a Boethian outlook in "delicate" ways. The volume is concerned with source relations throughout.</text>
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  <item itemId="267563" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2756282">
              <text>Phillips, Helen.</text>
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        <element elementId="98">
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            <elementText elementTextId="2756283">
              <text>Nottingham French Studies 38: 120-36,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756284">
              <text>1999</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2756286">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
            <elementText elementTextId="2756287">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2756288">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2756289">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2756290">
              <text>Nottingham French Studies 38 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756291">
              <text>jules SAC 24 (71)</text>
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          <element elementId="50">
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              <elementText elementTextId="2756281">
                <text>Fortune and the Lady : Machaut, Chaucer and the Intertextual 'Dit'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756285">
                <text>Summarizes how contemporary intertextual theory complicates traditional notions of source relations. Surveys intertextual relations in Chaucer's works, especially examples where, by failing to "include the conclusion" from his source(s), Chaucer provokes deep engagement from his audience. Machaut's Fortune presents a very complex "palimpsest" for the depiction of Fortune in BD because Chaucer knew and capitalized on Machaut's relations with Boethius and the Roman de la Rose--themselves "inherently unstable" texts. Phillips also draw examples from TC, WBP, and other Chaucerian works.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2778696">
              <text>Corrie, Marilyn.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778697">
              <text>Literary Compass 5.2 (2008): 207-19.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2778698">
              <text>2008</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2778700">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2778701">
              <text>Boece</text>
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            <elementText elementTextId="2778702">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2778703">
              <text>Knight and His Tale</text>
            </elementText>
            <elementText elementTextId="2778704">
              <text>Monk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2778705">
              <text>Literary Compass 05 (2008).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833749">
              <text>vxl SAC 32:50.</text>
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          <element elementId="50">
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              <elementText elementTextId="2778695">
                <text>Fortune and the Sinner: Chaucer, Gower, Lydgate, and Malory's 'Morte Darthur'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2778699">
                <text>Depictions of Fortune and Fortune's effects in Malory's Morte Darthur have much in common with depictions in works by his English predecessors. Corrie comments on Chaucer's Bo, TC, KnT, and MkT.</text>
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  <item itemId="272512" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2807678">
              <text>Jost, Jean E.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807679">
              <text>Medieval Perspectives 28 (2013): 145-82,</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807680">
              <text>2013</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2807682">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807683">
              <text>Medieval Perspectives 28 (2013)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807684">
              <text>mea sac 37:164</text>
            </elementText>
          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807677">
                <text>Fortune or Free Will in Chaucer's 'Troilus and Criseyde': How Fortune 'Pleyeth with Free and Bonde'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807681">
                <text>Though medieval orthodoxy insisted on the reality of free will, TC presents three characters subject to fortune at every turn, perhaps because they are pre-Christian pagans.  Troilus is a victim of fortune from the moment he sees Criseyde.  Pandarus is similarly enchained, but achieves a kind of agency by taking up Troilus' cause with Criseyde, whose compliant nature he manipulates shamelessly. History itself is another of Fortune's agents as the tragedy unwinds.</text>
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  </item>
  <item itemId="272273" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805189">
              <text>Haines, Raymond Michael.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805190">
              <text>DAI 32.07 (1972): 3952A</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805191">
              <text>1972</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805193">
              <text>Pardoner and His Tale</text>
            </elementText>
            <elementText elementTextId="2805194">
              <text>Physician and His Tale</text>
            </elementText>
            <elementText elementTextId="2805195">
              <text>Canterbury Tales--General</text>
            </elementText>
            <elementText elementTextId="2805196">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805197">
              <text>Dissertation Abstracts International 32 (1972)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2805198">
              <text>mea; 12/01/2015 No SAC</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805188">
                <text>Fortune, Nature, and Grace in Chaucer's 'Canterbury Tales'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805192">
                <text>Surveys the literary and philosophical backgrounds of fortune, nature, and grace, and assesses their roles in CT, with particular attention to PhyT, PardT and the unity of Part 6. Includes an appendix that explores nineteen analogues to PardT</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="261884" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699408">
              <text>Haines, R. Michael.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699409">
              <text>Chaucer Review 10 (1976): 220-35.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699410">
              <text>1976</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699412">
              <text>Physician and His Tale.</text>
            </elementText>
            <elementText elementTextId="2699413">
              <text>Pardoner and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699414">
              <text>Chaucer Review 10 (1976)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699415">
              <text>jules - 23/sept/94 SAC 1 (84)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2699407">
                <text>Fortune, Nature, and Grace in Fragment C</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2699411">
                <text>That the Fortune-Nature-Grace topos is the unifying theme of Fragment C is supported by Chaucer's additions to its sources and by his probable revision of the link.  PhyT shows the gifts of Grace overcoming Fortune and Nature; PardT shows the abuse of all three.</text>
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  <item itemId="263728" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717459">
              <text>Harder, Bernhard D.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717460">
              <text>University of Windsor Review (Ontario) 18:1 (1984): 47-52.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717461">
              <text>1984</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2717463">
              <text>Knight and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717464">
              <text>University of Windsor Review (Ontario) 18 (1984)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2717465">
              <text>jules SAC 08 (133)</text>
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          <element elementId="50">
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            <elementTextContainer>
              <elementText elementTextId="2717458">
                <text>Fortune's Chain of Love: Chaucer's Irony in Theseus' Marriage Counselling</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2717462">
                <text>The coherence problem in KnT can be solved by viewing the tale as Boethian, but Theseus ironically perverts Boethian arguments from "De consolatione philosophiae" until those arguments contradict Boethian philosophy, typically telling a familiar story but ironically twisting the ending.</text>
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  <item itemId="276013" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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Knight and His Tale&#13;
Fortune&#13;
Envoy to Scogan</text>
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                <text>Fortune's Friends: Forms and Figures of Friendship in the Chaucer Tradition.</text>
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                <text>Examines "how Middle English writers appropriated different forms and figures of friendship in their discussions, critiques, and activations of friendship," describing modifications of classical, biblical, Boethian, and humanist models, with recurrent attention to Chaucerian works: KnT, For, Scog, and others.</text>
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              <text>Sandidge, Marilyn.</text>
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              <text>Classen, Albrecht, ed.</text>
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                <text>Forty Years of Plague: Attitudes Toward Old Age in the Tales of Boccaccio and Chaucer</text>
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                <text>Youthful attitudes toward old age in the works of Boccaccio and Chaucer differ strikingly, perhaps because of demographic changes caused by the Black Plague. In Boccaccio, youth respects the wisdom of age, whereas in Chaucer young people resent the advice, authority, wealth, and existence of elders. KnT introduces the conflict between the generations, a motif throughout CT.</text>
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              <text>"Zadankai: Eibungaku ni okeru Chōsā zō no tenkai."</text>
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                <text>Forum : Many Aspects of Chaucer in English Literature</text>
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                <text>Discusses the reception history of Chaucer, ranging from Spenser through Shakespeare to the English Romantics. Panelists include Nahoko Miyamoto, Yoshiko Kobayashi, and Atsuhiko Hirota.</text>
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                <text>In Japanese.</text>
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            <elementText elementTextId="2710270">
              <text>Crane, Susan.</text>
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          <elementTextContainer>
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                <text>The Wife of Bath, a fiction rather than a person, slips into inconsistency because of the very problems Chaucer raises.</text>
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          <elementTextContainer>
            <elementText elementTextId="2712439">
              <text>Nolan, Barbara.</text>
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              <text>General Prologue to the Canterbury Tales.</text>
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              <text>jules SAC 10 (135)</text>
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                <text>Forum Reply to Michael E. Moriarty</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2712442">
                <text>Moriarty overemphasizes unity and logic at the expense of the varied traditions on which Chaucer drew.</text>
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