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              <text>Hamaguchi, Keiko.</text>
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              <text>Chaucer and Women.</text>
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              <text>jules SAC 11 (186)</text>
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                <text>For Hoolynesse or for Dotage--Januarie's Spiritual Blindness in 'The Merchant's Tale'</text>
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                <text>Ironically, the key-words "hoolynesse" and "dotage" suggest the gap between January's view of marriage and his actual married life.</text>
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                <text>Reprinted in Keiko Hamaguchi, Chaucer and Women (Tokyo: Eihosha, 2005).</text>
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              <text>Huth, Jennifer Mary.</text>
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              <text>Dissertation Abstracts International 58 (1997): 159A.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 21 - 115</text>
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                <text>For I Have Tools to Truss' : Women, Work, and Professionalism in Late Medieval Literature</text>
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                <text>Examines the rise of professionalism and women's efforts to achieve autonomy in fourteenth- and fifteenth-century England as represented in the mystery cycles, Chaucer's Wife of Bath, and Margery Kempe.</text>
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              <text>Mathewson, Jeanne T.</text>
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              <text>Annuale Mediaevale 14 (1973): 35-42.</text>
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              <text>Physician and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Annuale Mediaevale 14 (1973)</text>
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              <text>mea; 1/9/2015 No SAC</text>
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                <text>For Love and Not For Hate: The Value of Virginity in Chaucer's 'Physician's Tale'</text>
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                <text>Argues that Chaucer's additions to his sources in PhyT (Virginia's speech and the reference to Jephthah's daughter) convey a sense of masculine blindness to feminine reality--seeing only the "transient conditions of beauty, youth, and virginity."</text>
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              <text>Crane, Susan.</text>
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              <text>SAC 29 (2007): 23-41.</text>
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              <text>Biennial Chaucer Lecture, The New Chaucer Society, Fifteenth International Congress, 27-31 July 2006, Fordham University.</text>
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              <text>Studies in the Age of Chaucer 29 (2007)</text>
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                <text>The two portions of SqT align the cultural differences between the Mamluk emissary and the Mongol court with the species differences between the falcon and Canacee. Capitalizing on symbolic, metonymic connections between animals and humans and reflecting the Middle English dual meaning of kynde (denoting both species and compassionate), the bird section diminishes the orientalism of the court scene and poses possibilities for interspecies compassion.</text>
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              <text>Richmond, Velma Bourgeois.</text>
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              <text>Christianity &amp; Literature 54 (2005): 363-96.</text>
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              <text>vxl SAC 29:138.</text>
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                <text>Ford Madox Brown's Protestant Medievalism: Chaucer and Wycliffe</text>
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                <text>Four historical paintings by Ford Madox Brown (1821-93) exhibit the interplay among literature, art, and religion in Victorian medievalism. Chaucer is the primary focus in The Seeds and Fruits of English Poetry (1845) and Chaucer at the Court of Edward III (1851, 1867-68).</text>
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                <text>In addition, Chaucer is a witness to Wycliffe in Wycliffe Reading His Translation of the Bible to John of Gaunt, in the Presence of Chaucer and Gower (1847-48, 1859-61) and in Wycliffe on His Trial (1884-86). Brown saw Chaucer and Wycliffe, through their development of English poetry and prose respectively, as crucial to breaking the hold of the Catholic Church in England and establishing national identity.</text>
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              <text>Payne, F. Anne.</text>
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              <text>Chaucer Review 10 (1976): 201-19.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>Chaucer Review 10 (1975)</text>
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              <text>jules - 6/10/94 SAC 1 (177)</text>
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                <text>Foreknowledge and Free Will: Three Theories in the 'Nun's Priest's Tale'</text>
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                <text>In NPT, the thrust of the satire on the relation between foreknowledge and free will is that theories like Bishop Bradwardine's simple necessity, St. Augustine's paradox, and, most notably, Boethius' conditional necessity are too abstract and artificial to account for the complexity of real life situations.</text>
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                <text>Chaucer uses a medieval commonplace--vowing--as a function of genre:  tragedy, comedy, or fabliau.  In PardT, fashioning an illegitimate triple vow to eradicate Death, and bound by sworn brotherhood, three hoodlums effect upon themselves a grim, appropriate disaster.  In a joyful comic resolution, the Franklin eradicates the foolish highpriced vows for his none-too-wise but good-willed characters.</text>
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              <text>The Riverside Chaucer.</text>
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              <text>Background and General Criticism&#13;
Nun's Priest and His Tale&#13;
Parliament of Fowls&#13;
Canon's Yeoman's Tale&#13;
General Prologue to the Canterbury Tales</text>
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              <text>Carl Kears and James Paz, eds. Medieval Science Fiction London: King's College London Centre for Late Antique and Medieval Studies, 2016(), pp. xv-xxv.</text>
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                <text>Defines medieval science fiction and provides a survey of types of science appearing in medieval literature, including natural philosophy (in NPT and PF), alchemy (in CYT), herb lore (in GP), and astronomy. </text>
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                <text>Explores literary composition as "cybertextuality," employing a fusion of cognitive theory, stylistic analysis, computer applications, and attribution studies. The goal is to uncover the compositional processes of writers by examining their verbal habits and their comments on authorship, including references to the muses and other remarks on literary creation. Lancashire examines the foul papers and stylistic habits of a wide range of poets and writers, medieval to modern. Discussion of Chaucer (pp. 116-33 and elsewhere) focuses on repeated phrases and on how patterns in repetition vary over the course of the composition of CT. Also comments on HF.</text>
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              <text>di Carpegna Falconieri, Tommaso, and Lila Yawn.</text>
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              <text>Bettina Bildhauer and Chris Jones, eds. The Middle Ages in the Modern World: Twenty-First Century Perspectives (Oxford: Oxford University Press, 2017), pp. 186–215.</text>
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Bettina Bildhauer, ed. &#13;
Jones, Chris, ed.</text>
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              <text>The Middle Ages in the Modern World: Twenty-First Century Perspectives.</text>
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Canterbury Tales--General</text>
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                <text>Forging "Medieval" Identities: Fortini's "Calendimaggio" and Pasolini's "Trilogy of Life."</text>
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                <text>Briefly invokes Chaucer, noting Pasolini's 1971 film, "The Canterbury Tales," and its adaptation of Chaucer's work to highlight increasing cultural degradation as works are transmitted.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Considers the "influence of the thirteenth-century Pseudo-Boethian forgery 'De Disciplina Scolarium' on medieval understandings of Boethius." Includes "'Bitwixen game and ernest': Contrary Boethianism in TC," which examines the "contraries" of the poem and emphasizes how they reflect a broader "Boethianism" than that found only in the "De consolatione Philosophiae." Pandarus is a "Boethian pander and pedagogue within the tradition" comprising "De disciplina," Boethian logic, commentaries on Boethius, and the characterization of Boethius in Maximian's "Third Elegy"--a tradition in which "serious lessons" are taught "through counterintuitive means" and male-male friendship.</text>
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              <text>Kathryn Karczewska and Tom Conley, eds. The World and Its Rival: Essays on Literary Imagination in Honor of Per Nykrog. Faux titre, no. 172 (Amsterdam and Atlanta: Rodopi, 1999), pp. 59-77.</text>
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              <text>The World and Its Rival: Essays on Literary Imagination in Honor of Per Nykrog.</text>
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              <text>Karczewska, Kathryn, ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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                <text>Forlorn Hope : Mutability Topoi in Some Medieval Narratives</text>
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                <text>Examines adaptations of conventional depictions of change in literary characters--in works by Chrétien de Troyes, Marie de France, and Benoît de Sainte-Maure. Contrasts the change in Benoît's Briseida with that in Chaucer's Criseyde, focusing on how quickly Criseyde falls in love with Diomede in TC.</text>
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              <text>Cannon, Christopher.</text>
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              <text>Paul Strohm, ed. Middle English (Oxford: Oxford University Press, 2007), pp. 177-90.</text>
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              <text>Middle English (Strohm)&#13;
</text>
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              <text>Troilus and Criseyde</text>
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              <text>vxl SAC 31:306</text>
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                <text>Form</text>
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                <text>Cannon summarizes medieval theories of literary form, including that of Geoffrey of Vinsauf, as adapted by Chaucer in TC. Applies the theories to various works in Middle English.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Strouse, A. W.</text>
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              <text>New York: Fordham University Press, 2021.</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2849141">
              <text>[165 pp.]</text>
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        <element elementId="108">
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              <text>The Foreskin of Marriage</text>
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              <text>SAC 46:232</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2849145">
              <text>2021</text>
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                <text>Form and Foreskin: Medieval Narratives of Circumcision.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849138">
                <text>Uses Pauline "theo-poetics of circumcision" to explore circumcision and "uncircumcision" as hermeneutic tropes, focusing on allegoresis and amplification, and analyzing queerly Augustine's Boy with a Long Foreskin" (from "De Genesi ad litteram"); "Sir Gawain and the Green Knight"; and, in Chapter 3, "The Foreskin of Marriage," WBT. Identifies medieval association of marriage and "the allegorical praeputium" in the latter and suggests that the "Wife vernacularizes and feminizes the 'Latinate praeputium' in order to circumcise the marriage plot."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2739333">
              <text>Chickering, Howell.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2739334">
              <text>Chaucer Review 29 (1995): 352-72.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2739335">
              <text>1995</text>
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              <text>Clerk and His Tale.</text>
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          <elementTextContainer>
            <elementText elementTextId="2739339">
              <text>Chaucer Review 29 (1995)</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 19 (1997) - 211</text>
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          <element elementId="50">
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              <elementText elementTextId="2739332">
                <text>Form and Interpretation in the 'Envoy' to the 'Clerk's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2739336">
                <text>A close reading of the Envoy to ClT underscores Chaucer's brilliant ambiguity and makes the assigning of it to a single speaker impossible.</text>
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                <text>Chaucer works with multiple strategies within ClT and ends it with a variety of interpretations as well.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729157">
              <text>Pelen, Marc M.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729158">
              <text>Journal of Medieval and Renaissance Studies 9 (1979): 277-305.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>1979</text>
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        <element elementId="102">
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            <elementText elementTextId="2729162">
              <text>Parliament of Fowls.</text>
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          <elementTextContainer>
            <elementText elementTextId="2729163">
              <text>Journal of Medieval and Renaissance Studies 09 (1979)</text>
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        <element elementId="109">
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              <text>jules SAC 03 (2000</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2729156">
                <text>Form and Meaning of the Old French Love Vision: The 'Fableau dou Dieu d'Amors' and Chaucer's 'Parliament of Fowls'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2729160">
                <text>Structure and theme of the Vision are established not only by the "Roman de la Rose" but by Latin poems:  (1) visionary setting and (2) questing love-debate for a solution to the turmoil resolved (or unresolved) at (3) a Court of Love.  Chaucer's work deviates from the pattern, but it is also adumbrated by the tradition, even though there is no final resolution.  </text>
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                <text>Still "we can perceive all too clearly (the dreamer's) desperate need for a marriage with the cosmic love that frightens him, and that makes plain the complete irrelevance of his cunning claim to innocence of love's 'myrakles and his crewel yre'."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727955">
              <text>Strohm, Paul.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727956">
              <text>Studies in the Age of Chaucer 1 (1979): 17-40.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727957">
              <text>1979</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2727959">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2727960">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2727961">
              <text>Studies in the Age of Chaucer 01 (1979)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727962">
              <text>jules SAC 03 (64)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727954">
                <text>Form and Social Statement in 'Confessio Amantis' and 'The Canterbury Tales'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727958">
                <text>Gower's "Confessio" and Chaucer's CT reflect a process of mediation in which problematic social realities are restated or reconceived.  The two writers treat two medieval aesthetics, unity-in-diversity and hierarchies, though Chaucer encourages contrary possibilities while Gower seeks to reconcile old forms and new content.</text>
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  <item itemId="264441" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724313">
              <text>Knight, Stephen.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724314">
              <text>G. A. Wilkes and A.P. Riemer, eds.  Studies in Chaucer. (Sydney: University of Sydney, 1981), pp. 64-85.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724315">
              <text>1981</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724316">
              <text>Studies in Chaucer.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724318">
              <text>Nun's Priest and His Tale.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2724319">
              <text>jules SAC 05 (198)</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2724312">
                <text>Form, Content and Context in The Nun's Priest's Tale</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2724317">
                <text>An explication of NPT, analyzing it within its historical context.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sawyer, Daniel.</text>
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        <element elementId="98">
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              <text>Chaucer Review 56. 3 (2021): 193-224.</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2844301">
              <text>Chaucer Review 56 (2021)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Style and Versification</text>
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        <element elementId="109">
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              <text>SAC 45:52</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2844304">
              <text>2021</text>
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          <element elementId="50">
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                <text>Form, Time, and the "First English Sonnet."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850961">
                <text>Considers John Metham's "sonnet," which presents the first sonnet-like form in English. While disputing that Metham's poem should be viewed as the first sonnet in English, its similarities and interpretations help to advance considerations about form that illuminate later English sonnets. Includes brief comments on Chaucer and the sonnet form.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2723140">
              <text>Martin, Wallace,and Nick Conrad.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2723141">
              <text>Papers on Language and Literature 17 (1981): 3-22.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1981</text>
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            <elementText elementTextId="2723144">
              <text>Shipman and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Papers on Language and Literature 17 (1981)</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>jules SAC 05 (84)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2723139">
                <text>Formal Analysis of Traditional Fictions</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2723143">
                <text>The Levi-Strauss formula for the structure of myth can be applied to analogues of ShT to illuminate disputed interpretations.  In a list of similar actions in columns, not chronological, the ShT shows eight implications of the Levi-Strauss formula.</text>
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  <item itemId="272718" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2809812">
              <text>Merrill, Rodney Harpster.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809813">
              <text>DAI 31.08 (1971): 4172A.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809814">
              <text>1971</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2809816">
              <text>Complaint of Mars</text>
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              <text>Complaint of Venus</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2809819">
              <text>Dissertation Abstracts International 31 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809820">
              <text>mea; 07/09/2016 No SAC</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2809811">
                <text>Formal Elements in the Late Medieval Courtly Love Lyric</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2809815">
                <text>Considers lyric poems "not as statements but as imitation of statements," and includes discussion of the "Brooch of Thebes" (i.e., Chaucer's Mars and Ven). Also comments on Chaucer's relations with Eustace Deschmaps and Oton de Grandson.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2797530">
              <text>Amsel, Stephanie A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2797531">
              <text>DAI A72.07 (2012): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2797532">
              <text>2012</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2797534">
              <text>Wife of Bath and Her Tale</text>
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              <text>Second Nun and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Dissertation Abstracts International 72 (2012).</text>
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          <name>Source</name>
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              <text>mea sac 35:111.</text>
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                <text>Formation of Medieval Female Subject Consciousness: A Study of Italian and English Mystics, Christine De Pizan, Boccaccio, and Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2797533">
                <text>Considers WBPT and SNPT, along with woman writers of the 13th-15th centuries, as part of the development of a female "subject consciousness." Also examines Grisilde in ClT.</text>
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  <item itemId="277176" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hines, Jessica.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Religion &amp; Literature 54 (2022): 49-71.</text>
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              <text>Religion &amp; Literature 54 (2022)</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2849792">
              <text>SAC 46:326</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2849793">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849786">
                <text>Forming Pity: Responses to Suffering in Chaucer's "Troilus and Criseyde."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849787">
                <text>Presents the role of pity as an "essential virtue" that does not negate suffering in TC; claims that Chaucer shifts language as a way to understand the "complex social and subjective position of pity" in TC.</text>
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  <item itemId="275723" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837920">
              <text>Gaston, Kara.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2837921">
              <text>PMLA 133 (2018): 282-95.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2837922">
              <text>PMLA 133 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2837923">
              <text>Complaint of Mars&#13;
Troilus and Criseyde&#13;
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2837924">
              <text>SAC 43:265</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2837925">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2837918">
                <text>Forms and Celestial Motion in Chaucer's "Complaint of Mars."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851847">
                <text>Reads the relations between the planetary event and perspectives on it in Mars as analogous to those between form and interpretation in new formalist literary analysis. In Mars the celestial motion of the geocentric universe is subject to the "standards of individual perception," enabling "a metacommentary on the [literary] forms that emerge" during close reading and generating awareness of the "temporary impressions that poetry produces as it is read and the larger patterns that actually govern its structure." Includes comments on Troilus's watching the moon in TC, V.648–51.</text>
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