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              <text>Schotland, Sara Deutch.</text>
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              <text>Albrecht Classen and Marilyn Sandidge, eds. Friendship in the Middle Ages and Early Modern Age: Explorations of a Fundamental Ethical Discourse (New York: Walter de Gruyter, 2010), pp. 525-41.</text>
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              <text>2010</text>
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              <text>Friendship in the Middle Ages and Early Modern Age: Explorations of a Fundamental Ethical Discourse.</text>
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              <text>Squire and His Tale.</text>
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              <text>vxl sac 34:237</text>
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                <text>Talking Bird and Gentle Heart: Female Homosocial Bonding in Chaucer's Squire's Tale</text>
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                <text>Canacee's kindness toward the formel eagle shows Chaucer's sympathy for women and appreciation of female friendship. The formel, like other females in Chaucer, has been abused by men--and warns Canacee against them. In creating a painted mew for the falcon (an ekphrasis), Canacee expresses her pity and affection for the injured bird. Their friendship is brief but ideal, crossing apparently formidable borders.</text>
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              <text>Bugbee, John.</text>
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              <text>Medievalia et Humanistica 36 (2010) 49-76.</text>
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              <text>Franklin and His Tale</text>
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              <text>Physician and His Tale</text>
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              <text>Medievalia et Humanistica 36 (2010).</text>
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              <text>vxl sac 34:238</text>
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                <text>Solving Dorigen's Trilemma: Oath and Law in the Franklin's and Physician's Tales</text>
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                <text>Dorigen in FranT has more than the two options of shame or death: she can also choose to break a bad law, even though the decision to let bad law stand "seems somehow, tragically, to have been taken long before the characters became conscious of choosing." In PhyT as well as in FranT, characters respond to their situations in ways that legitimize bad law.</text>
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              <text>Fernández Rodríguez, Carmen María.</text>
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              <text>SELIM 13 (2005): 225-52.</text>
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              <text>2005</text>
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              <text>Franklin and His Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 13 (2005).</text>
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              <text>vxl sac 34:239</text>
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                <text>New Contexts for the Classics: Wanderers and Revolutionaries in the Tales of the Franklin and the Clerk</text>
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                <text>From a feminist perspective, Fernández Rodríguez compares FranT and ClT with Fanny Burney's "The Wanderer" (1814) and Maria Edgeworth's "The Modern Griselda" (1805). Dorigen's and Griselda's domestic constraints contrast the ones depicted by eighteenth- and nineteenth-century British female writers who lived surrounded by conduct books and the cult of sensibility.</text>
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              <text>Mruk, Karen.</text>
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              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 244-56.</text>
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              <text>2010</text>
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              <text>Standing in the Shadow of the Master?</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 34:220</text>
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              <elementText elementTextId="2790008">
                <text>Alice on the Couch: A 21st Century Psychoanalytic Interpretation of the Wife of Bath</text>
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                <text>Mruk mines details and perspectives in the Wife of Bath materials to imagine the Wife as a real patient undergoing therapy.</text>
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              <text>Provost, Jeanne.</text>
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            <elementText elementTextId="2790001">
              <text>DAI A71.05 (2010): n.p.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Dissertation Abstracts International 71 (2010).</text>
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              <text>vxl sac 34:221</text>
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                <text>Illicit Country: The Loathly Lady and the Imaginary Foundations of Medieval English Land Law</text>
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                <text>Suggests that the "Loathly Lady" is an anthropomorphic representation of the land, linking human vagaries with the uncertain product of working any given land and underscoring the impossibility of human attempts to control and regulate the natural world.</text>
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              <text>Sayers, Edna Edith.</text>
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              <text>Joshua R. Eyler, ed. Disability in the Middle Ages: Reconsiderations and Reverberations (Burlington, Vt.: Ashgate, 2010), pp. 81-92.</text>
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              <text>2010</text>
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              <text>Disability in the Middle Ages: Reconsiderations and Reverberations.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 34:222</text>
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                <text>Experience, Authority, and the Mediation of Deafness: Chaucer's Wife of Bath</text>
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                <text>Sayers reviews commentary on the Wife of Bath's deafness; suggests that we treat it more literally than metaphorically; and posits that, through the deafened Wife, Chaucer "does not resolve the opposition between experience and authority, but rather forces its abandonment."</text>
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              <text>Tinkle, Theresa.</text>
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              <text>Chaucer Review 44 (2010): 268-93.</text>
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              <text>2010</text>
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              <text>Chaucer Review 44 (2010).</text>
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                <text>Contested Authority: Jerome and the Wife of Bath on 1 Timothy 2</text>
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                <text>Both Jerome and Chaucer follow Paul in deploying "provocative women" to dramatize contemporary controversies over who may interpret scripture. The Wife of Bath performs exegesis even as she effectively likens her husbands to "exegetes whose sins discredit their sermons"; however, her comedic embodiment of the literary "unruly woman" neutralizes any threat to domestic and institutional hierarchies.</text>
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          <elementTextContainer>
            <elementText elementTextId="2789971">
              <text>Tinkle, Theresa.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Studies in the Age of Chaucer 32 (2010): 67-101.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Studies in the Age of Chaucer 32 (2010).</text>
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              <text>vxl sac 34:224</text>
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                <text>The Wife of Bath's Marginal Authority</text>
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                <text>Surveys and assesses the manuscript glosses and notes to WBP, arguing that scribal commentary affirms the Wife's orthodoxy as an exegete. The glosses and notes in Oxford, New College 314 (Ne), and related manuscripts grant authority to her uses of scripture and "other learned discourses." The glosses in British Library Egerton 2864 (En3) reflect, perhaps, anxiety about female authority, but both sets of comments "grant her an authoritative grounding in canonical scripture and call attention to her lessons on marital sexuality."</text>
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          <elementTextContainer>
            <elementText elementTextId="2789962">
              <text>Homar, Katie.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2789963">
              <text>Chaucer Review 45 (2010): 85-105.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2789964">
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              <text>Chaucer Review 45 (2010).</text>
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                <text>Chaucer's Novelized, Carnivalized Exemplum: A Bakhtinian Reading of the Friar's Tale</text>
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                <text>Through its "metafictional dialogue" between the teller and pilgrim narrator; its "inter-illumination" of genres, including anticlerical satire, oath making, and fabliau; and its depiction of a "carnival hell," FrT parodies and thus undermines the authority of the sermon exemplum as a genre.</text>
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  <item itemId="270823" public="1" featured="0">
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        <element elementId="110">
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              <text>Epstein, Robert.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2789954">
              <text>Robert Epstein and William Robins, eds. Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming (Buffalo, N. Y.: University of Toronto Press, 2010), pp. 129-45.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2789955">
              <text>2010</text>
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              <text>Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming.</text>
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              <text>Summoner and His Tale.</text>
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        <element elementId="109">
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              <text>vxl sac 34:226</text>
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              <elementText elementTextId="2789952">
                <text>Sacred Commerce: Chaucer, Friars, and the Spirit of Money</text>
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            <description>An account of the resource</description>
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                <text>Epstein argues for a nuanced understanding of money in SumT, reading its significations in light of the thirteenth-century Franciscan treatise "Sacrum commercium," medieval commercial practice, and deliberations on quality and quantity among the "Oxford Calculators" of fourteenth-century Merton College. Focuses on the "long denouement" of SumT and its underlying concerns with spirituality.</text>
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          <elementTextContainer>
            <elementText elementTextId="2789941">
              <text>Mahowald, Kyle.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789942">
              <text>Studies in the Age of Chaucer 32 (2010): 129-50.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2789943">
              <text>2010</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789945">
              <text>Summoner and His Tale</text>
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            <elementText elementTextId="2789946">
              <text>Language and Word Studies</text>
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            <elementText elementTextId="2789947">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2789948">
              <text>Squire and His Tale</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2789949">
              <text>Studies in the Age of Chaucer 32 (2010).</text>
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          <name>Source</name>
          <description/>
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            <elementText elementTextId="2789950">
              <text>vxl sac 34:227</text>
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          <element elementId="50">
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              <elementText elementTextId="2789940">
                <text>'It may nat be': Chaucer, Derrida, and the Impossibility of Gift</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2789944">
                <text>Similar to gift giving as theorized by Jacques Derrida (in response to Marcel Mauss), the dividing of the fart in SumT is "an impossible" that prompts logical deliberation and logocentric reflection. Linked via punning, the giving of money in SumT is analogous to fart dividing, so the fart scene is an apt "coda" to the Tale. Both gifts-that-are-non-gifts align with the concerns of exchange, gifting, and language in FranT, occupatio in SqT, and the tale-telling contest of CT.</text>
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  <item itemId="270821" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789931">
              <text>Hejaiej, Mounira Monia.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789932">
              <text>CLCWeb: Comparative Literature and Culture 12.1 (2010): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789933">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789935">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2789936">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2789937">
              <text>CLCWeb: Comparative Literature and Culture 12 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789938">
              <text>vxl sac 34:228</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789930">
                <text>The Motif of the Patient Wife in Muslim and Western Literature and Folklore</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789934">
                <text>Provides comparative analysis of the modern Tunisian tale "Sabra," an analogue of ClT, told by a woman to an exclusively female audience. Includes summary of and commentary on Chaucer's "ambivalent and ironic version," plus other medieval European analogues, exploring how context affects interpretation of the basic folkloric narrative.</text>
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  </item>
  <item itemId="270820" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789921">
              <text>Krug, Rebecca.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789922">
              <text>Jane Tolmie and M. J. Toswell, eds. Laments for the Lost in Medieval Literature (Turnhout, Belgium: Brepols, 2010), pp. 225-41.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789923">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789924">
              <text>Laments for the Lost in Medieval Literature.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789926">
              <text>Clerk and His Tale.</text>
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            <elementText elementTextId="2789927">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789928">
              <text>vxl sac 34:229</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2789920">
                <text>Natural Feeling and Unnatural Mothers: Herod the Great, 'The Life of Saint Bridget,' and Chaucer's 'Clerk's Tale'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2789925">
                <text>Explores the depictions of grief over lost children in the Wakefield mystery play "Slaughter of the Innocents"; a Middle English life of Saint Bridget; and ClT. The depictions present grief as variously natural, unnatural, and a response to conflict; however, grief transforms the mother figure in each work.</text>
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                <text>Includes the GP description of the Sergeant of the Law (ll. 309-30) in an anthology of 100 lyrics and poetic excerpts that pertain to lawyers and legal practice. Brief notes at the end of the work.</text>
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              <text>Morgan, Gerald.</text>
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              <text>RES 61 (2010): 1-33.</text>
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                <text>Chaucer's Man of Law and the Argument for Providence</text>
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                <text>Skilled in the law and both learned and adept in poetry, the Man of Law crafts a tale of sin, free will, and providence. Though Custance is steadfast, her will is free and consequential, the foundation of true judgment. MLT proposes a concept of providence in a mutable world "as the idea of things ordained to an end pre-existing in the divine mind."</text>
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              <text>Nakley, Susan.</text>
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              <text>Chaucer Review 44 (2010): 368-96.</text>
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              <text>Chaucer Review 44 (2010).</text>
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              <text>vxl sac 34:212</text>
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                <text>Sovereignty Matters: Anachronism, Chaucer's Britain, and England's Future's Past</text>
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                <text>The "temporal disorder" and "internationalism" of MLT--combined with its examination of competing familial and institutional loyalty--depict sovereignty as a redemptive governmental form capable of healing the ills of late medieval England, including "its language . . . and its institutions of marriage, Church, and law."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stanbury, Sarah.</text>
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              <text>Exemplaria 22 (2010): 119-37.</text>
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              <text>Exemplaria 22 (2010).</text>
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              <text>vxl sac 34:213</text>
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                <text>The Man of Law's Tale and Rome</text>
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                <text>For Chaucer, Rome is an ancient imperial capital, a goal of medieval pilgrimage, and a center of trade--trade in devotions, indulgences, and pardons that allies mercantilism and religion. Such a Roman transaction also involves relics or monuments, and in MLT its most Christian "commodity" is Custance herself, the object of exchange, who becomes "an alternative to devotional images and relics."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Whitaker, Cord J.</text>
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              <text>DAI A70.12 (2010): n.p.</text>
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          <name>Chaucer Subject</name>
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              <text>Man of Law and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2789880">
              <text>Dissertation Abstracts International 70 (2010).</text>
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        <element elementId="109">
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            <elementText elementTextId="2789881">
              <text>vxl sac 34:214</text>
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                <text>Race and Conversion in Late Medieval England</text>
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                <text>Argues that racial differentiation--generally associated with the early modern period--was not necessarily secondary to religious distinctions in the late medieval period, using MLT and other texts as evidence.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2789865">
              <text>Yager, Susan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2789866">
              <text>Literature and Belief 27 (2007): 55-68.</text>
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              <text>2007</text>
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          <name>Chaucer Subject</name>
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              <text>Man of Law and His Tale</text>
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              <text>Recordings and Films</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2789871">
              <text>Literature and Belief 27 (2007).</text>
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              <text>vxl sac 34:215</text>
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                <text>The BBC Man of Law's Tale: Faithful to the Tradition</text>
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            <description>An account of the resource</description>
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                <text>The BBC's 2003 adaptation of MLT updates Chaucer's Tale, incorporating plot, character names, and thematic elements such as faith, exile and return, trauma and healing, and time and repetition. Constance, a Nigerian refugee, finds love and fellowship in modern England but is wrongly accused of murder. Once exonerated, she is voluntarily deported, but her mother-in-law attempts to prevent her return to England.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2789855">
              <text>Field, P. J. C.</text>
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          <elementTextContainer>
            <elementText elementTextId="2789856">
              <text>Arthurian Literature 27 (2010): 59-83.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2789859">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2789860">
              <text>Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2789861">
              <text>Arthurian Literature 27 (2010).</text>
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              <text>vxl sac 34:216</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2789854">
                <text>What Women Really Want: The Genesis of Chaucer's Wife of Bath's Tale</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Reviews scholarship that discusses analogues of WBT and hypothesizes the nature and date of the archetype of these tales, focusing on the relative chronology of major motifs, shared and unshared. A hypothetical summary of the archetype--presented as a basis for gauging Chaucer's originality--concludes the work.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2789845">
              <text>Gastle, Brian.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Elisabeth Dutton, with John Hines and R. F. Yeager, eds. John Gower, Trilingual Poet: Language, Translation, and Tradition (Cambridge: D. S. Brewer, 2010), pp. 182-95.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2789847">
              <text>2010</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789848">
              <text>John Gower, Trilingual Poet: Language, Translation, and Tradition.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2789850">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2789851">
              <text>Sources, Analogues, and Literary Relations</text>
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              <text>vxl sac 34:217</text>
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                <text>Gower's Business: Artistic Production of Cultural Capital and the Tale of Florent</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2789849">
                <text>All of the recensions of the Prologue to "Confessio Amantis"--especially the Ricardian recension--reflect Gower's economic concerns. His Tale of Florent also engages commercial concerns, particularly those of marital contracts, although to a lesser extent than does Chaucer's WBT.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2789832">
              <text>Kelly, Henry Ansgar.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789833">
              <text>Kenneth Pennington, Stanley Chodorow, and Keith H. Kendall, eds. Proceedings of the Tenth International Congress of Medieval Canon Law: Syracuse, New York, 13-18 August 1996. Monumenta Iuris Canonici, Series C: Subsidia, no. 2 (Vatican City: Biblioteca Apostolica Vaticana, 2001), pp. 985-1001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789834">
              <text>2001</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789835">
              <text>Proceedings of the Tenth International Congress of Medieval Canon Law: Syracuse, New York, 13-18 August 1996.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2789836">
              <text>Pennington, Kenneth, ed.</text>
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            <elementText elementTextId="2789837">
              <text>Chodorow, Stanley, ed.</text>
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            <elementText elementTextId="2789838">
              <text>Kendall, Keith H., ed.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789840">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789841">
              <text>Monumenta Iuris Canonici, Series C: Subsidia, no. 2.</text>
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        <element elementId="109">
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            <elementText elementTextId="2789842">
              <text>vxl sac 34:218</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789831">
                <text>Medieval Laws and Views on Wife-Beating</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2789839">
                <text>Documents where wife beating was both allowed and forbidden in medieval canon and civil law, often presented in analogies to bishops' treatment of clerics and lords' treatment of slaves. Kelly comments on instances in CT, particularly in WBP. Reprinted in Kelly's Law and Religion in Chaucer's England (Burlington, Vt.: Ashgate, 2010).</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2789822">
              <text>Klitgård, Ebbe.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2789823">
              <text>Gerd Bayer and Ebbe Klitgård, eds. Narrative Developments from Chaucer to Defoe (New York: Routledge, 2010), pp. 25-39.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2789824">
              <text>2010</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2789825">
              <text>Narrative Developments from Chaucer to Defoe.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789827">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2789828">
              <text>Pardoner and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789829">
              <text>vxl sac 34:219</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789821">
                <text>The Encoding of Subjectivity in Chaucer's The Wife of Bath's Tale and The Pardoner's Tale</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789826">
                <text>Testing the premise of A. C. Spearing's "Textual Subjectivity" (2005), Klitgård explores the dramatic monologues of the Wife of Bath and the Pardoner and uses of narrative personae.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="270809" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789811">
              <text>Morgan, Gerald.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789812">
              <text>English Studies 91 (2010): 492-518.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789813">
              <text>2010</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789815">
              <text>Miller and His Tale</text>
            </elementText>
            <elementText elementTextId="2789816">
              <text>Knight and His Tale</text>
            </elementText>
            <elementText elementTextId="2789817">
              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789818">
              <text>English Studies 91 (2010).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789819">
              <text>vxl sac 34:200</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789810">
                <text>Obscenity and Fastidiousness in The Miller's Tale</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789814">
                <text>Chaucer's intentional contrasting of the language of the Knight and that of the Miller challenges his readers' openmindedness. The Miller's obscene language is cleverly applied and should on no account be censored from prudishness.</text>
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  <item itemId="270808" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789801">
              <text>Carella, Bryan.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789802">
              <text>Neophilologus 94 (2010): 523-29.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789803">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789805">
              <text>Reeve and His Tale.</text>
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              <text>Miller and His Tale</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2789807">
              <text>Neophilologus 94 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2789808">
              <text>vxl sac 34:201</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2789800">
                <text>The Social Aspirations and Priestly Pretense of Chaucer's Reeve</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2789804">
                <text>In his conduct and dress, the social-climbing Reeve associates himself with the clergy--an association that the Miller recognizes and ridicules unmercifully.</text>
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          </element>
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