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              <text>Cartlidge, Neil.</text>
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              <text>Gerd Bayer and Ebbe Klitgård, eds. Narrative Developments from Chaucer to Defoe (New York: Routledge, 2010), pp. 221-34.</text>
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              <text>Narrative Developments from Chaucer to Defoe.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Language and Word Studies</text>
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              <text>vxl sac 34:303</text>
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                <text>Narrative and Gossip in Chaucer's Troilus and Criseyde</text>
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                <text>Cartlidge investigates gossip as mundane, trivial speech in TC, in contrast to the more dangerous tradition of damaging speech invoked by Pandarus.</text>
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              <text>Coleman, Joyce.</text>
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              <text>SAC 32 (2010): 103-28.</text>
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              <text>8 b&amp;w illus.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and LIterary Relations</text>
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              <text>Manuscripts and Textual Studies</text>
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              <text>Legend of Good Women</text>
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              <text>Studies in the Age of Chaucer 32 (2010).</text>
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              <text>vxl sac 34:304</text>
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                <text>Where Chaucer Got His Pulpit: Audience and Intervisuality in the Troilus and Criseyde Frontispiece</text>
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                <text>Argues that the frontispiece to TC in Cambridge, Corpus Christi College 61, was modeled on the scene in which Genius addresses Nature in the "Roman de la Rose." Focuses on the "lower register" of the frontispiece, arguing that it depicts Chaucer as a Lancastrian version of "Richard's poet," situating him within the "late medieval culture of love." The scene is appropriate to the concerns with sex and love in TC and consistent with the depiction of Richard as the God of Love in LGWP.</text>
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              <text>Coot, Alexander.</text>
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              <text>English Studies 91 (2010): 26-41.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Knight and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>English Studies 91 (2010).</text>
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              <text>vxl sac 34:305</text>
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                <text>'O swete harm so queynte': Loving Pagan Antiquity in 'Troilus and Criseyde' and the 'Knight's Tale'</text>
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                <text>In TC and KnT, Chaucer "revises Augustinian and Boethian formulations of "contemptus mundi," pointing out that any ethical system which seeks to address the topic of earthly desires must also address the human subject's endless appetite for desire as such." The article also deals with risqué aspects of medieval interest in pagan lore.</text>
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              <text>Fumo, Jamie C.</text>
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              <text>Robert Epstein and William Robins, eds. Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming (Buffalo, N. Y.: University of Toronto Press, 2010), pp. 68-90.</text>
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              <text>2010</text>
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              <text>Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 34:306</text>
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                <text>The Ends of Love: (Meta)physical Desire in Chaucer's Troilus and Criseyde</text>
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                <text>Fumo reads Criseyde as someone "who does not believe in love" and perhaps "does not believe at all," a representation of fourteenth-century epistemological concerns "reanimated in the context of a Petrarchan psychology of enamourment." Criseyde's comments on love, in contrast to Troilus's, demonstrate that her view is essentially skeptical, perhaps atheistic.</text>
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              <text>Ganim, John.</text>
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              <text>Exemplaria 22 (2010): 5-27.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Exemplaria 22 (2010).</text>
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              <text>vxl sac 34:307</text>
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                <text>Cosmopolitanism and Medievalism</text>
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                <text>Explores international cultural exchange and openness in the Middle Ages, commenting on scenarios of medieval cosmopolitanism in three modern fictions: Youssef Chahine's film "Destiny," Tariq Ali's novel "Shadows of the Pomegranate Tree," and Milorad Pavic's metafictional "Dictionary of the Khazars." Finding both cosmopolitanism and anticosmopolitanism in TC, Ganim distinguishes between cosmopolitanism and worldliness in the character of Pandarus. He also comments on works by John Gower and on "Mandeville's Travels."</text>
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              <text>Garrison, John.</text>
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              <text>Medievalia et Humanistica 36 (2010): 25-47.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Medievalia et Humanistica 36 (2010).</text>
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              <text>vxl sac 34:308</text>
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                <text>One Mind, One Heart, One Purse: Integrating Friendship Traditions and the Case of 'Troilus and Criseyde'</text>
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                <text>The friendship between Troilus and Pandarus synthesizes Cicero's "pure friendship" with "potential for mutual gain," emblematized in Troilus's offer to procure any woman Pandarus wants. Portraying friendship in economic terms, TC reveals more "cupiditas" than "caritas." Garrison includes evidence from Aelred's "De spirituali amicitia" and Alfonsi's "Disciplina clericalis."</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790776">
              <text>Helmbold, Anita.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790777">
              <text>Lewiston, N.Y.: Mellen, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790778">
              <text>2010</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790779">
              <text>v, 450 pp.</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2790782">
              <text>Manuscripts and Textual Studies</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl sac 34:309</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2790775">
                <text>Understanding the Manuscript Frontispiece to Corpus Christi College MS 61: The Political Landscape of a Lancastrian Portrait</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790780">
                <text>Considers the frontispiece to TC found in Corpus Christi College MS 61 (which depicts Chaucer addressing a court audience, particularly the court of Richard II). The frontispiece shows that literature was delivered orally (by "prelection") and received aurally in Chaucer's time and much later. Helmbold assesses in this light modern misreadings of Chaucer as a poet to be read silently, Lydgate's aurality, the status of TC and the manuscript in the court of Henry V, and the "persistence" of aurality in literary reception through the nineteenth century.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790767">
              <text>Ingham, Patricia Clare.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790768">
              <text>College English 72.3 (2010): 226-47.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790769">
              <text>2010</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2790771">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2790772">
              <text>College English 72 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790773">
              <text>vxl sac 34:310</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2790766">
                <text>Chaucer's Haunted Aesthetics: Mimesis and Trauma in 'Troilus and Criseyde'</text>
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                <text>Ingham uses Freud's meditations on Tasso's knight Tancred as a model for how literary texts mediate between the repetitive and the representational aspects of trauma. Chaucer's TC resonates with trauma in the work's historical context, in the abandonment of Criseyde by Calchas and the trafficking of women, and in its depiction of Pandarus's transfer of "wo" to Troilus. The allusions to Procne and Philomela in the poem problematize the voicing of trauma.</text>
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  <item itemId="270900" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790758">
              <text>Knowles, James Robert.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790759">
              <text>DAI A70.12 (2010): n.p.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790760">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790762">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790763">
              <text>Dissertation Abstracts International 70 (2010).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790764">
              <text>vxl sac 34:311</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790757">
                <text>Love, Labor, Liturgy: Languages of Service in Late Medieval England</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790761">
                <text>Knowles views deployments of the medieval concept of "service" (which encompassed an elaborate network of interpersonal and institutional relationships) in Langland, Julian of Norwich, and TC.</text>
              </elementText>
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          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="270899" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790744">
              <text>Mieszkowski, Gretchen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790745">
              <text>Albrecht Classen, ed. Laughter in the Middle Ages and Early Modern Times: Epistemology of a Fundamental Human Behavior, Its Meaning, and Consequences. Fundamentals of Medieval and Early Modern Culture, no. 5 (Berlin and New York: Walter de Gruyter), 2010, pp. 457-80.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790746">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790747">
              <text>Laughter in the Middle Ages and Early Modern Times: Epistemology of a Fundamental Human Behavior, Its Meaning, and Consequences.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790748">
              <text>Classen, Albrecht, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790750">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2790751">
              <text>Miller and His Tale</text>
            </elementText>
            <elementText elementTextId="2790752">
              <text>Merchant and His Tale</text>
            </elementText>
            <elementText elementTextId="2790753">
              <text>Shipman and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790754">
              <text>Fundamentals of Medieval and Early Modern Culture, no. 05.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790755">
              <text>vxl sac 34:312</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790743">
                <text>Chaucerian Comedy: 'Troilus and Criseyde'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790749">
                <text>Mieszkowski contrasts the situational comedy of TC and the structural comedic techniques of MilT, MerT, and SumT. Chaucer generates "all the comedy" of TC by means of Pandarus, whose comic counterpoint compels readers to reconceptualize love without obviating the romantic view. In the poem, love is both comic and transcendent.</text>
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          </element>
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    </elementSetContainer>
  </item>
  <item itemId="270898" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790733">
              <text>Palmer, James M.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790734">
              <text>Marcelline Block and Angela Laflen, eds. Gender Scripts in Medicine and Narrative (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 292-312.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790735">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790736">
              <text>Gender Scripts in Medicine and Narrative.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790737">
              <text>Block, Marcelline, ed.</text>
            </elementText>
            <elementText elementTextId="2790738">
              <text>Laflen, Angela, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790740">
              <text>Troilus and Criseyde.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790741">
              <text>vxl sac 34:313</text>
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          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790732">
                <text>When 'Remedia Amoris' Fails: Chaucer's Literary-Medical Exploration of Determinism, Materialism, and Free Will in 'Troilus and Criseyde'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790739">
                <text>Investigates in TC Pandarus's attempts to cure Troilus's lovesickness, physically and psychologically. Pandarus's failure to effect a cure indicates that Chaucer rejects determinism and endorses free will, showing that Christian morals are incompatible with materialist cures for lovesickness.</text>
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          </element>
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  </item>
  <item itemId="270897" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790720">
              <text>Patterson, Lee.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790721">
              <text>Lee Patterson. Acts of Recognition: Essays on Medieval Culture (Notre Dame, Id.: University of Notre Dame Press, 2010), pp. 198-214.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790722">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790723">
              <text>Acts of Recognition: Essays on Medieval Culture.</text>
            </elementText>
            <elementText elementTextId="2790724">
              <text>Answerable Style: The Idea of the Literary in Medieval England.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790726">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2790727">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2790728">
              <text>Boece</text>
            </elementText>
            <elementText elementTextId="2790729">
              <text>Monk and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790730">
              <text>vx sac 34:314</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790719">
                <text>Genre and Source in 'Troilus and Criseyde'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790725">
                <text>Considers Chaucer's understanding of "tragedy" in Bo, MkT, and TC, tracing this understanding to Dante's use of the term in his "Inferno," where it is affiliated with history. In TC, Chaucer chose to emulate Boccaccio's "Filostrato" because doing so allowed him to explain an "original catastrophe [the fall of Troy] by exploring the origins of a catastrophic love affair." Chaucer found, however, that such an explanation cannot be sustained. Reprinted as "'Troilus and Criseyde': Genre and Source" in Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press), pp. 244-62.</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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              <text>Robins, William.</text>
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          <elementTextContainer>
            <elementText elementTextId="2790712">
              <text>Robert Epstein and William Robins, eds. Sacred and Profane in Chaucer and Late Medieval Literature: Essays in Honour of John V. Fleming (Buffalo, N. Y.: University of Toronto Press, 2010), pp. 91112.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 34:315</text>
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                <text>Troilus in the Gutter</text>
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              <elementText elementTextId="2790715">
                <text>Reads "goter, by a pryve wente" (TC 3.787) literally--a passageway that passes a latrine--and comments on the poetic functions of Troilus's approaching Criseyde's bedroom by this means. The passage characterizes Pandarus's house as up-to-date and aligns Troilus with sexual idolatry.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Johanson, Paula.</text>
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              <text>Berkeley Heights, N.J.: Enslow, 2010.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2790699">
              <text>2010</text>
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              <text>160 pp.; color illus.</text>
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          <name>Chaucer Subject</name>
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              <text>Truth</text>
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              <text>Style and Versification</text>
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              <text>Adam Scriveyn</text>
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              <text>Merciles Beaute</text>
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              <text>Chaucer's Life</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2790707">
              <text>Poetry Rocks! Series.</text>
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              <text>vxl sac 34:316</text>
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                <text>Early British Poetry: "Words That Burn"</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2790701">
                <text>Introductory commentary on British poetry from Anglo-Saxon poetry to the works of John Keats, focusing on canonical works and writers. Chapter 2 (pp. 21-30) summarizes Chaucer's life and describes his iambic meter, explicating Truth (original and translation) and commenting on Adam and MercB.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2790686">
              <text>Matthews, David.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2790687">
              <text>Cambridge: Cambridge University Press, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2790688">
              <text>2010</text>
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            <elementText elementTextId="2790689">
              <text>xv, 221 pp.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790691">
              <text>Complaint of Chaucer to His Purse</text>
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            <elementText elementTextId="2790692">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2790693">
              <text>Cambridge Studies in Medieval Literature, no. 77.</text>
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        <element elementId="109">
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              <text>vxl sac 34:317</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2790685">
                <text>Writing to the King: Nation, Kingship, and Literature in England, 1250-1350</text>
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              <elementText elementTextId="2790690">
                <text>Matthews explores the English rhetorical device of writing about political topics as if the author were writing directly to the king, even though the works that used the device were intended for a wider audience. The device flourished in the late thirteenth and early fourteenth centuries, so it predates Chaucer. However, Chaucer, Gower, and others explored this literary strategy during the reign of Richard II in works such as Chaucer's Purse.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2790677">
              <text>Scattergood, John.</text>
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            <elementText elementTextId="2790678">
              <text>Portland, Ore.: Four Courts Press, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2790679">
              <text>2010</text>
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            <elementText elementTextId="2790680">
              <text>272 pp. 14 b&amp;w figs.</text>
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            <elementText elementTextId="2790682">
              <text>Complaint of Chaucer to His Purse.</text>
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        <element elementId="109">
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            <elementText elementTextId="2790683">
              <text>vxl sac 34:318</text>
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            <name>Title</name>
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              <elementText elementTextId="2790676">
                <text>Occasions for Writing: Essays on Medieval and Renaissance Literature, Politics, and Society</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2790681">
                <text>Twelve essays by Scattergood, seven reprinted and five here published for the first time. Chaucer is cited in several of the reprinted essays, one of which is an extended analysis of Purse: "London and Money: Chaucer's Complaint to His Purse."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2790668">
              <text>Marshall, Simone Celine.</text>
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        <element elementId="98">
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            <elementText elementTextId="2790669">
              <text>New York: Peter Lang, 2010.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790670">
              <text>2010</text>
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            <elementText elementTextId="2790671">
              <text>vii, 211 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790673">
              <text>Chaucerian Apocrypha.</text>
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            <elementText elementTextId="2790674">
              <text>vxl sac 34:319</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2790667">
                <text>The Anonymous Text: The 500-Year History of "The Assembly of Ladies"</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790672">
                <text>Questions why "The Assembly of Ladies" has been in print for so long and explores the role of its anonymity in its publishing history. Addresses its attribution to Chaucer, affiliations with the corpus of his works, and surmises about female authorship of "The Assembly."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790659">
              <text>Murphy, Donna N.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790660">
              <text>N&amp;Q 255 (2010): 349-52.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2790661">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790663">
              <text>Chaucerian Apocrypha.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2790664">
              <text>Notes and Queries 255 (2010).</text>
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            <elementText elementTextId="2790665">
              <text>vxl sac 34:320</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2790658">
                <text>The Cobbler of Canterbury and Robert Greene</text>
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          <element elementId="41">
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              <elementText elementTextId="2790662">
                <text>Given the numerous verbal parallels between Greene's work and "The Cobbler of Canterbury" (an avowed imitation of CT, published anonymously in 1590), it would seem that Greene "fibbed" when, in a separate publication, he "informed the spirits of Geffrey Chaucer and John Gower" that he was not the author of "The Cobbler of Canturbury."</text>
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  <item itemId="270890" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790648">
              <text>Ortego, James N., II.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790649">
              <text>Fifteenth-Century Studies 35 (2010): 80-104.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790650">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790652">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2790653">
              <text>Merchant and His Tale</text>
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            <elementText elementTextId="2790654">
              <text>Tale of Sir Thopas</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2790655">
              <text>Fifteenth-Century Studies 35 (2010).</text>
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        <element elementId="109">
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              <text>vxl sac 34:321</text>
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              <elementText elementTextId="2790647">
                <text>Seeking the Medieval in Shakespeare: The Order of the Garter and the Topos of Derisive Chivalry</text>
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                <text>Reviews several late medieval texts to demonstrate the "devolution of knighthood" before Shakespeare's time. Comments on the GP description of the Knight, on MerT, and on Th.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2790638">
              <text>Spencer, Alice.</text>
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        <element elementId="98">
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            <elementText elementTextId="2790639">
              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 204-23.</text>
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          <name>Date</name>
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              <text>2010</text>
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            <elementText elementTextId="2790641">
              <text>Standing in the Shadow of the Master?</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790643">
              <text>Chaucerian Apocrypha</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2790645">
              <text>vxl sac 34:322</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2790637">
                <text>'To walke aboute the mase, in certeynte, / As a woman that nothing rought': The Maze Motif and Feminine Imagination in 'The Assembly of Ladies'</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2790642">
                <text>The anonymous author of "The Assembly of Ladies" counterdefines herself against a clearly Chaucerian courtly tradition by allying herself with a distinctly feminine textuality that is opposed to a traditional masculine hermeneutics.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2790629">
              <text>Symons, Dana.</text>
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            <elementText elementTextId="2790630">
              <text>Kathleen A. Bishop, ed. Standing in the Shadow of the Master? Chaucerian Influences and Interpretations (Newcastle upon Tyne: Cambridge Scholars, 2010), pp. 123-59.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2790631">
              <text>2010</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2790632">
              <text>Standing in the Shadow of the Master?</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2790634">
              <text>Chaucerian Apocrypha.</text>
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            <elementText elementTextId="2790635">
              <text>vxl sac 34:323</text>
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          <element elementId="50">
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                <text>Not Just 'Chaucer's England' Anymore: Reassessing John Clanvowe's 'Boke of Cupide'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2790633">
                <text>Also named "The Cuckoo and the Nightingale," "Boke of Cupide" was once considered one of Chaucer's great poems until it fell into obscurity when it was removed from the canon. The essay considers stylistic similarities to Chaucer's dream visions, the implications of the work's critical history, and its parallels with the themes of courtly language, use of the vernacular, and truth telling in SqT.</text>
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  <item itemId="270887" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790620">
              <text>Godden, Richard Henry.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790621">
              <text>DAI A70.07 (2010): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790622">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790624">
              <text>House of Fame.</text>
            </elementText>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2790625">
              <text>Dissertation Abstracts International 70 (2010).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790626">
              <text>vxl sac 34:280</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790619">
                <text>Fame's Untimeliness</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790623">
                <text>Uses HF--along with Langland's "Piers Plowman," "St. Erkenwald," and "Sir Gawain and the Green Knight"--as evidence in a discussion of the medieval understanding of the memorialization process, suggesting that fame "becomes emblematic" of the "ruptures that divide the past from the present."</text>
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  </item>
  <item itemId="270886" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790610">
              <text>Hernández Pérez, María Beatriz.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790611">
              <text>SELIM 16 (2009): 103-20.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790612">
              <text>2009</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790614">
              <text>House of Fame.</text>
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            <elementText elementTextId="2790615">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790616">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 16 (2009).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2790617">
              <text>vxl sac 34:281</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2790609">
                <text>Housing Memory in the Late Medieval Literary Tradition: Chaucer's House of Fame</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2790613">
                <text>Analyzes HF in light of Saint Augustine's understanding of memory, showing how Chaucer proposes a dialogue with history and literature of the past in which the author and the reader are recipients of a common legacy.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270885" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790601">
              <text>Olson, Mary.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790602">
              <text>Enarratio 14 (2010, for 2007): 118-38.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790603">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790605">
              <text>House of Fame.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790606">
              <text>Enarratio 14 (2010, for 2007).</text>
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            <elementText elementTextId="2790607">
              <text>vxl sac 34:282</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2790600">
                <text>Speaking Walls: Ekphrasis in Chaucer's House of Fame</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2790604">
                <text>Surveys classical uses and techniques of ekphrasis and explores how Chaucer uses it in HF to comment on the shifting nature of communication. In descriptions of the House of Fame, House of Rumor, and especially the House of Glass (Aeneas and Dido), visual renderings transform into different forms of communication; these transformations parallel the Eagle's concern with acoustics.</text>
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  <item itemId="270884" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790591">
              <text>Powrie, Sarah.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790592">
              <text>Chaucer Review 44 (2010): 246-67.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790593">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790595">
              <text>House of Fame.</text>
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            <elementText elementTextId="2790596">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790597">
              <text>Chaucer Review 44 (2010).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2790598">
              <text>vxl sac 34:283</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2790590">
                <text>Alan of Lille's 'Anticlaudianus' as Intertext in Chaucer's 'House of Fame'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2790594">
                <text>In playing on Alan's "theological epic" in HF, Chaucer projects a view of readerly interpretation as a key component of literary production, thus challenging the notions that poetry springs solely from inspiration and "that textual meaning could be securely sealed by an author."</text>
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          </element>
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