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              <text>DuVal, John, trans.  Introd. and notes by Raymond Eichmann.</text>
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              <text>Asheville : N.C.: Pegasus, 1999.</text>
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              <text>xxxii, 165 pp.</text>
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              <text>Eichmann, Raymond,Introd. and notes.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 24 (148)</text>
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                <text>Fabliaux, Fair and Foul</text>
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                <text>Reprint of 1992 edition.</text>
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              <text>Manning, Stephen.</text>
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              <text>South Atlantic Review 52 (1987): 3-16.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>South Atlantic Review 52 (1987)</text>
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              <text>jules SAC 11 (216)</text>
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                <text>Fabular Jangling and Poetic Vision in the 'Nun's Priest's Tale'</text>
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                <text>With all its verbal activity or "jangling," NPT functions as a "metonymy for the nature of poetry itself."  Chauntecleer and the Narrator struggle with rhetoric and meaning; the Poet "sees beyond the jangling," transforming apparent absurdity into "a comic understanding of a poet's art."</text>
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              <text>Cosman, Madeleine Pelner.</text>
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              <text>New York: George Braziller, 1976.</text>
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              <text>224 pp.; b&amp;w and color illus.</text>
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                <text>Describes medieval food preparation and presentation, providing over 100 recipes as an appendix.  Chapter three, "A Chicken for Chaucer's Kitchen: Medieval London's Market Laws and Larcenies" (pp. 67-91) details the conditions of medieval London markets for food and drink (bread and baked goods, wine, beer and ale, salt), along with market laws and abuses (market locations and times, weights and measures). The description is cast as a fictional account of Chaucer or his wife, Phillipa, buying their foodstuffs.</text>
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              <text>Doyle, Kara.</text>
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              <text>Seeta Chaganti, ed. Medieval Poetics and Social Practice: Responding to the Work of Penn R. Szittya (New York: Fordham University Press, 2012), pp. 124-42. </text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Fabulous Women, Fables of Patronage: Metham's "Amoryus and Cleopes" and BL MS Additional 10304.</text>
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                <text>Reads the figure of Alceste in LGW as a "fable" of female patronage, and argues that texts such as John Metham's "Amoryus and Cleopes" and an anonymous English translation of a portion of Boccaccio's "De Mulieribus Claris" do not follow Chaucer's (or Boccaccio's) lead in this respect. Chaucer "jokingly" poses "fascinating questions" about female patrons and audiences, but the later texts take them seriously.</text>
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              <text>Knapp, Ethan.</text>
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              <text>Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds. The Art of Vision: Ekphrasis in Medieval Literature and Culture (Columbus: Ohio State University Press, 2015), pp. 209-23.</text>
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              <text>Style and Versification&#13;
Troilus and Criseyde&#13;
General Prologue to the Canterbury Tales&#13;
Man of Law and His Tale</text>
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mea;2/22/2018</text>
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                <text>Faces in the Crowd: Faciality and Ekphrasis in Late Medieval England.</text>
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                <text>Explores the "function of faciality" in medieval poetry of Chaucer, Gower, and Hoccleve. Examines Chaucer's portraits of faces in GP, MLT, and TC.</text>
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              <text>Miralles Pérez, Antonio J.</text>
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              <text>Juan Camilo Conde Silvestre and M. Nila Vázquez González, eds. Medieval English Literary and Cultural Studies (Murcia: Universidad de Muscia, 2004), pp. 205-22.</text>
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              <text>Knight and His Tale.</text>
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                <text>Conan Doyle's portrayals of knights from the Hundred Years' War in "The White Company" (1891) and "Sir Nigel" (1906) embody the same contradictions and ambiguities found in Chaucer's depiction of a fourteenth-century knight in CT.</text>
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                <text>Proposes and applies several "reading strategies" for understanding the relationships between word and image in several Old English manuscripts and the Ellesmere manuscript of CT.</text>
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Chaucer's Life</text>
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                <text>Similar concerns with fairies and male oppression encourage comparison of WBT and Jane Eyre; they reflect either Brontë's familiarity with Chaucer's work or a significant coincidence.</text>
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                <text>Discusses fairies and elves within medieval romances and folklore. Analyzes Chaucer's use of "fayrye" in the MerT, "fairy mistresses" in Th, and the "fairy woman" in the WBT.</text>
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                <text>Considers relations among fairness, generosity, and justice as depicted in MilT, ClT, and PardT, discussing them as they might be presented to an audience of high school students.</text>
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                <text>Treats antifeminist reversal when Absolon must replace his romantic vision of Alisoun with his experience of her bestiality, but Chaucer ridicules antifeminist themes and celebrates Alisoun's desirable physicality.</text>
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              <text>Weinhouse, Linda.</text>
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              <text>Medieval Encounters 5: 391-408,   1999.</text>
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              <text>1999</text>
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                <text>In PrT, as in much canonical medieval literature, Jews are largely voiceless and depicted as vile. The lamentations, or "kinot," of Hebrew liturgical poets who mourn the Jewish victims of the crusades record the voices of medieval Jews. The imagery and motifs of the kinot are often ironically reminiscent of PrT, including concern with mother/child relations, with study, with defilement, etc.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wright, Edmond.</text>
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              <text>Partial Answers 3.1 (2005): 19-42.</text>
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              <text>Franklin and His Tale.</text>
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              <text>Partial Answers 03 (2005).</text>
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              <text>vxl sac 29:229</text>
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                <text>Faith and Narrative : A Reading of The Franklin's Tale</text>
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                <text>Wright argues that the conditional faith and reciprocal acceptance of narrative reception are intrinsic to human communication and that FranT explores similar principles and their relations to love. The love between Dorigen and Aurelius gives way to the love between Dorigen and Arveragus, depicting Chaucer's ideal of marriage - ideal insofar as it "confronts its own imperfections" by accepting the risks that are intrinsic to all acts of human communication.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mroczkowski, Przemyslaw.</text>
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              <text>Piero Boitani and Anna Torti, eds. Religion in the Poetry and Drama of the Late Middle Ages in England (Cambridge:  D. S. Brewer, 1990), pp. 83-100.</text>
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            <elementText elementTextId="2703092">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2703093">
              <text>Religion in the Poetry and Drama of the Late Middle Ages in England.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 14 (100)</text>
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                <text>Faith and the Critical Spirit in Chaucer and His Time</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2703094">
                <text>In the context of medieval culture from the late eleventh century to Chaucer's time, the author examines Chaucer's faith and orthodoxy in ABC, ParsT, MLT, Mel, ClT, PrT, SNT, and Ret, as opposed to his critical spirit in his portrayals of various ecclesiastics and professionals in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2757812">
              <text>Aers, David.</text>
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              <text>Cambridge : D. S. Brewer, 2000.</text>
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        <element elementId="114">
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            <elementText elementTextId="2757814">
              <text>2000</text>
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            <elementText elementTextId="2757815">
              <text>xii, 153 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>Clerk and His Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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              <text>Parson and His Tale.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Truth.</text>
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        <element elementId="109">
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              <text>jules SAC 25 (86)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2757811">
                <text>Faith, Ethics and Church : Writing in England, 1360-1409</text>
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              <elementText elementTextId="2757816">
                <text>Explores faith, social and political action, and theology in late-medieval England, focusing on Chaucer, Gower, Langland, the Gawain poet, and Wyclif. Assesses how their ideas reflect Thomas Aquinas, Ockham, and John Ball and how they responded to such phenomena as the plague and the uprising of 1381. Chaucer is not the "skeptical fideist" nor a stoic Christian, but a political poet. In ClT, he imagines religious "absences" that lead to social tyranny, while SNT asserts religious opposition to social tyranny. In SNT and ParsT, the Eucharist is "absent," reflecting the "diminished role of the sacraments," in line with Wycliffite thought. The stoicism of lyrics such as Truth is inconsistent with the "profoundly pessimistic representations of the contemporary Church" in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2749399">
              <text>Aers, David.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Journal of Medieval and Early Modern Studies 28 (1998): 341-69.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2749401">
              <text>1998</text>
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        <element elementId="102">
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            <elementText elementTextId="2749403">
              <text>Clerk and His Tale.</text>
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          <elementTextContainer>
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              <text>Journal of Medieval and Early Modern Studies 28 (1998)</text>
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        </element>
        <element elementId="109">
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              <text>jules SAC 22 - 227.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2749398">
                <text>Faith, Ethics, and Community: Reflections on Reading Late Medieval English Writing</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2749402">
                <text>Argues that Griselda of ClT is not a type of Christ, because not all depictions of human suffering imitate Christ's passion. Texts by authors from Aquinas to Wycliffe, Arundel,and William Thorpe indicate that passive suffering is one of many competing models of faith, suggesting that Chaucer's religious tales may not affirm unquestioning faith and obedience.</text>
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  <item itemId="261311" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2693719">
              <text>Edwards, Robert R.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693720">
              <text>Robert R. Edwards and Stephen Spector, eds.  The Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World (Albany: State University of New York Press, 1991), pp. 138-53, 272-76 (notes).</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693721">
              <text>1991</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693723">
              <text>Legend of Good Women.</text>
            </elementText>
            <elementText elementTextId="2693724">
              <text>Book of the Duchess.</text>
            </elementText>
            <elementText elementTextId="2693725">
              <text>Knight and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2693727">
              <text>mea</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815629">
              <text>Olde Daunce: Love, Friendship, Sex, and Marriage in the Medieval World.</text>
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              <elementText elementTextId="2693718">
                <text>Faithful Translations: Love and the Question of Poetry in Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2693722">
                <text>LGWP reflects concern with poetic art, especially the notions of translation and transformation, "making" and "enditing." Cupid's accusations against Rom and TC privilege social over artistic meaning although Chaucer and Alceste subvert this "social appropriation of poetry."  Edwards assesses the relations of social and artistic meaning in BD and KnT as well.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787279">
              <text>Hieatt, Constance B.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787280">
              <text>R. Barton Palmer, ed. Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition (New York: AMS Press, 1999), pp. 163-86</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787281">
              <text>1999</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787282">
              <text>Chaucer's French Contemporaries: The Poetry/Poetics of Self and Tradition.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787284">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787285">
              <text>mea 4/3/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2787278">
                <text>Falconry and Fantasy in Guillaume de Machaut's 'Dit de l'Alerion'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2787283">
                <text>Assesses Machaut's knowledge of falconry and his depiction of the falconer/falcon relationship in "Dit de l'Alerion" as an extended metaphor of love. Also explores the influence of Machaut's metaphor, including its impact on Chaucer (TC, LGW, WBP, and FrT) and Shakespeare</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2773034">
              <text>Horobin, David.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773035">
              <text>Blaine, Wash.: Hancock House,  2004.</text>
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          <name>Date</name>
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            <elementText elementTextId="2773036">
              <text>2004</text>
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            <elementText elementTextId="2773037">
              <text>223 pp.</text>
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          <description/>
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            <elementText elementTextId="2773039">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2773040">
              <text>Parliament of Fowls.</text>
            </elementText>
            <elementText elementTextId="2773041">
              <text>Squire and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>vxl sac 30:122</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2773033">
                <text>Falconry in Literature: The Symbolism of Falconry in English Literature from Chaucer to Marvell</text>
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            <description>An account of the resource</description>
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                <text>An illustrated guide to raptors in English literature (fourteenth century to seventeenth century), which explains their symbolic value in terms of historical training and hunting practices and rituals. Recurrent references to Chaucer's works, including PF, SqT, and WBP.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2780678">
              <text>Minnis, Alastair.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Philadelphia: University of Pennsylvania Press, 2008.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780680">
              <text>2008</text>
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            <elementText elementTextId="2780681">
              <text>xvi, 510 pp.</text>
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              <text>Pardoner and His Tale</text>
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              <text>Wife of Bath and Her tale</text>
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              <text>Second Nun and Her Tale</text>
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              <text>Clerk and His Tale</text>
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              <text>Tale of Melibee</text>
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          <name>Series</name>
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              <text>The Middle Ages Series.</text>
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              <text>vxl SAC 32:247.</text>
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                <text>Fallible Authors: Chaucer's Pardoner and Wife of Bath</text>
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                <text>Studies the Pardoner's and Wife of Bath's "deviancy" in light of late medieval theological and academic discourses, particularly the commentaries and summas of the scholastics, Lollard treatises ,and reactions to Lollard writings and trials. Neither character embodies Lollardy or Wycliffite heterodoxy, but each is radically unorthodox. The authority of the Pardoner is "fallible" because of his shocking abuses of sacerdotal privileges; the Wife's failings are linked to her usurpation of the rhetoric of clerical authority.</text>
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                <text>Topics include qualifications for preaching; administration and validity of the sacraments of baptism, penance ,the Eucharist,ordination, and marriage; indulgences; the role of intention; female clergy; the Pardoner's sexuality; the Wife's obscenity; and the loathly lady's discussion of gentility in relation to dominion. Though heterodox, the characters tell moral tales. Also comments on SNT, ClT, and Mel.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Mann, Jill.</text>
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        <element elementId="98">
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            <elementText elementTextId="2812910">
              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 88-110.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2812911">
              <text>2013</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2812912">
              <text>Traditions and Innovations in the Study of Middle English Literature: The Influence of Derek Brewer.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2812914">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2812915">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2812916">
              <text>mea; 2/15/2017 SAC 38:223</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2812908">
                <text>Falling in Love with the Middle Ages</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812913">
                <text>Provides a landscape of medieval courtly love, particularly within the French tradition, and evaluates how Chaucer explores intricacies of love in TC.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2838299">
              <text>Bradley, D. R.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838300">
              <text>Philological Quarterly 39 (1960): 122-25.</text>
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          </elementTextContainer>
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            <elementText elementTextId="2838301">
              <text>Philological Quarterly 39 (1960)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838302">
              <text>Legend of Good Women&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2838304">
              <text>1960</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2838297">
                <text>Fals Eneas and Sely Dido.</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838298">
                <text>Adduces details and emphases in Virgil's "Aeneid" to suggest that Chaucer used it directly in composing his Dido legend in LGW, though perhaps in combination with parallel sources.</text>
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            </elementTextContainer>
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  <item itemId="265210" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731725">
              <text>Shirley, Peggy Faye.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731726">
              <text>Dissertation Abstracts International 38 (1977): 1417A-18A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731727">
              <text>1977</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2731729">
              <text>Boece.</text>
            </elementText>
            <elementText elementTextId="2731730">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2731731">
              <text>Dissertation Abstracts International 38 (1977)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2731732">
              <text>mea SAC 02 (266)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731724">
                <text>Fals Felicite and Verray Blisfulnesse: Alfred and Chaucer Translate Boethius's 'Consolation of Philosophy'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731728">
                <text>When King Alfred translated Boethius' "Consolation," he changed some of the materials so that it could be understood by his people whereas Chaucer tried to translate as accurately as his Middle English would allow.  The two translations are as different as the men who produced them.</text>
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  <item itemId="261741" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698013">
              <text>Patton, Celeste A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698014">
              <text>Philological Quarterly 71 (1992): 399-417.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698015">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2698017">
              <text>Manciple and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2698019">
              <text>Philological Quarterly 71 (1992).</text>
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          </elementTextContainer>
        </element>
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          <description/>
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              <text>mea</text>
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              <elementText elementTextId="2698012">
                <text>False 'Rekenynges': Sharp Practice and the Politics of Language in Chaucer's 'Manciple's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698016">
                <text>The Manciple evinces linguistic fraud through his digression on language, his shaping of the crow fable, and his impersonation of his mother's voice arguing against speech (a mispresentation of Jean de Meun's discourse of Reason and a foil to the silenced Coronis of the traditional fable).  These devaluations of language mirror his corrupt mercantile practices and link ManT to the concerns with transformation in SNT, CYT, and ParsT.</text>
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