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                  <text>Chaucer Bibliography Online</text>
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              <text>Pinti, Daniel J.</text>
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              <text>Translation Review 44-45 (1994): 16-23.</text>
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              <text>1994</text>
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              <text>Background and General Criticism.</text>
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              <text>Translation Review 44-45 (1994)</text>
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        <element elementId="109">
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              <text>jules SAC 18 (1996) - 117</text>
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                <text>Diologism, Heteroglossia, and Late Medieval Translation</text>
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                <text>Examines Gavin Douglas's "Eneados" as a work in which Mikhail Bakhtin's notions of diologism and heteroglossia help illuminate medieval translation practice.  Encourages application of such an approach to medieval translators, including Chaucer.</text>
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              <text>Peyton, Henry H.,III.</text>
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              <text>Interpretations 6 (1974): 1-6.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Interpretations 06 (1974)</text>
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              <text>jules - 6/10/94 SAC 1 (198)</text>
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                <text>Diomed, the Large Tongued Greek</text>
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            <description>An account of the resource</description>
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                <text>That Diomed was indeed "of tonge large" is to be evinced from his conversations with Criseyde in Book V.  His large tongue becomes a symbol of the eventuality of Criseyde's infidelity and of Troilus' tragic demise, as well as of the inevitability of a Greek victory at Troy.</text>
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              <text>Van Buuren, A. M. J.</text>
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              <text>Erik Kooper, ed. Medieval Dutch Literature in Its European Context. Cambridge Studies in Medieval LIterature, no. 21. (Cambridge: Cambridge University Press, 1994), pp. 151-67.</text>
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        <element elementId="114">
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              <text>1994</text>
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              <text>Medieval Dutch Literature in Its European Context.</text>
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              <text>Kooper, Erik,ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 18 (1996) - 38</text>
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                <text>Dirc Potter, a Medieval Ovid</text>
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            <description>An account of the resource</description>
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                <text>The Dutch writer Potter (d. 1428) followed a career similar to Chaucer's and also translated the Old French "Melibee."  Van Buuren discusses Gower's and Chaucer's uses of Ovid and analyzes Potter's "Der minnen loep" ("The Course of Love") for its use of Ovid's "Heroides" and medieval commentaries.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Eyler, Joshua R., ed.</text>
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        <element elementId="98">
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              <text>Burlington, Vt.: Ashgate, 2010.</text>
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        <element elementId="114">
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              <text>2010</text>
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              <text>x, 235 pp.</text>
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            <elementText elementTextId="2788981">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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              <text>vxl sac 34:124</text>
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                <text>Disability in the Middle Ages: Reconsiderations and Reverberations</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Fourteen essays by various authors on topics ranging from Old English and Icelandic sagas to early modern Spanish literature and Shakespeare's "Richard III." The volume includes an introduction by the editor, an index, and a cumulative bibliography. For three essays that pertain to Chaucer, search for Disability in the Middle Ages under Alternative Title.</text>
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              <text>Bude, Tekla.</text>
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              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England (Philadelphia: University of Pennsylvania Press, 2022), pp. 146-68.</text>
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              <text>Sonic Bodies: Text, Music, and Silence in Late Medieval England</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Franklin and His Tale&#13;
Book of the Duchess&#13;
Fortune&#13;
Troilus and Criseyde</text>
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        <element elementId="114">
          <name>Date</name>
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                <text>Argues that Chaucer "experiments with the body-disabling power of music as a site of poetic potential," tallying how, in CT, "musical performance nearly always causes narrative tension" and music "prosthetizes disability"--"advental"  insofar as it is "promised but always in a state of deferral."  Examines how "sonic bodies inhabit crip asynchronies for purposes of poesis" in the "body of Echo" in FranT, the "lyric I" in For, BD as a poem, and Troilus's body in TC.</text>
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                <text>Disability, Music, and Chaucer's Advental Bodies.</text>
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              <text>Hsy, Jonathan.</text>
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              <text>David Hillman and Ulrika Maude, eds. The Cambridge Companion to the Body in Literature (Cambridge: Cambridge University Press, 2015), pp. 24-40.</text>
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              <text>Hillman, David, ed.&#13;
Maude, Ulrika, ed.</text>
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              <text>The Cambridge Companion to the Body in Literature</text>
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              <text>Monk and His Tale&#13;
Style and Versification</text>
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                <text>Disability.</text>
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                <text>Explores how disability studies have expanded to include consideration of relations between "embodiment and literary form," focusing on representations of deafness in the fifteenth-century Castilian "Arboleda de los enfermos" (Grove of the Infirm) of Teresa de Castagena, but including discussion of John Gower's autobiographical concern with blindness, Chaucer's depictions of bodily affliction in MkT (emphasizing stylistic concerns), Margery Kempe's "chronic illness or mental disability," and William Shakespeare's treatment of physical deformation in "Richard III."</text>
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              <text>Salla, Sandra M.</text>
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              <text>Mediaevalia 21 (1997): 281-93.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Mediaevalia 21 (1997)</text>
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              <text>jules SAC 22 - 221.</text>
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                <text>Disappearing Fairies in the Wife of Bath's Tale</text>
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                <text>In WBT, the first mention of fairies--the Wife's lament for their disappearance--is linked to and introduces the other fairy scenes. The knight's experience demonstrates that even in her first mention of fairies the Wife associates them with happiness, sexual satisfaction, and education--notions supported by numerous medieval ballads and romances.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2738875">
              <text>Gembera, Disa.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2738876">
              <text>Dissertation Abstracts International 55 (1995): 3505A.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738877">
              <text>1995</text>
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            <elementText elementTextId="2738880">
              <text>Knight and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Dissertation Abstracts International 55 (1995)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738883">
              <text>jules SAC 19 (1997) - 169</text>
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                <text>Disarming Women: Gender and Poetic Authority from the 'Thebaid' to the 'Knight's Tale'</text>
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                <text>Women furnish the "crucial means" for authors to adapt the Theban tradition to their own poetic vision.</text>
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              <elementText elementTextId="2738879">
                <text>  Statius shows women as criticizing epic history; the "Roman de Thebes," Dante's "Purgatorio," and Boccaccio's "Teseida" impose differing emphases; and KnT, more nearly like the epic history of Statius, shows women as sustaining losses and sacrifices.</text>
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          <elementTextContainer>
            <elementText elementTextId="2842037">
              <text>Duprey-Henry, Annalese.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2842038">
              <text>Dissertation Abstract International A81.06 (2019): n.p.</text>
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          <elementTextContainer>
            <elementText elementTextId="2842039">
              <text>Dissertation Abstract International 81 (2019)</text>
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          <elementTextContainer>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2842041">
              <text>mea; SAC 44:314</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2842042">
              <text>2019</text>
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            <elementTextContainer>
              <elementText elementTextId="2842035">
                <text>Disciplining the Heart: Lovesickness in Medieval Literature.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2842036">
                <text>Addresses lovesickness in TC, John Gower's "Confessio Amantis," and "The Book of Margery Kempe," considering it "as an embodied and thus imminent process that organizes relationships around culturally defined ideas of either negotiation and mutuality or hierarchy," a trope useful "to think through larger ideas about the relationships of the sexes, of one individual to another, of the individual to society, and of the individual to the divine."</text>
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          </element>
        </elementContainer>
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    </elementSetContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850504">
              <text>Strub, Spencer.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850505">
              <text>Ph.D. Dissertation. University of California, Berkeley, 2018. Dissertation Abstracts International A82.09(E). Fully accessible via ProQuest Dissertations &amp; Theses and at https://escholarship.org/uc/item/3cr3q8b9; accessed August 18, 2025.</text>
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        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850506">
              <text>iii, 142 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850507">
              <text>Dissertation Abstracts International 82</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850508">
              <text>Canterbury Tales--General&#13;
Language and Word Studies</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850509">
              <text>mea; 8/19/2025</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2850510">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850502">
                <text>Disciplining the Tongue: Speech and Emotion in Later Middle English Poetry.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2850503">
                <text>Explores speech in late medieval English "literature and prescriptive religious writing," focusing on how "inward feelings [are] realized only in intersubjective exchange." Includes discussion of, among others, "Piers Plowman," "Mum and the Sothsegger," and CT, In the latter, "Chaucer makes mirth, comfort, and pleasure––words that elsewhere describe the act of prayer––the emotional norm that governs the telling of the Canterbury Tales: sacred pleasure becomes the pleasure of idle fiction."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="271833" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800587">
              <text>Seaman, Myra.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800588">
              <text>Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 139-49.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800589">
              <text>2012</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800590">
              <text>Dark Chaucer: An Assortment.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800592">
              <text>Book of the Duchess</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800593">
              <text>mea SAC 36:202</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800586">
                <text>Disconsolate Art</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800591">
                <text>Rejects conventional readings of BD as a demonstration that art can transcend suffering; instead shows how BD "enacts . . . a disconsolate poetics, in which pain and suffering perdure."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="266980" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750170">
              <text>León Sendra, Antonio R.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750171">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 7: 125-51,   1997.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750172">
              <text>1997</text>
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          <elementTextContainer>
            <elementText elementTextId="2750174">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750175">
              <text>SELIM: Journal of the Spanish Society for Mediaeval English Language and Literature 07 (1997)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2750176">
              <text>jules SAC 23 (258)</text>
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      </elementContainer>
    </itemType>
    <elementSetContainer>
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        <elementContainer>
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750169">
                <text>Discourse and Community in the Late Fourteenth Century</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750173">
                <text>Systemetic functional analysis of TC, exploring how Chaucer seeks to change or improve his community's views on love.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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  <item itemId="265897" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738864">
              <text>Gellrich, Jesse M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738865">
              <text>Princeton, N.J.: Princeton University Press, 1995.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738866">
              <text>1995</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738867">
              <text>xiv, 304 pp.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738871">
              <text>Knight and His Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738872">
              <text>jules SAC 19 (1996) 168</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738863">
                <text>Discourse and Dominion in the Fourteenth Century: Oral Contexts of Writing in Philosophy, Politics, and Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738868">
                <text>Examines the ways oral tradition continues to influence writing in late-medieval literature, considering works of Ockham and Wyclif, chronicles of the reigns of Edward III and Richard II, "Sir Gawain and the Green Knight," and KnT.</text>
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                <text> In KnT, Chaucer poses relations between political domination and metalinguistic discourse, issues important during the minority of Richard II.</text>
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              <elementText elementTextId="2738870">
                <text>The conflict between spoken and written modes in KnT is self-reflexive, and it critiques contemporary political dominion in which power resulted from the displacement of voice.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2706154">
              <text>Shafik-Ghaly, Salwa William.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 49 (1989): 3716A-3717A.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2706156">
              <text>1989</text>
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            <elementText elementTextId="2706158">
              <text>Troilus and Criseyde.</text>
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          <elementTextContainer>
            <elementText elementTextId="2706159">
              <text>Dissertation Abstracts International 49 (1989)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 13 (245)</text>
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            <name>Title</name>
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                <text>Discourse and Narration in Chretien's 'Yvain' and Chaucer's 'Troilus'</text>
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                <text>Shakif-Ghaly scrutinizes "Yvain" and TC for medieval "dispositio" through Genettian narratology and for "manifestatio" through Anglo-American theory.  Despite differences between the texts, such an analysis brings out tensions of medieval authors and suggests the development of a "medieval narratology."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735807">
              <text>Grudin, Michaela Paasche</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735808">
              <text>PMLA 107 (1992): 1157-67.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2735809">
              <text>1992</text>
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        <element elementId="102">
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            <elementText elementTextId="2735811">
              <text>Canterbury Tales--General.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
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              <text>PMLA 107 (1992)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>jules SAC 19 (1997) - ??</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2735806">
                <text>Discourse and the Problem of Closure in the 'Canterbury Tales'</text>
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              <elementText elementTextId="2735810">
                <text>CT "shows a surprising array" of ways in which Chaucer "ignores, skirts, transcends, or even anticipates structural closure," engaging his readers in the "dialogic processes of discourse itself."  Surveys techniques of openendedness in CT, arguing that they result fom Chaucer's imitations of oral tradition and that they suggest we read the work as a "drama of the reception of discourse" and an assertion of an open epistemology.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766663">
              <text>Pakkala-Weckstrom, Mari.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766664">
              <text>Neuphilologische Mitteilungen 105 (2004): 153-75</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2766665">
              <text>2004</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2766667">
              <text>Language and Word Studies.</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2766669">
              <text>Neuphilologische Mitteilungen 105 (2004)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766670">
              <text>vxl sac 28:55</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2766662">
                <text>Discourse Strategies in the Marriage Dialogue of Chaucer's Canterbury Tales</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2766666">
                <text>Pakkala-Weckstrm analyzes the power struggles within male/female couples, examining politeness strategies and providing brief analyses of speech size, topic, control, distribution of flow, and turn-taking. Considers MilT, MerT, ShT, WBT, FranT, Mel, and ClT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751460">
              <text>Trigg, Stephanie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751461">
              <text>Thomas A. Prendergast and Barbara Kline, eds. Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (Columbus: Ohio State University Press, 1999), pp. 270-91.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2751462">
              <text>1999</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2751463">
              <text>Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602.</text>
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          </elementTextContainer>
        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751465">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2751466">
              <text>Facsimiles, Editions, and Translations.</text>
            </elementText>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2751467">
              <text>jules SAC 23 (123)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2751459">
                <text>Discourses of Affinity in the Reading Communities of Geoffrey Chaucer</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2751464">
                <text>Considers how editors and critics from Caxton to Furnivall assume or pursue identity with Chaucer, imitating what they perceive to be Chaucerian sensibility in an effort to claim understanding of the poet and his works. Adopting the poet's voice and claiming class- and gender-based affinities with him are strategies that claim authenticity for critical stances and efface differences between Chaucer and his readers.</text>
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  <item itemId="275196" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2833232">
              <text>Wells, Marion.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2833233">
              <text>In Jamie C. Fumo, ed. Chaucer's "Book of the Duchess": Contexts and Interpretations (Cambridge: D. S. Brewer, 2018), pp. 71-93.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2833234">
              <text>Book of the Duchess: Contexts and Interpretations.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2833235">
              <text>Book of the Duchess&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Inf;uence and Later Allusion</text>
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        </element>
        <element elementId="109">
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              <text>mea; SAC 42:198</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2833237">
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2833230">
                <text>Discovering Woe: The Translation of Affect in Chaucer's "Book of the Duchess" and Spenser's "Daphnaïda."</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2833231">
                <text>Drawing on affect theory and psychoanalytic methodologies, considers the relationship between the "awake body" and "emotional utterance" in BD, relating this to notions of "translatio." Highlights the centrality of the Ceyx and Alcyone episode to this topic, exploring its interplay with Ovid's "Metamorphoses" and Spenser's "Daphnaïda."</text>
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  <item itemId="272419" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
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              <text>Gillmeister, Heiner.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806707">
              <text>Bonn: Bouvier, 1972.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806708">
              <text>1972</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806709">
              <text>250 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806711">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2806712">
              <text>Language and Word Studies</text>
            </elementText>
            <elementText elementTextId="2806713">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2806714">
              <text>Truth</text>
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            <elementText elementTextId="2806715">
              <text>Lak of Stedfastnesse</text>
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            <elementText elementTextId="2806716">
              <text>General Prologue to the Canterbury Tales</text>
            </elementText>
            <elementText elementTextId="2806717">
              <text>Knight and His Tale</text>
            </elementText>
            <elementText elementTextId="2806718">
              <text>Tale of Sir Thopas</text>
            </elementText>
            <elementText elementTextId="2806719">
              <text>Tale of Melibee</text>
            </elementText>
            <elementText elementTextId="2806720">
              <text>Monk and His Tale</text>
            </elementText>
            <elementText elementTextId="2806721">
              <text>Nun's Priest and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea 2/2/2016 No SAC</text>
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            <description>A name given to the resource</description>
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                <text>Discrecioun: Chaucer und die Via Regia</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2806710">
                <text>Traces the meanings and nuances of "discrecioun" (moral and rational judgment) in classical and medieval traditions, examining Chaucer's uses of the word and its thematic implications across his career as a poet. Includes references to most of his works, with extended discussion of TC, Truth, Sted, GP, KnT, Tho, Mel, MkT, and NPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809823">
              <text>Nichols, Nicholas Pete.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2809824">
              <text>DAI 32.06 (1971): 3263A.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809825">
              <text>1971</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2809827">
              <text>Canterbury Tales--General</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809828">
              <text>Dissertation Abstracts International 32 (1971)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2809829">
              <text>mea; 07/09/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2809822">
                <text>Discretion and Marriage in the 'Canterbury Tales'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2809826">
                <text>Identifies a traditional, idealized, Christian view of marriage in CT: GP, KnT, MilT, RvT, WBPT, ClT, MLT, Mel, MerT, FranT, NPT, ManT, and ParsT.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696101">
              <text>Morrison, Susan Signe.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696102">
              <text>Dissertation Abstracts International 53 (1992): 3275A-76A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696103">
              <text>1992</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696105">
              <text>Background and General Criticism.           </text>
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            <elementText elementTextId="2696106">
              <text>Clerk and His Tale. </text>
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            <elementText elementTextId="2696107">
              <text>Wife of Bath and Her Tale.</text>
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            <elementText elementTextId="2696108">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2696109">
              <text>Legend of Good Women.</text>
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        </element>
        <element elementId="100">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696110">
              <text>Dissertation Abstracts International 53 (1992)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696111">
              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2696100">
                <text>Discursive Violence: Women with Authority in Old English, Middle English, Middle High German, and Early New High German Texts</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2696104">
                <text>With few exceptions, medieval German and English texts depict female authority figures as truth-tellers.  Female saints reveal the falseness of male antagonists, but queens lose their power to men who lie, act violently, and rule efficiently.  CT characters generally follow this pattern, except for Griselda and the Wife of Bath.  Also considers TC and LGW.</text>
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        <element elementId="110">
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            <elementText elementTextId="2835204">
              <text>Owen, Charles A., ed.</text>
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        </element>
        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2835205">
              <text>Boston: Heath, 1961.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835206">
              <text>110 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2835207">
              <text>Background and General Criticism&#13;
Canterbury Tale--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835208">
              <text>mea; 9/11/21</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835209">
              <text>1961</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2835202">
                <text>Discussions of the "Canterbury Tales."</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835203">
                <text>An anthology of criticism, with a brief introduction (pp. vii-ix) that characterizes CT as "unique" because "no other work so fragmentary creates such an illusion of completeness." The volume reprints essays and excerpts by twenty-one writers, beginning with Edmund Spenser and continuing to modern critics, on topics pertaining to GP, individual tales, and general themes.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="277438" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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          <elementTextContainer>
            <elementText elementTextId="2852971">
              <text>Dominick, Gina A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2852972">
              <text>Ph.D. dissertation (New York University, 2022), Dissertation  Abstracts International A 84.01(E).</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2852973">
              <text>Dissertation  Abstracts International 84 (E)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2852974">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2852976">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852969">
                <text>Diseased Texts: "Formosa deformitas" and Medieval Literature.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2854105">
                <text>Explores how texts such as Julian of Norwich's "A Revelation of Divine Love," CT, and Thomas Malory's "Morte Darthur" "unsettle the medieval aesthetic-ethical form of "formosa deformitas," or, the 'beautiful ugly,' " and "bring attention to the ethical compromises made for literary pleasure, as well as the aesthetic and ethical failures or harm of averting a potentially 'diseased' aesthetic."</text>
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  <item itemId="272208" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804510">
              <text>Steadman, John M.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804511">
              <text>Berkeley: University of California Press, 1972.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804512">
              <text>1972</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804513">
              <text>xii, 178 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2804515">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2804516">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2804517">
              <text>mea; 10/06/2015 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2804509">
                <text>Disembodied Laughter: "Troilus" and the Apotheosis Tradition: A Reexamination of Narrative and Thematic Contexts</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804514">
                <text>Studies the "flight episode," Troilus's laughter, and the location of the eighth sphere in TC "against the background of the apotheosis tradition [Lucan, Cicero, Dante, Boccaccio, and various commentaries] and the conventions of classical pneumatology [Stoic and neoplatonic]," exploring the thematic relations of the episode "with the poem as a whole and the epilogue in particular."  Also considers relations of the flight episode and the epilogue with the materials Chaucer derived from Boethius's "Consolation" and adapted by incorporating them into a new context, focusing particularly on Boethian views of providence and the human condition.</text>
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  <item itemId="273961" public="1" featured="0">
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              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821235">
              <text>Kendrick, Laura.&#13;
</text>
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        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821236">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 116-38.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821237">
              <text>Chaucer: Visual Approaches.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2821238">
              <text>Manuscripts and Textual Studies&#13;
General Prologue to the Canterbury Tales&#13;
Man of Law and His Tale&#13;
Pardoner an His Tale&#13;
Manciple and His Tale</text>
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          <elementTextContainer>
            <elementText elementTextId="2821239">
              <text>SAC 40:189</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821240">
              <text>2016</text>
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              <elementText elementTextId="2821233">
                <text>Disfigured Drunkenness in Chaucer, Deschamps, and Medieval Visual Culture.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821234">
                <text>Compares Chaucer's and Deschamps's poetic critiques of the "comedy of drunkenness," examining passages in GP, MLT, PardP, and ManP as well as Deschamps's chanson royale "Sur l'ordre de la Baboue" (included, with translation, in an appendix). Traces the "humiliating, disfiguring effects" of excessive drink in dialogue with manuscript marginalia and material artifacts (especially drinking vessels) that visually associate intoxication with simian forms and world-upside-down rhetoric. </text>
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