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              <text>Edwards, A. S. G.</text>
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              <text>Martin Davies, ed. Incunabula: Studies in Fifteenth-Century Books Presented to Lotte Hellinga. (London: British Library, 1999), pp. 493-506</text>
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              <text>Incunabula: Studies in Fifteenth-Century Books Presented to Lotte Hellinga.</text>
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              <text>Davies, Martin,ed.</text>
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              <text>Facsimiles, Editions, and Translations.</text>
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              <text>jules SAC 23 (17)</text>
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                <text>Decorated Caxtons</text>
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                <text>Surveys the quantity and quality of decoration in books printed by Caxton, including works by Chaucer. Speculates why there is less decoration in Caxton's printed books than in those produced on the Continent. Includes four black-and-white illustrations, two from Chaucer.</text>
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              <text>Redwine, Bruce,III.</text>
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              <text>Dissertation Abstracts International 45 (1985): 2869A.</text>
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                <text>Decorum and Expression of Intention in 'Beowulf,' Njals Saga,' and Chaucer</text>
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                <text>Body language, grouping, and voice level used by characters signify intent; in Chaucer's works, typically, appeasement manifests itself as the intent.</text>
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              <text>Patuleanu, Ioana.</text>
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                <text>Deep Readings and Thin Screens: Narrative Kenosis in Jane Barker's 'A Patch-Work Screen for the Ladies'</text>
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                <text>Refers to Jane Barker's use in an early novel of Dryden's retelling of CT to provide context for her 1723 anti-novel, "A Patch-Work Screen for the Ladies."</text>
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              <text>Straker, Scott-Morgan.</text>
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              <text>Review of English Studies 52: 1-21,   2001.</text>
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              <text>jules SAC 25 (57)</text>
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                <text>Deference and Difference : Lydgate, Chaucer, and the Siege of Thebes</text>
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                <text>Lydgate appropriates Chaucer not so much to pay tribute as to distance himself from anticlericalism, to redeem the narrative and monastic voice, and to assert its freedom from authority, as represented by Harry Bailly. Lydgate's apparent compliance allows the monastic identity to address unwelcome truth to secular authority. While the prologue to the "Siege" is self-confidently naive, the body of the poem articulates the inability of rhetoric to affect history.</text>
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              <text>Nisse, Ruth.</text>
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 2005.</text>
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              <text>x, 226 pp.</text>
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                <text>Defining Acts: Drama and the Politics of Interpretation in Late Medieval England</text>
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                <text>Assesses the biblical and theatrical allusions in MilT for the ways that they engage the theme of interpretation, challenge gender categories, and dovetail with contemporary concerns about the dangers of drama and reading. Compares these with similar concerns in the "Treatise of Miracle Pleyinge" and accounts of the Peasants' Revolt, using these texts to initiate an analysis the politics and hermeneutics of late-medieval drama.</text>
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              <text>Finlayson, John.</text>
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              <text>Chaucer Review 15 (1980): 44-62.</text>
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              <text>Tale of Sir Thopas.</text>
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              <text>Chaucer Review 15 (1980)</text>
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              <text>jules SAC 05 (63)</text>
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                <text>Definitions of Middle English Romance: Part I</text>
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                <text>Confused in definition, "romance" designates both a value system and a method of treatment.  The presence of the marvelous, courtly love, and chivalric adventure is not enough to form a definition.  A parody like Th helps, since it indicates what is expected and can therefore be successfully ridiculed.</text>
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              <text>Finlayson, John.</text>
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              <text>Chaucer Review 15 (1980): 168-81.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>Romances are distinguished not by the presence of certain features--the erotic, the fabulous, etc.--but by attitudes toward those elements.  WBT is "deliberately" not a romance.</text>
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              <text>Dickson, Lynne.</text>
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                <text>Deflection in the Mirror: Feminine Discourse in 'The Wife of Bath's Prologue' and 'Tale'</text>
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                <text>Although WBP does not succeed in fictionalizing a discourse community of women, it makes clear the possibility in its struggle with patriarchal authority.  WBT poses such a community in a transient, illusory form.  Chaucer capitalizes on the contemporary desire for women's access to literature and for feminine discourse, anticipating Christine de Pisan.</text>
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              <text>Gasse, Rosanne.</text>
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                <text>In TC, Deiphebus serves as an important foil to Troilus.  He exposes Troilus not only as weak and inadequate but also as human, something Hector is not.</text>
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              <text>Sundwall, McKay.</text>
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        <element elementId="98">
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              <text>Modern Philology 73 (1975): 151-56.</text>
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        <element elementId="114">
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              <text>1975</text>
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              <text>Modern Philology 73 (1975)</text>
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              <text>jules - 6/10/94 SAC 1 (213)</text>
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                <text>Deiphobus and Helen: A Tantalizing Hint</text>
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                <text>According to Virgil (Aeneid, VI) Deiphobus became the husband of Helen after Paris' death.  Perhaps Pandarus reveals a covert knowledge of this burgeoning romance when, in TC II, he confidently sends Helen and Deiphobus into the garden for an hour, thereby leaving Troilus and Criseyde alone for their first interview.</text>
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              <text>Fleming, John V.</text>
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        <element elementId="98">
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              <text>Chaucer Review 21 (1986): 182-99.</text>
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        <element elementId="114">
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              <text>Chaucer Review 21 (1986)</text>
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              <text>jules SAC 10 (245)</text>
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                <text>Deiphoebus Betrayed: Virgilian Decorum, Chaucerian Feminism</text>
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              <elementText elementTextId="2713500">
                <text>The rich Virgilian background of TC brings into focus Hector and Deiphoebus--bound to Troilus by brotherly love and manipulated by Pandarus--and the parallel perfidies of Helen and Criseyde.  In TC, the betrayal of Deiphoebus is "a feminist invention...that questions a clearly established male tradition" (p. 197).</text>
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  <item itemId="268410" public="1" featured="0">
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              <text>Lawler, Traugott.</text>
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              <text>Robert G. Benson and Susan J. Ridyard, eds. New Readings of Chaucer's Poetry (Rochester, N.Y., and Cambridge: D. S. Brewer, 2003), pp. 75-90.</text>
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            <elementText elementTextId="2764947">
              <text>2003</text>
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              <text>New Readings of Chaucer's Poetry .</text>
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              <text>vxl SAC 27:215</text>
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              <elementText elementTextId="2764944">
                <text>Delicacy vs. Truth: Defining Moral Heroism in the Canterbury Tales</text>
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                <text>Lawler argues that Chaucer privileged simplicity and disapproved of decadence and over-refinement. Lexical examination demonstrates Chaucer's preference for "delicacy," evident most clearly in Griselda of ClT and supported by evidence from KnT and ParsT.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>Swiss Papers in English Language and Literature 30 (2014): 51-66. </text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Language and Word Studies</text>
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            <elementText elementTextId="2838124">
              <text>2014</text>
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              <elementText elementTextId="2838118">
                <text>Delicious, Tender Chaucer: Coleridge, Emotion and Affect.</text>
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              <elementText elementTextId="2838119">
                <text>Explores relations between the reception of Chaucer and the "study of the history of emotion," focusing on the "symbolic capital" of Samuel Taylor Coleridge's brief comments on Chaucer in "Table Talk," the "social context" in which the comments were practiced, distinctions between "emotional" and "affective" responses that may be observed in the comments, and the " emotional work performed" by them. Includes comments on Chaucer's uses of "tender."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Flannery, Mary.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852332">
              <text>Review of English Studies 73, no. 310 (2022): 442-58.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852333">
              <text>Review of English Studies 73 (2022)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852334">
              <text>Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852335">
              <text>SAC 47:6</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2852336">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852329">
                <text>Delimiting Chaucerian Obscenity in Caxton's Second Edition of "The Canterbury Tales."</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852330">
                <text>Examines Caxton's deletions from his first to his second edition of CT, showing that most of them were "bawdy spurious verse." Argues that the deletions evince Caxton's awareness of Chaucer's own "ribaldry" and that—not concerned with obscenity per se—he was anxious to present only the poet's own works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730215">
              <text>Burger, Douglas A.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730216">
              <text>Chaucer Review 12 (1977): 103-10.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730217">
              <text>1977</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730219">
              <text>Merchant and His Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730220">
              <text>Chaucer Review 12 (1977)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2730221">
              <text>jules SAC 02 (157)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730214">
                <text>Deluding Words in the 'Merchant's Tale'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2730218">
                <text>May's final answer is the culmination of "an incongruence between words and truth that is manifest throughout the entire poem."  The preamble of antifeminist material is glossed by an old man's fantasy.  The Merchant's "inability" to gloss allows him to reveal May's fornication "unmodified by the illusion words create."</text>
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  <item itemId="275578" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836713">
              <text>Schuurman, Anne.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2836714">
              <text>Craig E. Bertolet and Robert Epstein, eds. Money, Commerce, and Economics in Late Medieval English Literature (Cham: Palgrave Macmillan, 2018), pp. 77-91.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836715">
              <text>Money, Commerce, and Economics in Late Medieval English Literature.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2836716">
              <text>Friar and His Tale&#13;
Summoner and His Tale&#13;
Wife of Bath and Her Tale&#13;
Pardoner and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836717">
              <text>SAC 43: 177</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836718">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836711">
                <text>Demonic Ambiguity: Debt in the Friar–Summoner Sequence.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851833">
                <text>Examines relations between theology and economics in FrPT and SumPT (with glances at WBP and PardPT),  focusing on the polysemous implications of debt, and suggesting that these tales are "key source texts" for modern "economic theology" (Weber to Agamben) that traces capitalism to Christianity, where "the penitential system operates as a bureaucratic economy," dependent upon "quantification and the imposition of debt" that must--but can never--be paid.</text>
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  <item itemId="277516" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2853616">
              <text>Minnis, Alastair.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853617">
              <text>New Medieval Literatures 22 (2022): 114-61.</text>
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          <elementTextContainer>
            <elementText elementTextId="2853618">
              <text>New Medieval Literatures 22 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853619">
              <text>Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853620">
              <text>SAC 47:144</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853621">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853614">
                <text>Demonic Prosthesis and the Walking Dead: The Materiality of Chaucer's Green Yeoman.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853615">
                <text>Assesses the demonic presence in FrT (the Green Yeoman), placing "Chaucerian demonology within a wider intellectual and cultural context" from St. Augustine to the "Malleus maleficarum." Surveys views on demonic/angelic presence as apparition, material airish embodiment, and/or possessed cadavers in academic theology and in demotic religion, arguing that airish embodiment best fits Chaucer's depiction and linking it with modern prosthetic concerns.</text>
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  </item>
  <item itemId="271539" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797575">
              <text>Olson, Glending.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797576">
              <text>Viator 42.1 (2011): 247-82.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797577">
              <text>2011</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797579">
              <text>Summoner and His Tale</text>
            </elementText>
            <elementText elementTextId="2797580">
              <text>Friar and His Tale</text>
            </elementText>
            <elementText elementTextId="2797581">
              <text>Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2797582">
              <text>Viator 42 (2011)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2797583">
              <text>mea SAC 35:115</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797574">
                <text>Demonism, Geometric Nicknaming, and Natural Causation in Chaucer's Summoner's and Friar's Tale</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2797578">
                <text>Nicknames for geometric propositions occur in TC ("dulcarnon," "flemyng of wrecches") and one seems to be at play at the end of SumT ("figura demonis"), where the squire's "natural" solution to the problem of dividing the fart opposes the supernatural causation that operates in FrT. The opposition between natural and supernatural causation helps to unify Part 3 of CT and reflects the contemporary concerns of some Lollards and intellectuals, such as Nicholas of Oresme.</text>
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  <item itemId="277487" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853378">
              <text>Leandoer, Kristoffer.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853379">
              <text>Stockholm: Natur &amp; Kultur, 2023.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853380">
              <text>267 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2853381">
              <text>Svenska Humanistiska Förbundets Skriftseri, no. 146.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2853382">
              <text>Canterbury Tales--General</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853383">
              <text>SAC 47:113</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2853384">
              <text>2023</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853376">
                <text>Den oavslutade litteraturen: En essä om allt som inte blev klart.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2853377">
                <text>Item not seen. WorldCat records indicate that this volume, concerned with unfinished literature, includes discussion of CT, along with Virgil's "Aeneid," Nikolai Gogol's "Dead Souls," Robert Musil's "Man without a Soul," and other works. In Swedish.</text>
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  </item>
  <item itemId="276105" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2841031">
              <text>Johnston, Andrew James.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841032">
              <text>Christoph Kleinschmidt and Uwe Japp, eds. Der Rahmenzyklus in den europäischen Literaturen: Von Boccaccio bis Goethe, von Chaucer bis Gernhardt (Heidelberg: Universitätsverlag, 2018), pp. 41–57.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2841033">
              <text>Kleinschmidt, Christoph, ed.&#13;
Japp, Uwe, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841034">
              <text> Der Rahmenzyklus in den europäischen Literaturen: Von Boccaccio bis Goethe, von Chaucer bis Gernhardt</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841035">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2841036">
              <text>mea; SAC 44:174</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2841037">
              <text>2018</text>
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                <text>Den Rahmen sprengen: Die "Canterbury Tales" von Geoffrey Chaucer.</text>
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                <text>Examines features of CT that make it difficult to fit the work into the modern "frame" of teleological development, medieval to modern. Focuses on "postmodern" features of the work, its tensions between allegory and realism, and its game-like narrative techniques--all provocative, and difficult to reduce to conventionality.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Kao, Wan-Chuan.</text>
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              <text>DAI A71.04 (2010): n.p.</text>
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              <text>Book of the Duchess.</text>
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              <text>Dissertation Abstracts International 71 (2010).</text>
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              <text>vxl sac 34:274</text>
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              <elementText elementTextId="2790486">
                <text>Deployments of Whiteness: Affect, Materiality, and the Social in Late Medieval English Literature</text>
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              <elementText elementTextId="2790490">
                <text>Examines the use of whiteness in a variety of medieval works, arguing that being "white" is a mark not merely of ethnicity but also of Christianity, "beauty," and rank. Examples include mystery plays, "Pearl," and BD.</text>
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            <elementText elementTextId="2791280">
              <text>Wolpers, Theodor.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2791281">
              <text>Theodor Wolpers, ed. Der Sturz des Mächtigen: Zu Struktur, Funktion, and Geschichte eines Literarischen Motivs (Göttingen: Vandenhoeck &amp; Ruprecht, 2000), pp. 105-47.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2791282">
              <text>2000</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2791283">
              <text>Der Sturz des Mächtigen: Zu Struktur, Funktion, and Geschichte eines Literarischen Motivs ,</text>
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        <element elementId="112">
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            <elementText elementTextId="2791284">
              <text>Wolpers, Theodor, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2791286">
              <text>Monk and His Tale</text>
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            <elementText elementTextId="2791287">
              <text>Sources, Analogues, and Literary Relations</text>
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          <elementTextContainer>
            <elementText elementTextId="2791288">
              <text>mea 5/15/2013 No SAC</text>
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              <elementText elementTextId="2791279">
                <text>Der 'Sturz des Mächtigen' als Gattungkonstitutives Motiv: Zur De Casibus-Geschichte bei Boccaccio, Chaucer und im 'Mirror for Magistrates'</text>
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          <element elementId="41">
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              <elementText elementTextId="2791285">
                <text>Traces the "fall of the mighty" (or "fall of princes") motif in "de casibus" narratives and its intersections with tragedy in works by Boccaccio and Chaucer and in the sixteenth-century "Mirror for Magistrates," with particular attention to Adam and Eve, Lucifer, Samson, and Nero in Chaucer's MkT, as well as other figures in the other works.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2771228">
              <text>Bauer, Renate.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2771229">
              <text>Thomas Honegger, ed. Authors, Heroes and Lovers: Essays on Medieval English Literature and Language (Bern and New York: Peter Lang, 2001), pp. 47-71.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771230">
              <text>2001</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2771231">
              <text>Authors, Heroes and Lovers: Essays on Medieval English Literature and Language.</text>
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            <elementText elementTextId="2771232">
              <text>Honegger, Thomas, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2771234">
              <text>Prioress and Her Tale.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2771235">
              <text>vxl sac 29:236</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2771227">
                <text>Der Antijudische Diskurs im Mittelalter am Beispiel Mittelenglischer Dramen und der Prioress's Tale</text>
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            </elementTextContainer>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771233">
                <text>Bauer compares examples of anti-Jewish discourse in the "Ludus Coventriae" ("deicide"), PrT ("ritual murder"), and the Croxton Play of the Sacrament ("desecration of the host"). All three texts criminalize, victimize, and dehumanize Jews, demonstrating that anti-Jewish discourse did not depend on the presence of a Jewish minority within Christian society but could be memorialized by stereotypes in literary texts from generation to generation.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stemmler, Theo.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2765891">
              <text>Fritz Peter Knapp and Manuela Niesner, eds. Historisches und Fiktionales Erzählen im Mittelalter (Berlin: Duncker &amp; Humblot, 2002), pp. 45-62.</text>
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        <element elementId="114">
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            <elementText elementTextId="2765892">
              <text>2002</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765893">
              <text>Historisches und Fiktionales Erzahlen im Mittelalter.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2765894">
              <text>Knapp, Fritz Peter, ed.</text>
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              <text>Niesner, Manuela, ed.</text>
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              <text>Nun's Priest and His Tale</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765898">
              <text>vxl SAC 27:165</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2765889">
                <text>Der Bauernaufstand von 1381 in der Zeitgenössischen Literatur Englands</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2765896">
                <text>Stemmler assesses representations of the Uprising of 1381 in several contexts: the "Anonimalle Chronicle," Henry Knighton's "Chronicon," Thomas Walsingham's "Historia Anglicana," Jean Froissart's "Chroniques," John Gower's "Vox Clamantis," Chaucer's NPT, and various references to John Ball.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734167">
              <text>Fischer, Andreas,and Roland Luthi.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734168">
              <text>Archiv fur das Studium der Neueren Sprachen und Literaturen 231 (1994): 44-58.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734169">
              <text>1994</text>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734170">
              <text>Luthi, Roland.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2734172">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2734173">
              <text>Bibliographies, Reports, and Reference.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2734174">
              <text>Archiv fur das Studium der Neueren Sprachen und Literaturen 231 (1994)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2734175">
              <text>jules SAC 18 (1996) - 21</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2734166">
                <text>Der deutsche Chaucer: Eine bibliographische Ubersicht mit Kommentar</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2734171">
                <text>An annotated bibliography of thirty German translations of Chaucer's works published between 1826 and 1992, with additional commentary that notes patterns of reception.</text>
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          </element>
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