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              <text>Crider, Richard.</text>
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              <text>American Notes and Queries 18 (1979): 18-19.</text>
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              <text>Nun's Priest and His Tale.</text>
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              <text>jules SAC 04 (105)</text>
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                <text>Daniel in the 'Nun's Priest's Tale'</text>
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                <text>Chauntecleer's citation of Daniel (NPT 7.3128-29), frequently taken to refer to Daniel 7, more pertinently refers to Daniel 4 where Nebuchadnezzar relates a dream similar to Chauntecleer's and to the dreams Chauntecleer cites.  This dream and its aftermath show a fall from greatness and then a reversal like that in NPT.</text>
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              <text>Haas, Renate.</text>
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              <text>Toshiyuki Takamiya and Richard Beadle, eds.  Chaucer to Shakespeare: Essays in Honour of Shinsuke Ando (Cambridge: D. S. Brewer, 1992), 233-42.</text>
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                <text>Daniel Schiebeler and Chaucer Reception in Eighteenth-Century Germany</text>
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                <text>Published in 1767-69, Schiebeler's thirty-six-page adaptation of John Campbell's article in Biographia Britannia is the earliest known German essay on Chaucer, a product of Enlightenment thought.</text>
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              <text>Jeffrey, David Lyle.</text>
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              <text>Jeffrey P. Greenman, Timothy Larsen, and Stephen R. Spencer, eds. The Sermon on the Mount Through the Centuries (Grand Rapids, Mich.: Brazos, 2007), pp. 81-107.</text>
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              <text>Greenman, Jeffrey P., ed.</text>
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              <text>Larsen, Timothy, ed.</text>
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              <text>Spencer, Stepehn R., ed.</text>
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              <text>Tale of Melibee.</text>
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              <text>vxl SAC 31:43</text>
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                <text>Dante and Chaucer</text>
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                <text>Jeffrey explores Chaucer's allusions to the Sermon on the Mount (Matthew 5-7), arguing that they reflect Chaucer's distrust of glossing and that the Sermon underpins theological themes of CT most evident in Mel and ParsT: peacemaking and obedience.</text>
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              <text>Tambling, Jeremy.</text>
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              <text>Cambridge and New York: Cambridge University Press, 1988.</text>
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              <text>1988</text>
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              <text>206 pp.</text>
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              <text>jules SAC 12 (115)</text>
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                <text>Rejecting unity theories and reductive allegorization, Tambling draws on "medieval theories of reading and understanding a text" and compares them with Derridean critical theories and hermeneutics (with several references to Chaucer).</text>
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              <text>Eisner, Martin.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 286-302.</text>
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              <text>mea; SAC 44:44</text>
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                <text>Dante and the Author of the "Decameron."</text>
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                <text>Argues "that far from being occasional, accidental, or haphazard, Boccaccio's engagement with Dante structures the authorial interventions in the frame of the "'Decameron/." Traces Boccaccio's use of Dante to demonstrate how Chaucer uses Boccaccio in similar ways.</text>
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              <text>Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press, 2020), pp. 351-67.</text>
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              <text>mea; SAC 44:57</text>
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                <text>Maps out Dante's depiction of the infernal city and traces the "infernal mode of representation of urban experience," by suggesting that Dante describes the city&#13;
with an "urban variation on the vertical cosmos of the Last Judgment." Documents the influence of this depiction of the infernal city on Boccaccio, Chaucer, François Villon, and Christine de Pizan.</text>
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              <text>Thomas C. Stillinger, ed. Critical Essays on Geoffrey Chaucer (New York: G.K. Hall; London: Prentice Hall International, 1998), pp.243-66.</text>
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                <text>An analysis of the end of TC that reads Troilus's ascent (itself inherently meaningless) as a stage in the progress of the narrator's recognition of the relations between Christian poetry and classical tradition.</text>
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                <text>Wetherbee provides close reading of parts of the end of TC.</text>
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              <text>Alexander, Michael.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Style and Versification</text>
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                <text>Identifies ways Dante influenced the invocations in TC, as well as TC's depictions of love and hell. Also explores the words that Chaucer invented to rhyme with "Troie" and with "Criseyde."</text>
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              <text>Dédéyan, Charles.</text>
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Les Lettres Romanes 13 (1959)</text>
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1959</text>
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                <text>Dante En Angleterre: Chaucer.</text>
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              <elementText elementTextId="2843320">
                <text>The first two in a series of essays Dédéyan published on Dante in England in Les Lettres Romanes, volumes 12-15 (1958-1961). The first surveys references, allusions, and uses of Dante in TC, PF, and HF. The second continues the discussion of HF, and also considers LGW and CT, addressing echoes in MLT, PrP, FrT, MerT, and SqT, along with more sustained resonances in MkT (Hugolino), WBT, and SNP. Includes discussion of Gent and comments on Dante's "Canzone" and "Convivio" as well as his "Comedy."</text>
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              <text>Wallace, David.</text>
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              <text>Jacoff, Rachel,ed.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Monk and His Tale.</text>
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                <text>Dante in English</text>
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            <elementTextContainer>
              <elementText elementTextId="2740669">
                <text>Surveys engagement with Dante by writers in English, from Chaucer to Seamus Heaney.  Discusses Dantean influence on the Hugelyn section of MkT, and on other portions of CT, HF,Lady, and TC.</text>
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              <text>Griffiths, Eric, and Matthew Reynolds, eds.</text>
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        <element elementId="98">
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                <text>An anthology of selections from Dante's works adapted or translated into English, including several examples from Chaucer's works (WBT, MkT, SNT, HF, and TC). Focusing on the Commedia and arranged chronologically, the selections range from Chaucer to works of the late twentieth century, with about one hundred writers included. The extensive introduction addresses the challenges of translating Dante.</text>
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          <elementTextContainer>
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              <text>Boitani, Piero.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2756213">
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        <element elementId="109">
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              <text>jules SAC 24 (64)</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756214">
                <text>Details the historical record of Chaucer's Italian connections and surveys the influence of Dante on English poetry from Chaucer to the twentieth century. Likens Dante's influence on English to a love story.</text>
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                <text>Dante in Inglissh'; What Il Convivio Really Did for Chaucer</text>
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                <text>The Loathly Lady's lecture on "gentilesse" in WBT goes beyond sexual sovereignty to encompass dominium, a concept central to Wyclif's challenge to authority. Without naming his source, Chaucer channels orthodox, Boethian ideas about "gentilesse" through Dante's vernacular Convivio to allow for observations without the taint of Lollardy.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2748940">
              <text>Kensak, Michael Alan.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2748941">
              <text>Dissertation Abstracts International 59 (1998): 817A.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2748942">
              <text>1998</text>
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            <elementText elementTextId="2748944">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2748945">
              <text>Manciple and His Tale.</text>
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          </elementTextContainer>
        </element>
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          <elementTextContainer>
            <elementText elementTextId="2748946">
              <text>Dissertation Abstracts International 59 (1998)</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 181.</text>
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              <elementText elementTextId="2748939">
                <text>Dante, Alain de Lille, and the Ending of the 'Canterbury Tales'</text>
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                <text>Entry into heaven and the approach to God properly conclude a pilgrimage, as represented by Dante and Alain de Lille. In ManPT, Chaucer inverts the topos to show logic and language vitiated (not transcended) as the Cook becomes literally drunk (not spiritually inebriated), and "the Host rededicates the pilgrimage to Bacchus."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718772">
              <text>Shoaf, Richard Allen.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2718773">
              <text>Norman, Okla.: Pilgrim Books, 1983.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2718774">
              <text>1983</text>
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            <elementText elementTextId="2718777">
              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2718778">
              <text>jules SAC 07 (30)</text>
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              <elementText elementTextId="2718771">
                <text>Dante, Chaucer and the Currency of the Word: Money, Image, and Reference in Late Medieval Poetry</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="2718775">
                <text>After an introduction, "The Discourse of Man 'By Nature a Political Animal,'" follow three parts:  "Dante's 'Commedia' and the Promise of Reference," dealing with Narcissus--damned ("Inferno" 30), purged ("Purgatorio" 30), and redeemed ("Paradiso" 30); "Troylus and Criseyde and the 'Falsing' of the Referent," with chapters on HF, Criseyde, Troylus, Pandarus, and the Narrator; and "'The Canterbury Tales' and the Ethics of Reference," with chapters on Fragment A, WBT, MerT, and PardT.</text>
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                <text>Shows how Chaucer uses Dante and how he differs.</text>
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  </item>
  <item itemId="264298" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722899">
              <text>Wheeler, Bonnie.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722900">
              <text>Philological Quarterly 61 (1982): 105-23</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722901">
              <text>1981</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2722903">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2722905">
              <text>Philological Quarterly 60 (1981)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722906">
              <text>mea SAC 06 (181)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2722898">
                <text>Dante, Chaucer, and the Ending of 'Troilus and Criseyde'</text>
              </elementText>
            </elementTextContainer>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2722902">
                <text>The last eighteen stanzas are doomed attempts to forge a fixed moral for the tale--the reader must do it himself.  The "contemptus mundi" theme is tried unsuccessfully to unify it.  The last nine stanzas are compared to "Paradiso's" cantos 13 and 14 as a source for the conclusion.  Chaucer and Dante recognized that the poet maker is not perfect--everything human is inferior to the Divine.</text>
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  <item itemId="263059" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711080">
              <text>Morgan, Gerald.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711081">
              <text>Eric Haywood and Barry Jones, eds. Dante Comparisons: Comparative Studies of Dante and Montale, Foscolo, Tasso, Chaucer, Petrarch, Propertius and Catullus (Dublin: Irish Academic Press, 1985), pp. 73-95.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711082">
              <text>1985</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711083">
              <text>Dante Comparisons: Comparative Studies of Dante and Montale, Foscolo, Tasso, Chaucer, Petrarch, Propertius and Catullus.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711084">
              <text>Haywood, Eric,</text>
            </elementText>
            <elementText elementTextId="2711085">
              <text>Jones, Barry,ed.</text>
            </elementText>
            <elementText elementTextId="2711086">
              <text>ed.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711088">
              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2711090">
              <text>jules SAC 11 (258)</text>
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          <element elementId="50">
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              <elementText elementTextId="2711079">
                <text>Dante, Chaucer, and the Meaning of Love</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2711087">
                <text>"Courtly love" is a critics' term that was never used by medieval poets.  To understand Chaucer's treatment of love, we must turn not to the principles of courtly love but to medieval philosophy and the treatment of love by poets such as Dante.</text>
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  <item itemId="261462" public="1" featured="0">
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695234">
              <text>Ordiway, Frank Bryan.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695235">
              <text>Dissertation Abstracts International 51 (1991): 2373A</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695236">
              <text>1991</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2695238">
              <text>Troilus and Criseyde.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2695239">
              <text>Dissertation Abstracts International 51 (1991)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2695240">
              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695233">
                <text>Dante, Chaucer, and the Poetics of the Past</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695237">
                <text>Unlike Dante, who recognizes his poetic "fathers" in the Divine Comedy and sees himself as surpassing them, Chaucer in TC adopts the stance of the translator of an ancient text but questions the value of its tradition.</text>
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  <item itemId="263292" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713307">
              <text>Simpson, James.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713308">
              <text>Essays and Studies 39 (1986): 1-18.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713309">
              <text>1986</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713311">
              <text>House of Fame.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713312">
              <text>Essays and Studies 39 (1986)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713313">
              <text>jules SAC 10 (225)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713306">
                <text>Dante's 'Astripetam Aquilam' and the Theme of Poetic Discretion in the 'House of Fame'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2713310">
                <text>The eagle in HF, pt. 2, with its immediate source in Dante's "Purgatorio," also parallels a passage in the "De vulgari eloquentia" (2.4) that cautions poets not to follow the "astripetam aquilam" ("star-seeking eagle").  The eagle is a parody of the dream guide whose overblown eloquence illustrates the theme of poetic discretion in the work.  Unlike his, Geffrey's art is "founded upon an assured knowledge of both personal and artistic limitations."</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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            <elementText elementTextId="2723395">
              <text>Shoaf,  R[ichard] A[llen].</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2723396">
              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 83-103.</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723397">
              <text>1981</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723398">
              <text>New Perspectives in Chaucer Criticism.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2723400">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2723401">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2723402">
              <text>jules SAC 05 (109)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2723394">
                <text>Dante's 'Commedia' and Chaucer's Theory of Mediation: A Preliminary Sketch</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2723399">
                <text>Modern literary theory is concerned with the problem of "how language 'refers' in the critical text that has lost faith in the communion between language and reality."  Shoaf observes this faith, which was stronger in the Middle Ages, at work in the "Commedia" and TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2827671">
              <text>Havely, Nick.</text>
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        <element elementId="98">
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              <text>Oxford: Oxford University Press, 2014.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2827673">
              <text>xviii, 355 pp.; b&amp;w illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Sources, Analogues, and Literary Relations&#13;
Chaucer's Influence and Later Allusion</text>
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        <element elementId="109">
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              <text>SAC 41:43</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2827676">
              <text>2014</text>
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          <element elementId="50">
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              <elementText elementTextId="2829924">
                <text>Dante's British Public: Readers and Texts from the Fourteenth Century to the Present.</text>
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                <text>Assesses the general or "public" familiarity with Dante and his works in British culture, acknowledging his impact on poets such as Chaucer, Milton, and T. S. Eliot, but exploring instead a more pervasive presence. Includes references to Chaucer's familiarity with Dante's works, to the knowledge of Dante among clerics in "the time of Chaucer," and to how Dante's and Chaucer's canonicity developed in Tudor England. Also comments on possible connections between Chaucer and Adam Easton, an English Benedictine who "possibly anticipated Chaucer as the first English writer to refer to Dante by name."</text>
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  <item itemId="276923" public="1" featured="0">
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          <elementTextContainer>
            <elementText elementTextId="2847687">
              <text>Hughes, Jonathan.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>New York: Bloomsbury Academic, 2022.</text>
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              <text>xiv, 426 pp.; b&amp;w illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Soutces, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
House of Fame&#13;
Troilus and Criseyde&#13;
Monk and His Taler</text>
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              <text>SAC 46:62</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2847692">
              <text>2022</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2847686">
                <text>Studies the reception of Dante in England, 1370–1450, focusing on ecclesiastical concerns about the "Divine Comedy" (DC) and literary responses to the poem and its worldview. Includes assessment of possible routes for Chaucer's initial access to DC (through travel and otherwise) and contrasts the poets' uses of the vernacular and their attitudes toward the literary legacy of Rome, especially Statius and Virgil. Reviews connections between DC and HF, TC, MkT, and other works, with an extended discussion of parallels between Criseyde and Dante's Francesca. Recurrently suggests Chaucer's role in mediating Dante's influence and emphasizes their intellectual differences.</text>
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                <text>Dante's Divine Comedy in Early Renaissance England: The Collision of Two Worlds</text>
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  <item itemId="270450" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786044">
              <text>Stoneman, Richard.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2786045">
              <text>London: Duckworth, 1982.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786046">
              <text>1982</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2786047">
              <text>vi, 330 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2786049">
              <text>Legend of Good Women</text>
            </elementText>
            <elementText elementTextId="2786050">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786051">
              <text>mea 2/20/2013 No SAC</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2786043">
                <text>Daphne into Laurel: Translations of Classical Poetry from Chaucer to the Present</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786048">
                <text>An anthology of translations from Greek and Roman by English writers, including a section on Chaucer (pp. 32-33) with a brief (and erroneous) biography and a selection from Chaucer's Dido legend (LGW 1180-1209), from Virgil's "Aeneid" 4.129-50, presented as "almost the only direct piece of translation" of the classics by Chaucer.</text>
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          </element>
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  </item>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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            <elementText elementTextId="2800447">
              <text>Seaman, Myra, Eileen A. Joy, and Nicola Masciandaro, eds.</text>
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          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2800448">
              <text>Brooklyn, N. Y.: Punctum Books, 2012.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800449">
              <text>2012</text>
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          </elementTextContainer>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2800450">
              <text>vii, 201 pp. Available as e-text.</text>
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        <element elementId="112">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800451">
              <text>Joy, Eileen A., ed</text>
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            <elementText elementTextId="2800452">
              <text>Masciandaro, Nicola, ed.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2800454">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2800455">
              <text>mea SAC 36:110</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2800446">
                <text>Dark Chaucer: An Assortment</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800453">
                <text>A collection of essays highlighting "dark," unsettling, and culturally unsavory elements across the Chaucer canon. For individual pieces, search for Dark Chaucer under Alternative Title.</text>
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          </element>
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  <item itemId="271820" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2800458">
              <text>Barrington, Candace.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2800459">
              <text>Myra Seaman, Eileen A. Joy, and Nicola Masciandaro, eds. Dark Chaucer: An Assortment (Brooklyn, N. Y.: Punctum Books, 2012), pp. 1-11.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800460">
              <text>2012</text>
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              <text>Dark Chaucer: An Assortment.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800463">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2800464">
              <text>mea SAC 36:48</text>
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                <text>Dark Whiteness: Benjamin Brawly and Chaucer</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800462">
                <text>Studies the poem "Chaucer" by Benjamin Brawly, an early twentieth-century African-American poet.</text>
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