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                  <text>Chaucer Bibliography Online</text>
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              <text>Sundwall, McKay.</text>
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              <text>Chaucer Review 11 (1976): 156-63.</text>
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              <text>1976</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer Review 11 (1976)</text>
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        <element elementId="109">
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              <text>jules SAC 02 (224)</text>
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                <text>Criseyde's Rein</text>
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                <text>The germ of Chaucer's phrase "and by the reyne hire hente" is found in Benoit's "Roman de Troie."  Benoit uses a similar phrase four times.  This is further evidence that Chaucer was conflating Boccaccio and Benoit.</text>
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              <text>Margherita, Gayle.</text>
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        <element elementId="98">
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              <text>Exemplaria 12: 257-92,   2000.</text>
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              <text>2000</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
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              <text>Exemplaria 12 (2000)</text>
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        <element elementId="109">
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              <text>jules SAC 24 (385)</text>
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                <text>Criseyde's Remains : Romance and the Question of Justice</text>
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                <text>Considers how "history becomes the unconscious of romance" in TC. Criseyde is pronounced dead at the opening of the work (1.56) but does not die in the story; as a "symptom of the poem's disavowal of history and materiality, she also marks its radical undecidability." She does die in Henryson's anti-romance, "Testament of Cresseid"--in a fantasy of justice that depends on time, a promise "that it is never yet what it will have been."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Costomiris, Robert.</text>
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        <element elementId="98">
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              <text>Renascence 65.4 (2013): 249-67.</text>
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              <text>Renascence 65 (2013)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 40:313</text>
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        <element elementId="114">
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              <text>2013</text>
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                <text>Criseyde's Swoon and the Experience of Love in "Trolius [sic] and Criseyde."</text>
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          <element elementId="41">
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                <text>Argues that moral and psychological interpretations of TC--readings that judge the characters and those that empathize with their experiences--are "not as incompatible as their adherents would have us believe." Chaucer's rich depictions of his protagonists' complex agencies compel us to recognize that the two interpretive perspectives are interdependent.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Renoir, Alain.</text>
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        <element elementId="98">
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            <elementText elementTextId="2835319">
              <text>Orbis Litterarum 16 (1961): 239-55.</text>
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            <elementText elementTextId="2835320">
              <text>Orbis Litterarum 16 (1961)</text>
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            <elementText elementTextId="2835321">
              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>mea; 10/14/21</text>
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        <element elementId="114">
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            <elementText elementTextId="2835323">
              <text>1961</text>
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              <elementText elementTextId="2835316">
                <text>Criseyde's Two Half Lovers.</text>
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          <element elementId="41">
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                <text>Assesses Criseyde's character in light of Carl Jung's theory of the nature of love as a "result of the incomplete human soul seeking its complement"--the "anima" seeking its "animus." Troilus's failure to act disappoints Criseyde's courtly expectations, and his "weaknesses are precisely the same as hers," while her "reluctance to act" leads to her betrayal with Diomede and her tragic Christian fall.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2765279">
              <text>Sepherd, Robert K. .</text>
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        <element elementId="98">
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            <elementText elementTextId="2765280">
              <text>Sederi: Journal of the Spanish Society for English Renaissance Studies 4 : 229-36,   1993.</text>
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        <element elementId="114">
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              <text>1993</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>vxl 59</text>
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                <text>Criseyde/Cresseid/Cressida: What's in a Name?</text>
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          <element elementId="41">
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                <text>Considers Shakespeare's Cressida to be a "delicate literary graft" of the ambiguous aloofness of Chaucer's Criseyde and the "frankness personified" of Henryson's Cresseid.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sanok, Catherine.</text>
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        <element elementId="98">
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            <elementText elementTextId="2854006">
              <text>Exemplaria: A Journal of Theory in Medieval and Renaissance Studies 34 (2022): 252-59.</text>
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            <elementText elementTextId="2854007">
              <text>Exemplaria 34 (2022)</text>
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              <text>Troilus and Criseyde</text>
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              <text>SAC 47:202</text>
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              <text>2022</text>
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                <text>Crisis and Ambivalent Futures in Middle English Romance.</text>
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                <text>Explores relations among "crisis, ambivalence, and futurity," focusing on TC and "Amis and Amiloun," "assessing Criseyde''s ambivalence about returning to Troy as "an affective correlative of crisis" and Amis's ambivalence about the sacrificial killing of his children for ways that it "eludes the putatively determinative logics of moral causality and biological inheritance."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Benson, C. David.</text>
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        <element elementId="98">
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              <text>Modern Language Quarterly 53 (1992): 23-40.</text>
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              <text>1992</text>
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              <text>Chaucer's Influence and Later Allusion.     </text>
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            <elementText elementTextId="2695664">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2695665">
              <text>Modern Language Quarterly 53 (1992).</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2695666">
              <text>mea</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2695657">
                <text>Critic and Poet: What Lydgate and Henryson Did to Chaucer's Troilus and Criseyde</text>
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          <element elementId="41">
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              <elementText elementTextId="2695661">
                <text>Describes the writers' approaches to their source in Chaucer: Lydgate as a "scholarly commentator" and Henryson as a poet who exploits "Chaucer's innovative literary devices" in an original way.                                                                                                              </text>
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                <text>Reprinted in Daniel J. Pinti, "Writings After Chaucer" (New York and London: Garland, 1998), pp. 227-41.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786210">
              <text>Boenig, Robert.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786211">
              <text>Bruce L. Edwards, ed. The Taste of Pineapple: Essays on C. S. Lewis as Reader, Critic, and Imaginative Writer (Bowling Green, Ohio: Bowling Green State University Popular Press, 1988), pp. 138-48.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786212">
              <text>1988</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786213">
              <text>The Taste of Pineapple: Essays on C. S. Lewis as Reader, Critic, and Imaginative Writer</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786214">
              <text>Edwards, Bruce L., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786216">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2786217">
              <text>Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786218">
              <text>mea 2/26/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786209">
                <text>Critical and Fictional Pairing</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786215">
                <text>Reads C. S. Lewis's essay on TC, "What Chaucer Really Did to 'Il Filostrato'" (1932), as an index to how Lewis adapted H. G. Wells' novel "The First Men in the Moon" in his own "Out of the Silent Planet." Because of Chaucer's changes to Boccaccio's "Filostrato," we know that "in a real sense the subject" of TC "is Courtly Love." Similarly, Lewis's changes to Wells indicate that he was concerned with the theme of conversion.</text>
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              <name>Title</name>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838195">
              <text>Bethurum, Dorothy, ed.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838196">
              <text>New York: Columbia University Press, 1960.&#13;
</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838197">
              <text>ix, 171 p.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2838198">
              <text>Background and General Criticism</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2838199">
              <text>mea; 3/15/22</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838200">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838193">
                <text>Critical Approaches to Medieval Literature: Selected Papers from the English Institute, 1958-59.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838194">
                <text>Six essays by various authors and a summary Introduction by the editor. For five essays that pertain to Chaucer, search for Critical Approaches to Medieval Literature under Alternative Title.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702077">
              <text>Morse, Charlotte C.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702078">
              <text>C. David Benson and Elizabeth Robertson, eds.  Chaucer's Religious Tales (Cambridge:  D.S. Brewer, 1990), no. 130), pp. 71-83.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702079">
              <text>1990</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702080">
              <text>Chaucer's Religious Tales</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702082">
              <text>Clerk and His Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702083">
              <text>jules SAC 14 (201)</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702076">
                <text>Critical Approaches to the 'Clerk's Tale'</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702081">
                <text>Between 1910 and 1952, attitudes toward ClT were overtly hostile.  Since 1952, however, criticism has been "apologetic in nature," with teacher-critics constructing "Christian allegorical," philosophical, psychological, and political readings "to make the tale somehow acceptable."</text>
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  </item>
  <item itemId="262189" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2702379">
              <text>Edwards, A. S. G.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2702380">
              <text>C. David Benson and Elizabeth Robertson, eds.  Chaucer's Religious Tales (Cambridge:  D. S. Brewer, 1990), pp. 85-94.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702381">
              <text>1990</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702382">
              <text>Chaucer's Religious Tales.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702384">
              <text>Man of Law and His Tale.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702385">
              <text>jules SAC 14 (170)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702378">
                <text>Critical Approaches to the 'Man of Law's Tale'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702383">
                <text>Noting that MLT has often been apologized for or ignored, Edwards surveys critical approaches to the tale:  the date of its composition, its place in the Canterbury sequence, source study, biography, narrative voice, the problem of Constance, allegory, and gender criticism.  Only Morton Bloomfield has made a  "notable attempt to address the 'Tale's problems...in Christian terms."</text>
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  <item itemId="262222" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702740">
              <text>Collette, Carolyn (P.)</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702741">
              <text>C. David Benson and Elizabeth Robertson, eds.  Chaucer's Religious Tales (Cambridge:  D. S. Brewer, 1990), 95-107.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702742">
              <text>1990</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702743">
              <text>Chaucer's Religious Tales.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702745">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2702746">
              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2702747">
              <text>Prioress and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702748">
              <text>jules SAC 14 (135)</text>
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            <elementTextContainer>
              <elementText elementTextId="2702739">
                <text>Critical Approaches to the 'Prioress's Tale' and the 'Second Nun's Tale'</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2702744">
                <text>Similar in context and form, SNT and PrT have evoked critical commentary on historical background, sources, and analogues. However, PrT has sparked more consistent and recent interest, in part because of the Prioress's personality, her relationship to the narrative itself, and the tale's anti-Semitism.  Collette suggests that new historical, textual, and feminist criticism might illumine both tales.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703582">
              <text>Bloch, R. Howard.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703583">
              <text>Exemplaria 2 (1990): 203-20.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703584">
              <text>1990</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703587">
              <text>Background and General Criticism.</text>
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              <text>Prioress and Her Tale.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703589">
              <text>Exemplaria 02 (1990).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703590">
              <text>jules SAC 14 (56)</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703581">
                <text>Critical Communities and the Shape of the Medievalist's Desire: A Response to Judith Ferster and Louise Fradenburg</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703585">
                <text>Ferster's and Fradenburg's essays problematize the critical act of reading medieval texts:  Ferster's examination of "who speaks" in PrT extends to the critic's own voice; Fradenburg's articulation of medievalists' anxieties concerning the status of a lost past reveals the political effects of viewing scholarship as restorative. </text>
              </elementText>
              <elementText elementTextId="2703586">
                <text>The implications of both essays could be extended by constructing an external history of the discipline of medieval studies.</text>
              </elementText>
            </elementTextContainer>
          </element>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rossignol, Rosalyn</text>
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              <text>New York : Facts on File,   2007.</text>
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              <text>viii, 648 pp. Map; b&amp;w illus.</text>
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              <text>Bibliographies, Reports, and Reference</text>
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              <text>vxl SAC 31:5</text>
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                <text>Critical Companion to Chaucer: A Literary Reference to His Life and Work</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Revised, expanded version of the author's "Chaucer A to Z. The Essential Reference to His Life and Works" (1999; SAC 23 [2001], no. 5), with a more extensive biographical introduction to Chaucer, critical summaries of each of his works, and a more comprehensive survey of encyclopedic entries on Chaucerian topics. Appendices include a dateline, a list of works, a map of the Canterbury route, a brief bibliography, and an index to the volume.</text>
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              <text>Andrew, Malcolm, ed.</text>
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              <text>Toronto, and Buffalo, N. Y.: University of Toronto Press, 1991.</text>
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        <element elementId="114">
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              <text>1991</text>
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            <elementText elementTextId="2694115">
              <text>x, 229 pp.</text>
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              <text>Canterbury Tales--General.</text>
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                <text>Critical Essays on Chaucer's Canterbury Tales</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2694116">
                <text>Anthologizes twenty-one previously published essays and extracts from longer discussions.  The pieces were originally published between 1809 and 1987, although all but one are from the twentieth century.  Topics range from dramatic criticism to feminism and deconstruction.</text>
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              <text>Benson, C. David, ed.</text>
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              <text>Toronto: University of Toronto Press, 1991; Milton Keynes: Open University Press, 1991.</text>
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              <text>ix, 246 pp.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Book of the Duchess.</text>
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              <text>House of Fame.</text>
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            <elementText elementTextId="2695156">
              <text>Parliament of Fowls.</text>
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                <text>Critical Essays on Chaucer's Troilus and Criseyde and His Major Early Poems</text>
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                <text>Anthologizes previously published essays and extracts from longer discussions of TC, BD, HF, and PF.  Originally published between 1915 and 1986, the essays are arranged chronologically by work, with the majority (twelve of nineteen) dedicated to TC.</text>
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            <elementText elementTextId="2748636">
              <text>Stillinger, Thomas C.,ed.</text>
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              <text>New York:</text>
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              <text>London: G. K. Hall;</text>
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              <text>Prentice Hall International, 1998..</text>
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              <text>1998</text>
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              <text>x, 272 pp.</text>
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              <text>Background and General Criticism.</text>
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        <element elementId="104">
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          <elementTextContainer>
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              <text>Critical Essays on British Literature.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2748648">
              <text>jules SAC 22 - 154.</text>
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                <text>Critical Essays on Geoffrey Chaucer</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2748642">
                <text>Eleven essays by various authors. In his introduction, Stillinger characterizes Chaucer studies up to the 1980s as a great debate between New Criticism and exegetical criticism; he says that he selected the essays in the volume for the ways they go beyond the debate. Nine of the essays were published previously, five as chapters in books. For two essays that pertain to Chaucer, search for Critical Essays on Geoffrey Chaucer under Alternative Title.</text>
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          <elementTextContainer>
            <elementText elementTextId="2786493">
              <text>Cookson, Linda, and Bryan Loughrey, ed.</text>
            </elementText>
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        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2786494">
              <text>Harlow: Longman, 1989.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2786495">
              <text>1989</text>
            </elementText>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2786496">
              <text>139 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2786497">
              <text>Loughrey, Bryan, ed.</text>
            </elementText>
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        <element elementId="102">
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          <elementTextContainer>
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              <text>General Prologue to the Canterbury Tales</text>
            </elementText>
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        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2786500">
              <text>mea 3/8/2013 No SAC</text>
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            <elementTextContainer>
              <elementText elementTextId="2786492">
                <text>Critical Essays on The General Prologue to The Canterbury Tales</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786498">
                <text>Ten essays concerning GP addressed to a student audience, each essay followed by brief "Afterthoughts," intended for purposes of study and review. The volume also contains a "Practical Guide" on writing student essays (pp. 121-37). For individual essays, search for Critical Essays on The General Prologue to The Canterbury Tales  under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2786841">
              <text>Cookson, Linda, and Bryan Loughrey, ed.</text>
            </elementText>
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        <element elementId="98">
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            <elementText elementTextId="2786842">
              <text>Harlow: Longman, 1990.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2786843">
              <text>1990</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2786844">
              <text>129 pp.</text>
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        <element elementId="112">
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          <elementTextContainer>
            <elementText elementTextId="2786845">
              <text>Loughrey, Bryan, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2786847">
              <text>Pardoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2786848">
              <text>mea 3/18/2013 No SAC</text>
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              <elementText elementTextId="2786840">
                <text>Critical Essays on The Pardoner's Prologue and Tale</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2786846">
                <text>Ten essays on PardPT addressed to a student audience, each essay followed by brief "Afterthoughts," intended for purposes of study and review. The volume also contains a "Practical Guide" on writing student essays. For individual essays, search for Critical Essays on The Pardoner's Prologue and Tale under Alternative Title.</text>
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            <elementText elementTextId="2828546">
              <text>Johnson, Eleanor.</text>
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            <elementText elementTextId="2828547">
              <text>Postmedieval 6.4 (2015): 361-74.</text>
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              <text>Postmedieval 06 (2015)</text>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2828549">
              <text>Tale of Sir Thopas&#13;
Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>SAC 41:130</text>
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          <name>Date</name>
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              <text>2015</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2828544">
                <text>Critical Poetics: A Meditation on Alternative Critical Vernaculars.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830670">
                <text>Describes several ways of addressing modern "experimental poems 'as' criticism," and suggests that, adumbrating such metapoetic practice, the juxtaposition of Th and Mel "constitutes a wondering literary-theoretical response to Boethius' 'Consolation'" in which poetry (Th) "engages the senses" while prose (Mel) "engages the reason."</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2839166">
              <text>Reisman, Rosemary M., ed.&#13;
Emmerson, Richard Kenneth.</text>
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        <element elementId="98">
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            <elementText elementTextId="2839167">
              <text>Pasedena, CA: Salem, 2011.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2839168">
              <text>3 vols.; xix, 1470 pp. Online resource.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2839169">
              <text>Bibliographies, Reports, and Reference</text>
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        <element elementId="109">
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            <elementText elementTextId="2839170">
              <text>mea; 5/3/22</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2839171">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839164">
                <text>Critical Survey of Poetry. British, Irish, and Commonwealth Poets. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2839165">
                <text>Illustrated alphabetical encyclopedia. Item not seen. WorldCat records indicate the entry for Geoffrey Chaucer, by Richard Kenneth Emmerson, is in volume 1: Dannie Abse--Sir George Etherege.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828579">
              <text>Lavezzo, Kathy.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828580">
              <text>Eileen A. Joy, ed. Still Thriving: On the Importance of Aranye Fradenburg (Brooklyn, N.Y.: Punctum, 2013), pp. 25-31.</text>
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              <text>Eileen A. Joy, ed.</text>
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            <elementText elementTextId="2828582">
              <text>Still Thriving: On the Importance of Aranye Fradenburg</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Nun's Priest and His Tale</text>
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        <element elementId="109">
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              <text>SAC 41:143</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828585">
              <text>2013</text>
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              <elementText elementTextId="2829967">
                <text>Critical Thriving: Chaucer, the "Nun's Priest's Tale," and the MLA.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830667">
                <text>Considers the value of retaining the Chaucer Division of the Modern Language Association, maintaining its importance as long as "attention to [Chaucer's] corpus continues to unhinge, transform, and trouble received ideas about being in the world." Comments on the "slippery multiplicity" of NPT as a reason that Chaucer criticism can and should thrive.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2766222">
              <text>Brewer, Charlotte.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766223">
              <text>Richard Firth Green and Linne R. Mooney, eds.  Interstices: Studies in Middle English and Anglo-Latin Texts in Honour of A. G. Rigg (Toronto: University of Toronto Press, 2004), pp. 15-43.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766224">
              <text>2004</text>
            </elementText>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766225">
              <text>Interstices:  Studies in Late Middle English and Anglo-Latin Texts in Honour of A. G. Rigg.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766227">
              <text>Facsimiles, Editions, and Translations.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2766228">
              <text>vxl sac 28:12</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2766221">
                <text>Critical, Scientific, and Eclectic Editing of Chaucer</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2766226">
                <text>Examines several key terms in textual/editorial theory, exploring their application to various editions of Chaucer--Skeat's edition, Pollard's Globe edition, and editions by Zupitza, Koch, Manly and Rickert, and Robinson. The terms are used inconsistently, but Skeat's "best-text method tempered with a slight sprinkling of eclecticism" and common sense has proved most influential.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2827014">
              <text>Spearing, A. C.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>London: Arnold, 1964.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827016">
              <text>vii, 148 pp.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827017">
              <text>Chaucer as Novelist.</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2827018">
              <text>Troilus and Criseyde&#13;
Book of the Duchess&#13;
Style and Versification&#13;
Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
            <elementText elementTextId="2827019">
              <text>mea; 11/21/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2827020">
              <text>1964</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2827012">
                <text>Criticism and Medieval Poetry.</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2827013">
                <text>Applies the techniques of "close reading" or "practical criticism" to works of medieval literature, adjusting the method to accord with medieval literary and linguistic conventions, especially oral recitation. Examines passages from "Piers Plowman," "Sir Gawain and the Green Knight," TC, and Robert Henryson's "Testament of Cresseid," along with medieval literary theory found in the "artes poeticae" while referring to a wide range of works. The discussion of TC, "Chaucer as Novelist" (pp. 96-117), focuses on ways in which the poem is and is not "novelistic," examining two passages closely (Criseyde's dream, 2.915ff., and the lovers' parting, 4.1128ff), disclosing the ways that they, "life-like" and ambiguous, impose "no one interpretation on us." Elsewhere explicates BD 387-442, comments on Chaucer's engagement with medieval rhetoricians, and investigates the "complex relationship with Chaucer" found in Henryson's "Testament."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2823781">
              <text>David, Alfred.</text>
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        <element elementId="98">
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              <text>College English 27 (1965): 39-44.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2823783">
              <text>College English 27 (1965)</text>
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              <text>Pardoner and His Tale</text>
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              <text>mea; 1/14/2019</text>
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            <elementText elementTextId="2823786">
              <text>1965</text>
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              <elementText elementTextId="2823779">
                <text>Criticism and the Old Man in Chaucer's "Pardoner's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2825285">
                <text>Argues that in PardT the Old Man "reveals the Pardoner's real secret, the joylessness of the life he professes to relish so much." The Pardoner is a "young-old man, and the confrontation between the three rioters and the old man in the tale brings to the surface a moral and psychological conflict," an archetypal struggle also found in such works as Thomas Mann's "Death in Venice."</text>
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