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                  <text>Chaucer Bibliography Online</text>
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              <text>Thompson, Charlotte.</text>
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              <text>Pacific Coast Philology 18:1-2 (1983): 77-83.</text>
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              <text>1983</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Pacific Coast Philology 18 (1983)</text>
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              <text>jules SAC 07 (132)</text>
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                <text>Cosmic Allegory and Cosmic Error in the Frame of 'The Canterbury Tales'</text>
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                <text>From opening sign of Aries to closing sign of Libra, the pilgrimage moves between the termini of Creation and Doomsday, using symbolism of spring and autumn in the day's cycle.</text>
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              <text>Laird, Edgar (S.)</text>
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              <text>Richard J. Utz, ed.  Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm (Lewiston, N.Y.; Queenston, Ont.; Lampeter, Wales: Edwin Mellen, 1995), pp. 101-15.</text>
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              <text>Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm.</text>
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              <text>Knight and His Tale.</text>
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              <text>jules SAC 19 (1997) - 173</text>
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                <text>Cosmic Law and Literary Character in Chaucer's 'Knight's Tale'</text>
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                <text>KnT "participates in a tradition antagonistic to the new nominalism, "based on a "scientific ontology consonant with Boethianism" and understandable in light of the truth-theories of Albumasar, Robert Grosseteste, and John Wyclif.</text>
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              <text>McAlindon, T.</text>
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              <text>Medium AEvum 55 (1986): 41-57.</text>
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              <text>Knight and His Tale.</text>
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              <text>Medium AEvum 55 (1986)</text>
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              <text>jules SAC 10 (140)</text>
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                <text>Cosmology, Contrariety and the 'Knight's Tale'</text>
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                <text>Discusses the "contrarious juxtaposition" in KnT design as a factor in determinacy.  At work in KnT, the familiar medieval "topos" of "concordia discors" and marriage as a mediating device are examined in light of symbol, imagery, and wordplay with reference to Bernardus Silvestris, Boethius, and Alanus de Insulis.</text>
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              <text>Edwards, Robert R.&#13;
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              <text>In John M. Ganim and Shayne Aaron Legassie, eds. Cosmopolitanism and the Middle Ages (New York: Palgrave Macmillan, 2013), pp. 163-80.</text>
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              <text>Ganim, John M., ed.&#13;
Legassie, Shayne Aaron, ed.</text>
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              <text>Cosmopolitanism and the Middle Ages.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea; 12/17/2021</text>
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                <text>Cosmopolitan Imaginaries.</text>
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                <text>Assesses the presence of cosmopolitan thinking in medieval literature, drawing examples from Fulcher of Chartres' "Historia Hierosolymitana," TC, and the medieval Troy story at large. In Chaucer's poem, Criseyde discovers through Diomedes' amorous advances in the Greek camp that the "cosmopolite . . . operates among strangers as a stranger in order to confirm her place in the cultural system they share"--i.e., the "chivalric-Ovidian world structured by love" that is common to Trojans and Greeks alike.</text>
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              <text>Ganim, John.</text>
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              <text>Exemplaria 22 (2010): 5-27.</text>
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              <text>vxl sac 34:307</text>
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                <text>Cosmopolitanism and Medievalism</text>
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                <text>Explores international cultural exchange and openness in the Middle Ages, commenting on scenarios of medieval cosmopolitanism in three modern fictions: Youssef Chahine's film "Destiny," Tariq Ali's novel "Shadows of the Pomegranate Tree," and Milorad Pavic's metafictional "Dictionary of the Khazars." Finding both cosmopolitanism and anticosmopolitanism in TC, Ganim distinguishes between cosmopolitanism and worldliness in the character of Pandarus. He also comments on works by John Gower and on "Mandeville's Travels."</text>
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              <text>Hodges, Laura</text>
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              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 171-83.</text>
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              <text>Tale of Sir Thopas</text>
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              <text>mea SAC 37:141</text>
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                <text>Costume Comedy: Sir Thopas's 'Courtly' Dress</text>
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                <text>Alone among Chaucer's knights, Thopas receives a full costume description, but it defies readers' expectations of a top-to-toe effictio. Th also juxtaposes cheap and costly materials, mentions unattractive colors, and omits expected details, all for comic effect. These costume details would be emphasized in oral performance.</text>
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              <text>Chaucer Review 29 (1995): 274-302.</text>
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            <elementText elementTextId="2738891">
              <text>Knight and His Tale.</text>
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              <text>Chaucer Review 29 (1995)</text>
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              <text>jules SAC 19 (1997) - 170</text>
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                <text>Costume Rhetoric in the Knight's Portrait: Chaucer's Every-Knight and his Bismotered Gypon</text>
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                <text>The multilayered details of the Knight's clothing represent both a realistic and a symbolic knight, whose profession of chivalry in the fourteenth century was far from ideal.</text>
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                <text>  Chaucer's choice of conflicting particulars complicates the portrait of this pilgrim.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2806531">
              <text>Stock, Lorraine K.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 135-47.</text>
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              <text>2013</text>
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              <text>Interpretation and Performance: Essays for Alan Gaylord.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2806536">
              <text>Background and General Criticism</text>
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              <text>Recordings and Films</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806538">
              <text>mea SAC 37:57</text>
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              <elementText elementTextId="2806530">
                <text>Costumes, Props, Role-Playing, Active Learning: Performative Pedagogy in the Medieval Studies Classroom</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2806535">
                <text>Oral performance of ambiguous lines can illustrate their various possible meanings. Emphasizes how recordings and online materials can supplement student reading and performance, and how films can help readers visualize key moments. Costumes, props, and role-plays also enliven Chaucer and medieval literature for students.</text>
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          <elementTextContainer>
            <elementText elementTextId="2698776">
              <text>Bateson, F. W.</text>
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        <element elementId="98">
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            <elementText elementTextId="2698777">
              <text>Essays in Criticism 25 (1975): 2-24.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2698778">
              <text>1975</text>
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              <text>Language and Word Studies.</text>
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              <text>Legend of Good Women.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2698782">
              <text>Essays in Criticism 25 (1975)</text>
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        <element elementId="109">
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              <text>jules - 20/9/94 SAC 1 (18)</text>
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              <elementText elementTextId="2698775">
                <text>Could Chaucer Spell?</text>
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              <elementText elementTextId="2698779">
                <text>By intention Chaucer like Shakespeare was a phonetic speller, so that manuscript variations in spelling provide clues to his metrics.  The text of the LGW Prologue in MS. Gg of the Cambridge University Library is perhaps the nearest to Chaucer's spelling we can get.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2828968">
              <text>Lim, Hyanyang K.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2828969">
              <text>Medieval and Early Modern English Studies 25.1 (2017): 67-97.</text>
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          <elementTextContainer>
            <elementText elementTextId="2828970">
              <text>Medieval and Early Modern English Studies 25 (2017)</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2828971">
              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 41:198</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2828973">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2829992">
                <text>Counterfeit Correspondences: Documentary Manipulations and Textual Consciousness in Gloucester's "Confession" and "The Man of Law's Tale."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2830637">
                <text>Explores Chaucer's reservations about the reliability of written documents by examining Donegild's counterfeit letters in MLT and Thomas Woodstock, duke of Gloucester's "Confession", written in 1397. Examines problems of written documents implicated in both narratives, such as "documentary manipulations, fears of inception, and suspicions of forgery."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2726954">
              <text>Miskimin, Alice S.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2726955">
              <text>Studies in Medieval Culture 10 (1977): 133-45.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2726956">
              <text>1977</text>
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            <elementText elementTextId="2726958">
              <text>Facsimiles, Editions, and Translations.</text>
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            <elementText elementTextId="2726959">
              <text>Chaucerian Apocrypha.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2726960">
              <text>Studies in Medieval Culture, no. 10 (1977)</text>
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        <element elementId="109">
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              <text>jules SAC 02 (16)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2726953">
                <text>Counterfeiting Chaucer: The Case of 'Dido,' Wyatt, and the 'Retraction'</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2726957">
                <text>The "Letter of Dido to Aeneas" in Pynson's "Chaucer" (1526), omitted by Thynne (1532), inspired Wyatt to write "Lyke as the swan..."; for him Chaucer was Pynson's edition.  Thynne's omission of Ret was not remedied until Urry (1721).  Modern editions conceal what readers believed for four centuries to be Chaucerian.</text>
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  <item itemId="271097" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792873">
              <text>Scarry, Elaine.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792874">
              <text>Elaine Scarry, ed. Fins de Siècle: English Poetry in 1590, 1690, 1790, 1890, 1990 (Baltimore: Johns Hopkins University Press, 1995), pp. 1-36.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2792875">
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2792876">
              <text>Fins de Siècle: English Poetry in 1590, 1690, 1790, 1890, 1990.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2792878">
              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2792879">
              <text>mea No SAC</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2792872">
                <text>Counting at Dusk (Why Poetry Matters When the Century Ends)</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2792877">
                <text>Explores why the world is "newly alert to its need for poetry" at the end of each century, including comments on Chaucer's writing of CT at the end of the fourteenth.</text>
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  <item itemId="268311" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763938">
              <text>Carter, Susan.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763939">
              <text>Chaucer Review 37 : 329-45,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763940">
              <text>2003</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2763942">
              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2763943">
              <text>Chaucer Review 37 (2003)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2763944">
              <text>vxl SAC 27:196</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2763937">
                <text>Coupling the Beastly Bride and the Hunter Hunted: What Lies Behind Chaucer's Wife of Bath's Tale?</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2763941">
                <text>Chaucer's WBT destabilizes gender roles rather than focusing on the issues of kingship at the core of most of the loathly-lady tales. WBT engages issues of personal power politics as it creates a lively, garrulous character, but the moral lies in the collapse of gender roles and the acceptance of ambivalence.</text>
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              <text>Liverpool: Cairns, 1981.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2719168">
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              <text>Deyermond, A. D., ed.&#13;
Jackson, W. H., ed.&#13;
Mills, A. D., ed.&#13;
Rickerts, P. T., ed.</text>
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                <text>Court and Poet: Selected Proceedings of the Third Congress of the International Courtly Literature Society, Liverpool, 1980</text>
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          <element elementId="41">
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            <elementText elementTextId="2734490">
              <text>Patterson, Lee.</text>
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        <element elementId="98">
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          <element elementId="50">
            <name>Title</name>
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                <text>Court Politics and the Invention of Literature: The Case of Sir John Clanvowe</text>
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              <elementText elementTextId="2734494">
                <text>During the reign of Richard II, love poetry such as Clanvowe's "Book of Cupid" was a means whereby courtiers could interrogate the "power, patronage and lordship" of the fetishized court.  Patterson considers Clanvowe's allusions to Chaucer in this light.</text>
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              <text>Brewer, D. S.</text>
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              <text>John Lawlor, ed. Patterns of Love and Courtesy: Essays in Memory of C. S. Lewis (London: Edward Arnold, 1966), pp. 54-85.</text>
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Miller and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
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        <element elementId="114">
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          <element elementId="50">
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                <text>Courtesy and the "Gawain"-Poet.</text>
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          <element elementId="41">
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              <elementText elementTextId="2820054">
                <text>Examines the meaning and significance of "courtesy" in the works of the "Gawain"-poet, and includes comments on characterization (as a matter of role rather than personality) in Chaucer's works, along with an excursus on "hende" that focuses on Chaucer's uses of the term, especially in MilT.</text>
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          <elementTextContainer>
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        <element elementId="98">
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          <elementTextContainer>
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        <element elementId="114">
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              <text>Chaucer's Life.</text>
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        <element elementId="100">
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        <element elementId="109">
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              <text>jules SAC 24 (68)</text>
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              <elementText elementTextId="2756247">
                <text>Courtiers and Poets : An International Network of Literary Exchange in Late Fourteenth-Century Italy, France, and England</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2756251">
                <text>Examines how the careers of several courtiers-diplomats-poets can help us reconstruct the "nature of literary transmission" from Italy to France to England. Discusses Philippe de Mézières, Honorat Bovet, Jean Muret and Giovanni Moccia, and Richart Eudes. The first two had contact with Chaucer, and all reflect how he may have had access to Italian humanist learning.</text>
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          <elementTextContainer>
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              <text>Burnley, David.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2748042">
              <text>London and New York: Longman, 1998.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748043">
              <text>1998</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2748044">
              <text>xiv, 241 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2748048">
              <text>Canterbury Tales--General.</text>
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            <elementText elementTextId="2748049">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2748050">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2748051">
              <text>Romaunt of the Rose.</text>
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        <element elementId="109">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Courtliness and Literature in Medieval England</text>
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          <element elementId="41">
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            <elementTextContainer>
              <elementText elementTextId="2748045">
                <text>Historical survey of the language and actions of courtly behavior as evident in Anglo-Norman and Middle English writings, with some corroboration from Latin. Traces the emergence of aristocratic courtliness in the eleventh century through to its appropriation by the merchant class in the fourteenth and fifteenth centuries, examining intersections between courtliness and ideals of personal beauty, notions of nobility, individualism, courtly love, and religion.</text>
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                <text>Focuses on concepts such as pity, graciousness, largesse, honesty, measure, reverence, service, and (by contrast) villainy. Contains frequent references to Chaucer's works, including Rom, BD, and several lyrics, as well as TC and CT. Also treats several French and English romances, courtesy books, hunting manuals, and didactic works, including the Auchinleck Manuscript and works by Chrłtien de Troyes, Marie de France, John Gower, and others.</text>
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  <item itemId="267252" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753055">
              <text>Canitz, A. E. Christa.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753056">
              <text>A. E. Christa Canitz and Gernot R. Wieland, eds. From Arabye to Engelond: Medieval Studies in Honour of Mahmoud Manzalaoui on His 75th Birthday (Ottawa: University of Ottawa Press, 1999), pp. 131-53.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753057">
              <text>1999</text>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2753058">
              <text>From Arabye to Engelond: Medieval Studies in Honour of Mahmoud Manzalaoui on His 75th Birthday.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2753060">
              <text>Legend of Good Women.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2753061">
              <text>jules SAC 24 (361)</text>
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          <element elementId="50">
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              <elementText elementTextId="2753054">
                <text>Courtly Hagiomythography and Chaucer's Tripartite Genre Critique in the Legend of Good Women</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2753059">
                <text>Argues that LGW critiques the rigidity of highly conventionalized literary genres for failing to represent human experience adequately. Chaucer's conflation of hagiography, courtly romance, and epic myth reveals the "flaws" in each genre, especially the insistence on a single pattern.</text>
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          <elementTextContainer>
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              <text>Boardman, Phillip C.</text>
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              <text>ELH 44 (1977): 567-79.</text>
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              <text>Book of the Duchess.</text>
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              <text>Language and Word Studies.</text>
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              <text>jules SAC 02 (242)</text>
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                <text>Courtly Language and the Strategy of Consolation in the 'Book of the Duchess'</text>
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            <description>An account of the resource</description>
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                <text>In BD, Chaucer, working in a tradition of courtly style, composes a poem of consolation.  Within a beautiful poem of human sympathy, Chaucer effects a critique of courtly language and exposes the inability of such language to express profound experience by applying it to the experience of death.</text>
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          <elementTextContainer>
            <elementText elementTextId="2755841">
              <text>Lerer, Seth.</text>
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              <text>Cambridge : Cambridge University Press, 1997.</text>
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            <elementText elementTextId="2755843">
              <text>1997</text>
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              <text>xiv, 252 pp.</text>
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            <elementText elementTextId="2755846">
              <text>Chaucer's Influence and Later Allusion .</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2755848">
              <text>Cambridge Studies in Renaissance Literature and Culture, no. 18.</text>
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        <element elementId="109">
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              <text>jules SAC 24 (78)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2755840">
                <text>Courtly Letters in the Age of Henry VIII : Literary Culture and the Arts of Deceit</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2755845">
                <text>Assesses various aspects of Tudor political and literary culture (e.g., privacy and voyeurism, theatricality, letter-writing and -reading), discussing Pandarus and the Renaissance reception of TC as tropes for understanding such concerns. Tudor literary subjectivity existed at the intersection of courtly power and intrigue, sexuality, and inward awareness--all qualities associated with Pandarus, who fascinated Tudor readers. Lerer discusses the "Pandaric" features of commonplace books (Devonshire manuscript and Humphrey Wellys), Henry VIII's letters to Anne Boleyn, court reports of Luiz Carroz (Spanish ambassador), and poetry by Stephen Hawes, John Skelton, and Thomas Wyatt.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2703489">
              <text>Busby, Keith, and Erik Kooper, eds.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703490">
              <text>Amsterdam : John Benjamins,   1990.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703491">
              <text>1990</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703492">
              <text>xvi, 621 pp.</text>
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        <element elementId="112">
          <name>Contributor</name>
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          <elementTextContainer>
            <elementText elementTextId="2703493">
              <text>Kooper, Erik, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703495">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703496">
              <text>Utrecht Publications in General and Comparative Literature, vol. 25.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2703497">
              <text>jules SAC 14 (63)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2703488">
                <text>Courtly Literature: Culture and Context: Selected Papers from the 5th Triennial Congress of the International Courtly Literature Society, Dalfsen, The Netherlands, 9-16 August, 1986</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2703494">
                <text>Forty-five selected papers on courtly literature. For an essay that pertains to Chaucer, search for  Courtly Literature: Culture and Context under Alternative Title.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2737743">
              <text>Benson, Larry D.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2737744">
              <text>Robert Yeager, ed.  Fifteenth-Century Studies: Recent Essays.  (Hamden, Conn.: Archon Books, 1984): pp. 237-57.</text>
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            <elementText elementTextId="2737745">
              <text>Reprinted in Theodore M. Andersson and Stephen A. Barney, eds. Contradictions: From "Beowulf" to Chaucer (Aldershot,  Hants: Scolar; Brookfield, Vt.: Ashgate, 1995), pp. 294-313.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737746">
              <text>1984</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2737747">
              <text>Fifteenth-Century Studies: Recent Essays.</text>
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            <elementText elementTextId="2737748">
              <text>Contradictions: From "Beowulf" to Chaucer.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2737751">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>jules SAC 19 (1997) - 79</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2737742">
                <text>Courtly Love and Chivalry in the Later Middle Ages</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2737749">
                <text>Though there may never have been a "doctrine" of courtly love,late-medieval literature reflects conventions that may be called courtly.</text>
              </elementText>
              <elementText elementTextId="2737750">
                <text>Drawing examples from a number of literary works (including TC, Rom, BD, and LGW) and various historical records, Benson argues that medieval ceremonialism and gentle speech indicates internalization of courtly ideals drawn for romance tradition.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789097">
              <text>Jeffrey, David Lyle.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789098">
              <text>Christianity and Literature 59 (2010): 515-30.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789099">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789101">
              <text>Parliament of Fowls</text>
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            <elementText elementTextId="2789102">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2789103">
              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2789104">
              <text>Lyrics and Short Poems</text>
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            <elementText elementTextId="2789105">
              <text>Christianity and Literature 59 (2010)</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2789106">
              <text>vxl sac 34:132</text>
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          <element elementId="50">
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              <elementText elementTextId="2789096">
                <text>Courtly Love and Christian Marriage: Chrétien de Troyes, Chaucer, and Henry VIII</text>
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              <elementText elementTextId="2789100">
                <text>Chrétien's "Erec and Enide" does not celebrate courtly love but provides a "model for rightly ordered desire." Chaucer highlights the "social and spiritual value" of marriage in CT, PF, TC, and various lyrics. Henry VIII's own theatrics, however, "strip the . . . literary conventions of their irony."</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832371">
              <text>Chism, Christine.</text>
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          <description/>
          <elementTextContainer>
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              <text>In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 130-45.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832373">
              <text>A Companion to British Literature.</text>
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              <text>Background and General Criticism&#13;
Troilus and Criseyde</text>
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        <element elementId="109">
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            <elementText elementTextId="2832375">
              <text>mea; SAC 42:215</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832376">
              <text>2014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832369">
                <text>Courtly Love and Its Impossible Implementation: The Narrative Pragmatics of an Ideal.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2832370">
                <text>Surveys the meanings, origins, and theories of courtly love, asking how it "works" in medieval texts, what light it can "cast upon medieval cultural practices, and why it comes to matter." Includes discussion of secrecy in TC, a text that animates the "tension between feudal amorous service and literary improvisation."</text>
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