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              <text>Beidler, Peter G.</text>
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              <text>Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 131-42.</text>
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              <text>Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde.</text>
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              <text>Shipman and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 22 - 254</text>
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                <text>Contrasting Masculinities in the 'Shipman's Tale' : Monk, Merchant, and Wife</text>
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                <text>Compares ShT with "Decameron" 8.1 to assess the negative and positive characteristics of masculinity portrayed in the monk and merchant of the Tale. The wife is given traits identified with men in the Middle Ages, perhaps because of the Tale's original assignment to the Wife of Bath.</text>
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              <text>Brewer, Derek S.</text>
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        <element elementId="98">
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              <text>Michio Kawai, ed.  Language and Style in English Literature: Essays in Honour of Michio Masui.  The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 27-52.</text>
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              <text>mea.</text>
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                <text>Contributions to a Chaucer Word-Book from Troilus Book IV</text>
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                <text>A word list from TC 4 shows that Chaucer invented new meanings by combining previously unconnected root words; however, someone else may have introduced those roots into the language.</text>
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              <text>Bailey, Susan E.</text>
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              <text>Chaucer Review 20 (1985): 83-89.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>jules SAC 09 (243)</text>
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                <text>Controlled Partial Confusion: Concentrated Imagery in 'Troilus and Criseyde'</text>
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                <text>William Empson writes of the concentrated imagery and controlled partial confusion in TC.  In book 5, Chaucer manipulates the imagery of the voyage, star-steer, sun-son, etc., to bring the poem to its climax, wherein the narrator cannot indict Criseyde because she is the poetic means by which Chaucer has steered the way.</text>
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              <text>Jasper, Margaret Rose.</text>
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        <element elementId="98">
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              <text>ShakS 29  : 93-108, 2001.</text>
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        <element elementId="114">
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Clerk and His Tale</text>
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              <text>ShakS 29 (2001)</text>
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        <element elementId="109">
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              <text>vxl SAC 26: 70</text>
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                <text>Controlling Clothes, Manipulating Mates: Petruchio's Griselda</text>
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                <text>Jasper examines Petruchio's use of clothing as a form of gender control in Shakespeare's The Taming of the Shrew, comparing it with similar uses of clothing in versions of the Griselda story-Boccaccio's, Petrarch's, ClT, and John Phillips's "The Commody of Pacient and Meeke Grissill" (1565).</text>
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              <text>Gaffney, Paul.</text>
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              <text>2007</text>
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          <name>Alternative Title</name>
          <description/>
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            <elementText elementTextId="2777047">
              <text>English Loathly Lady Tales: Boundaries, Traditions, Motifs.</text>
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              <text>vxl SAC 31:209</text>
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              <text>S. Elizabeth Passmore and Susan Carter, eds. The English "Loathly Lady" Tales: Boundaries, Traditions, Motifs (Kalamazoo, Mich.: Medieval Institute Publications, 2007), pp. 146-62.</text>
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                <text>Controlling the Loathly Lady, or What Really Frees Dame Ragnelle</text>
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                <text>As an example of popular folk narrative, "The Wedding of Sir Gawain and Dame Ragnelle" is flexibly open to multiple interpretations. Addressed to an elite audience, Gower's "Tale of Florent" and WBT lay claim to authority and function as exempla.</text>
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              <text>Bowers, John M.</text>
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              <text>jules SAC 22 - 62</text>
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                <text>Controversy and Criticism: Lydgate's 'Thebes' and the Prologue to 'Beryn'</text>
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                <text>Treats "Thebes" and the Prologue to "Beryn" (here called "The Canterbury Interlude") as "efforts to write what Chaucer had left unwritten" and to confront contemporary controversies.  Lydgate's work rebukes those who would critique monasticism and diminish the status of Saint Thomas a Becket.  The "Beryn" Prologue (and the two-way journey of the Northumberland manuscript in which it appears) asserts orthodox acceptance of pilgrimage in the face of contemporary Lollard challenges.</text>
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              <text>Freedman, Morris, ed.&#13;
Davis, Paul B. ed.</text>
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              <text>Coghill, Nevill, trans.</text>
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                <text>Controversy in Literature: Fiction, Drama, and Poetry, with Related Criticism.</text>
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              <elementText elementTextId="2842832">
                <text>An introduction to the study of literature for classroom use, arranged by literary mode and focused thematically on social, religious, and literary controversies. Includes a section titled "Medieval and Modern Chaucer" (pp. 457-81) that raises questions about reading Chaucer in Middle English or in modern translation, reprints a selection from Nevill Coghill's 1958 comments about translating Chaucer, and presents facing-page versions of WBT: F. N. Robinson's 1957 edition and Coghill's modern verse translation.</text>
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            <elementText elementTextId="2723449">
              <text>Wetherbee, Winthrop.</text>
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              <text>Donald M. Rose, ed.  New Perspectives in Chaucer Criticism (Norman Okla.: Pilgrim Books, 1981), pp. 71-81.</text>
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        <element elementId="114">
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            <elementText elementTextId="2723452">
              <text>New Perspectives in Chaucer Criticism.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Convention and Authority: A Comment on Some Recent Critical Approaches to Chaucer</text>
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                <text>Modern critical theory demonstrates the radically traditional closed systems of medieval poetry.  In his negative examples and examples of abuse and falsification, especially in TC, Chaucer is also aware of what the classical tradition "is not."</text>
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              <text>Stillwell, Gardiner.</text>
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            <elementText elementTextId="2846885">
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              <text>Complaint of Mars&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 12/10/2024</text>
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        <element elementId="114">
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          <element elementId="50">
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                <text>Convention and Individuality in Chaucer's "Complaint of Mars."</text>
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                <text>Compares Mars with the "Ovide moralisé" and examines its adaptations of the "aubade, the complaint, the Valentine-tradition (Gower and Graunson), and the conventions of courtly love"--as inflected by Chaucer's own concerns and "personality," and "expressing an attitude toward young lovers": "now joy, now sorrow, always fascination to see their 'busynesse' . . . amusing or pathetic or both together in basing their lives on so unstable a foundation."</text>
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            <elementText elementTextId="2815227">
              <text>Grossman, Judith S.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>DAI 29.08 (1969): 2709A.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2815229">
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              <text>Style and Versification</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2815235">
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          <elementTextContainer>
            <elementText elementTextId="2815236">
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          <element elementId="50">
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              <elementText elementTextId="2815226">
                <text>Convention and Innovation: Two Essays on Style in the 'Canterbury Tales'</text>
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          <element elementId="41">
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                <text>Treats KnT as a traditional, conservative work, elevated in tone and style and dependent on "French and Italian traditions of eloquence." Conversely GP is the "most original of Chaucer's poems," innovative in its "mingling" of "praise and blame" within individual portraits and enriched by the "ironic alternation of opposed traditions of representation."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2696863">
              <text>Holloway, Julia Bolton.</text>
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              <text>Julia Bolton Holloway, Constance S. Wright, and Joan Bechtold, eds.  Equally in God's Image: Women in the Middle Ages (New York: Peter Lang, 1990), pp. 198-215.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696865">
              <text>1990</text>
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          <elementTextContainer>
            <elementText elementTextId="2696866">
              <text>Equally in God's Image: Women in the Middle Ages.</text>
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          <elementTextContainer>
            <elementText elementTextId="2696868">
              <text>Wife of Bath and Her Tale.                                        </text>
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              <text>Prioress and Her Tale.</text>
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              <text>Second Nun and Her Tale.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2696871">
              <text>mea</text>
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              <elementText elementTextId="2696862">
                <text>Convents, Courts and Colleges: The Prioress and the Second Nun</text>
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              <elementText elementTextId="2696867">
                <text>Discusses Chaucer's women and their relations with pilgrimage and learning.  The Wife of Bath rebels against her husband's book of wicked wives.  The Prioress tells of a boy's eschewing his primer in order to sing a hymn he does not understand from the Antiphoner.  The Second Nun is well read in the Golden Legend and in Dante's use of St. Bernard.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2800929">
              <text>Arista, J. Martin, et al., eds.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Newcastle upon Tyne: Cambridge Scholars, 2012.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800931">
              <text>2012</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800932">
              <text>xiv, 356 pp.</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2800934">
              <text>Background and General Criticism</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800935">
              <text>mea SAC 36:81</text>
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          <element elementId="50">
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              <elementText elementTextId="2800928">
                <text>Convergent Approaches to Medieval English Language and Literature</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2800933">
                <text>Collection of essays presented at the 22nd International Conference of the Spanish Society for Mediaeval English Language and Literature (SELIM), seeking new perspectives on medieval language study. For two essays pertaining to Chaucer, search for Convergent Approaches to Medieval English Language and Literature under Alternative Title.</text>
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  <item itemId="270763" public="1" featured="0">
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789329">
              <text>Alias, Simona.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789330">
              <text>Studies in the History of the English Language, 2006-2009 (Osaka: Osaka Books, 2010), pp. 107-19.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789331">
              <text>2010</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789332">
              <text>Studies in the History of the English Language, 2006-2009.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2789334">
              <text>Canterbury Tales--General.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2789335">
              <text>Bulletin of the Japanese Association of the History of the English Language n.v. (2009).</text>
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        </element>
        <element elementId="109">
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              <text>vxl sac 34:170</text>
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                <text>Converging of Traditions and Usability of the Short Story: Orality and Frame in the Canterbury Tales</text>
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                <text>Examines the influence of the frame narrative tradition on CT, particularly on Chaucer's use of the "narratio brevis" genre. Also published in Bulletin of the Japanese Association of the History of the English Language n.v. (2009): 31-43.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2720182">
              <text>Schauber, Ellen,and Ellen Spolsky.</text>
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        <element elementId="98">
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              <text>Language and Style 16 (1983): 249-61.</text>
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        <element elementId="114">
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              <text>Spolsky, Ellen.</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Language and Style 16 (1983)</text>
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              <text>jules SAC 07 (188)</text>
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                <text>Conversational Noncooperation: The Case of Chaucer's Pardoner</text>
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                <text>In his shameless self-revelation the Pardoner confuses and angers his audience by mixing boasting and confiding with their contrary expectations of approval and mitigated disapproval.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2776432">
              <text>Bahr, Arthur William.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A68.02 (2007): n.p.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2776434">
              <text>2007</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2776435">
              <text>Dissertation Abstracts International 68 (2007)</text>
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            <elementText elementTextId="2776437">
              <text>Canterbury Tales--General.</text>
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              <text>Manuscripts and Textual Studies.</text>
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        </element>
        <element elementId="109">
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            <elementText elementTextId="2776439">
              <text>vxl SAC 31:148</text>
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              <elementText elementTextId="2776431">
                <text>Convocational and Compilational Play in Medieval London Literary Culture</text>
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              <elementText elementTextId="2776436">
                <text>Bahr explores parallels between manuscripts as compilations and groups of people as affinities in late medieval London. Chaucer in CT and Gower in Confessio Amantis differ in how they conceive of literary and social organization.</text>
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  <item itemId="261490" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          <elementTextContainer>
            <elementText elementTextId="2695512">
              <text>Dane, Joseph A.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2695513">
              <text>Studies in Bibliography 44 (1991): 164-83.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695514">
              <text>1991</text>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695516">
              <text>Manuscripts and Textual Studies.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2695517">
              <text>Studies in Bibliography 44 (1991).</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
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              <text>mea</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2695511">
                <text>Copy-Text and Its Variants in Some Recent Chaucer Editions</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695515">
                <text>Examines the use and misuse of W. W. Greg's term "copy-text" in recent editions of Chaucer and in the Kane-Donaldson Piers Plowman.  Confusions among "copy-text," "base text," and "best text" will be alleviated only when editors use the terms accurately and consistently.</text>
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  <item itemId="269322" public="1" featured="0">
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2774289">
              <text>Eagleton, Catherine, and Matthew Spencer.</text>
            </elementText>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2774290">
              <text>Studies in History and Philosophy of Science 37 (2006): 237-68.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774291">
              <text>2006</text>
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        <element elementId="112">
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            <elementText elementTextId="2774292">
              <text>Spencer, Matthew.</text>
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        <element elementId="102">
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            <elementText elementTextId="2774294">
              <text>Treatise on the Astrolabe.</text>
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            <elementText elementTextId="2774295">
              <text>Manuscripts and Textual Studies.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2774296">
              <text>Studies in History and Philosophy of Science 37 (2006)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2774297">
              <text>vxl sac 30:248</text>
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              <elementText elementTextId="2774288">
                <text>Copying and Conflation in Geoffrey Chaucer's Treatise on the Astrolabe: A Stemmatic Analysis Using Phylogenetic Software</text>
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            </elementTextContainer>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2774293">
                <text>Applies a technique from evolutionary biology - phylogenetic "neighborhood-joining" - to the witnesses to the text of Astr to produce a stemma, test the fragments and sections of longer versions against the stemma, and discuss the scribal conflation of various versions in their own productions. Concludes by commenting on scribes' concern with completeness of the text.</text>
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  <item itemId="276472" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2844009">
              <text>Johnston, Michael.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2844010">
              <text>Speculum 95.3 (2020): 742-801.</text>
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        <element elementId="100">
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            <elementText elementTextId="2844011">
              <text>Speculum 95 (2020)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2844012">
              <text>Manuscripts and Textual Studies&#13;
Chaucerian Apocrypha&#13;
Troilus and Criseyde&#13;
Canterbury Taales--General</text>
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        <element elementId="109">
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            <elementText elementTextId="2844013">
              <text>SAC 45:18</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2844014">
              <text>2021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2844007">
                <text>Copying and Reading "The Prick of Conscience" in Late Medieval England</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2844008">
                <text>Discusses medieval scribal transmission and commercial book production in relation to the surviving copy of "The Tale of Beryn" and the "Beryn-Scribe." Examines the reception and transmission of the "Prick of Conscience" in late medieval England. References Chaucer throughout, with specific connections with CT and TC.</text>
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  </item>
  <item itemId="263640" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716623">
              <text>Ames, Ruth M.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716624">
              <text>Peter Cocozzella, ed. The Late Middle Ages (Binghamton, N.Y.: Center for Medieval and Early Renaissance Studies, 1984 (for 1981)), pp. 71-88.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2716625">
              <text>1984</text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2716626">
              <text>Late Middle Ages.(Cocozzella)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2716628">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2716629">
              <text>jules SAC 08 (49)</text>
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              <elementText elementTextId="2716622">
                <text>Corn and Shrimps: Chaucer's Mockery of Religious Controversy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2716627">
                <text>Treats themes of predestination, Lollardy, and priestly celibacy in CT and TC.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="264253" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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              <text>Shaw, Judith.</text>
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          <elementTextContainer>
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          <name>Date</name>
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        <element elementId="109">
          <name>Source</name>
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                <text>Corporeal and Spiritual Homocide, the Sin of Wrath, and the 'Parson's Tale'</text>
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                <text>Discusses the canon-law tradition and the sources of ParsT 565-69 but concludes that "the question of Chaucer's learning on this subject...must remain unanswered."</text>
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          <elementTextContainer>
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              <text>Dissertation Abstracts International 68 (2007)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 31:233</text>
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                <text>Corpses and Cogitos and the Sympathetic Self: Exhuming Sovereignty and Its Sympathetic Subjects</text>
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                <text>In a larger investigation of the philosophical concept of sympathy, Lopez discusses the lack of sympathy, both personal and spatiotemporal, between May and January in MerT.</text>
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              <text>Bourgne, Florence.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2739883">
              <text>Marie-Claire Rouyer, ed.  Le corps dans tous ses etats.  (Bordeaux: Universite Michel de Montaigne, 1995), pp. 69-79.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2739884">
              <text>1995</text>
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          <elementTextContainer>
            <elementText elementTextId="2739885">
              <text>Le corps dans tous ses etats.</text>
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        <element elementId="112">
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          <elementTextContainer>
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              <text>Rouyer, Marie-Claire,ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2739888">
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            <elementText elementTextId="2739889">
              <text>Manuscripts and Textual Studies.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 19 (1997) - 276</text>
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                <text>Corpus chaucerien et corporelite des vertus. Le MS Cambridge Gg 4.27(1)</text>
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              <elementText elementTextId="2739887">
                <text>Although the manuscript is a typical instance of "compilatio" and unification (e.g., punctuation of ParsT), the virtues portrayed to illustrate ParsT do not belong to a typical iconographic program.  After identifying the three virtues with two saints (Charite and Abstinence with Elizabeth, Chastete with Margaret), Bourgne re-evaluates the possible provenance of the Chaucerian collection, arguing in favour of a tie with Jacqueline de Hainaut.</text>
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          <elementTextContainer>
            <elementText elementTextId="2778523">
              <text>Kato, Takako.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Margaret Connolly and Linne R. Mooney,  eds. Design and Distribution of Late Medieval Manuscripts in England (York: York Medieval Press, 2008), pp. 61-87.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2778525">
              <text>2008</text>
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          <elementTextContainer>
            <elementText elementTextId="2778526">
              <text>Design and Distribution of Late Medieval Manuscripts in England</text>
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              <text>Canterbury Tales--General</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 32:33.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2778527">
                <text>Kato assesses the accuracy of the text of CT that appears in Cambridge University Library MS Gg.4.27. Quantifies and categorizes the scribe's errors, paying particular attention to the mistakes that the scribe himself corrected.</text>
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          <elementTextContainer>
            <elementText elementTextId="2756127">
              <text>Mosser, Daniel W.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756128">
              <text>Studies in Bibliography 52: 97-114,   1999.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756129">
              <text>1999</text>
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          <elementTextContainer>
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          <elementTextContainer>
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              <text>Studies in Bibliography 52 (1999)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2756133">
              <text>jules SAC 24 (56)</text>
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          <element elementId="50">
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              <elementText elementTextId="2756126">
                <text>Corrective Notes on the Structures and Paper Stocks of Four Manuscripts Containing Extracts from Chaucer's Canterbury Tales</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2756130">
                <text>Proposes quire structures for four paper manuscripts, focusing on watermarks and commenting on implications of the proposed structures. Assesses British Library MS Arundel 140 (Ar); British Library MS Harley 2382 (Hl3); Magdalene College, Cambridge MS Pepys 2006 (Pp); and British Library MS Sloane 1009 (Sl3).</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806845">
              <text>Proto, Teresa.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806846">
              <text>Signa 22 (2013): 81-104.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806847">
              <text>2013</text>
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          <elementTextContainer>
            <elementText elementTextId="2806849">
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            <elementText elementTextId="2806850">
              <text>Language and Word Studies</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806851">
              <text>Signa: Revista de la Asociación Española de Semiótica 22 (2013): 81-104.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2806852">
              <text>mea SAC 37:55</text>
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              <elementText elementTextId="2806844">
                <text>Correspondencia de Prominencia en las Canciones Inglesas. Una Perspectiva Histórica</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2806848">
                <text>Diachronic study of how the linguistic stress matches metrical strong positions in spoken poetry and songs of the Middle and early modern English periods, including discussion of Chaucer's works. Prominent mismatches are more frequent in earlier songs because of phonological, rather than metrical, factors.</text>
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