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                  <text>Chaucer Bibliography Online</text>
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              <text>Kao, Wan-Chuan.</text>
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        <element elementId="98">
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              <text>SAC 34 (2012): 99-139.</text>
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              <text>2012</text>
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              <text>Franklin and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Studies in the Age of Chaucer 34 (2013)</text>
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        <element elementId="109">
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              <text>mea SAC 36:168</text>
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                <text>Conduct Shameful and Unshameful in 'The Franklin's Tale'</text>
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            <description>An account of the resource</description>
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                <text>Interrogates post-Enlightenment understandings of shame, and argues that in FranT shame negotiates continua rather than dichotomies (men/women, courtly love/marriage, and public/private). Read in light of conduct literature, Arveragus's claims and actions expose the "gender asymmetries in companionate marriage," while Dorigen's complaint, by mimicking devotional programs, defers shame and she acquires "a queer female masculinity." The Franklin is "an effective but feminized manager of shame," and the "affective labor of shame" in his Tale regulates "selves within the middling household."</text>
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              <text>Larson, Wendy A.</text>
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              <text>Maureen B. M. Boulton, ed. Literary Echoes of the Fourth Lateran Council in England and France, 1215–1405 (Toronto: Pontifical Institute of Medieval Studies, 2019), pp. 229-70.</text>
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              <text>Boulton, Maureen B. M., ed.</text>
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              <text>Literary Echoes of the Fourth Lateran Council in England and France, 1215–1405</text>
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              <text>Background and General Criticism&#13;
Canon's Yeoman and His Tale&#13;
Parson and His Tale</text>
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              <text>SAC 45:142</text>
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              <text>2019</text>
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                <text>Confessing Something New: The Twenty-First Canon of the Fourth Lateran Council and English Literature.</text>
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                <text>Surveys the cultural impact of "Omnis utriusque sexus," and shows how Chaucer, Gower, and Hoccleve used "confessional discourse" to help construct subjectivities in their works. Comments on ParsT as the "best known confessional manual in Middle English," and explains how in CYPT the Canon's Yeoman's "subjectivity is located at the intersection of confessional discourse and that of alchemy, creating a tension from which he cannot escape."</text>
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            <elementText elementTextId="2774262">
              <text>Little, Katherine C.</text>
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              <text>Notre Dame, Ind.: University of Notre Dame Press, 2006.</text>
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              <text>2006</text>
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            <elementText elementTextId="2774265">
              <text>vii, 196 pp.</text>
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              <text>Parson and His Tale.</text>
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              <text>vxl sac 30:245</text>
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            <name>Title</name>
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                <text>Confession and Resistance: Defining the Self in Late Medieval England</text>
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                <text>Centers on medieval self-definition rather than subjectivity and studies examples of Wycliffite lay instruction. The Lollards rejected auricular confession and emphasized personal contrition for sin. Lollard pastoral texts disrupted traditional discourses of self-definition by distinguishing discursive strands - narrative vs. pastoral language - that had been linked in earlier texts. The relationship between confession and creation of the medieval self is more complicated than is generally recognized (in the tradition of Foucault), and readers should resist prioritizing the confessing self, which causes "the perpetuation of . . . the 'antimonies' between self and other and individual and society." Chapter 3 discusses the Parson of GP and ParsT.</text>
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            <elementText elementTextId="2779479">
              <text>Raskolnikov, Masha.</text>
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        <element elementId="98">
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              <text>Literature Compass 2 (2005): 1-20.</text>
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              <text>2005</text>
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            <elementText elementTextId="2779483">
              <text>Background and General Criticism</text>
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              <text>Literature Compass 02 (2005).</text>
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        <element elementId="109">
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              <text>vxl SAC 32:134.</text>
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          <element elementId="50">
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              <elementText elementTextId="2779478">
                <text>Confessional Literature, Vernacular Psychology, and the History of the Self in Middle English</text>
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            <description>An account of the resource</description>
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                <text>Surveys recent discussions of the role of confession in constructing a vernacular sense of self in late medieval English writing, with recurrent references to Chaucer's works.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McCracken, Samuel</text>
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              <text>Modern Philology 68 (1971): 289-91.</text>
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              <text>1971</text>
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              <text>Canon's Yeoman and His Tale</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Pardoner and His Tale</text>
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              <text>Merchant and His Tale</text>
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              <text>Modern Philology 68 (1971)</text>
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              <text>mea; 03/25/2016 No SAC</text>
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                <text>Confessional Prologue and the Topography of the Canon's Yeoman</text>
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                <text>Identifies a tripartite pattern in several of the Canterbury narratives (introduction, confessional prologue, and tale), applying it to CYPT. Comparisons with WBPT, MerPT, and PardPT illuminate the structure of CYPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Turner, Marion.</text>
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              <text>Paul Strohm, ed. Middle English (Oxford: Oxford University Press, 2007), pp. 258-73.</text>
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              <text>2007</text>
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              <text>Middle English (Strohm)</text>
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              <text>Background and General Criticism.</text>
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              <text>vxl SAC 31:139</text>
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                <text>Conflict</text>
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                <text>Turner asks whether "literary practice and socio-political conflict" were "mutually dependent" in Ricardian England, arguing that writers and scribes--including Chaucer and Adam Pinkhurst--worked for "politically active and volatile guilds" and suggesting that "discourse was everywhere foregrounded as a cause of contention" at that time.</text>
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                <text>Focusing especially on love and fortune, Chaucer introduces to English literature the theme of male friendship in conflict with heterosexual love. By Shakespeare's time, this theme was treated even more darkly, moving from "guardedly optimistic philosophical romance to deeply pessimistic tragicomedy."</text>
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              <text>Facsimiles, Editions, and Translations&#13;
General Prologue to the Canterbury Tales&#13;
Merciless Beaute&#13;
Parliament of Fowls</text>
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                <text>Includes selections from GP (1-27, 118-26 and 150-62 [Prioress], 165-66 and 177-87 [Monk], 270-75 [Merchant], and 309-22 [Sergeant at Law]), MerB, and the "Roundel" from PF. In Middle English, without notes or glosses.</text>
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                <text>Myles surveys medieval notions of natural and given signs, arguing that Griselda (and the reader with her) learns from her submission to Walter, insofar as it parallels a realist submission to quasi-nominalist understanding. Unlike Walter, Griselda eventually reflects a nascent "thesis of intentionality."</text>
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              <text>Linda Cookson and Bryan Loughrey, ed. Critical Essays on The Pardoner's Prologue and Tale (Harlow: Longman, 1990), pp. 65-74.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2786902">
                <text>Both PardP and PardT are "self-exposure" on the part of the Pardoner, although in the latter he is "unaware" of his similarity to the three rioters:  "all four are spiritually dead . . . blasphemers and motivated by avarice . . . totally hardened sinners."</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807047">
              <text>Yvernault, Martine.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807048">
              <text>Tatjana Silec, ed. Voix (et Voies) du Désordre au Moyen Âge. Volume Issu du Colloque du Centre d'Études Médiévales Anglaises de Paris-Sorbonne (22-23 Mars 2012). AMAES, no. 34. (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2013), pp. 109-24</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807049">
              <text>2013</text>
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          </elementTextContainer>
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          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807050">
              <text>Voix (et Voies) du Desordre au Moyen Âge.</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807052">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2807053">
              <text>Knight and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807054">
              <text>mea SAC 37:101</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2807046">
                <text>Confusions dans la Forêt: Ce Que Nous Disent les Arbres</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807051">
                <text>Explores the ambivalence of the forest in several examples, particularly ones drawn from KnT and BD.</text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761644">
              <text>Trigg, Stephanie.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761645">
              <text>Minneapolis and Londons : University of Minnesota Press, 2002.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761646">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761647">
              <text>xxiv, 280 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761649">
              <text>Background and General Criticism.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761650">
              <text>Medieval Cultures, no. 30.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2761651">
              <text>vxl sac 26:157</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761643">
                <text>Congenial Souls: Reading Chaucer from Medieval to Postmodern</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2761648">
                <text>Examines critical discourses from the late Middle Ages to the late twentieth century that have constructed Chaucer for, and mediated his poetry to, subsequent readers. Trigg explores "Chaucer's status as an exemplary canonical author for English literary tradition," models of Chaucerian authorship, and fifteenth-century constructions of the "open" Chaucerian text. She surveys the importance of Dryden's translation of Chaucer and the nature of writing about Chaucer in the late nineteenth and early twentieth centuries and considers various "recent attempts to 'reform' Chaucer studies." She contends that the field "still has the capacity to be an exemplary topic in our meditations on similarity and difference with other cultures."</text>
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          </element>
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  <item itemId="270655" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788196">
              <text>Driver, Martha.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788197">
              <text>Elisabeth Dutton, with John Hines and R. F. Yeager, eds. John Gower, Trilingual Poet: Language, Translation, and Tradition (Cambridge: D. S. Brewer, 2010), pp. 315-25.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788198">
              <text>2010</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788199">
              <text>John Gower, Trilingual Poet: Language, Translation, and Tradition.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788201">
              <text>Chaucer's Influence and Later Allusion.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2788202">
              <text>vxl sac 34:59</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788195">
                <text>Conjuring Gower in Pericles</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2788200">
                <text>Driver contrasts Shakespeare's limited attention to Chaucer with his lionization of Gower in "Pericles," commenting on representations of Gower in modern stage productions of the play.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="276895" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847459">
              <text>Drimmer, Sonja.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847460">
              <text>Speculum 97 (2022): 415-68.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847461">
              <text>Speculum 97 (2022)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847462">
              <text>Manuscripts and Textual Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847463">
              <text>SAC 46:44</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2847464">
              <text>2022</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847457">
                <text>Connoisseurship, Art History, and the PaleographicalImpas se in Middle English Studies</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2847458">
                <text>Presents debates surrounding intersection of art and paleography and the transmission of Middle English manuscripts. Focuses on CT manuscripts and research devoted to Gower, Langland, Hoccleve, and Chaucer. Argues that "scholars attend to how scribes may or may not signal a sense of their particularity and amenability to identification through the traces of their hand on the page."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="265846" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738318">
              <text>Weisl, Angela Jane.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738319">
              <text>Cambridge: D. S. Brewer, 1995.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738320">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738321">
              <text>ix, 133 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738324">
              <text>Background and General Criticism.</text>
            </elementText>
            <elementText elementTextId="2738325">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2738326">
              <text>Knight and His Tale.</text>
            </elementText>
            <elementText elementTextId="2738327">
              <text>Squire and His Tale.</text>
            </elementText>
            <elementText elementTextId="2738328">
              <text>Tale of Sir Thopas.</text>
            </elementText>
            <elementText elementTextId="2738329">
              <text>Franklin and His Tale.</text>
            </elementText>
            <elementText elementTextId="2738330">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738331">
              <text>Chaucer Studies, no. 22</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738332">
              <text>jules SAC 19 (1997) - 132</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738317">
                <text>Conquering the Reign of Femeny: Gender and Genre in Chaucer's Romances</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738322">
                <text>Explores the relation of gender and the genre of romance in Chaucer's CT, especially the mutually defining and delimiting power of the two categories. Women conform to the particular roles romance carves out for them, while the genre is simultaneously limited by these restricted female roles. Defined by a uniquely "vague set of generic criteria," romance mimes the position of women in the romances themselves. Chaucer questions the role and position of women and tests the limits of romance, a form that appears to be coterminous with femininity itself.</text>
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              <elementText elementTextId="2738323">
                <text>Weisl considers TC, KnT, and SqT, Th, and FranT and WBT, comparing them with their sources and analogues to demonstrate Chaucer's understanding of romance and his critique of its limitations.</text>
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  </item>
  <item itemId="270221" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783589">
              <text>Lettau, Lisa.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783590">
              <text>Dissertation Abstracts International A69.09 (2009): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783591">
              <text>2009</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783593">
              <text>Book of the Duchess</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783594">
              <text>Dissertation Abstracts International 69 (2009)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2783595">
              <text>vxl sac 33:185</text>
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          </elementTextContainer>
        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2783588">
                <text>Conscious Constructions of Self: Dreams and Visions in the Middle Ages</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2783592">
                <text>As part of an exploration of medieval efforts to understand a physical/spiritual dichotomy, the dissertation sets BD in conversation with Margery Kempe, with an eye toward development of a "unified selfhood."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="276569" public="1" featured="0">
    <collection collectionId="8">
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              <name>Title</name>
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              <text>Turu, Hisao.</text>
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              <text>Hisao Turu, ed.  Reading Chaucer's Book of the Duchess.  Medieval English Literature Symposium Series, no. 5 (Tokyo: Gaku Shobo Press, 1991), pp. 201-20 (in Japanese).</text>
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              <text>Reading Chaucer's Book of the Duchess.</text>
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                <text>The Knight in Black is not John of Gaunt but his young squire, who admired and served his dear duchess.</text>
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Sources, Analogues, and Literary Relations</text>
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mea; 2/26/2018</text>
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                <text>Explores how Abelard, Chaucer, and Langland used consolatory narratives in their writings. Chapter 5 (pp. 107-27) explores Augustinian and Boethian concerns in KnT.</text>
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        <element elementId="98">
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          <elementTextContainer>
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        <element elementId="114">
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                <text>Offers a "partial explanation" for the paucity of fabliaux in Middle English:  lack of concern with courtly sentiment in Middle English romance fails to "provide conditions conducive" to "parody and ironization of romance" that is fundamental to the fabliau genre. Comments on romance elements in each of Chaucer's fabliaux, particularly the juxtaposition of MilT with KnT and the parody of romance conventions in MerT.</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Assesses the "political and historical meaning" of Trevet's version of the story of Constance--"part of [the] longer world history" of his "Cronicles" and the occasion in it when idolatry is "reformulated as Islam." Includes occasional comments on MLT and Gower's version of the story.</text>
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