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              <text>Kirby, Thomas A.</text>
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              <text>Modern Language Notes 68, no. 1 (1953): 34-37.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Summoner and His Tale</text>
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              <text>mea; 8/24/2026</text>
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                <text>Theodore Roosevelt on Chaucer and a Chaucerian.</text>
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                <text>Quotes from published letters of Theodore Roosevelt (8 Volumes, 1951–1954) which express his opinions about Chaucer (e.g., SumT is "filthy") and Chaucer studies, especially that of Thomas R. Lounsbury (1892).</text>
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              <text>Modern Language Notes 68, no.8 (1953): 552-53.</text>
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              <text>mea; 8/24/2026</text>
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                <text>Browning on Chaucer.</text>
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            <description>An account of the resource</description>
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                <text>Quotes two allusions to Chaucer in letters by Robert Browning from 1845 and 1846.</text>
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              <text>Kimpel, Ben.</text>
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              <text>ELH: A Journal of English Literary History 20, no. 2 (1953): 77-86.</text>
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              <text>ELH: A Journal of English Literary History 20 (1953)</text>
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              <text>Canterbury Tales--General&#13;
Style and Versification&#13;
Chaucer's Life</text>
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              <text>mea; 8/24/2026</text>
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                <text>The Narrator of the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Assesses "various appearances of the narrator" in CT to "determine how far the narrator can be taken as a contribution to our knowledge of Geoffrey Chaucer." Comments most extensively on GP and ThP, with attention to first-person pronouns, and on similarities between the CT narrator and those of other works by Chaucer, concluding that in CT "Chaucer does not seem to have been much interested in his narrator, much less to have been trying to express through him his own personality."</text>
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              <text>Kellogg, A. L. </text>
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              <text>Revue Belge de Philologie et d’Histoire 31, no. 1 (1953): 61-64.</text>
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              <text>Revue Belge de Philologie et d’Histoire 31 (1953)</text>
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              <text>Parson and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 8/24/2026</text>
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                <text>"Seith Moyses by the Devel": A Problem in Chaucer's Parson's Tale.</text>
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                <text>Locates precedent for the Parson's claim about the growth of sin among humans in Richard de Wetheringsett's "Summa de Officio Sacerdotis"--specifically, its reference to the "Canticum Exodi" in Exodus 15.9. Suggests more broadly that an "English manual for parish priests" such as Richard's thirteenth-century work may be a source for the ParsT.  </text>
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              <text>Kellogg, Alfred L.</text>
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              <text>Scriptorium: Revue Internationale Des Etudes Relatives Aux Manuscrits / International Review of Manuscript Studies 7 (1953): 115.</text>
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              <text>Scriptorium: Revue Internationale Des Etudes Relatives Aux Manuscrits 07 (1953)&#13;
Scriptorium:  International Review of Manuscript Studies 07 (1953)</text>
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              <text>Summoner and His Tale</text>
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              <text>mea; 8/24/2026</text>
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                <text>The Fraternal Kiss in Chaucer's "Summoner's Tale."</text>
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                <text>Confirms that the friar's kiss of Thomas' wife in SumT is unseemly, adducing passages from Gower's "Vox Clamantis" and the "Regimen Animarum" that express concern about dangers of clerical kissing.</text>
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              <text>Johnson, Oscar E.</text>
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              <text>JEGP: Journal of English and Germanic Philology 52 (1953): 50–57.</text>
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        <element elementId="100">
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              <text>JEGP 52 (1953)</text>
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          <name>Chaucer Subject</name>
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              <text>Merchant and His Tale&#13;
Language and Word Studies&#13;
Style and Versification</text>
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              <text>mea; 8/24/2026</text>
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                <text>Was Chaucer's Merchant in Debt? A Study in Chaucerian Syntax and Rhetoric.</text>
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                <text>Explicates the claim about debt in the description of the Merchant (GP 1.280), arguing on logical and metrical grounds--and using comparable lines from elsewhere in Chaucer (especially TC 3.267-70)--that the Merchant was not "insolvent," i.e., "he was decidedly not in debt."</text>
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              <text>Hunter, Wm. B., Jr.</text>
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              <text>Modern Language Notes 68, no. 3 (1953): 174.</text>
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              <text>Modern Language Notes 68 (1953)</text>
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              <text>Franklin and His Tale</text>
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                <text>Compares and contrasts the GP descriptions of the Prioress and the Second Nun and the style and details of PrPT and the SNPT. Argues that genuine humility and "restraint" evokes "the truer religious character" of the Second Nun, casting into relief the ironies and "vehemence" of the Prioress as well as her "worldliness, her vanity, and her insincerity."</text>
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              <text>London: H.F.W. Deane; Boston: Walter H. Baker, 1953.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>The Prattling Prentice: A Chaucerian Comedy in One Act.</text>
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              <text>Gross, Seymour L.</text>
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              <text>Notes and Queries 198 (1953): 413-14.</text>
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                <text>Conscious Verbal Repetition in the Pardoner's "Prologue."</text>
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                <text>Suggests that the repeated emphasis on the motive of covetousness in PardP is intended as the "revenge of irony" by the Pardoner, a response to the other pilgrims' negative opinion of him.</text>
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              <text>Greenfield, Stanley B.</text>
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              <text>Modern Language Review 48 (1953): 51–52.</text>
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              <text>Modern Language Review 48 (1953)</text>
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              <text>mea; 8/24/2026</text>
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                <text>Sittingbourne and the Order of "The Canterbury Tales."</text>
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                <text>Rejects arguments that references to "Sittingbourne" at WBT (3.847), "towne" in SumT (3.2294), and "Rouchestre" (7.1926) are inconsistent with the order of CT found in the Ellesmere manuscript, claiming that "towne" is a "tag-word" that does not necessarily refer to Sittingbourne and hence poses no geographical inconsistency.</text>
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              <text>Modern Language Notes 68 (1953)</text>
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Sources, Analogues, and Literary Relations</text>
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                <text>A Note on St. Caecilia.</text>
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              <elementText elementTextId="2855651">
                <text>Identifies an overlooked resource for the study of the sources and analogues of SNT: H. Delehaye's 1936 "Etude sur le legendier romain, les saints de Novembre et de Decembre" (Bruxelles, 1936).</text>
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              <text>Furniss, W. Todd.</text>
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              <text>Modern Language Notes 68, no. 2 (1953): 115-18.</text>
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Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Assesses various possible analogues to details in the naval battle depicted in LGW (648-49; Cleopatra)--the use of "pesen"(peas) and "lyme" (lime)--suggesting that the closest analogue is in a 1572 masque by George Gascoigne. Also suggests that Chaucer's "slidere" means "smooth" in these lines.</text>
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              <text>Speculum 28, no. 2 (1953): 317-23.</text>
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          <name>Journal by Volume Number</name>
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              <text>Speculum 28 (1953)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855639">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 8/24/2026</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2855641">
              <text>1953</text>
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            <name>Title</name>
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              <elementText elementTextId="2855634">
                <text>Chaucer’s Version of the Aeneid.</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855635">
                <text>Identifies ways in which Chaucer's adaptation of Virgil’s story of Aeneas in HF "follows the arrangement of the 'Ilias' of Simon Aurea Capra, or Chevre d'Or" and "bears a resemblance especially" to an expanded version of that twelfth-century Latin poem. Comments on the chronology of events, the techniques of abbreviation, and the roles of Venus and Dido in the two medieval poems,</text>
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          </element>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2855628">
              <text>Frank, Robert Worth, Jr.</text>
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        <element elementId="98">
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            <elementText elementTextId="2855629">
              <text>Modern Language Notes 68, no. 8 (1953): 524-28.</text>
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        <element elementId="100">
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            <elementText elementTextId="2855630">
              <text>Modern Language Notes 68 (1953)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2855631">
              <text>Friar and His Tale&#13;
Chaucer's Life&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2855632">
              <text>mea; 8/24/2026</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2855633">
              <text>1953</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2855626">
                <text>Chaucer and the London Bell-Founders.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855627">
                <text>Glosses the image of the Friar's girth in GP 1.263 as "rounded as a bell out of a 'mould,'" and suggests that it may derive from Chaucer's first-hand familiarity with bell-casting located near his residence at Aldgate, documenting that "bell-founders were his neighbors" and explaining the process of making bells.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2855620">
              <text>Francis, W. Nelson.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2855621">
              <text>PMLA 68, no. 5 (1953): 1126–41.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855622">
              <text>PMLA 68 (1953)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855623">
              <text>Style and Versification&#13;
Sources, Analogues, and Literary Relation</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855624">
              <text>mea; 8/24/2026</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855625">
              <text>1953</text>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855618">
                <text>Chaucer Shortens a Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855619">
                <text>Analyzes Chaucer's use of the "narrative technique" of "self-conscious abbreviation"--when "the poet informs the reader that abbreviation is taking place." Clarifies statistically that Chaucer signals his abbreviations more often than do contemporaneous English poets and correlates Chaucer's abbreviations with his use of source material, gauging the writer's motives, his "tendency to prolixity," entailed ambiguities, the role of oral delivery, and impact on audiences--often sharpening "their perceptions and sensibilities."</text>
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          </element>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855612">
              <text>Donovan, Mortimer J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2855613">
              <text>JEGP: Journal of English and Germanic Philology 52 (1953): 498–508.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855614">
              <text>JEGP 52 (1953)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855615">
              <text>Nun's Priest and His Tale&#13;
Monk and His Tale&#13;
Sources, Analogues, and LIterary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855616">
              <text>mea; 8/24/2026</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855617">
              <text>1953</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855610">
                <text>The "Moralite" of the Nun’s Priest’s Sermon.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855611">
                <text>In light of patristic and iconographical traditions of scriptural commentary, bestiaries, and sermons, reads the rooster "Chauntecleer as any holy man" and the fox "Daun Russell as heretic and devil." Argues that NPT is a "sermon on alertness to moral obligation" and a response to the Monk's view of irrevocable fortune.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="277746" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855604">
              <text>Dobbins, Austin C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855605">
              <text>Modern Language Notes 68, no. 1 (1953): 33-34.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855606">
              <text>Modern Language Notes 68 (1953)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855607">
              <text>Chaucer's Influence and Later Allusion</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855608">
              <text>mea; 8/24/2026</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855609">
              <text>1953</text>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2855602">
                <text>More Seventeenth-Century Chaucer Allusions.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855603">
                <text>Lists and quotes five allusions to Chaucer produced between 1670 and 1698: two by William Penn, and one each by L. P., William Nicolson, and Sir Henry Spelman.</text>
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          </element>
        </elementContainer>
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  <item itemId="277745" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855596">
              <text>Dempster, Germaine.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855597">
              <text>PMLA 68, no. 5 (1953): 1142–59.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855598">
              <text>PMLA 68 (1953)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855599">
              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855600">
              <text>mea; 8/24/2026</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855601">
              <text>1953</text>
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          </elementTextContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2855594">
                <text>A Period in the Development of the "Canterbury Tales" Marriage Group and of Blocks B2 and C.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855595">
                <text>Argues on textual and thematic grounds that Mel, NPT, and ClT "antedate the conception of a Marriage Group," Chaucer linking them to it as an "afterthought." Also traces a "fairly extensive ordering and linking operation, resulting in the construction of Blocks B2 [7] and C [3] and in the addition of new features to the character of Harry Bailly," occurring at about the same time. Includes general comments about various orderings of the CT and the tales included in the Marriage Group.</text>
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          </element>
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  </item>
  <item itemId="277744" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855589">
              <text>Dandridge, Edmund P., Jr.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855590">
              <text>Modern Language Notes 68 (1953)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855591">
              <text>Chaucer's Influence and Laater Allusion&#13;
Complaint of Chaucer to His Purse</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855592">
              <text>mea; 8/24/2026</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2855593">
              <text>1953</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855587">
                <text>An Eighteenth Century Theft of Chaucer's "Purse."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2855588">
                <text>Quotes a seven-line, unsigned poem from "The Universal Magazine of Knowledge and Pleasure" (June 1747) that alludes to Chaucer's "Purse," without acknowledgement.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="277743" public="1" featured="0">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Chapman, Coolidge Otis.</text>
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              <text>Modern Language Notes 68, no. 8 (1953): 521-24.</text>
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        <element elementId="100">
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              <text>Modern Language Notes 68 (1953)</text>
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              <text>Squire and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 8/22/2026</text>
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                <text>Chaucer and the "Gawain"-Poet: A Conjecture.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2855580">
                <text>Suggests that Chaucer "modeled the narrative in the first part of" SqT "upon the narrative in the first part" of "Sir Gawain and the Green Knight." Identifies nine "points of agreement between the two romances"--similarities in "order of events," the "conduct of the characters," along with Chaucer's Arthurian references, and reference to Troy.</text>
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              <text>Bronson, Bertrand H.</text>
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        <element elementId="98">
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            <elementText elementTextId="2855574">
              <text>Modern Language Notes 68, no. 8 (1953): 515-21.</text>
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            <elementText elementTextId="2855575">
              <text>Modern Language Notes 68 (1953)</text>
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              <text>Book of the Duchess&#13;
Style and Versification&#13;
Background and General Criticism</text>
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              <text>mea; 8/21/20026</text>
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                <text>Concerning "Houres Twelve."</text>
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            <description>An account of the resource</description>
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                <text>Suggests that Chaucer's recurrent use of the number twelve in BD carries with it "overtones of fulfillment, completion, finality," serving as a "unifying thread." Adducing "the medieval practice of time-keeping," development of the mechanical striking clock, and several details of BD, argues that the clock near the end of the poem (line 1322) strikes noon (not midnight), occurs within the dream rather than awakening the narrator from his sleep, and signaled to the medieval mind "an end and a beginning" as well as other reverberations unfamiliar to modern readers.</text>
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            <elementText elementTextId="2855564">
              <text>Brewer, D. S.</text>
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        <element elementId="98">
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              <text>London: Longmans, Green and Co., 1953.</text>
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        <element elementId="99">
          <name>Physical Description</name>
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            <elementText elementTextId="2855566">
              <text>xii, 196 pp.; 6 b&amp;w figs.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2855567">
              <text>Men and Letters</text>
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        <element elementId="102">
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            <elementText elementTextId="2855568">
              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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              <text>mea; 8/21/2026</text>
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              <text>1953&#13;
1965&#13;
1973</text>
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                <text>Chaucer.</text>
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          <element elementId="41">
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              <elementText elementTextId="2855563">
                <text>Combines social and intellectual history and appreciative criticism of Chaucer's writing in a "short study of Chaucer's life and works for people with literary tastes," arranged chronologically from Chaucer's youth to death. Describes his "courtiership," career and public service, and the intellectual outlooks and cultural conventions that shaped and are reflected in his writings, with recurrent attention to his Christian perspectives and distrust of the world. Revised in 1965, and more extensively in 1973.</text>
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            <elementText elementTextId="2855556">
              <text>Braddy, Haldeen.</text>
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        <element elementId="98">
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            <elementText elementTextId="2855557">
              <text>Modern Language Notes 68, no. 4 (1953): 232-34.</text>
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        <element elementId="100">
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              <text>Modern Language Notes 68 (1953)</text>
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              <text>Parliment of Fowls</text>
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              <text>mea; 8/21/2026</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Chaucer's Comic Valentine.</text>
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            <description>An account of the resource</description>
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                <text>Disagrees with Gardiner Stillwell's argument (1950) that PF cannot be read as a poem on the occasion of the betrothal of Prince Richard of England and Princess Marie of France because it is comic. Reviews Chaucer's other occasional poems (Truth, Venus, and Purse) that combine comedy with courtly compliment and suggests that PF functions similarly.</text>
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              <text>Block, Edward A. </text>
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        <element elementId="98">
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              <text>PMLA 68, no. 3 (1953): 572–616.</text>
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        <element elementId="100">
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              <text>PMLA 68 (1953)</text>
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        <element elementId="102">
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; 8/21/2026</text>
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            <elementText elementTextId="2855553">
              <text>1953</text>
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              <elementText elementTextId="2855546">
                <text>Originality, Controlling Purpose, and Craftsmanship in Chaucer's "Man of Law’s Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2855547">
                <text>Analyzes differences between MLT and its source in Nicholas Trevet's "Cronicles," with some attention to Chaucer's use of Gower's version in "Confessio Amantis." Shows that Chaucer streamlines quotidian details, adds rhetorical flourishes, and "humanized" his characters to some extent, while maintaining the main plot line of his sources. His changes, in effect, "lift [the story] into the realms of romance, remote in time and space," with touches of a "saint's life."</text>
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