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              <text>Kordecki, Lesley.</text>
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              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022): 570-82.</text>
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              <text>ISLE: Interdisciplinary Studies in Literature and Environment 29 (2022)</text>
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              <text>SAC 46:301</text>
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                <text>Poetry and the Bird in Chaucer's "House of Fame."</text>
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            <description>An account of the resource</description>
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                <text>Argues that the eagle in HF "represents poetry," manifest in its "uncanny perception," its ability to "uplift" the narrator, and its concern with sound and transformative power.</text>
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              <text>Keller, Wolfram R.</text>
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              <text>Iris Därmann and Aloys Winterling, eds. Oikonomia und Ökonomie im klassischen Griechenland: Theorie--Praxis--Transformation (Stuttgart: Franz Steiner, 2022), pp. 157-73.</text>
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              <text>Därmann, Iris, ed.&#13;
Winterling, Aloys, ed.</text>
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              <text>Oikonomia und Ökonomie im klassischen Griechenland: Theorie--Praxis--Transformation</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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                <text>Chrematistische Poetik: Mentale Haushaltsführung in Geoffrey Chaucers "Traumvisionen."</text>
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                <text>Argues that HF depicts a journey through the mental operation of using traditional classical material to generate new literature (tidings) and, in doing so, reflects aspects of late medieval understanding of psychology and economics. Crucial to the latter is a shift from the model of household maintenance to that of chresmatistic mercantile expansion, which depends upon dislocation, multiplication, even unnatural usury--in various ways analogous to imagination rather than memory.</text>
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              <text>Hines, John.</text>
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              <text>Jan-Peer Hartmann and Andrew James Johnston, eds. Material Remains: Reading the Past in Medieval and Early Modern British Literature (Columbus: The Ohio State University Press, 2021), pp. 240-57.</text>
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              <text>Hartmann, Jan-Peer, ed. &#13;
Johnston, Andrew James, ed.</text>
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              <text>Material Remains: Reading the Past in Medieval and Early Modern British Literature</text>
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              <text>SAC 46:298</text>
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              <text>2021</text>
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                <text>"But men seyn, 'What may ever last?'": Chaucer's "House of Fame" as a Medieval Museum.</text>
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                <text>Considers possibilities of assessing material archeology in medieval literature and offers a case study concerning HF, observing connections between the brass-tablet account of Aeneas in the poem (lines 140ff.) and monumental brasses, hypothesizing Fame's palace as a medieval version of a museum, and connecting them both with the open-endedness of the poem and early modern sensibilities.</text>
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              <text>Cousins, A. D.</text>
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              <text>A. D. Cousins and Daniel Derrin, eds. Alexander Pope in the Reign of Queen Anne: Reconsiderations of His Early Career (New York: Routledge, 2021), pp. 113-36.</text>
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              <text>Cousins, A. D., ed.&#13;
Derrin, Daniel,ed,</text>
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              <text>Alexander Pope in the Reign of Queen Anne: Reconsiderations of His Early Career</text>
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              <text>House of Fame&#13;
Facsimiles, Editions, and Translations</text>
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                <text>Pope and Chaucer: Reconstructing "The House of Fame" in the Reign of Queen Anne.</text>
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                <text>Argues that in his reworking of HF as "The Temple of Fame," Alexander Pope "comprehensively repudiates the inconclusiveness" of Chaucer's work. Where Chaucer suggests "the contradictions and confusions" of literary tradition and authority, Pope assumes authority and "almost entirely excludes hesitancy and ambiguity from his consideration."</text>
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              <text>Cossio, Andoni.</text>
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              <text>SELIM: Journal of the Spanish Society for Medieval Language and Literature 27 (2022): 166-76.</text>
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              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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                <text>Further Notes on J. R. R. Tolkien's Photostats of "The Equatorie of the Planetis" (MS Peterhouse 75.I).</text>
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                <text>Identifies which folios of Cambridge, Peterhouse, MS 75.I are included (photostatic copies) in the Tolkien archive of Oxford, Bodleian Library, Tolkien VC 277, using the copies to assess Tolkien's possible assistance to Derek J. Price and R. M. Wilson in their 1955 Cambridge University Press edition of Equat and the putative attribution of Equat to Chaucer.</text>
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              <text>ANQ 36 (2023): 164-71.</text>
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              <text>Equatorie of the Planetis&#13;
Manuscripts and Textual Studies</text>
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                <text>Addenda: One Middle English Manuscript and Four Editions of Medieval Works Known to J. R. R. Tolkien and What They Reveal.</text>
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                <text>Includes photostats of Cambridge, Peterhouse, MS 75.I (Equat) among several additions to "Section A" of Oronzo Cilli's "Tolkien's Library: An Annotated Checklist" (Edinburgh: Luna Press, 2019), and comments on Tolkien's concern with scribal corruption in Chaucer's works and his own.</text>
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              <text>Spearing, A. C.</text>
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              <text>Sylvie Patron, ed. Optional-Narrator Theory (Lincoln: University of Nebraska Press, 2021), pp. 166-83.</text>
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              <text>Optional-Narrator Theory.</text>
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Style and Versification</text>
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                <text>Narrator Theory and Medieval English Narratives.</text>
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                <text>Challenges the applicability of modern narratology to medieval narratives, examining the narrating position in "King Horn" as popular romance and in BD as adaptation of a French "dit," and showing that novel-based notions of narrator-as-character do not apply. In Chaucer's case, the first-person pronouns convey "a proximal deictic," i.e., "a certain literary effect, one that is hard to define except as 'I-ness'--the sense of being a centre of experience and perception."</text>
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              <text>Reichert, Folker.</text>
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Language and Word Studies</text>
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        <element elementId="114">
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                <text>Geoffrey Chaucers "Carrenare": Zum Verhältnis von Poesie und Geographie im 14. Jahrhundert.</text>
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                <text>Examines geographical and literary backgrounds to Chaucer's use of "Carrenare" in BD, 1029, identifying it with "Caramoran" (especially as found in Marco Polo and Mandeville), and suggesting it helps to separate Blanche from the vanities of the courtly world.</text>
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              <text>Neufeld, Christine M.</text>
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              <text>Studies in the Age of Chaucer 44 (2022): 93-132.</text>
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              <text>Studies in the Age of Chaucer 44 (2022)</text>
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Parliament of Fowls&#13;
House of Fame</text>
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            <name>Title</name>
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              <elementText elementTextId="2849548">
                <text>"A Familiar Vois and Stevene": Hearing Voices in Chaucer's Dream Visions.</text>
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                <text>Examines auditory cognition in BD, PF, and HF, attending particularly to "janglynge" and related concepts. BD illustrates differences between hearing and listening, while PF records a "paradigm shift" from seeing to listening, and HF reflects Chaucer's "sense of the partiality of his own poetic voice, dependent as it is on the collaboration of his auditor to come into being." Attends to noise, gossip, voice, animal sounds, acousmatic sound and reading, transduction, listening "modalities," and theories of aurality.</text>
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              <text>Marshall, Simone Celine.</text>
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              <text>Romantic Textualities: Literature and Print Culture, 1780–1840 23 (2020): 218-36; 7 illus.; 3 appendices.</text>
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              <text>Romantic Textualities: Literature and Print Culture, 1780–1840 23 (2020)</text>
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              <text>Book of the Duchess&#13;
Facsimiles, Editions, and Translations</text>
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              <text>SAC 46:289</text>
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        <element elementId="114">
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          <element elementId="50">
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              <elementText elementTextId="2849540">
                <text>"Poetical Works of Geoffrey Chaucer" in the Nineteenth Century: Social Influences on Editorial Practice.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2850780">
                <text>Analyzes the text of BD found in the 1807 collected edition "The Poetical Works of Geoffrey Chaucer," showing "that it is fair to consider the work a new edition," based on John Urry's 1721 edition of BD and loosely following Thomas Tyrwhitt's critique of Urry. Attends to verb forms, pronouns, and punctuation, observing that the 1807 edition is evidently the first printed edition to use the title "Book of the Duchess."</text>
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              <text>Leitch, Megan G.</text>
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              <text>Manchester: University of Manchester Press, 2021. </text>
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              <text>Manchester Medieval Literature and Culture</text>
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              <text>The Hermeneutics of Sleep in Chaucer's Dream Poems</text>
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              <text>Book of the Duchess&#13;
Parliament of Fowls&#13;
Legend of Good Women&#13;
Nun's Priest and His Tale</text>
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            <elementText elementTextId="2849539">
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              <elementText elementTextId="2849530">
                <text>Sleep and Its Spaces in Middle English Literature: Emotions, Ethics, Dreams.</text>
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                <text>Surveys medical and literary backgrounds and representations of sleep, naps, dreams, nightmares, and sleep-scapes in various Middle English genres and works. Chapter 4, "The Hermeneutics of Sleep in Chaucer's Dream Poems," focuses on dreams, melancholy, ethics, emotions, and consolation in BD, and more briefly assesses related concerns in PF, LGWP, and NPT, arguing that Chaucer deploys an original hermeneutics of sleep and dreaming and "reflects on the nature of poetry and poetic inheritance"</text>
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            <elementText elementTextId="2849524">
              <text>Krummel, Miriamne Ara.</text>
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              <text>Journal of Literary &amp; Cultural Disability Studies 15 (2021): 245-50.</text>
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              <text>Journal of Literary &amp; Cultural Disability Studies 15 (2021)</text>
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              <text>Book of the Duchess</text>
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              <text>SAC 46:287</text>
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        <element elementId="114">
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            <elementText elementTextId="2849529">
              <text>2021</text>
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              <elementText elementTextId="2849522">
                <text>Being a Crip Professor in the Time Covid-19: A Modern Game of Medieval Chess.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849523">
                <text>Personal reflections on having multiple sclerosis during the COVID-19 pandemic, describing changes that these conditions brought to (re)reading BD.</text>
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              <text>Bartlett, Robyn A.</text>
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            <elementText elementTextId="2849517">
              <text>Chaucer Review 57 (2022): 321-44.</text>
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            <elementText elementTextId="2849518">
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              <text>Book of the Duchess</text>
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              <text>SAC 46:286</text>
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        <element elementId="114">
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            <elementText elementTextId="2849521">
              <text>2022</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849514">
                <text>Death, Negation, and the Problem of Absence in Chaucer's "Book of the Duchess."</text>
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              <elementText elementTextId="2849515">
                <text>Highlights that BD conveys the inevitability and incomprehensibility of death, offering a reading of the poem that moves beyond consolation of poetry and memory.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849508">
              <text>Olson, Donald W.</text>
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        <element elementId="98">
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              <text>Investigating Art, History, and Literature with Astronomy: Determining Time, Place, and Other Hidden Details Linked to the Stars (Cham: Springer, 2022), pp. 288-323; illus.</text>
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              <text>Investigating Art, History, and Literature with Astronomy: Determining Time, Place, and Other Hidden Details Linked to the Stars</text>
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              <text>Boece</text>
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        <element elementId="109">
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            <elementText elementTextId="2849512">
              <text>SAC 46:285</text>
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        <element elementId="114">
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            <elementText elementTextId="2849513">
              <text>2022</text>
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                <text>Astronomy in Literature: Chaucer, Shakespeare, and Longfellow.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849507">
                <text>Includes discussion of the reference to Boetes (the constellation Boötes) in Bo, IV, met. 5, explaining the astronomy underlying the "puzzle" found in Boethius's original reference and in Chaucer's translation.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Stadolnik, Joe.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849501">
              <text>Journal of English and Germanic Philology 121 (2022): 359-82.</text>
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            <elementText elementTextId="2849502">
              <text>Journal of English and Germanic Philology 121 (2022)</text>
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        <element elementId="102">
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            <elementText elementTextId="2849503">
              <text>Treatise on the Astrolabe&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 46:284</text>
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        <element elementId="114">
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            <elementText elementTextId="2849505">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849498">
                <text>Little Lewis and Latin Folk in Chaucer's Prologue to the "Treatise on the Astrolabe."</text>
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              <elementText elementTextId="2849499">
                <text>Claims that although the prologue to Astr is addressed to Chaucer's son "little Lewis," it is structurally and rhetorically complex, appealing to sophisticated Latinists as well as to young English speakers. Argues that the prologue imitates Latin prologues of scientific texts, including a youthful addressee, a defense of the vernacular, and a disavowal of comprehensiveness.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2849492">
              <text>Robinson, Michael.</text>
            </elementText>
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        <element elementId="98">
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            <elementText elementTextId="2849493">
              <text>American Journal of Physics 90 (2022): 745-54.</text>
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            <elementText elementTextId="2849494">
              <text>American Journal of Physics 90 (2022)</text>
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        <element elementId="102">
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            <elementText elementTextId="2849495">
              <text>Treatise on the Astrolabe&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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              <text>SAC 46:283</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2849497">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2849490">
                <text>Astronomy with Chaucer: Using an Astrolabe to Determine Planetary Orbits.</text>
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            </elementTextContainer>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849491">
                <text>Explains the practical utilities and operations of astrolabes, reporting on several years' use of a homemade instrument. Includes recurrent references to Astr as a helpful guide, describing it as "apparently the earliest known technical manual written in English," "well organized," and "written in clear, technical prose."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849484">
              <text>Brooks, Michelle.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
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            <elementText elementTextId="2849485">
              <text>Studies in Philology 119 (2022): 209-32.</text>
            </elementText>
          </elementTextContainer>
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          <elementTextContainer>
            <elementText elementTextId="2849486">
              <text>Studies in Philology 119 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2849487">
              <text>Treatise on the Astrolabe&#13;
Man of Law and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2849488">
              <text>SAC 46:281</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2849489">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849482">
                <text>Rewriting "litel Lowys" in Chaucer's "A Treatise on the Astrolabe."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2849483">
                <text>Examines Astr as a work on literature that uses the astrolabe to overcome geographical separation between father and son. A narrative of family reunion then writes the son out of the text, while apophasis keeps the son at its center. Also notes how MLT uses the same terminology as Astr.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849476">
              <text>Herman, Jason.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849477">
              <text>Chaucer Review 57 (2022): 214-31.</text>
            </elementText>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2849478">
              <text>Chaucer Review 57 (2022)</text>
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        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2849479">
              <text>Chaucer's Retraction</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849480">
              <text>SAC 46:280</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849481">
              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2849474">
                <text>Chaucer's "Retraction": Examining the Case for Disavowal.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2849475">
                <text>Argues that the language of Ret should not be understood as a modern retraction would be; expresses skepticism that Ret is actually meant to retract works like CT.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="277137" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849467">
              <text>Murchison, Krista A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849468">
              <text>Cambridge: Brewer, 2021.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849469">
              <text>xiv, 175 pp.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2849470">
              <text>Parson and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849471">
              <text>SAC 46:279</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2849472">
              <text>2021</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2851790">
              <text>"To enden in som vertuous sentence": Concluding with Chaucer's Parson.</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2851992">
                <text>Manuals for Penitents in Medieval English: From "Ancrene Wisse" to the "Parson's Tale."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2852012">
                <text>Describes and assesses the wide array of guides to penitential self-examination in late medieval Latin, Anglo-Norman, and Middle English, viewing them in the contexts of the 1215 Lateran Council, the rise in popular religion, and developing notions of subjectivity and identity. Includes a chapter on ParsT, "'To enden in som vertuous sentence': Concluding with Chaucer's Parson," which clarifies the orthodoxy of its general form and content, despite its lack of discussion of the Ten Commandments and the "Pater noster."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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Chaucer's Retraction</text>
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              <text>Research Reports, National Institute of Technology, Fukushima College 63 (2022): 56-62.</text>
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Sources, Analogues, and Literary Relations</text>
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</text>
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                <text>Explores aspects of "power differential and toxicity" in the mentor-mentee relationship of the Canon and the Canon's Yeoman, reading CYPT as the emancipatory complaint of the latter. For a response, see Response to Micah James Goodrich and Alice Raw," SAC 44 (2022): 315-16.</text>
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