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              <text>Hatcher, John Southall.</text>
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              <text>DAI 29.09 (1969): 3098A.</text>
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              <text>Style and Versification</text>
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              <text>Dissertation Abstracts International 29 (1969)</text>
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              <text>mea; 04/17/2017 No SAC</text>
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                <text>Chaucer's Imagery</text>
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                <text>Studies Chaucer's similes and metaphors to trace the "development of imagery in each of [his] works" from BD through CT, suggesting that Chaucer shows a "progressive awareness of the image as an essential tool of his art." Results of statistical analysis of the density of his images coincides with traditional dating of his poems, and his imagery becomes more important to his characterizations over time.</text>
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              <text>Keen, William P.</text>
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              <text>Topic 50 (2000): 91-103.</text>
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              <text>2000</text>
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              <text>Shipman and His Tale.</text>
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              <text>Topic: A Journal of the Liberal Arts 50 (2000)</text>
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              <text>jules; mea 1/19/2017 SAC 24 (298)</text>
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                <text>Chaucer's Imaginable Audience and the Oaths of The Shipman's Tale</text>
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                <text>Assesses the six oaths by saints--Martyn, Denys, Peter, Yves, Austyn, and Jame--in ShT, arguing that familiarity with details of the saints' lives provokes the audience to condemn the characters in the Tale.</text>
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              <text>Jimura, Akiyuki.</text>
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              <text>Yoshiyuki Nakao and Yoko Iyeiri, eds. Chaucer's Language: Cognitive Perspectives (Suita: Osaka, 2013), pp. 27-45.</text>
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              <text>2013</text>
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              <text>Chaucer's Language: Cognitive Perspectives.</text>
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              <text>Troilus and Criseyde</text>
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              <text>mea SAC 37:163</text>
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                <text>Chaucer's Imaginative and Metaphorical Description of Nature</text>
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              <elementText elementTextId="2806830">
                <text>Illustrates how the descriptions of nature in TC reflect main characters' cognitive processes as well as the development of love.</text>
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              <text>Vaughan, M. F.</text>
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        <element elementId="98">
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              <text>Philological Quarterly 60 (1981): 117-23.</text>
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              <text>1981</text>
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              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2719824">
              <text>Philological Quarterly 60 (1981)</text>
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              <text>jules SAC 07 (146)</text>
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                <text>Chaucer's Imaginative One-Day Flood</text>
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                <text>Examines the apocalyptic tradition behind Nicholas's flood.</text>
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              <text>Sudo, Jun.</text>
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              <text>Poetica (Tokyo) 13 (1982): 50-74.</text>
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              <text>1982</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Poetica: An International Journal of Linguistic Literary Studies 13 (1982)</text>
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              <text>jules SAC 07 (240)</text>
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                <text>Chaucer's Imitation and Innovation in 'Troilus and Criseyde'</text>
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                <text>By comparing Chaucer's TC with Boccaccio's "Filostrato" in sounds, grammar, word choice, similes and metaphors, ambiguities, and construction, the article investigates Chaucer's literary and linguistic imitation and humorous innovation.</text>
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              <text>Carruthers, Leo.</text>
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              <text>Roger Lejosne and Dominique Sipiere, eds.  Mariages a la mode anglo-saxonne (Amiens: Sterne, 1995), pp. 40-50.</text>
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              <text>Mariages a la mode anglo-saxonne.</text>
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              <text>Lejosne, Roger,</text>
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              <text>Sipiere,Dominique,ed.</text>
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              <text>ed.</text>
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              <text>Chaucer's Life.</text>
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              <text>jules SAC 19 (1997) - 14.</text>
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                <text>Chaucer's In-laws: Who Was Who in the Wars of the Roses</text>
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                <text>Examines Chaucer's involvement with the royal family and shows how one of his descendents became heir to the throne in 1484. </text>
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                <text>Table of succession from Edward I to Henry VIII includes families of De Bohun, Holland, Mortimer, Beaufort, Tudor, Neville, De la Pole, and Chaucer.</text>
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                <text>Includes genealogical table.</text>
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              <text>Ikegami, Tadahiro.</text>
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              <text>Bishu Saito, ed.  In Introduction to English Literature--Society and Literature (Tokyo: Shuppan Pub. Co., 1978), pp. 68-72.</text>
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              <text>Saito, Bishu,ed.</text>
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                <text>In Japanese.</text>
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              <text>Trigg, Stephanie.</text>
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              <text>vxl sac 30:74</text>
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                <text>Trigg considers recurrent issues in the reception of Chaucer: responses to his self-shaped "poetic signature," admiration for his rhetoric and sentiment, and mourning for the loss of his genius by poets who seek to emulate him. Surveys rewritings and adaptations of TC and CT and raises questions about the reciprocity of canon formation and the institutions that produce such canons.</text>
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                <text>Identifies three aspects of Robert Henryson's uses of proverbial wisdom in his "Fables," locating precedent for each of them in a work by Chaucer:  use of proverbs by fable characters (NPT), comic misapplication of proverbial wisdom (MilT), and clustering proverbial sayings (Pandarus in TC).</text>
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              <text>Notes and Queries 216 (1971): 127-30.</text>
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        <element elementId="109">
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              <text>mea; 04/07/2016 No SAC</text>
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                <text>Shows that the characterization of Calchas in TC influenced the fifteenth-century "Sege of Troy."</text>
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              <text>Shigeo, Hisashi.</text>
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                <text>Analyzes the relationship of the real world to the dream world in BD and surveys noncourtly innovations derived from French romances, taking account of Chaucer scholarship of the late twentieth century.</text>
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              <text>John M. Hill, Bonnie Wheeler, and R. F. Yeager, eds. Essays on Aesthetics and Medieval Literature  in Honor of Howell Chickering (Toronto: Pontifical Institute of Medieval Studies, 2014), pp. 115-28.</text>
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              <text>Wife of Bath and Her Tale</text>
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                <text>Chaucer's Insatiable Wives: Women Eating Men and the Romantic Turn in the 'Canterbury Tales'</text>
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            <description>An account of the resource</description>
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                <text>Explores metaphors of eating, drinking, hunting, and food preparation, within the framework of the "storytelling performances" of the Wife of Bath in WBT and the unnamed Wife in ShT.</text>
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              <text>Myles, Robert.</text>
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              <text>Dissertation Abstracts International 54 (1993): 172A.</text>
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                <text>Chaucer's Intentionalist Realism and the 'Friar's Tale'</text>
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                <text>Although Chaucer has been seen as a medieval nominalist or realist, or both at once, he should actually be recognized as an "intentional realist" in the modern (John F. Searle) sense.</text>
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              <text>James M. Dean, ed. Geoffrey Chaucer (Ipswich, Mass.: Salem Press, 2017), pp. 171-85</text>
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              <text>Geoffrey Chaucer: Critical Insights Series</text>
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                <text>Chaucer's International Presence.</text>
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                <text>Contends that Chaucer's "international presence," due to his European travels connected to his position and service within the court, "instilled in him a European sensibility distinctly at odds with his modern image as the avatar of Englishness."</text>
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              <text>Hicks, James E.</text>
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              <text>Essays in Medieval Studies 3: 78-98,   1986.</text>
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              <text>1986</text>
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              <text>Pardoner and His Tale.</text>
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              <text>Essays in Medieval Studies 03 (1986)</text>
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              <text>jules SAC 24 (291)</text>
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                <text>Chaucer's Inversion of Augustinian Rhetoric in the Pardoner's Prologue and Tale</text>
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                <text>In PardPT, Chaucer inverts three major precepts of Augustinian sermon rhetoric ("De Doctrina Christiana"): the preacher must pray before preaching, the preacher must maintain a grave and appropriate demeanor, and the preacher must maintain Christian instruction as his goal. Breaking each of these, the Pardoner is an inversion of the ideal Augustinian preacher.</text>
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  <item itemId="267915" public="1" featured="0">
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              <text>Ginsberg, Warren.</text>
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              <text>Ann Arbor : University of Michigan Press, 2002.</text>
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            <elementText elementTextId="2760011">
              <text>2002</text>
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              <text>xiv, 297 pp.</text>
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              <text>Clerk and His Tale</text>
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              <text>Troilus and Criseyde</text>
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                <text>Chaucer's Italian Tradition</text>
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                <text>Developing Walter Benjamin's model of translation and seeking to "rethink the dynamics of cross-cultural translation," Ginsberg explores how Chaucer's borrowings from and dependencies on Italian literature "disarticulate" the legacy of Dante, Boccaccio, and Petrarch. Chaucer negotiated much larger political and cultural differences in his translations of Italian than in his translations of French. Rather than simply following Italian tradition, he created his own Italian tradition, in which translation is hermeneutic and transformative and in which allegory and irony are interdependent. Ginsberg assesses the interactions among the Florentine poets (and Dante's use of Ovid), discussing how Chaucer reinterprets them in ManPT, MkT, ClT, and TC.</text>
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              <text>Larner, John.</text>
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              <text>1983</text>
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              <text>Chaucer and the Italian Trecento.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 07 (101)</text>
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                <text>Chaucer's Italy</text>
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                <text>Examines the cultural, social, economic, religious, and literary aspects of Italy in Chaucer's day.</text>
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              <text>Owen, Richard.</text>
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              <text>v, 216 pp.</text>
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              <text>Chaucer's Life&#13;
Background and General Criticism&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's Italy.</text>
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              <elementText elementTextId="2854037">
                <text>Interpretive biography and critical exploration of Chaucer's professional, diplomatic, and literary engagements with Italy, Italians, and Italian culture, seeking to "follow in Chaucer's footsteps--to Milan, Genoa, Florence, Pavia, and beyond--and describe what he would have seen and experienced." Explores Chaucer's literary relations with Dante, Petrarch, Boccaccio, Sercambi, and others up to Pier Paolo Pasolini, addressing Italian Chaucer scholarship, and emphasizing the range and variety of Italian topics in Chaucer's life and works.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2836418">
              <text>Snell, Megan.</text>
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              <text>Shakespeare Quarterly 69.1 (2018): 35-56.</text>
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              <text>Shakespeare Quarterly 69 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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            <elementText elementTextId="2836423">
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                <text>Examines how the Jailer's Daughter of Shakespeare and Fletcher's play, a character not found in KnT, reflects a complex form of influence derived not only from KnT, but from MilT and RvT as well. Considers water imagery and liquidity, and "madness, secular village life, comic cruelty, and erotic, feminine desire" as manifestations of how the Daughter "quits" the play, as Chaucer's fabliaux quit his romance.</text>
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                <text>Chaucer's Jailer's Daughter: Character and Source in "The Two Noble Kinsmen."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Donovan, Mortimer J.</text>
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              <text>Edward Vasta and Zacharias P. Thundy, ed.  Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C. S. C. (Notre Dame, Ind.: Univeristy of Notre Dame Press, 1979), pp. 59-69.</text>
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        <element elementId="114">
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            <elementText elementTextId="2728455">
              <text>1979</text>
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              <text>Chaucerian Problems and Perspectives: Essays Presented to Paul E. Beichner, C. S. C.</text>
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              <text>Merchant and His Tale.</text>
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              <text>jules SAC 03 (120)</text>
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                <text>Chaucer's January and May: Counterparts in Claudian</text>
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            <description>An account of the resource</description>
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                <text>Glosses in Class Alpha mss of Claudian's "De Raptu Proserpinae," which Chaucer could have used at school, explain his description of Pluto and Proserpina as Fairies, his "many a lady" following Proserpina, the terrifying tone of Pluto's "grisely carte," the trickery practised by the godes, the offense January gave to Nature, and the January/May, Pluto/Proserpina contrasts.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2766181">
              <text>Carlson, David R.</text>
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        <element elementId="98">
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              <text>New York : Palgrave Macmillan, 2004.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2766183">
              <text>2004</text>
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              <text>168 pp.</text>
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              <text>Chaucer's Life.</text>
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              <text>Troilus and Criseyde</text>
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              <text>Canterbury Tales--General</text>
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              <text>The New Middle Ages</text>
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              <text>vxl 28:8</text>
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                <text>Chaucer's Jobs</text>
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                <text>Chaucer's occupations--domestic servant, customs agent, justice of the peace, and clerk of the King's Works--shaped his literature, and his "servility" enabled him to become the "father" of English poetry. His biography and his works alike reveal "submersion in the interests of power," so that the early complaints mythologize the "ideal of the aristocratic good life"; TC is an "apology for the good life of erotic preoccupation"; and CT gives voice to some dissidence, only to police and suppress it. Admirers and imitators of Chaucer emulated his servility and, in doing so, shaped his critical legacy.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2767924">
              <text>Scattergood, John.</text>
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        <element elementId="98">
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            <elementText elementTextId="2767925">
              <text>Notes and Queries 51.3 (2004): 233-34.</text>
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        <element elementId="114">
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              <text>2004</text>
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              <text>House of Fame.</text>
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              <text>Manuscripts and Textual Studies.</text>
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              <text>Notes and Queries 249 (2004)</text>
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          <elementTextContainer>
            <elementText elementTextId="2767931">
              <text>vxl sac 28:174</text>
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              <elementText elementTextId="2767923">
                <text>Chaucer's Joke Against the Egle: The House of Fame, 1011-1017</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2767927">
                <text>Argues for the adoption of "thy selven" instead of "they shynen" (line 1015) as the "lectio difficilior: and as the reading supported by Oxford, Bodleian Library MS Fairfax 16, the copy-text for most editions of HF.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2702417">
              <text>Silar, Theodore I.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702418">
              <text>Philological Quarterly 69 (1990): 409-17.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2702419">
              <text>1990</text>
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              <text>Miller and His Tale.</text>
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            <elementText elementTextId="2702422">
              <text>Philological Quarterly 69 (1990)</text>
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        <element elementId="109">
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              <text>jules SAC 14 (165)</text>
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                <text>Chaucer's Joly Absolon</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2702420">
                <text>The epithet "joly" or "jolif," used seven times to characterize Absolon in MilT, is inadequately translated as "jolly."  Chaucer makes use of many Middle English meanings of the word to portray Absolon as "happy and light-hearted, amorous, a convivial drinker, finely dressed, self-confident, proud, and pretty--although perhaps somewhat overweight."</text>
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  <item itemId="276671" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2845635">
              <text>Galway, Margaret.</text>
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        <element elementId="98">
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              <text>Times Literary Supplement, April 4, 1958, p. 183.</text>
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        <element elementId="102">
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              <text>Chaucer's Life&#13;
Parliament of Fowls</text>
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              <text>mea; 5/18/2024</text>
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        <element elementId="114">
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            <elementText elementTextId="2845639">
              <text>1958</text>
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                <text>Chaucer's Journeys in 1368.</text>
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                <text>Argues from the evidence of life-records that Chaucer might well have accompanied Prince Lionel to Milan in 1368 when the latter wedded Violanta Visconti. Presents this in support of Ethel Seaton's discussion of PF (Medium Aevum 25.3 [1956]: 168-74) as a chronicle of the betrothal.</text>
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