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              <text>Ichikawa, Sanki,and Tamotsu Matsunami,trans. and eds.</text>
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              <text>Matsunami, Tamotsu,trans. and ed.</text>
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              <text>jules SAC 11 (17)</text>
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                <text>Chaucer's "Canterbury Tales: General Prologue"</text>
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                <text>Revised edition of the late Ichikawa's introduction to Chaucer's English (reprinted many times since 1934), with text on the left side and it pronunciation in IPA notation on the facing page with a Modern English prose translation underneath.  Notes in Japanese, select bibliography, and glossary. Interpretation depends mainly on MED.</text>
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              <text>Tokyo: Matsushita, 1994.</text>
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              <text>xii, 288 pp.</text>
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              <text>Knight and His Tale.</text>
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              <text>jules SAC 18 (1996) - 22</text>
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                <text>Edition of KnT with modern English translation, pronunciation guide, and glossary.</text>
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              <text>Hindrichsen, Lorenz A.</text>
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              <text>Sathyaraj Venkatesan, Antara Chatterjee, A. David Lewis, and Brian Callender, eds. Pandemic and Epidemics in Cultural Representation (Singapore: Springer, 2022), pp. 31-48.</text>
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              <text>Ventakesan, Sathyaraj, ed.&#13;
Chatterjee, Anatra, ed.&#13;
Lewis, A. David, ed.&#13;
Callender, Brian, ed. </text>
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              <text>Pandemic and Epidemics in Cultural Representation</text>
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Pardoner and His Tale</text>
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                <text>Chaucer's "Canterbury Tales" as a Postpandemic Text.</text>
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                <text>Interprets CT as a "compelling psychogram of a diverse community processing massive demographic shifts in the wake of recurrent epidemic waves." Explores disruptions of social and linguistic categories, PardT as an allegory of plague death, various "satirical plague archetypes" among the pilgrims, and tensions between "egocentric coping mechanisms" and "visions of collaborative inclusivity."</text>
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              <text>Matsuda, Takami.</text>
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              <text>Tokyo: Keio University Press, 2019.</text>
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              <text>iv, 252 pp.</text>
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            <description>An account of the resource</description>
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                <text>Provides background on Chaucer and CT and emphasizes how each tale in CT addresses the particulars of the literary genre to which it is related. In Japanese.</text>
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                <text>Chaucer's "Canterbury Tales": An Adventure across Genres.</text>
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              <text>Cuddington, Richard, trans.</text>
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              <text>Brighton: Book Guild, 2008.</text>
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              <text>x, 500 pp. b&amp;w  illus.</text>
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              <text>Canterbury Tales-General.</text>
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              <text>vxl SAC 32:19.</text>
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                <text>Chaucer's "Canterbury Tales": In Bite-Size Verse</text>
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                <text>Verse retelling of selections from CT (all but Mel, SNPT, CYPT, ManPT, and ParsPT) with reduced plots, simplified  rhetoric, and modernized English in ballad stanzas. Cuddington adapts the links to unify the selections, which are arranged in  the following order: CT Parts 1, 2, 7, 6, 3, 4, and 5.</text>
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              <text>Bronfman, Judith.</text>
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              <text>New York: Garland, 1994.</text>
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              <text>xiv, 162 pp. ; illus.</text>
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              <text>Clerk and His Tale.</text>
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              <text>jules SAC 18 (1996) - 199</text>
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                <text>Chaucer's "Clerk's Tale": The Griselda Story Received, Rewritten, Illustrated</text>
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                <text>Studies the origin and development of the Griselda story from the fourteenth through the twentieth century. </text>
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                <text>Surveys topics including the Italian and French sources before Chaucer; twentieth-century critical interpretations of ClT that read the "Tale" as allegory, religious exemplum, or political commentary; literary rewritings of the story by such diverse writers as John Lydgate, Christine de Pizan, John Phillips, Thomas Dekker, Maria Edgeworth, Elizabeth Barett Browning, and Oscar Hammerstein; and artistic representations as seen in twenty-five plates that retell the story. </text>
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                <text>An appendix includes the text of "A Most Pleasant Ballad of Patient Grissell."</text>
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              <text>Literature and Psychology 16 (1966)</text>
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              <text>Clerk and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; 9/18/2018</text>
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                <text>Chaucer's "Clerk's Tale": The Poem Not the Myth.</text>
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                <text>Challenges psychoanalytic approaches to ClT and rejects the approaches that read the poem either as a Christian parable of authoritarianism or a rejection of authority as a "disease of monarchy." Argues that Chaucer creates the Tale as an expression of the "conscious unlogic" of the Clerk, a "master rhetorician and disputant," who wittily engages the Wife of Bath and satisfies the expectations of his audience. Chaucer, typically, offers an "aesthetic resolution of the fundamentally irreconcilable conflicts of the sexual life."</text>
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              <text>Osselton, N. E.</text>
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              <text>Pardoner and His Tale&#13;
Language and Word Studies</text>
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              <text>mea; 11/03/2017</text>
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                <text>Chaucer's "Clumsy Transition" in the Pardoner's Tale.</text>
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                <text>Describes Chaucer's use of "Thise" in PardT 6.661 as a marker of stylistic transition--from the "rhetorical tirade" about sins to the "more intimate and often colloquial" tale of the rioters. The usage anticipates modern English.</text>
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              <text>Dean, Nancy.</text>
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              <text>Comparative Literature 19 (1967): 1-27.</text>
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            <elementText elementTextId="2819028">
              <text>Comparative Literature 19 (1967)</text>
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              <text>Book of the Duchess&#13;
Troilus and Criseyde&#13;
Complaint of Mars&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 4/8/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2819031">
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                <text>Chaucer's "Complaint," a Genre Descended from the "Heroides."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2852048">
                <text>Surveys the status of the complaint as a formal genre in classical and in medieval French, Provencal, Italian, and English traditions as background to discussing Chaucer's uses of the genre in BD, TC, Mars, and elsewhere. Focuses on Chaucer's authenticating techniques, on the influence of Ovid's "Heroides" on his practices in Mars, and on the similarities and differences between complaint and other genres--the lay, the verse epistle, the "salut," etc.</text>
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              <text>Edwards, A. S. G. </text>
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              <text>Notes and Queries 262 (2017): 220-21.</text>
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              <text>Notes and Queries 262 (2017)</text>
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          <name>Chaucer Subject</name>
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              <text>Cook and His Tale&#13;
Manuscripts and Textual Studies</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>mea; SAC 42:132</text>
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          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2832833">
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                <text>Chaucer's "Cook's Tale," 4422.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832827">
                <text>Encourages editors to adopt the manuscript variant "his" (rather than "hir") at the end of the Cook's fragment (CkT 1.4422), which would indicate that the wife prostituted herself "not to make her own living, but in order to provide money for her husband."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2834699">
              <text>Bassan, Maurice.</text>
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        <element elementId="98">
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              <text>Mediaeval Studies 24 (1962): 127-40.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2834701">
              <text>Mediaeval Studies 24 (1962)</text>
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              <text>Merchant and His Tale&#13;
Physician and His Tale&#13;
Chaucer's Life</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2834703">
              <text>mea; 5/10/2021</text>
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        <element elementId="114">
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            <elementText elementTextId="2834704">
              <text>1962</text>
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            <name>Title</name>
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                <text>Chaucer's "Cursed Monk", Constantinus Africanus.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Surveys "unreliable" information about Constantine Africanus in scholarly discussions of Chaucer's references to him in GP 1.433 (Doctour of Phisik) and MerT 4.1810-11. Then clarifies Constantinus's importance in the history of medicine, what is and is not known about him, and the likely "contents and medical significance" of his "De Coitu," cited by the Merchant. Surmises that Chaucer may have known the work "at first hand."</text>
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  <item itemId="274613" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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              <text>Biggs, Frederick M.</text>
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        <element elementId="98">
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              <text>Cambridge: D. S. Brewer, 2017.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Shipman and His Tale</text>
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        <element elementId="114">
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                <text>Chaucer's "Decameron" and the Origin of the "Canterbury Tales."</text>
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          <element elementId="41">
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                <text>Addresses connections between Boccaccio's "Decameron" and CT, with particular focus on ShT, MilT, and WBT. Presents a "hermeneutic argument" that explores areas including "alchemy, domestic spaces, economic history, folklore, Irish/English politics, manuscripts, and misogyny" in works of Boccaccio and Chaucer.</text>
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              <text>Modern Language Notes 76.3 (1961): 196-201.</text>
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              <text>Modern Language Notes 76 (961)</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's "Desert of Libye," Venus, and Jove ("The Hous of Fame," 486-87).</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores the mythological tradition which "linked Jupiter with the sands of Libya" as well as "Venus' association with the wilderness of Libya," helping to clarify Chaucer's reference to the "desert of Libye" in HF and his use of Virgil's "Aeneid" as a source.</text>
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              <text>Colley, John.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's "Ebrayk Josephus" and "The House of Fame."</text>
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                <text>Investigates the reference to the "Judeo-Roman historian Josephus" in HF, 1429–36, exploring how his authority varies in the Middle Ages "depending on the extent to which he is understood as a Christian or a Jew," and showing how, in Chaucer's poem, "classical reception . . . is enmeshed in the intersecting discourses of race and authority." Explicates the imagery and diction associated with Josephusin HF, probes Chaucer's "own thoughts" about Jews, and integrates traditional classical reception with critical race studies.</text>
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              <text>Medium Aevum 32 (1963): 117-24.</text>
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              <text>Former Age&#13;
Lak of Stedfastnesse&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Chaucer's Life</text>
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                <text>Interprets Form Age as a topical, even occasional, poem, rather than as a translation from Boethius, investigating its manuscript contexts, identifying echoes from Tibellius, Ovid, Jean de Meun, Eustace Deschamps, and Sted, and arguing that the poem was written late in Chaucer's life in response to his discontent with Richard's rule.</text>
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              <text>Reid, T. B. W.</text>
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              <text>Notes and Queries 209 (1964): 373-74.</text>
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              <text>Prioress and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Chaucer's "ferthing of grece."</text>
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                <text>Argues that an analogue (perhaps source) of Chaucer's image of a coin-shaped ("farthing") spot of grease in his GP description of the Prioress (1.134) is "Clef d'amors," line 3236. The play in the French may derive from a punning echo of "speck" and "halfpenny" ("maillete" and "mäaillete").</text>
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              <text>Candelaria, Frederick H.</text>
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              <text>Modern Language Notes. 71.5 (1956): 321-22.</text>
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              <text>Pardoner and His Tale&#13;
Chaucer's Life&#13;
Sources, Analogues, and Literary Relations</text>
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              <elementText elementTextId="2846487">
                <text>Chaucer's "Fowle Ok" and "The Pardoner's Tale."</text>
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          <element elementId="41">
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                <text>Suggests that the portentous oak of PardT 6.765 (no species mentioned in analogues) gains dimension in light of Chaucer having been robbed at a "fowle oak" in Kent in 1390, and also suggests, therefore, that Chaucer must have been written PardT after this incident.</text>
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              <text>Explicator 24.9 (1966): item 81.</text>
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          <elementTextContainer>
            <elementText elementTextId="2820023">
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              <text>Franklin and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
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            <elementText elementTextId="2820026">
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              <text>Kelly, Francis J.</text>
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                <text>Chaucer's "Franklin's Tale," F. 942.</text>
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                <text>Explicates the phrase "withouten coppe" (FranT 5.492) as meaning "outside of the cup," conveying that Aurelius drank his penance to the fullest extent.</text>
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              <text>Notes and Queries 204 (1959): 190-92.</text>
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              <text>Friar and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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            <elementText elementTextId="2843407">
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                <text>Chaucer's "Friar's Tale": Line 1314.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2843401">
                <text>Disagrees with editorial explanations of FrT 3.1314, arguing that the subject of the sentence, a "composite sinner," is the recipient of "pecunyal peyne." Offers supporting evidence from several contemporary sources. </text>
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  <item itemId="262054" public="1" featured="0">
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          <elementTextContainer>
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              <text>Eckhardt, Caroline D.</text>
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              <text>1990.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2701030">
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              <text>General Prologue to the Canterbury Tales.</text>
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        <element elementId="104">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2701035">
              <text>The Chaucer Bibliographies, no. 03.</text>
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          <description/>
          <elementTextContainer>
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              <text>jules - 7/20/94 SAC 14 (4)</text>
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                <text>Chaucer's "General Prologue" to the "Canterbury Tales" : An Annotated Bibliography, 1900-1984</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2701032">
                <text>In addition to sections on editions; bibliographies, indexes, and other research tools; general criticism and cultural background; language, metrics, and studies of manuscripts; and the springtime setting, this bibliography of 1,387 entries includes sections on each GP pilgrim, including the Host and the narrator.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Adams, George Roy.</text>
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          <elementTextContainer>
            <elementText elementTextId="2834280">
              <text>Ph.D. Dissertation. University of Oklahoma, 1961. Dissertation Abstracts International 22.07 (1962): 2382. Fully accessible via https://shareok.org/items/d1189e1f-1588-4e0e-a90b-ea1e7c80466d (accessed April 21, 2026).</text>
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              <text>Dissertation Abstracts International 22 (1962)</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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        <element elementId="109">
          <name>Source</name>
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              <text>mea; 4/21/21</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2834284">
              <text>1961&#13;
1962</text>
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          <name>Physical Description</name>
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          <elementTextContainer>
            <elementText elementTextId="2854603">
              <text>iv, 152 pp.</text>
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              <elementText elementTextId="2834277">
                <text>Chaucer's "General Prologue": A Study in Tradition and the Individual Talent.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2834278">
                <text>Examines Chaucer's use of first-person narration, "traditional themes," "rhetorical principles," and "artistic structure" in GP, exploring the pilgrimage and spring motifs, the chain of being, and connections between this chain, the serial descriptions, and "duality" of the views of love represented by the Knight and the Parson in CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838267">
              <text>Birney, Earle.</text>
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        <element elementId="98">
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              <text>Neuphilologische Mitteilungen 61 (1960): 257-67.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2838269">
              <text>Neuphilologische Mitteilungen 61 (1960)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2838270">
              <text>Manciple and His Tale&#13;
Style and Versification</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838271">
              <text>mea; 3/15/22</text>
            </elementText>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2838272">
              <text>1960</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838265">
                <text>Chaucer's "Gentil" Manciple and His "Gentil" Tale.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838266">
                <text>Explores details, emphases, ironies, and double ironies in the GP description of the Manciple and in ManPT, characterizing him as "shrewd," "smug," and "indiscrete"--a "successful rascal" who aspires to "gentil" status, is "insecure," and overly talkative.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2832120">
              <text>Biggs, Frederick M.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2832121">
              <text>Studies in the Age of Chaucer 40 (2018): 289-330.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2832122">
              <text>Studies in the Age of Chaucer 40 (2018)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2832123">
              <text>Language and Word Studies&#13;
Miller and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:61</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832125">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2832118">
                <text>Chaucer's "Gnof."</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832119">
                <text>Argues that "gnof" (MilT 1.3188) is Chaucer's neologism, clarifying the trouble his scribes had with the word, detailing its later use in English (especially in association with Kett's Rebellion of 1575), and establishing the likelihood that Chaucer derived it from the Italian interjection "gnaffé"--evidence that Boccaccio's "Decameron" 3.4 was a source of MilPT and its theme of readers' expectations. Compares "gnof" with Lewis Carroll's "brillig."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826154">
              <text>Wilson, William Smith</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826155">
              <text>Yale University Dissertation, 1960. Dissertation Abstracts International 31.06 (1970): 2893-94A. Full text available at ProQuest Dissertations &amp; Theses Global.</text>
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        </element>
        <element elementId="100">
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            <elementText elementTextId="2826156">
              <text>Dissertation Abstracts International 31 (1970)</text>
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        <element elementId="102">
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            <elementText elementTextId="2826157">
              <text>House of Fame&#13;
Chaucer's Life</text>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2826158">
              <text>mea; 8/5/2019</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>1960&#13;
1970</text>
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            <name>Title</name>
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              <elementText elementTextId="2826152">
                <text>Chaucer's "House of Fame."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2826153">
                <text>Considers HF to be an occasional poem, perhaps "written for Christmas Revels at the Inner Temple," and reads its three parts an "an allegorical representation of the trivium" that pertains to poetry, "testing the trivium, and rejecting it, and thereby enabling Chaucer to write write his mature poems with different styles and themes."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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            <elementText elementTextId="2823335">
              <text>McKinley, Kathryn.</text>
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              <text>Toronto: Pontifical Institute of Mediaeval Studies, 2016.</text>
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          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823337">
              <text>vii, 228 pp.</text>
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          <name>Chaucer Subject</name>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 40:289</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2823340">
              <text>2016</text>
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              <elementText elementTextId="2823333">
                <text>Chaucer's "House of Fame" and Its Boccaccian Intertexts: Image, Vision, and the Vernacular.</text>
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          <element elementId="41">
            <name>Description</name>
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              <elementText elementTextId="2823334">
                <text>Analyzes Boccaccio's impact on Chaucer in HF. Presents literary history of Boccaccio's "Amorosa vision" and descriptions of Chaucer's trips to Italy, and claims that "Chaucer tries out an array of Boccaccian approaches to Dantean questions and problems" in HF.</text>
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