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              <text>Fein, Susanna.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 89-114.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Pardoner and His Tale&#13;
Shipman and His Tale</text>
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              <text>SAC 40:253</text>
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                <text>Standing under the Cross in the "Pardoner's" and "Shipman's Tales."</text>
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                <text>Argues that PardT and ShT, juxtaposed but not linked in the Ellesmere manuscript, implicitly embed Crucifixion imagery toward a critique of materialist values. By positioning the "human incapacity to 'see' spiritually against glimmering signs of God's real presence," PardT alludes ironically to the mass and Christ's torture, while ShT sexualizes familiar iconography of Mary and John at the Commendation of Jesus. </text>
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              <text>Brantley, Jessica.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 139-53.</text>
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              <text> Chaucer: Visual Approaches.</text>
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              <text>Franklin and His Tale</text>
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                <text>"The Franklin's Tale" and the Sister Arts.</text>
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                <text>Considers FranT as a commentary on the "sister arts" of poetry and painting, linked in the tale's engagement with rhetoric, to form Chaucer's "theory of the imagetext." Unlike later theorizations that differentiate the visual from the verbal, the thematic construction of FranT--particularly its evocation of artifice in representing the rocks and the garden--reflects a medieval fascination with the "artificiality of all representation."</text>
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              <text>Raybin, David.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016) pp. 154-74.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life&#13;
Book of the Duchess&#13;
House of Fame&#13;
Chaucerian Apocrypha</text>
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                <text>Miracle Windows and the Pilgrimage to Canterbury.</text>
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                <text>Emphasizes Chaucer's biographical connections to Kent to support the claim that a "visual source" for the narrative framework of CT exists in pictorial representations of the miracles of Thomas Becket on stained glass in Trinity Chapel at Canterbury Cathedral. Like CT, the stained-glass images evoke a progression from "secular comfort to spiritual healing" involving diverse social representatives. Contextualizes this nonliterary source relationship of ekphrasis in BD and HF, as well as the later testimony of the Canterbury Interlude preceding "The Tale of Beryn."</text>
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              <text>Kendrick, Laura.&#13;
</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 116-38.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Manuscripts and Textual Studies&#13;
General Prologue to the Canterbury Tales&#13;
Man of Law and His Tale&#13;
Pardoner an His Tale&#13;
Manciple and His Tale</text>
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              <text>SAC 40:189</text>
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                <text>Disfigured Drunkenness in Chaucer, Deschamps, and Medieval Visual Culture.</text>
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                <text>Compares Chaucer's and Deschamps's poetic critiques of the "comedy of drunkenness," examining passages in GP, MLT, PardP, and ManP as well as Deschamps's chanson royale "Sur l'ordre de la Baboue" (included, with translation, in an appendix). Traces the "humiliating, disfiguring effects" of excessive drink in dialogue with manuscript marginalia and material artifacts (especially drinking vessels) that visually associate intoxication with simian forms and world-upside-down rhetoric. </text>
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              <text>Kinch, Ashby.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 3-22.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations&#13;
Chaucer's Life</text>
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              <text>SAC 40:75</text>
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                <text>Intervisual Texts, Intertextual Images: Chaucer and the Luttrell Psalter.</text>
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                <text>Establishes the linked "material, domestic, and spiritual economies" apparent in the Luttrell Psalter as a creative analogue of CT since both texts emphasize "meta-artistic play," hybridity, and multiple frames of reference. Reading images in the Psalter horizontally, rather than in a hierarchical relation to text, shapes a new framework for the relevance of visual culture in assessing Chaucer's poetics. Briefly discusses heraldic representation in the Scrope–Grosvenor case as well as imagery in CT.</text>
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              <text>Hilmo, Maidie.</text>
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              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 218-43.</text>
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              <text>Chaucer: Visual Approaches.</text>
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              <text>Canterbury Tales--General&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 40:50</text>
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                <text>The Visual Semantics of Ellesmere: Gold, Artifice, and Audience.</text>
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                <text>Studies the interplay between textual content and "mise-en-page" in the Ellesmere MS of CT, especially its use of gold, border ornament, decorated letters, and glosses. Such elements shape an integrated experience of the text, duly "sanitized and aestheticized," aimed toward an aristocratic readership including women. </text>
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            <elementText elementTextId="2821211">
              <text>Collette, Carolyn P.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821212">
              <text>Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 244-68.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821213">
              <text>Chaucer: Visual Approaches.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821214">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821215">
              <text>SAC 40:32</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821216">
              <text>2016</text>
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          </elementTextContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821209">
                <text>Drawing Out a Tale: Elisabeth Frink's Etchings Illustrating Chaucer's "Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821210">
                <text>Examines the British illustrator and sculptor Elisabeth Frink's 1972 illustrated version (with nineteen etchings on copper plates) of Nevill Coghill's 1951 translation of CT. Analyzes several engravings and provides modernist visual interpretation of CT. Brings artistic fascination with "men, horses, and sex" to bear on what is, and is not, present thematically in CT; includes emphasis on female encounters with male power. </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="273957" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821203">
              <text>Fein, Susanna, and David Raybin, eds.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821204">
              <text>University Park: Pennsylvania State University Press, 2016. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821205">
              <text>xxvi, 302 pp.; illus.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821206">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821207">
              <text>SAC 40:145</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821208">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821201">
                <text>Chaucer: Visual Approaches.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821202">
                <text>Includes twelve essays, an index, ninety-seven b&amp;w and color illustrations, and an introduction by the editors, who argue for a fuller critical reckoning with the "multimodal aesthetic practices of late medieval visual art and literature" aided by theoretical models such as the "imagetext" and "intervisuality." For the individual essays, search for Chaucer: Visual Approaches under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273956" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821195">
              <text>Jones, Mike Rodman.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821196">
              <text>Louise D'Arcens, ed. The Cambridge Companion to Medievalism (Cambridge: Cambridge University Press, 2016), pp. 89-102.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821197">
              <text>The Cambridge Companion to Medievalism.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821198">
              <text>Chaucerian Apocrypha.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821199">
              <text>SAC 40:335</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821200">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821193">
                <text>Early Modern Medievalism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821194">
                <text>Maintains that "The Plowman's Tale" and "Jack Upland" may have contributed to how Chaucer was received by "anti-Catholic cultures of the sixteenth century."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273955" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821187">
              <text>Barrington, Candace.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821188">
              <text>Louise D'Arcens, ed. The Cambridge Companion to Medievalism (Cambridge: Cambridge University Press, 2016), pp. 180-95.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821189">
              <text>The Cambridge Companion to Medievalism.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821190">
              <text>Facsimiles, Editions, and Translations&#13;
Canterbury Tales--General&#13;
Miller and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821191">
              <text>SAC 40:31</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821192">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821185">
                <text>Global Medievalism and Translation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821186">
                <text>Addresses how spatial, temporal, and linguistic global medievalisms shaped the reception of CT translations. Discusses global translations, including "Wahala Dey O!," an Icelandic translation of MilT, and translations of CT in Turkish, Brazilian, and Portuguese. </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273954" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821179">
              <text>D'Arcens, Louise, ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821180">
              <text>Cambridge: Cambridge University Press, 2016.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821181">
              <text>xii, 242 pp., illus. </text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821182">
              <text>Background and General Criticism</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821183">
              <text>SAC 40:142</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821184">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821177">
                <text>The Cambridge Companion to Medievalism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821178">
                <text>Presents essays on the scope and complexity of the study of medievalism that explore how the Middle Ages have been adapted and interpreted. For two essays that pertain to Chaucer, search for The Cambridge Companion to Medievalism under Alternative Title.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273953" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821171">
              <text>Le Saux, Francoise.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821172">
              <text>Europe: A Literary History, 1348-1418 (Columbus: Ohio State University Press, 20168), 1:465-77.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821173">
              <text>Europe: A Literary History, 1348-1418.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821174">
              <text>Franklin and His Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821175">
              <text>SAC 40:249</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821176">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821169">
                <text>Finistere</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821170">
                <text>Describes late-medieval Breton political status and summarizes the region's literary production in Breton and in French, commenting on drama, Arthurian materials, and religious literature. Includes discussion of the setting of FranT in Brittany as evidence that Chaucer "knew a great deal about the duchy."</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273952" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821163">
              <text>Kerby-Fulton, Kathryn.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821164">
              <text>Europe: A Literary History, 1348-1418 (Columbus: Ohio State University Press, 20168), 1:208-26.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821165">
              <text>Europe: A Literary History, 1348-1418.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821166">
              <text>Miller and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821167">
              <text>SAC 40:214</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821168">
              <text>2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821161">
                <text>Oxford.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2821162">
                <text>Describes late medieval literary production in the city of Oxford, characterizing it as a "crossroads for intellectual work of all kinds," summarizing its library holdings, and surveying affiliated literature. Comments on Oxfordian influences on Chaucer and on his setting MilT in Oxford.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="273951" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
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                <text>Treats London, Southwark, and Westminster as a single "conurbation," summarizing its cultural interweaving of mercantile, courtly, political, and linguistic threads, and describing its literary production and legacy. Includes discussion of Chaucer, Gower, Langland, Hoccleve, and Usk, among others, emphasizing the ways that each negotiated and represented their increasingly literate and bureaucratic world, the responsibilities of political and public poetry, and the pressures of the nascent "canonization" of English-language literature.</text>
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Squire and His Tale</text>
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                <text>Describes the late-medieval literary affiliations of the city of Calais, emphasizing its role in the Hundred Years War and commenting on allusions to the city, noting that Chaucer knew the city personally but "mapped its spaces" (in the GP description of the Squire) without direct reference or allusion.</text>
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              <text>2 vols. xlii, 747 pp.; xlii, 844 pp; maps and b&amp;w illus. </text>
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                <text>Europe: A Literary History, 1348-1418.</text>
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                <text>Surveys the literatures of late medieval Europe (eastern, western, and peripheral) from the onset of the Black Death to the end of the Great Schism at the Council of Constance, describing historical events, cultural conditions, ideological developments, languages, and methods of literary production, all with emphasis on cross-fertilizations. Includes eighty-two essays by various authors, titled and arranged as a series of geographical locales and pathways. The volumes include an index of manuscripts, and (all by Wallace) a general introduction (1:xxii-xlii; rpt. in 2), nine subsidiary introductions to essay clusters, and a culminating essay. Chaucer is cited more than 100 times in the general index (2:691-844). For five essays that pertain to Chaucer, search for Europe: A Literary History, 1348-1418 under Alternative Title.</text>
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              <text>Shepherd, Robert.</text>
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              <text>London: Bloomsbury, 2012. </text>
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              <text>xxiii, 415 pp.; maps and architectural plans.</text>
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                <text>Westminster: A Biography: From the Earliest Times to the Present. </text>
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                <text>Includes a chapter entitled "Chaucer's Westminster" (pp. 83-89) that comments on the effects of the plague in Westminster, Chaucer's knowledge of architect Henry Yevele and carpenter Hugh Herland, and the buildings in Westminster that survive from Chaucer's time. Also includes (pp. 100-101) a summary of the theory that Chaucer was murdered and buried in the south transept of Westminster Abbey.</text>
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              <text>Salisbury, Eve.</text>
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              <text>Andreea D. Boboc, ed. Theorizing Legal Personhood in Late Medieval England (Leiden: Koninklijke Brill, 2015), pp. 50-70.</text>
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              <text>Theorizing Legal Personhood in Late Medieval England.</text>
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Nun's Priest and His Tale&#13;
House of Fame&#13;
Parliament of Fowls</text>
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                <text>Carried Away by the Law: Chaucer and the Poetry of Abduction.</text>
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                <text>Discusses Chaucer's familiarity with the law evidenced in Chaucer's "Life Records" and his poetry. Suggests that Chaucer "exploits the confusion of legal terms defining abduction and rape" because of his "unprecedented legal personhood" with regard to his personal legal issues. Focuses on Chaucer's understanding of the law in NPT, HF, and PF.</text>
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              <text>vii, 298 pp.</text>
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                <text>Theorizing Legal Personhood in Late Medieval England. </text>
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                <text>Collection of essays exploring "legal personhood vis-à-vis the jurisdictional conflicts" of late medieval England. For an essay pertaining to Chaucer, search for Theorizing Legal Personhood in Late Medieval England under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Prendergast, Thomas A.</text>
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              <text>Philadelphia: University of Pennsylvania Press, 2015.</text>
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              <text>xii, 235 pp. </text>
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              <text>Chaucer's Life&#13;
Chaucer's Influence and Later Allusion</text>
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              <text>SAC 40:27</text>
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                <text>Poetical Dust: Poets' Corner and the Making of Britain.</text>
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                <text>Studies the significance of "Poets' Corner" in Westminster Abbey as both a physical and a metaphorical literary space. Presents the history of Chaucer's importance as the "founding corpse of Poets' Corner" in discussion of how "political, moral, and gendered concerns" determined who would be buried in the Corner. </text>
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              <text>Green, Richard Firth.</text>
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              <text>Robert S. Sturges, ed. Law and Sovereignty in the Middle Ages and Renaissance (Turnhout: Brepols, 2011), pp. 261-85.</text>
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              <text>Law and Sovereignty in the Middle Ages and Renaissance.</text>
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              <text>SAC 40:26</text>
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              <text>2011</text>
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                <text>Cecily Champain v. Geoffrey Chaucer: A New Look at an Old Dispute</text>
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                <text>Reassesses the implications of the two copies of the quitclaim pertaining to Cecily Champain and Chaucer, clarifying the meaning of "quitclaim," describing the process of issuing claims in the medieval period, and arguing that Champain issued two different quitclaims, one specific and one general, in accord with medieval practice. Corollary evidence pertaining to Richard Goodchild and John Grove helps elucidate actions of the case but does not change the likelihood that sexual assault was involved. </text>
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              <text>Beights, Greyson.</text>
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              <text>San Francisco: No Starch Press, 2015.</text>
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Book of the Duchess</text>
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          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2821087">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2821080">
                <text>Medieval Lego.</text>
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                <text>Explores the historical events of the Middle Ages, illustrated by LEGO scenes. Includes brief chapter on Chaucer's life, with mention of BD.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Forni, Kathleen.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the Canterbury Tales (Columbus: Ohio State University Press, 2016), pp. 56-66.</text>
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              <text>Chaucer on Screen.</text>
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Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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                <text>Profit, Politics, and Prurience; or, Why is Chaucer Bad Box Office.</text>
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                <text>Posits that Chaucer's box-office appeal is limited in the U.S. by his "relatively low cultural profile," his association with "British linguistic and literary nationalism," and the "paradoxical stigma" of being both too high-brow and too bawdy. Comments on Pier Paolo Pasolini's "I Racconti di Canterbury," Jonathan Myerson's animated "Canterbury Tales," the BBC television "Canterbury Tales," and Brian Helgeland's "A Knight's Tale."</text>
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              <text>Finke, Laurie, and Martin Shichtman.</text>
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              <text>Kathleen Coyne Kelly and Tison Pugh, eds. Chaucer on Screen: Absence, Presence, and Adapting the "Canterbury Tales" (Columbus: Ohio State University Press, 2016), pp. 251-65.</text>
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              <text>Chaucer on Screen.</text>
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          <name>Chaucer Subject</name>
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              <text>Recordings and Films&#13;
Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2821070">
              <text>SAC 40:90</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2821071">
              <text>2016</text>
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              <elementText elementTextId="2821064">
                <text>Marketing Chaucer: "Mad Men" and the Wife of Bath.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2821065">
                <text>Explores the "ghostly presence" of WBPT in the first three episodes of the television show "Mad Men," updating and remediating the "parody of Western misogynist tropes" in WBP, refashioning from WBT the question of what women want, and reframing Chaucer's fantasy of transformation.</text>
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