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              <text>Fowler, Elizabeth.</text>
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              <text>Cristina Maria Cervone and D. Vance Smith, eds. Readings in Medieval Textuality: Essays in Honour of A. C. Spearing (Cambridge: D. S. Brewer, 2016), pp. 15-30.</text>
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              <text>Readings in Medieval Textuality:</text>
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              <text>Knight and His Tale</text>
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                <text>The Proximity of the Virtual: A. C. Spearing's Experientiality (or, Roaming with Palamon and Arcite).</text>
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                <text>Considers the hermeneutic value of Spearing's concept of "experientiality" in KnT. Defines "roaming" as "an investigation of the relation between bodily experience and language."</text>
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              <text>Cristina Maria Cervone and D. Vance Smith, eds. Readings in Medieval Textuality: Essays in Honour of A. C. Spearing (Cambridge: D. S. Brewer, 2016), pp. 157-68.</text>
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              <text>Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Gower's "Confessio Amantis" and Chaucer's "Canterbury Tales" as "Dits."</text>
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                <text>Argues that CT and Gower's "Confessio Amantis" take the form of French "dit" poems. Claims that both works fit the genre because they have "sufficient 'dit'-like features." </text>
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              <text>Cervone, Christina Maria, and D. Vance Smith, eds.</text>
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              <text>Cambridge: D. S. Brewer, 2016.</text>
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              <text>xxxvi, 252 pp.</text>
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              <text>Background and General Criticism</text>
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                <text>Readings in Medieval Textuality: Essays in Honour of A. C. Spearing.</text>
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                <text>Begins with an introduction to Spearing's place in scholarship and situates him in the wider context of English and American approaches to texts. Follows with a chronological bibliography of Spearing's published work. This collection of essays is grouped into four sections that offer insight into the range and scope of Spearing's work: "Reading Experiences and Experientiality," "Revisions and Re-Visioning of Alliterative Poetry," "Subjectivity and the Self," and "Reading for Form." For seven essays that pertain to Chaucer, search for Readings in Medieval Textuality under Alternative Title</text>
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              <text>Cavallaro, Dani.</text>
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              <text>Jefferson, N.C.: McFarland, 2016.</text>
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              <text>vii, 219 pp.</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General</text>
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                <text>The Chivalric Romance and the Essence of Fiction.</text>
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                <text>Uses selected Arthuriana to describe the development of chivalric romance and offer a descriptive definition of the genre. Emphasizes the non-centered, unstable nature of the romance, although contrasting it with postmodernist works. Notes Chrétien de Troyes as a break-point in Arthuriana and chivalric romance generally. Includes analysis of CT romances, and argues that chivalric romance is the purest fiction in its non-attachment to the real and multiple layerings, both in the narrative and in its symbolic overtures.</text>
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              <text>Cannon, Christopher.</text>
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              <text>Oxford: Oxford University Press, 2016.</text>
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              <text>xv, 297 pp.</text>
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              <text>Background and General Criticism&#13;
Language and Word Studies</text>
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                <text>From Literacy to Literature: England, 1300–1400.</text>
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                <text>Examines the textbook practices of the medieval primary schools--the "grammar schools" or "grammatica"--as underlying the transition from Latin to English as the primary language of "literary" composition in England during the fourteenth century. Identifies Gower, Langland, and Chaucer as describing rather than reacting to the shift to English vernacular "literary" work. Explicates diversity in instructional practices during the period and argues that the classroom interplay in poetry between English and Latin led to acceptance of English as a "literary" language, noting the prevalence of Latin textbook passages rendered in English verse as supporting evidence. </text>
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              <text>Burrow, J. A.</text>
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              <text>Claude Rawson, ed. The Cambridge Companion to English Poets (Cambridge: Cambridge University Press, 2011), pp. 20-36.</text>
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              <text>Claude Rawson, ed.</text>
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              <text>The Cambridge Companion to English Poets</text>
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              <text>Background and General Criticism&#13;
Chaucer's Life</text>
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                <text>Geoffrey Chaucer.</text>
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                <text>Introduces Chaucer's life and describes each of his major works in chronological order, identifying the French context of BD, the Italian travels and reading that influenced him later, the philosophical concerns of TC, and his self-representations in CT and elsewhere. Treats the poet as an "eiron" throughout.</text>
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              <text>Brown, Peter.</text>
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              <text>Oxford: Peter Lang, 2013.</text>
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              <text>xii, 260 pp.; illus.</text>
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              <text>Towards a Bohemian Reading of "Troilus and Criseyde."</text>
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              <text>Troilus and Criseyde</text>
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                <text>Reading Chaucer: Selected Essays.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822239">
                <text>Includes previously published essays on English medieval writers, including Chaucer, Thomas Hoccleve, and Ranulph Higden. Contains one unpublished essay, "Towards a Bohemian Reading of Troilus and Criseyde." Topics are divided into subsections: "Borderlands," "Interiors," and "After-Images." Essays use "contextual materials" to develop understanding of Chaucer. </text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bowers, John M.</text>
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              <text>Gainesville: University of Florida Press, 2012.</text>
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              <text>xvii, 205 pp.</text>
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Legend of Good Women</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822230">
                <text>An Introduction to the "Gawain" Poet.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822231">
                <text>Places the "Gawain"-poet "within the context of Richard II's court and its numerous intrigues" (ix), with chapters on each of his poems (including "Saint Erkenwald"); a life; "A Survey of Sources and Influences"; and a chronology, glossary of critical terms, and index. The index lists many references to Chaucer (ten to LGW alone), including one that asserts that Chaucer "seems alone among Londoners in knowing anything about" "Sir Gawain and the Green Knight."</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Bovair, Simone.</text>
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              <text>Dissertation Abstracts International C75.01 (2016): n.p.</text>
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            <elementText elementTextId="2822218">
              <text>Dissertation Abstracts International 75 (2016)</text>
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              <text>Troilus and Criseyde&#13;
Canterbury Tales--General</text>
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              <text>SAC 40:132</text>
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            <elementText elementTextId="2822221">
              <text>2016</text>
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          <element elementId="50">
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              <elementText elementTextId="2822214">
                <text>Handling Virtue: Chaucer's Narrative Art.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822215">
                <text>Argues that Chaucer "contextualizes virtues through narrative." Provides close study of Chaucer's treatment of virtues and ethics in CT and TC.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2822208">
              <text>Bellis, Joanna.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822209">
              <text>Rochester, N.Y.: D. S. Brewer, 2016.</text>
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        </element>
        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822210">
              <text>xii, 300 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822211">
              <text>Background and General Criticism</text>
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        <element elementId="109">
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              <text>SAC 40:130</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2822213">
              <text>2016</text>
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          <element elementId="50">
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              <elementText elementTextId="2822206">
                <text>The Hundred Years War in Literature, 1337–1600.</text>
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              <elementText elementTextId="2822207">
                <text>Examines the narrative and linguistic effects of the Hundred Years War, and claims that the war functions similarly to the Conquest of 1066 as an event that shapes a relationship between word and war and emphasizes the mimetic relationship between text and martial context. Chapter 3, "'God gyue you quaderamp!': Mimetic Language in the War Poetry of the Fourteenth and Fifteenth Centuries" (pp. 101-163), defines Chaucer as the founder of a "self-conscious vernacular poetic tradition" because of his "association with Englishness." </text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822200">
              <text>Bayless, Martha.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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              <text>New York: Routledge, 2012.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2822202">
              <text>xxi, 242 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822203">
              <text>Background and General Criticism&#13;
Miller and His Tale&#13;
Merchant and His Tale&#13;
Summoner and His Tale&#13;
General Prologue to the Canterbury Tales</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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            <elementText elementTextId="2822204">
              <text>SAC 40:129</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2822205">
              <text>2012</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822198">
                <text>Sin and Filth in Medieval Culture: The Devil in the Latrine.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822199">
                <text>Surveys the presence and significance of the anus and excrement in medieval culture, particularly the religious thought and literature of the age. Includes brief comments on Chaucer's references to dung, farting, and rear-ends in MilT, MerT, SumP, and the GP description of the Plowman.</text>
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            </elementTextContainer>
          </element>
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  <item itemId="274078" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            </element>
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            <elementText elementTextId="2822192">
              <text>Tajima, Matsuji.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Tokyo: Nan'un-do, 2016.</text>
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        <element elementId="99">
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          <elementTextContainer>
            <elementText elementTextId="2822194">
              <text>293 pp.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2822195">
              <text>Language and Word Studies&#13;
General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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            <elementText elementTextId="2822196">
              <text>SAC 40:127</text>
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        <element elementId="114">
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            <elementText elementTextId="2822197">
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              <elementText elementTextId="2822190">
                <text>Studies in Middle English.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822191">
                <text>Includes essays on readings of Middle English texts, Middle English syntax, and styles of Middle English alliterative poetry. Chapter 2 concerns reading of one line in GP. Chapter 7 concerns Chaucer's use of the modal auxiliary verb ought. In Japanese.</text>
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  <item itemId="274077" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2822183">
              <text>Stadnik, Katarzyna.</text>
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              <text>Adam Głaz, Hubert Kowalewski, and Anna Weremczuk, eds. What's in a Text? Inquiries into the Textual Cornucopia (Newcastle upon Tyne: Cambridge Scholars, 2012), pp. 126-39.</text>
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              <text>Adam Głaz, ed.&#13;
Hubert Kowalewski, ed.&#13;
Anna Weremczuk, ed.</text>
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          <elementTextContainer>
            <elementText elementTextId="2822186">
              <text>What's in a Text? Inquiries into the Textual Cornucopia.</text>
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        <element elementId="102">
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              <text>Language and Word Studies&#13;
Knight and His Tale</text>
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              <text>SAC 40:126</text>
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              <elementText elementTextId="2822181">
                <text>Subjectivity in Chaucer: The World behind Middle English *Moten "Must" in "The Knight's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Explores how speakers' "understanding of their world and their lives" in KnT is "encoded in language," focusing on uses of the auxiliary "moten" and connecting it with the theme of necessity in the tale. Concludes that, in the terms of cognitive linguistics, KnT reflects that "subjectification is a matter of construal."</text>
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Victor Becher, ed.&#13;
Steffen Höder, ed.&#13;
Juliane House, ed.</text>
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Boece</text>
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                <text>Travelling the Paths of Discourse Traditions: A Sample Analysis of the Lexical Innovation "blisfulnesse" in Chaucer's "Boece."</text>
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                <text>Argues that Chaucer's coinage "blisfulnesse" (also "welefulnesse") in Bo is a calque on the Latin models of "beatitude" and "felicitas," reflecting the poet's sensitivity to complicated conditions of discourse.</text>
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              <text>Sauer, Hans.</text>
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              <text>Manfred Markus, and others, eds. Middle and Modern English Corpus Linguistics: A Multi-Dimensional Approach (Philadelphia: Benjamins, 2012), pp. 157-75.</text>
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Reeve and His Tale</text>
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                <text>Interjections in Middle English: Chaucer's "Reeve's Tale" and the Corpus of Middle English Prose and Verse.</text>
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                <text>Tabulates, describes, and analyzes the interjections used in RvT, summarizing their functions, etymologies, morphologies, and semantics, and using the Corpus of Middle English Prose and Verse to explore the extent to which the usage in RvT is characteristic of the Reeve, Chaucer, or Middle English more generally.</text>
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              <text>Jucker, Andreas H.</text>
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              <text>Päivi Pahta and Andreas H. Jucker, eds. Communicating Early English Manuscripts (Cambridge: Cambridge University Press, 2011), pp. 229-42.</text>
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Andreas H. Jucker, ed.</text>
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              <text>Communicating Early English Manuscripts.</text>
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Canterbury Tales--General</text>
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                <text>Greetings and Farewells in Chaucer's "Canterbury Tales."</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822155">
                <text>Describes the pragmatic complexities of greetings and farewells and the limitations of using edited literary examples to explore their history. Tabulates and analyzes 140 instances of greetings and farewells in CT, attending to concerns of social class and function, the latter including well-wishes, identification, blessing, health inquiries, leave-taking, and dismissal.</text>
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              <text>Iglesias-Rábade, Luis. </text>
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                <text>Collocations in Law Texts in Late Middle English: Some Evidence Concerning Adverbs Ending in -"lī." </text>
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                <text>Compares and contrasts late medieval English adverbial usage in a number of legal texts with those found in a "Reference Corpus," the latter including a number of examples from Chaucer's works.</text>
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              <text>Gooden, Philip.</text>
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              <text>London: Quercus, 2009.</text>
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              <text>223 pp.; color illus.</text>
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              <text>Language and Word Studies</text>
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              <text>SAC 40:120</text>
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            <elementText elementTextId="2822145">
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              <elementText elementTextId="2822138">
                <text>The Story of English: How the English Language Conquered the World.</text>
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                <text>Includes a chapter entitled "Chaucer's English" (pp. 56-71) that focuses on the growth of the dominance of the East Midland dialect over other dialects of Middle English, with commentary on Chaucer's English and CT, the "Gawain"-poet, Wyclif, the plague, and Caxton. Includes a sidebar featuring discussion of the word "gentilesse."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Crystal, David.</text>
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              <text>Oxford: Oxford University Press, 2013.</text>
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              <text>vii, 424 pp.; illus.</text>
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          <elementTextContainer>
            <elementText elementTextId="2822135">
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              <text>SAC 40: 119</text>
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              <elementText elementTextId="2822130">
                <text>Wordsmiths and Warriors: The English-Language Tourist's Guide to Britain.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822131">
                <text>Examines the heritage of English from locations throughout Britain. Chapter 20, "Talbot Yard, London SE1: Chaucer and Middle English," comments on Chaucer's influence on the English language.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Considine, John.</text>
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Knight and His Tale</text>
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Pardoner and His Tale</text>
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                <text>You've Read "The Canterbury Tales." Prepare to Play the Board Game.</text>
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                <text>Announces a forthcoming board game, "The Road to Canterbury" (Gryphon Games), created by Alf Seegert. The game focuses on the Pardoner, who is traveling with "seven of Chaucer's pilgrims, each of whom is afflicted with one of the seven deadly sins."</text>
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Troilus and Criseyde</text>
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                <text>Contends that Cresseid's maturation in Henryson's "Testament of Cresseid" includes an evolving contemplation of free will, as one finds in Boethius and in Chaucer's depiction of Troilus in TC.</text>
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Troilus and Criseyde&#13;
Knight and His Tale</text>
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Kantik Ghosh, ed.</text>
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Chaucer's Influence and Later Allusion</text>
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                <text>Lydgate's Retraction and "His Resorte to His Religyoun."</text>
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