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              <text>Joy, Eileen A.</text>
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              <text>postmedieval 2 (2011): 316-28.</text>
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              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Recordings and Films</text>
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              <text>SAC 40: 234</text>
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                <text>Like Two Autistic Moonbeams Entering the Window of My Asylum: Chaucer's Griselda and Lars von Trier's Bess McNeill.</text>
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                <text>Considers the protagonists of ClT and Lars von Trier's film "Breaking the Waves," exploring how the audience's experiences of the "weird realism" of Griselda and Bess may be seen to induce a "heightened mode of encounter with the traces of a sentience network" theorized by Carolyn Dinshaw, Michel Foucault, and Michael Moore.</text>
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              <text>Thayer, J. D.</text>
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              <text>Explicator 74.4 (2016): 206-09.</text>
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              <text>Explicator 74 (2016)</text>
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              <text>Friar and His Tale&#13;
Language and Word Studies&#13;
Wife of Bath and Her Tale</text>
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                <text>The Summoner and His "Panne."</text>
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                <text>Argues that reading "panne" at the end of FrT as clothing rather than cooking utensil closely links the Wife and her tale with that of the Friar. Connects the Friar's criticisms of the Wife and her desires with the depiction of the faithful widow whose clothing the Friar's summoner covets. </text>
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              <text>Bart, Patricia R.</text>
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              <text>Donald Prudlo, ed. The Origin, Development, and Refinement of Medieval Religious Mendicancies (Boston, Mass.: Brill, 2011), pp. 307-34.</text>
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              <text>Donald Prudlo, ed.</text>
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              <text>The Origin, Development, and Refinement of Medieval Religious Mendicancies.</text>
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              <text>Friar and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>SAC 40:232</text>
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              <elementText elementTextId="2822974">
                <text>The Hidden Life of the Friars: The Mendicant Orders in the Work of Walter Hilton, William Langland, Geoffrey Chaucer, and Their Literary World.</text>
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                <text>Comments on the presence and treatments of friars in three Middle English writers, including discussion of Chaucer's depictions of friars and the Friar in CT and his uses of anti-mendicant literature as source material.</text>
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              <text>Provost, Jeanne.</text>
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              <text>Studies in the Age of Chaucer 38 (2016): 39-74.</text>
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              <text>Studies in the Age of Chaucer 38 (2016)</text>
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                <text>Vital Property in "The Wife of Bath's Prologue" and "Tale."</text>
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                <text>Uses several medieval court cases and posthumanist perspective to examine medieval notions of "corporeal property," arguing that, by comparing property relations to a "spousal and familial one," the Wife of Bath persistently destabilizes the subordination of property to human owners. Property in WBPT is "vital" insofar as it has agency and reflects equivalency between human and nonhuman entities, evident in the imagery and plots of the Wife's narration and similar to the environmentalism of Aldo Leopold.</text>
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              <text>McTaggert, Anne.</text>
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              <text>Contagion: Journal of Violence, Mimesis and Culture 19 (2012): 41-67.</text>
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              <text>Contagion: Journal of Violence, Mimesis and Culture 19 (2012)</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>SAC 40:228</text>
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              <text>2012</text>
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                <text>What Women Want? Mimesis and Gender in Chaucer's "Wife of Bath's Prologue" and "Tale." </text>
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                <text>Reassesses gender violence in WBPT in terms of René Girard's theory of mimesis that complicates surface oppositions and suggests that we can read the Wife of Bath as parallel to the rapist-knight rather than to the loathly lady. The mirroring of desire in WBPT occludes distinctions between mastery and sovereignty in Alisoun's "quiting" of Jankyn and in the lady's offer of "governance" to the knight, representing a kind of "grace," even though the competitiveness of the tale-telling contest is reaffirmed.</text>
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              <text>Higl, Andrew.</text>
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              <text>Nancy A. Barta-Smith and Danette DiMarco, eds. Inhabited by Stories: Critical Essays on Tales Retold (Newcastle upon Tyne: Cambridge Scholars, 2012), pp. 294-313.</text>
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              <text>Nancy A. Barta-Smith, ed.&#13;
Danette DiMarco, ed.</text>
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              <text>Inhabited by Stories: Critical Essays on Tales Retold.</text>
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              <text>Wife of Bath and Her Tale&#13;
Chaucer's Influence and Later Allusion&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films&#13;
</text>
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              <text>SAC 40:227</text>
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              <elementText elementTextId="2822949">
                <text>The Wife of Bath Retold: From the Medieval to the Postmodern.</text>
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                <text>Reads various adaptations of WBPT in light of the time in which each of the individual "iterations" of the Wife was produced, from scribal adjustments in manuscripts, to ballad versions, to John Gay's dramatic adaptation and William Blake's commentary, to the BBC television version and Marcia Williams's graphic version for children (2007). Includes recurrent concern with the "ethics of gender."</text>
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              <text>Feinstein, Sandy.</text>
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              <text>Arthuriana 21.3 (2011): 23-48.</text>
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              <text>Arthuriana 21.3 (2011)</text>
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            <elementText elementTextId="2822946">
              <text>Wife of Bath and Her Tale&#13;
Sources, Analogies, and Literary Relations</text>
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                <text>Longevity and the Loathly Ladies in Three Medieval Romances.</text>
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                <text>Compares and contrasts attitudes toward age and aging in WBT, Gower's tale of Florent, and "The Wedding of Sir Gawain and Dame Ragnelle," considering these attitudes in light of late medieval social perspectives on age and marriage that were affected by the Black Death. Includes discussion of the concern with of age in the gentility lecture of WBT.</text>
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              <text>Farris, R. S.</text>
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              <text>Essays in Medieval Studies 32 (2016): 57-63. </text>
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              <text>Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Finding a Medievalist Narratology in Chaucer: Reinvention in "The Wife of Bath's Tale.</text>
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                <text>Focuses on the relationship between WBT and its analogue, "The Wedding of Sir Gawain and Dame Ragnelle," to show how such a study traces cultural shifts.</text>
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              <text>Edwards, Suzanne.</text>
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              <text>Exemplaria 23 (2011): 3-26.</text>
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              <text>Exemplaria 23 (2011)</text>
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            <elementText elementTextId="2822930">
              <text>Wife of Bath and Her Tale&#13;
Background and General Criticiam</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 40:224</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2822932">
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                <text>The Rhetoric of Rape and the Politics of Gender in the "Wife of Bath's Tale" and the 1382 Statute of Rapes.</text>
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                <text>Reads the rape motif of WBT against the background, context, and language of the Statute of Rapes (1382), arguing that the tale uses "narrative strategies made possible in late-medieval regulation of 'raptus'" to present "the realities of gendered violence without reifying the violence of gender itself." Treats the Statute as part of the "legal reform" inspired by the case of the abduction and marriage of Eleanor, daughter of Sir Thomas West, a case concerned with ambiguities of rape, ravishment, consent, and gender.</text>
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              <name>Title</name>
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              <text>Lewis, Franklin D.</text>
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              <text>Wali Ahmadi, ed. Converging Zones: Persian Literary Tradition and the Writing of History; Studies in Honor of Amin Banini (Costa Mesa, Calif.: Mazda, 2012), pp. 200-219.</text>
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              <text>Wali Ahmadi, ed.</text>
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              <text>Converging Zones: Persian Literary Tradition and the Writing of History; Studies in Honor of Amin Banini.</text>
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              <text>Man of Law and His Tale&#13;
Source, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2822923">
              <text>SAC 40:222</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822924">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822916">
                <text>"Tale of the Righteous Woman (whose Husband Had Gone on a Journey": A Poetic Translation from the "Elahi-Nameh" of Farid Al-Din Attar.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822917">
                <text>Translates into modern English verse (unrhymed iambic pentameter) the initial tale of Farid Al-Din Attar's story collection "Elahi-Nameh" (Persian, twelfth century), an analogue to MLT.</text>
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              <description>A name given to the resource</description>
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              <text>Jamison, Carol.</text>
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          <elementTextContainer>
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              <text>Richard G. Newhauser and Susan J. Ridyard, eds. Sin in Medieval and Early Modern Culture: The Tradition of the Seven Deadly Sins (Woodbridge: The University of York/York Medieval Press, 2012), pp. 239-59.</text>
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              <text>Richard G. Newhauser, ed.&#13;
Susan J. Ridyard, ed.</text>
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              <text>Sin in Medieval and Early Modern Culture: The Tradition of the Seven Deadly Sins.</text>
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              <text>Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2822914">
              <text>SAC 40:221</text>
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        <element elementId="114">
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            <elementText elementTextId="2822915">
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822907">
                <text>John Gower's Shaping of "The Tale of Constance" as an "Exemplum contra" of Envy</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822908">
                <text>Uses MLT and Trevet's version of the Constance story to show how Gower "infused" his Constance story in the "Confessio Amantis" with "pastoral rhetoric in order to transform Constance into a representative of Charity" and thereby offer an "'exemplum in bono' that presents Charity as remedy to Envy." Treats MLT as a "secular saint's legend," characterized by "elevated rhetoric" that heightens Constance's plight and her "patient suffering."</text>
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              <text>Tamakawa, Asumi.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822902">
              <text>Studies in Medieval English Language and Literature 31 (2016): 33-2.</text>
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            <elementText elementTextId="2822903">
              <text>Studies in Medieval English Language and Literature 31 (2016)</text>
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        <element elementId="102">
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            <elementText elementTextId="2822904">
              <text>Reeve and His Tale&#13;
Language and Word Studies</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2822905">
              <text>SAC 40:220</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2822906">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822899">
                <text>The Reeve's Tale and the Northernism.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822900">
                <text>Examines the functions and placement of the northern dialects in RvT, and argues that they reflect the Reeve's negative feeling toward the clergy. In Japanese.</text>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2822892">
              <text>Jones, D.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822893">
              <text>Fukui daigaku kyouiku jimbun shakai kagakukei bumon kiyou 1 (2016): 37-56.</text>
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          </elementTextContainer>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2822894">
              <text>Fukui daigaku kyouiku jimbun shakai kagakukei bumon kiyou 01 (2016)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2822895">
              <text>Reeve and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2822896">
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2822897">
              <text>2016</text>
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                <text>The Matrix Reeve-Loaded I: Dismantling Biases and Evaluating Diagrams of Relationships between Chaucer's "Reeve's Tale," "The Mylner of Abyngton," and Other Cradle-Trick Stories.</text>
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                <text>Presents the first of two successive articles on RvT and its analogues. Claims that "The Mylner of Abyngton" has not drawn as much critical attention as it deserves. Compares "The Mylner of Abyngton" with three continental analogues and discusses their possible implications for Chaucer's composition of RvT.&#13;
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                  <text>Chaucer Bibliography Online</text>
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              <text>Burrow, J. A.</text>
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              <text>Notes and Queries 261 (2016): 191-94.</text>
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              <text>Notes and Queries 261 (2016)</text>
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              <text>Reeve and His Tale&#13;
Language and Word Studies&#13;
Manuscripts and Textual Studies</text>
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              <text>SAC 40:218</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>A Northern Pronunciation in Chaucer, Skelton, and Spenser.</text>
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            <description>An account of the resource</description>
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                <text>Explains that imitations of northern pronunciations in RvT, preserved in the Hengwrt and Ellesmere manuscripts, provide evidence that the shift of "a" from /a:/ to /ɛ:/ was underway in northern England during the fourteenth century. Notes similar usage in works by Skelton and Spenser.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2822876">
              <text>Twomey, Michael W., and Scott D. Stull.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822877">
              <text>Chaucer Review 51.3 (2016): 310-37.</text>
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            <elementText elementTextId="2822878">
              <text>Chaucer Review 51.3 (2016)</text>
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            <elementText elementTextId="2822879">
              <text>Miller and His Tale&#13;
Reeve and His Tale</text>
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        <element elementId="109">
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              <text>SAC 40:217</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2822881">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822874">
                <text>Architectural Satire in the Tales of the Miller and the Reeve.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822875">
                <text>Analyzes the two houses in RvT and MilT and contends that Chaucer's precise description of architectural setting displays how architecture shaped medieval social life and communicated social and class satire.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2822868">
              <text>Smith, Sueanna.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822869">
              <text>Sigma Tau Delta Review 8 (2011): 16-30.</text>
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            <elementText elementTextId="2822870">
              <text>Sigma Tau Delta Review 08 (2011)</text>
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            <elementText elementTextId="2822871">
              <text>Miller and His Tale&#13;
Reeve and His Tale&#13;
Knight and His Tale</text>
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          </elementTextContainer>
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              <text>SAC 40:216</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2822873">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822866">
                <text>A Battle for "Cherl" Masculinity in Chaucer's "The Canterbury Tales."</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822867">
                <text>Argues that MilT and RvT "revise the image of masculine chivalry constructed in" KnT, the first offering a model of "physical 'cherl' masculinity," the second "an image of masculinity that prizes internal desire over physical bravado." Through their tales, "pilgrims clearly articulate their own private self-images."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2822860">
              <text>Perry, Ryan.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2822861">
              <text>Speculum 86 (2011): 419-54.</text>
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        <element elementId="100">
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            <elementText elementTextId="2822862">
              <text>Speculum 86 (2011)</text>
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        <element elementId="102">
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            <elementText elementTextId="2822863">
              <text>Miller and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
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            <elementText elementTextId="2822864">
              <text>SAC 40:215</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2822865">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822858">
                <text>"Thynk on God, as we doon, men that swynke": The Cultural Locations of "Meditations on the Supper of Our Lord" and the Middle English Pseudo-Bonaventuran Tradition.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822859">
                <text>Describes the cultural landscape that underlies John's exhortation to Nicholas in MilT to "Awak, and thenk on Cristes passioun!" (1.3478 ff.), showing that John's extended and naïve address resonates with the "affective piety" encouraged in the Pseudo-Bonaventuran tradition rooted in the Latin "Meditationes vitae Christi." Chaucer pokes fun at his working-class carpenter, associating him with emotion-ridden "meditative modes" that had recently become popular among lay ("lewed") audiences in Chaucer's day, as is detailed here at length.</text>
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  </item>
  <item itemId="274159" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            </element>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2822852">
              <text>Bryan, Jennifer.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822853">
              <text>Studies in the Age of Chaucer 38 (2016): 1-37.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822854">
              <text>Studies in the Age of Chaucer 38 (2016)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822855">
              <text>Miller and His Tale&#13;
Style and Versification&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2822856">
              <text>SAC 40:212</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822857">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822850">
                <text>"A berd! A berd!": Chaucer's Miller and the Poetics of the Pun.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822851">
                <text>Assesses "why puns matter so much" in MilT, both "speaker puns" and "recipient puns," exploring the yoked concerns of language and intention, and commenting on secular and religious punning in medieval linguistic, artistic, rhetorical, and lexical traditions. Traces features of punning in literary history and the critical history of pun-hunting in Chaucer, showing how MilT is a "medium of recipient poetics" in its deployment of popular forms and verbal dexterity, a poem about the "fantasies" of language and linguistic plenitude.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822844">
              <text>Wietecha, Kristine.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822845">
              <text>Sigma Tau Delta Review 9 (2012): 64-69.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822846">
              <text>Sigma Tau Delta Review 09 (2012)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822847">
              <text>Knight and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822848">
              <text>SAC 40:211</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822849">
              <text>2012</text>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822842">
                <text>Emelye's Objectified Characterization: A Study of Gender Characterization in Chaucer's "The Knight's Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822843">
                <text>Argues that the depictions of Emelye and Diana in KnT result from the Knight's objectification, ventriloquism, and patriarchal ideals.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="274157" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822836">
              <text>Von Contzen, Eva.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
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            <elementText elementTextId="2822837">
              <text>Style 50.3 (2016): 241-60.</text>
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              <text>Knight and His Tale&#13;
Parliament of Fowls&#13;
Style and Versification&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>The Limits of Narration: Lists and Literary History.</text>
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              <elementText elementTextId="2822835">
                <text>Analyzes the list of trees in KnT and discusses as counterpoint the lists in PF. Contends that KnT refigures the trope of epic listing to insert a tragic tone into Chaucer's retelling of Boccaccio's "Teseida."</text>
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              <text>Laird, Edgar.</text>
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              <text>Jack P. Cunningham, ed. Robert Grosseteste: His Thought and Its Impact (Toronto: Pontifical Institute of Mediaeval Studies, 2012), pp. 217-26.</text>
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              <text>Robert Grosseteste: His Thought and Its Impact.</text>
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              <text>Knight and His Tale&#13;
Miller and His Tale</text>
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        <element elementId="114">
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                <text>Grosseteste, Wyclif, and Chaucer on Universals.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822826">
                <text>Describes Grosseteste's notion of universals and Wyclif's treatment of it; then argues that KnT and MilT are, respectively, philosophically realist and antirealist, focusing on the First Mover speech in KnT as an example of Grosseteste's epistemological scale.</text>
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              <text>Hunter, Brooke.</text>
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              <text>Exemplaria 23 (2011): 126-46.</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Boece</text>
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        <element elementId="114">
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            <elementText elementTextId="2822824">
              <text>2011</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822817">
                <text>"Remenants" of Things Past: Memory and the "Knight's Tale." </text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822818">
                <text>Argues that "two medieval methods of memorializing" are in tension in KnT: "celebration" of chivalric loss, and Boethian remembrance. Theseus's admonitions to remember Arcite "leave little room" for "healthy" mourning and reveal the limits of Theseus's and the Knight's outlooks. Boethian memory, especially as presented in Nicholas Trevet's commentary on the "Consolation" (and in Bo), enfigured in the imagery of the tale (especially the temples), insists upon the need for memory to be "modeled imaginatively" in artful mnemonics, although eventually extinguished from "the minds of the living," a second death.</text>
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              <text>Guidry, Marc, and Charles Jones, eds.</text>
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              <text>Nacogdoches, Tex.: Stephen F. Austin University Press, 2011.</text>
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          <name>Physical Description</name>
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            <elementText elementTextId="2822813">
              <text>140 pp.; b&amp;w illus. 1 CD-ROM.</text>
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              <text>Knight and His Tale&#13;
Facsimiles, Editions, and Translations&#13;
Recordings and Films</text>
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            <elementText elementTextId="2822815">
              <text>SAC 40:207</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2822816">
              <text>2011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2822809">
                <text>The Knight's Tale.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2822810">
                <text>An art-edition of KnT, with wood-cut style illustrations accompanying the text, followed by a summary of the tale, and comments on its sources, date, genre, structure, themes, style, prosody, historical context, and previous illustrations in manuscripts and printed editions. The commentary and illustrations emphasize the harsh tragedy of the tale and its mollifying humanism. Includes an audio-disc of selections read by Marc Guidry.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Al-Saleh, Asaad.</text>
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        <element elementId="98">
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            <elementText elementTextId="2822804">
              <text>Journal of the Midwest Modern Language Association 45.1 (2012): 35-47.</text>
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              <text>Journal of the Midwest Modern Language Association 45(2012)</text>
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              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Language and Word Studies</text>
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            <elementText elementTextId="2822807">
              <text>SAC 40:204</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2822808">
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              <elementText elementTextId="2822801">
                <text>Fate and Discipline: A Comparative Study of "The Tale of Heike" and Chaucer's "The Knight's Tale."</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2822802">
                <text>Describes the idea of the "servant-become-warrior" in the Japanese "Tale of Heike" and in KnT, commenting on the etymological roots of "samurai" and "knight" and exploring how concepts of determinism, service, and Foucauldian disciplinary power underlie the actions and characterizations in these narratives.</text>
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              <text>Meljac, Eric.</text>
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          <elementTextContainer>
            <elementText elementTextId="2822796">
              <text>Explicator 74.2 (2016): 80-82.</text>
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              <text>Explicator 74.2 (2016)</text>
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              <text>Monk and His Tale</text>
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              <text>SAC 40:201</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2822800">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2822793">
                <text>What It Means to Own: Geoffrey Chaucer's Monk, Monastic Rule, and Giorgio Agamben.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2822794">
                <text>Examines GP portrait of the Monk, and his obvious infractions against monastic norms and regulations, in light of Giorgio Agamben's "The Highest Property: Monastic Rules and Form-of-Life" (2011), stressing not only the Monk's disdain for monastic poverty, but also his sin in owning property. Provides brief overview of Agamben's book as well. </text>
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