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                  <text>Chaucer Bibliography Online</text>
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              <text>DeVries, David N.</text>
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              <text>Chaucer Review 32 (1998): 391-99.</text>
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              <text>1998</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Chaucer Review 32 (1998)</text>
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              <text>jules SAC 22 -175.</text>
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                <text>Chaucer and the Idols of the Market</text>
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                <text>Despite David Wallace's assertion that London is "absent" in Chaucer, and D. W. Robertson's contention that medieval Londoners were content within "an hierarchical classless society," CT depicts London as an "underworld," where unscrupulous characters tell unreliable tales.</text>
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                <text>  Chaucer's London is, in fact, a mercantile place that "mirrors in a perverse image the order of the ideal."</text>
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              <text>Kolve, V. A.</text>
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        <element elementId="98">
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              <text>Stanford, Calif.: Stanford University Press, 1984.</text>
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              <text>1984</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Knight and His Tale.</text>
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              <text>Miller and His Tale.</text>
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              <text>Reeve and His Tale.</text>
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              <text>Cook and His Tale.</text>
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              <text>Man of Law and His Tale.</text>
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              <text>jules SAC 08 (115)</text>
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                <text>Chaucer and the Imagery of Narrative: The First Five Canterbury Tales</text>
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                <text>Juxtaposes "visual materials and their literary analogues" to illuminate larger images created by narrative action.  Seven chapters treat medieval hypotheses of audience and image; Chaucerian aesthetics of the image in the poem; KnT, the prison-garden, and the tournament amphitheater; nature, youth, and Noah's Flood in MilT; Death-as-Tapster and horse unbridled in RvP, RvT; CkT and MLH as crossing the Hengwrt-Ellesmere gap; and the rudderless ship and the sea in MLT.</text>
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              <text>Hurd, Myles R.</text>
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              <text>College Language Association Journal 34:1 (1990): 99-107.</text>
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              <text>1990</text>
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              <text>Man of Law and His Tale.</text>
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              <text>College Language Association Journal 34 (1990)</text>
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              <text>jules SAC 18 (1990)</text>
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                <text>Chaucer and the Imagery of Woe: The Blind Briton and the Veiled Child in the 'Man of Law's Tale'</text>
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                <text>Presented differently than in Trevet, Chaucer's scenes of the blind Briton and the blindfolded Maurice in MLT emphasize the helplessness of humankind and the help of God.  The emphasis is consistent with Innocent III's "De miseria condicionis humane" and with the characterization of Custance.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Boitani, Piero.</text>
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        <element elementId="98">
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              <text>Cambridge:</text>
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            <elementText elementTextId="2718119">
              <text>Totowa, N.J.: D. S. Brewer;</text>
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            <elementText elementTextId="2718120">
              <text>Barnes &amp; Noble, 1984.</text>
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        <element elementId="114">
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              <text>1984</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>House of Fame.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2718124">
              <text>Chaucer Studies, no. 10.</text>
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        <element elementId="109">
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              <text>jules SAC 08 (202)</text>
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              <elementText elementTextId="2718116">
                <text>Chaucer and the Imaginary World of Fame</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>HF, a turning point in Chaucer's career and in English literary culture, reflects attitudes toward fame and glory from Homer to the Scholastics to writers of the Italian "trecento."  The poem deals with issues of fame, poetry, and linguistic theory and explores archetypal imagery.  HF is probably "in-finite" rather than unfinished.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2709708">
              <text>Peck, Russell A.</text>
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        <element elementId="98">
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            <elementText elementTextId="2709709">
              <text>John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986. (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 33-48.</text>
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        <element elementId="114">
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              <text>1987</text>
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            <elementText elementTextId="2709711">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
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              <text>Chaucer's Life.</text>
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              <text>jules SAC 11 (110)</text>
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                <text>Chaucer and the Imagination</text>
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                <text>Examines through the eyes of modern poets the ability of medieval imagination "to bridge gaps gracefully between the poets and the world around them"--addressing "all varieties of experience, aspiration, and frustration," often through fresh and vivid imagery of springtime.  Peck reviews the difficult circumstances of Chaucer's life at the time he was involved in brilliant exercises of the imagination in LGW, BD, and TC.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2805179">
              <text>Hackett, John P</text>
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        <element elementId="98">
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              <text>DAI 33.03 (1972): 1169A.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2805181">
              <text>1972</text>
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              <text>Clerk and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2805185">
              <text>Dissertation Abstracts International 33 (1972)</text>
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            <elementText elementTextId="2805186">
              <text>mea; 12/01/2015 No SAC</text>
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                <text>Chaucer and the Interpretation of Medieval Narrative: An Essay on the 'Clerk's Tale'</text>
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                <text>Surveys criticism of ClT in order to show the "inadequacy" of this criticism and reads the Tale as a "typological allegory" even though it goes steps beyond its sources in depicting the plot realistically.</text>
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              <text>Smith, Jeremy J.</text>
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                <text>Boitani surveys Chaucer's "ongoing dialogue" with Dante, Petrarch, and Boccaccio, discussing how Chaucer's borrowings reflect his "prodigious memory and striking associative and intertextual skill." Draws examples from PF, TC, KnT and ClT and comments on fifteenth- and sixteenth-century legacies of Italian influence on English literature.</text>
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                <text>Reads PF in light of its sources as an allegory of aristocratic responsibility for maintaining natural law and a just society; KnT as an exploration of lawlessness set against the background of Status's "Thebaid," focusing on the tournament; and the GP descriptions of the Miller and Reeve as satiric "caricatures of erring nobility."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Wenzel, Siegfried.</text>
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        <element elementId="98">
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              <text>Studies in Philology 73 (1976): 138-61.</text>
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              <text>1976</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Studies in Philology 73 (1976)</text>
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              <text>jules - 22/9/94 SAC 1 (46)</text>
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                <text>Chaucer and the Language of Contemporary Preaching</text>
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            <description>An account of the resource</description>
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                <text>The influence of sermon language and structure has been recognized in certain of Chaucer's characterizations.  However, his reliance on contemporary preaching obviously goes beyond such loose imitation to the borrowing of story plots, images, and technical terms of fourteenth-century sermon literature.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cannon, Christopher.</text>
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              <text>Ardis Butterfield, ed. Chaucer and the City (Cambridge: D. S. Brewer, 2006), pp. 79-94.</text>
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            <elementText elementTextId="2774233">
              <text>2006</text>
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              <text>Chaucer and the City.</text>
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              <text>Canon's Yeoman and His Tale.</text>
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              <text>vxl sac 30:242</text>
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                <text>Chaucer and the Language of London</text>
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                <text>CYT is Chaucer's London tale par excellence; its "craft sounds" evoke both what the city is and what it is not.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2748003">
              <text>Bisson, Lillian M.</text>
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        <element elementId="98">
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            <elementText elementTextId="2748004">
              <text>New York : St. Martin's Press, 1998.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2748005">
              <text>1998</text>
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        <element elementId="99">
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            <elementText elementTextId="2748006">
              <text>x, 294.</text>
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              <text>Background and General Criticism.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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              <text>jules SAC 22 - 99</text>
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                <text>Chaucer and the Late Medieval World</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2748007">
                <text>Reads Chaucer's works for the ways they reflect the "conflicting realities he confronted in his world."  An opening section on "The Poet and His World" introduces the "double vision" of the intellectual world Chaucer inherited and describes his balanced "conception of his task as a poet."</text>
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                <text>Subsequent sections introduce social and historical backgrounds   to the following topics and then examine how the subtopics are reflected in     Chaucer's works:  Religion (hierarchy and heresy, quest for perfection, and     popular religion), Class Commerce (chivalry, social unrest and economy), and    Gender and Sexuality (views of women, love, and marriage).</text>
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                <text>Bisson focuses on CT and TC but mentions all of Chaucer's major works, concluding that CT is especially marked by the carnivalesque tensions between high and low, sacred and profane, and serious and comic characteristics of Chaucer's age.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2785782">
              <text>Harbert, Bruce.</text>
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        <element elementId="98">
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              <text>Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 137-53.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2785784">
              <text>1974</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2785785">
              <text>Geoffrey Chaucer. Writers and their Background.</text>
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        <element elementId="102">
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            <elementText elementTextId="2785787">
              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2785789">
              <text>mea 02/06/2013 No SAC</text>
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                <text>Chaucer and the Latin Classics</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2785786">
                <text>Clarifies various difficulties in determining "how much classical Latin literature" Chaucer knew and details his relative familiarity with works by Cicero, Livy, Cato, Lucan, Statius, Claudian, Virgil, and Ovid. Chaucer was little influenced by moralized versions, but his occasional errors, samples of his "weak poetry," and his uses of translational aids indicate that he was a middling Latinist. Comments on many works and includes sustained consideration of Chaucer's adaptations of Ovid in the Dido and Aeneas story of LGW.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2733893">
              <text>Taylor, Paul Beekman,with Sophie Bordier.</text>
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        <element elementId="98">
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              <text>Traditio 47 (1992): 215-32.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2733895">
              <text>1992</text>
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              <text>Bordier, Sophie.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Traditio 47 (1992)</text>
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              <text>jules SAC 17 (267)</text>
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                <text>Chaucer and the Latin Muses</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2733897">
                <text>Traces the sources of Chaucer's knowledge of the muses, considering especially the meaning of his reference to Clio in TC 1 and to Calliope in TC 3.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Hornsby, Joseph Allen.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2706980">
              <text>Norman, Okla.: Pilgrim Books, 1988.</text>
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        <element elementId="114">
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            <elementText elementTextId="2706981">
              <text>1988</text>
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        <element elementId="99">
          <name>Physical Description</name>
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              <text>180 pp.</text>
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            <elementText elementTextId="2706986">
              <text>Background and General Criticism.</text>
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              <text>jules SAC 12 (85)</text>
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              <elementText elementTextId="2706978">
                <text>Chaucer and the Law</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2706983">
                <text>Explores Chaucer's legal background, his connection with English canon law of agreements, the secular law of agreements, and medieval English criminal law and procedure. </text>
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              <elementText elementTextId="2706984">
                <text>Treats the appeal of felony in WBT and MLT; bill procedure in ABC, Pity, ParsT, and PhyT; treason and litigation in TC; commercial instruments in ShT; covenant for debt in FranT and WBT; dower and conveyance of property in MerT; agreement in GP; "ernest" in FrT; homage and fealty in BD and TC; "hue and cry" in MilT, NPT, and WBT; intention in FranT and FrT; loans in ShT; mainprise in Mel and WBT;;</text>
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              <elementText elementTextId="2706985">
                <text>  marriage agreements in FranT and MerT; marriage debt in MerT, ShT, and WBP; ordeal in TC; pledge of faith in FranT, FrT, KnT, SumT, WBT, and TC; rape in RvT and WBT; releases in FranT; tally in ShT; treason in LGW, MLT, MerT, ParsT, BD, PF, Mel, and TC; and murder in PrT, NPT, PardT, and ParsT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Morgan, Philippa.</text>
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        <element elementId="98">
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              <text>New York: Carroll &amp; Graf; London: Constable, 2005.</text>
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            <elementText elementTextId="2793080">
              <text>2005</text>
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          <elementTextContainer>
            <elementText elementTextId="2793081">
              <text>299 pp.</text>
            </elementText>
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              <text>Chaucer's Influence and Later Allusion</text>
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          <elementTextContainer>
            <elementText elementTextId="2793084">
              <text>mea 8/1/2013 No SAC</text>
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                <text>Chaucer and the Legend of Good Women</text>
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                <text>Historical detective novel, with Chaucer, while on a diplomatic mission to Florence in 1373, investigating the murder of Florentine banking magnate Antonio Lipari who had arranged to loan money to Edward III.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Braswell, Laurel.</text>
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              <text>English Studies in Canada 2 (1976): 373-80.</text>
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        <element elementId="114">
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              <text>1976</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>English Studies in Canada 02 (1976)</text>
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              <text>jules - 26/9/94 SAC 1 (122).</text>
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                <text>Chaucer and the Legendaries: New Sources for Anti-Mendicant Satire</text>
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                <text>Two narratives of the "Legenda aurea" are likely sources for the anti-mendicant satire in WBP and WBT.  Imagery in the legends of Saint Michael the Archangel and Saint Francis of Assisi parallels the Wife's anti-mendicant satire, and provides a close link between her Prologue and Tale.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dixon, Kathleen Stroing.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 48 (1988): 2878-79A.</text>
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        <element elementId="114">
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              <text>1988</text>
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              <text>House of Fame.</text>
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              <text>Dissertation Abstracts International 48 (1988).</text>
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              <text>jules SAC 12 (216)</text>
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                <text>Chaucer and the Literary Tradition of Fame</text>
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            <description>An account of the resource</description>
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                <text>The question whether a poet celebrates the famous (medieval view) or seeks personal fame (Renaissance) is examined through classical and medieval traditions and in HF.</text>
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              <text>Boyd, Beverly.</text>
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              <text>Philadelphia: Dorrance, 1967.&#13;
vii, 88 pp.; 12 b&amp;w plates.&#13;
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              <text>vii, 88 pp.; 12 b&amp;w plates.&#13;
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              <text>Background and General Criticism&#13;
Sources, Analogues, and Literary Relations&#13;
Second Nun and Her Tale&#13;
Prioress and Her Tale&#13;
Legend of Good Women&#13;
Troilus and Criseyde</text>
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              <text>mea; 4/13/2018</text>
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          <description/>
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            <elementText elementTextId="2819297">
              <text>1967</text>
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                <text>Chaucer and the Liturgy.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2819291">
                <text>Explores the "predominant secularity" of Chaucer's "attitude" toward the liturgy in his various references to and uses of ecclesiastical calendars, legendaries (saints' lives, hagiographies, or lectionaries), sacramentals, breviaries, missals, primers, etc. Comments on various liturgical rites of medieval England (particularly the Use of Sarum), and describes a range of "liturgical materials" in Chaucer, with extended discussions of SNT, PrT, LGW as a legendary, references to saints in oaths in CT, the "crowned A" of TC 1.171, Chaucer's relationship with Lollard and Wycliffite concerns, etc. The volume includes an index.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2710619">
              <text>Braswell, (Mary) Flowers.</text>
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        <element elementId="98">
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              <text>Chaucer Newsletter 8:2 (1986): 1-2, 6-7.</text>
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        <element elementId="114">
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              <text>1986</text>
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              <text>Shipman and His Tale.</text>
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              <text>Chaucer Newsletter 08 (1986)</text>
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              <text>jules SAC 11 (207)</text>
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                <text>Chaucer and the London Middle Class</text>
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            <description>An account of the resource</description>
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                <text>Discusses a "fourteenth-century lending law" as a possible source of Chaucer's ShT, with its depiction of a "bourgeois financial triangle."  More work needs to be done on Chaucer's knowledge of municipal ordinances.</text>
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              <text>Wentersdorf, Karl P.</text>
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        <element elementId="98">
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              <text>Journal of English and Germanic Philology 65 (1966): 274-86.</text>
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              <text>Troilus and Criseyde&#13;
Merchant and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>1966</text>
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                <text>Chaucer and the Lost Tale of Wade.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Provides context for understanding Chaucer's references to Wade and to his boat (TC 3.614 and MerT 4.1423), summarizing medieval narratives and allusions to the hero in order to outline his "salient characteristics" and the deceptive (although non-magical) nature of his boat named "Guingelot," here etymologized as "bait" or "trap for an adversary." Also suggests how Chaucer's references produce dramatic irony.</text>
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