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              <text>Background and General Criticism.</text>
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              <text>mea SAC 12 (67)</text>
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                <text>Chaucer and the Bible: A Critical Review</text>
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                <text>Surveys scholarship and criticism on Chaucer and the Bible from Lounsbury to the present.</text>
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              <text>xlx, 432 pp.</text>
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              <text>jules SAC 12 (23)</text>
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                <text>The main text consists of "Index I:  Chaucer's Biblical Allusions--An Annotated List," arranged by Chaucer's works, and "Index II:  Scriptural References," a reverse index.  The apparatus includes an introduction; an essay, "Research on Chaucer and the Bible:  A Critical Review," covering a century; and a bibliography.</text>
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              <text>David H. Hirsch and Nehama Aschkenasy, eds. Biblical Patterns in Modern Literature (Chico, Calif.: Scholars Press, 1984), pp. 43-50.</text>
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              <text>Biblical Patterns in Modern Literature.</text>
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              <text>Aschkenasy, Nehama,ed.</text>
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              <text>ed.</text>
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              <text>Pardoner and His Tale.</text>
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                <text>Chaucer and the Bible: Parody and Authority in the 'Pardoner's Tale'</text>
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                <text>Examines Chaucer's skeptical pose concerning theological and biblical controversies of the fourteenth century:  "glosynge," parody, biblical allusion in PardP, PardT, GP, CT, and TC.</text>
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              <text>Hebrew University Studies in Literature and the Arts 6 (1978):10-31.</text>
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                <text>Chaucer and the Bible: The Case of the 'Merchant's Tale'</text>
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                <text>The nearly thirty evocations of the Bible in MerT are comic and ironic.  They flirt with blasphemy and so expose huamn folly.</text>
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              <text>Johnston, Grahame.</text>
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              <text>K. I. D. Maslen and H. Winston Rhodes, eds. Proceedings and Papers of the Fourteenth Congress of the Australasian Universities Language and Literature Association Held 19-26 January 1972 at the University of Otago, Dunedin, New Zealand (Dunedin: AULLA, 1972), pp. 230[-]40.</text>
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                <text>Introduces students to Chaucer's life (opening chapter), comments on critical approaches to Chaucer, and presents several groups of recurring topics in CT: gender, religion, race, and class; love, sex, and marriage; God and spirituality; adaptations of dream-vision literature in CT; and representations of fate and death. The volume includes a selected bibliography and brief indexes of subjects and critics' names. A separate chapter includes plot summaries of each of the Tales.</text>
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              <text>Wimsatt, James I.</text>
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              <text>Jerome Mitchell and William Provost, eds. Chaucer the Love Poet (Athens: University of Georgia Press, 1973), pp. 66-90.</text>
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            <elementText elementTextId="2803105">
              <text>1973</text>
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            <elementText elementTextId="2803106">
              <text>Chaucer the Love Poet.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2803108">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
            <elementText elementTextId="2803109">
              <text>Book of the Duchess</text>
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              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2803111">
              <text>Merchant and His Tale</text>
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              <text>Miller and His Tale</text>
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        <element elementId="109">
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            <elementText elementTextId="2803113">
              <text>mea; 3/9/2015 No SAC</text>
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                <text>Chaucer and the Canticle of Canticles</text>
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              <elementText elementTextId="2803107">
                <text>Surveys the uses of the biblical Song of Songs in medieval secular love poetry as background to exploring Chaucer's uses of it in BD and TC, and his comic adaptations of it in MerT and MilT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Minkova, Donka, and Theresa Tinkle, eds.</text>
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              <text>Frankfurt and New York : Peter Lang, 2003.</text>
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          <elementTextContainer>
            <elementText elementTextId="2765202">
              <text>2003</text>
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            <elementText elementTextId="2765203">
              <text>xxii, 403 pp.</text>
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              <text>Tinkle, Theresa.</text>
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            <elementText elementTextId="2765206">
              <text>Background and General Criticism.</text>
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        <element elementId="104">
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            <elementText elementTextId="2765207">
              <text>Studies in English Medieval Language and Literature, no. 5</text>
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            <elementText elementTextId="2765208">
              <text>vxl SAC 27:125</text>
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                <text>Chaucer and the Challenges of Medievalism: Studies in Honor of H. A. Kelly</text>
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              <elementText elementTextId="2765205">
                <text>Twenty-three essays by various authors examine intellectual currents in medievalism, arranged in six categories: Text, Image, and Script; Text and Meter; Reception; Chaucer; Hagiography; and Lay Piety and Christian Diversity. For the nine essays that pertain to Chaucer, search for Chaucer and the Challenges of Medievalism under Alternative Title.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Salisbury, Eve.</text>
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        <element elementId="98">
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              <text>New York: Palgrave Macmillan, 2017.</text>
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            <elementText elementTextId="2832581">
              <text>xiii, 279 pp.; 1 b&amp;w illus. </text>
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          <elementTextContainer>
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              <text>The New Middle Ages</text>
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Chaucer's Life&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:98</text>
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            <elementText elementTextId="2832585">
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              <elementText elementTextId="2832577">
                <text>Chaucer and the Child.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832578">
                <text>Seeks to complicate--even replace--the figure of Father Chaucer with Child Chaucer, examining children in Chaucer's works, along with figures of childishness, playfulness, and childlikeness, exploring the poet's uses of and resistance to traditional categories and expectations of age in order to disclose the agency of children and their productive vitality. Considers motifs of speech, speechlessness, original sin, education, nascent erotic desire, and the "queer temporality" of wise children and childish adults in Chaucer's corpus, addressing an extensive variety of works, and attending to major and minor characters, allusions, literary relations, the portrait of Chaucer in MS Bodley 686, the "tumultuous age-conscious sociopolitical milieu" of Richard II, and medieval and modern notions of childhood.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2723560">
              <text>Edsall, Donna Marie.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International 41 (1981): 2663A.</text>
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        <element elementId="114">
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              <text>1981</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2723566">
              <text>Tale of Sir Thopas.</text>
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              <text>Dissertation Abstracts International 41 (1981)</text>
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        <element elementId="109">
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            <elementText elementTextId="2723568">
              <text>jules SAC 05 (125)</text>
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              <elementText elementTextId="2723559">
                <text>Chaucer and the Chivalric Tradition</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2723563">
                <text>The fourteenth century accepted literary conventions of the love code and approved warfare with honor and profit conjoined.  Chaucer understands chivalry without attacking it:  Theseus, in KnT, is an idealized knight modeled on Edward III; Th ridicules bourgeois misunderstanding of chivalry.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2772887">
              <text>Butterfield, Ardis, ed.</text>
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        <element elementId="98">
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            <elementText elementTextId="2772888">
              <text>Cambridge: D. S. Brewer,   2006.</text>
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        <element elementId="114">
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            <elementText elementTextId="2772889">
              <text>2006</text>
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        <element elementId="99">
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            <elementText elementTextId="2772890">
              <text>231 pp.</text>
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            <elementText elementTextId="2772892">
              <text>Background and General Criticism.</text>
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        <element elementId="104">
          <name>Series</name>
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            <elementText elementTextId="2772893">
              <text>Chaucer Studies, no. 37.</text>
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              <text>vxl sac 30:108</text>
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                <text>Chaucer and the City</text>
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              <elementText elementTextId="2772891">
                <text>Twelve essays by various authors under the rubrics "Locations," "Communities," "Institutions," and "Afterlife." The introduction argues that any consideration of city life is an act of recovering the past. Chaucer allows the audience to hear and see medieval London. For individual essays, search for Chaucer and the City under Alternative Title.</text>
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              <text>Sayers, William.</text>
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              <text>Chaucer Review 56.2 (2021): 119-24.</text>
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              <text>Chaucer Review 56 (2021)</text>
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              <text>Language and Word Studies&#13;
Complaint of Mars</text>
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              <text>SAC 45:176</text>
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            <elementText elementTextId="2845263">
              <text>2021</text>
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                <text>Chaucer and the Color Adjective "blew."</text>
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              <elementText elementTextId="2851940">
                <text>Examines Chaucer's limited use of "blew"/"blue" in depictions of color, focusing on the phrase "teres blewe" in Mars, 8. Notes that the connotation of "blue" with melancholy surfaces later, and traces Chaucer's usage of "blewe" to its Gallo-Romance ancestor "bloi."</text>
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              <text>Grennen, Joseph E.</text>
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            <elementText elementTextId="2842974">
              <text>Classica et Mediaevalia 26 (1965): 306-33.</text>
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            <elementText elementTextId="2842975">
              <text>Classica et Mediaevalia 26 (1965)</text>
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            <elementText elementTextId="2842976">
              <text>Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 8/7/2023</text>
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        <element elementId="114">
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                <text>Chaucer and the Commonplaces of Alchemy.</text>
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              <elementText elementTextId="2842972">
                <text>Shows that "clichés of thought and expression" abound in medieval alchemical treatises, and explains how Chaucer's uses of these "topoi" or commonplaces "contribute to the meaning" of CYPT. Tabulates commonplaces of alchemical behavior, preparation, and procedure and describes how they function, respectively, in CYP and in the first and second sections of Prima Pars in CYT. Suggests that evidence "works against the ascription of a single source" for CYPT.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2796745">
              <text>Dyas, Dee.</text>
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              <text>Helen Phillips, ed. Chaucer and Religion (Cambridge: Brewer, 2010), pp. 132-42.</text>
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              <text>2010</text>
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              <text>Chaucer and Religion.</text>
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              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2796751">
              <text>mea sac 35:78.</text>
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                <text>Chaucer and the Communities of Pilgrimage</text>
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                <text>Explains how medieval pilgrimages, including Chaucer's "temporary community" of pilgrims in CT, are influenced by a "series of concentric circles" of multiple communities.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2783626">
              <text>Johnson, Eleanor.</text>
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            <elementText elementTextId="2783627">
              <text>Chaucer Review 43 (2009): 455-72.</text>
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            <elementText elementTextId="2783628">
              <text>2009</text>
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            <elementText elementTextId="2783630">
              <text>Boece</text>
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              <text>Canon's Yeoman and His Tale</text>
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              <text>Chaucer Review 43 (2009)</text>
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              <text>vxl sac 33:180</text>
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                <text>Chaucer and the Consolation of 'Prosimetrum'</text>
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              <elementText elementTextId="2783629">
                <text>Boethius's "prosimetrum" lets readers experience the "consolation of temporality" that Philosophy offers. In Bo, Chaucer demonstrates his understanding of this consolation by highlighting Philosophy's references to time; however, by rendering the work entirely in prose, Chaucer leaves a metrical "aestheticization" of time for another work: CYT is a work of "verse alchemy," in which Chaucer "writes his own consolation," though one of "poetry, rather than . . . prosimetrum."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2698917">
              <text>Dolan, Michael James</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2698918">
              <text>Dissertation Abstracts International 35 (1975): 4511A-12A.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698919">
              <text>1975</text>
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        <element elementId="102">
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            <elementText elementTextId="2698921">
              <text>Sources, Analogues, and Literary Relations.</text>
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            <elementText elementTextId="2698922">
              <text>Book of the Duchess.</text>
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            <elementText elementTextId="2698923">
              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2698924">
              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2698925">
              <text>Knight and His Tale.</text>
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        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698926">
              <text>Dissertation Abstracts International 35 (1975)</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2698927">
              <text>jules - 20/9/94 SAC 1 (33)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698916">
                <text>Chaucer and the Continental Tradition: A Study in Neoplatonic Influences</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2698920">
                <text>Chaucer's poetry must be read as "in dialogue" with his neoplatonic sources such as Boethius, Macrobius, etc.  BD is a study of the root cause of "letargye"--the lack of harmony between the real and the ideal.  PF is an analysis of man's pre-lapsarian and post-lapsarian states; KnT and TC present men suffering from types of "letargye".</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810898">
              <text>Wood, Chauncey.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810899">
              <text>Princeton, N.J.: Princeton University Press, 1970.</text>
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        <element elementId="114">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810900">
              <text>1970</text>
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        <element elementId="99">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810901">
              <text>xix, 318 pp.; 33 b&amp;w illus.</text>
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          <description/>
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              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2810905">
              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2810906">
              <text>Troilus and Criseyde</text>
            </elementText>
            <elementText elementTextId="2810907">
              <text>Complaint of Mars</text>
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            <elementText elementTextId="2810908">
              <text>General Prologue to the Canterbury Tales</text>
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            <elementText elementTextId="2810909">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2810910">
              <text>Man of Law and His Tale</text>
            </elementText>
            <elementText elementTextId="2810911">
              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2810912">
              <text>Squire and His Tale</text>
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            <elementText elementTextId="2810913">
              <text>Franklin and His Tale</text>
            </elementText>
            <elementText elementTextId="2810914">
              <text>Merchant and His Tale</text>
            </elementText>
            <elementText elementTextId="2810915">
              <text>Parson and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2810916">
              <text>mea; 09/06/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2810897">
                <text>Chaucer and the Country of the Stars: Poetic Uses of Astrological Imagery</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2810902">
                <text>Investigates Chaucer's treatment of astrological imagery, gauging him to be "quite high among the skeptics on the mediaeval scale of belief in astrology" and explicating the tone and meaning of his astrological passages, their comic or satiric effects, the ways they characterize their narrators, and the expectations of their original audience. Attends consistently to literary sources (especially Boccaccio, Dante, Boethius, the Bible, encyclopedias, treatises, and commentaries) and analogues in art and literature, with sustained readings of Mars; the planetary imagery in KnT and TC; "astronomical periphrasis" ("chronographia") in SqT, MerT, FranT, and TC; the horoscope of the Wife of Bath; determinism in MLT (and elsewhere in CT); the opening of CT in GP and its closing in ParsP.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711581">
              <text>Arrathoon, Leigh A., ed.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711582">
              <text>Rochester, Mich.: Solaris Press, 1986.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711583">
              <text>1986</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2711585">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
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          <elementTextContainer>
            <elementText elementTextId="2711586">
              <text>jules SAC 10 (41)</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2711580">
                <text>Chaucer and the Craft of Fiction</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2711584">
                <text>Fourteen essays by various hands.  For individual essays that pertain to Chaucer, search for Chaucer and the Craft of Fiction under Alternative Title.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773346">
              <text>Vander Elst, Stefan Erik Kristiaan.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773347">
              <text>DAI A67.04 (2006): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773348">
              <text>2006</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773350">
              <text>Knight and His Tale.</text>
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            <elementText elementTextId="2773351">
              <text>Squire and His Tale.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2773352">
              <text>Dissertation Abstracts International 67(2006)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2773353">
              <text>vxl 152</text>
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              <elementText elementTextId="2773345">
                <text>Chaucer and the Crusades: A Study in Late Medieval Literary and Political Thought</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2773349">
                <text>Reads the Knight and Squire (and their respective tales) as embodiments of differing philosophies toward the Crusades. The Knight is linked to the Crusades' earlier origins, while the Squire is seen as embodying a more romanticized approach to the conflicts.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2713422">
              <text>Kelly, Henry Ansgar.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713423">
              <text>Leiden: E. J. Brill, 1986.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713424">
              <text>1986</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2713427">
              <text>Parliament of Fowls.</text>
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            <elementText elementTextId="2713428">
              <text>Sources, Analogues, and Literary Relations.</text>
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          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2713429">
              <text>Davis Medieval Texts and Studies, no. 5.</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2713430">
              <text>jules SAC 10 (237)</text>
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              <elementText elementTextId="2713421">
                <text>Chaucer and the Cult of Saint Valentine</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2713425">
                <text>By studying pre-Chaucerian and fourteenth-century traditions of Saint Valentine, springtime, hagiography, heortology, etc., Kelly tests the hypothesis that Chaucer invented the patron saint of matchmakers. </text>
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                <text>He traces various relevant motifs through Anel, Astr, BD, Mars, Compl d'Am, GP, KnT, MilT, SqT, LGW, LGWP, TC, and PF,using the context of possible sources or contemporaries:  Alan de Lille, "De planctu naturae"; Boccaccio, "Teseida"; Benoit de St.-Maure, "Roman de Troie"; Charles of Orleans; Christine de Pisan; Gower; Oton de Grandson; Guido of Colonne; Lydgate, Ovid, Petrarch, Pliny, "Secreta secretorum", Pardo, and others.  Chaucer probably had in mind Saint Valentine of Genoa, who died on May 3.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2777687">
              <text>McCormack, Frances.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777688">
              <text>Dublin: Four Courts Press, 2007.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2777689">
              <text>2007</text>
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        <element elementId="99">
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          <description/>
          <elementTextContainer>
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              <text>252 pp.</text>
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          </elementTextContainer>
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        <element elementId="102">
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            <elementText elementTextId="2777692">
              <text>Parson and His Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
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              <text>vxl SAC 31:274</text>
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                <text>Chaucer and the Culture of Dissent. The Lollard Context and Subtext of the Parson's Tale</text>
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              <elementText elementTextId="2777691">
                <text>Investigates Lollard vocabulary, translation strategies, and rhetorical tropes, arguing that the Parson and ParsT cannot categorically be identified as Lollard. Nonetheless, unmistakable elements of Lollardy undercut the hermeneutic stability of what should be a stable penitential text.</text>
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  <item itemId="271877" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2801051">
              <text>Hume, Cathy.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801052">
              <text>Rochester, N.Y.: Brewer, 2012.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801053">
              <text>2012</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801054">
              <text>244 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2801056">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2801057">
              <text>Troilus and Criseyde</text>
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            <elementText elementTextId="2801058">
              <text>Legend of Good Women</text>
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            <elementText elementTextId="2801059">
              <text>Franklin and His Tale</text>
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            <elementText elementTextId="2801060">
              <text>Clerk and His Tale</text>
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            <elementText elementTextId="2801061">
              <text>Shipman and His Tale</text>
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            <elementText elementTextId="2801062">
              <text>Merchant and His Tale</text>
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            <elementText elementTextId="2801063">
              <text>Man of Law and His Tale</text>
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            <elementText elementTextId="2801064">
              <text>Knight and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801065">
              <text>mea SAC 36:95</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2801050">
                <text>Chaucer and the Cultures of Love and Marriage</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801055">
                <text>Reads CT, TC, and LGW in the context of late medieval courtesy books, advice literature, and epistolary collections. Considers public and private marital honor in the Paston letters and FranT, and wifely obedience in ClT, "Menagier de Paris," and "Livre de la vertu du sacrement de mariage." ShT illustrates the limits of women's economic power often suggested by the Paston, Stonor, and Plumpton correspondence, and MerT suggests the possibility of rebellion against advice literature. MLT goes beyond the conduct books to recommend female acceptance of marital unhappiness. KnT presents a pragmatic notion of marriage for the greater sociopolitical good. TC, "The Book of the Knight of the Tower," and Christine de Pizan's "Livre des trois vertus" question courtly ideals, and LGW dramatizes its heroines' quasi-comic misapplications of advice literature.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2716863">
              <text>Hanning, Robert W.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716864">
              <text>CEA Critic 46 (19840: 17-26.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716865">
              <text>1984</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2716867">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716868">
              <text>CEA Critic 46 (1984)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2716869">
              <text>jules SAC 08 (72a</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716862">
                <text>Chaucer and the Dangers of Poetry</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2716866">
                <text>While arousing authorial anxieties, the dream vision permits Chaucer to treat otherwise inaccessible psychological problems.  In CT the verbal game repeatedly explores the dangers of violating "pryvetee," privacy.</text>
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  <item itemId="268469" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765526">
              <text>Yiavis, Kostas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765527">
              <text>Gramma: Journal of Theory and Criticism 9: 13-29,   2001.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765528">
              <text>2001</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2765531">
              <text>Background and General Criticism.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765532">
              <text>Gramma: Journal of Theory and Criticism 09 (2001)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765533">
              <text>vxl SAC 27:169</text>
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          </elementTextContainer>
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      </elementContainer>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2765525">
                <text>Chaucer and the Death of the Father as a Figure of Authority</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2765529">
                <text>Chaucer's depreciation of the father figure (biological, theological, literary predecessor) enables him to conceive of poetry separate from the needs for stable interpretation and didactic meaning. Throughout his corpus, his "polyvocal open-endedness" compels readers to be active in their interpretations.</text>
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                <text>Includes an abstract in Greek</text>
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  <item itemId="273531" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817742">
              <text>Workman, Jameson S.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2817743">
              <text>New York: Palgrave Macmillan, 2015.</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2817744">
              <text>xvii, 274 pp.</text>
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        <element elementId="104">
          <name>Series</name>
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          <elementTextContainer>
            <elementText elementTextId="2817745">
              <text>The New Middle Ages</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2817746">
              <text>Canterbury Tales--General&#13;
Miller and His Tale&#13;
Manciple and His Tale&#13;
Nun's Priest and His Tale&#13;
Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2817747">
              <text>SAC 39:131&#13;
2/26/2018</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2817748">
              <text>2015</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2817740">
                <text>Chaucer and the Death of the Political Animal.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Studies "the architecture of Chaucerian metapoetics" in CT and reads several tales as Neoplatonic texts. Criticism of MilT, ManT, and NPT is framed by a consideration of the corrupted natural philosophy of the old man in PardT. Nicholas's impalement in MilT signals the failure of his naturalistic, materialistic philosophy. ManT presents art's metaphysical descent down the Neoplatonic "chain of love" via a naturalistic, domesticated revision of Ovidian sources that depicts linguistic dissolution. NPT, "the definitive nursery rhyme of medieval Platonism," achieves a return to the Golden Age by illustrating both the "conflict between Human Art (Chauntecleer's world) and Human History (the widow's world)" and between Pertelote's naturalism and Chauntecleer's literary Neoplatonism, only to achieve resolution in Chauntecleer's escape into prelapsarian silence in a tree.</text>
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