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                  <text>Chaucer Bibliography Online</text>
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              <text>Robertson, D. W.,Jr.</text>
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              <text>Mediaevalia 6 (1980): 239-59.</text>
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              <text>Canterbury Tales--General.</text>
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              <text>Mediaevalia 06 (1980)</text>
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              <text>jules SAC 05 (100)</text>
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                <text>Chaucer and the 'Commune Profit': The Manor</text>
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                <text>Aware of the ethics of "commune profit," Chaucer condemns the self-seeking Franklin, Miller, Reeve, and Wife of Bath, while commending the other-centered Parson and Plowman.</text>
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              <text>McGrady, Donald.</text>
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              <text>Chaucer Review 12 (1977): 1-26.</text>
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              <text>Chaucer Review 12 (1977)</text>
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              <text>jules SAC 03 (48)</text>
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                <text>Chaucer and the 'Decameron' Reconsidered</text>
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                <text>Hubertis M. Commings' dissertation (1914) denying that Chaucer knew the "Decameron" and an influential article by Willard Farnham (1924) positing that the work was not known in England until 1566 both are speciously reasoned.  Chaucerian echoes of the framework and a dozen tales in the "Decameron" strongly suggest the contrary.</text>
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              <text>Windeatt, Barry.</text>
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              <text>Chaucer and the Italian Trecento (Cambridge: Cambridge University Press, 1983), pp. 163-83.</text>
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              <text>Chaucer and the Italian Trecento.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 07 (248)</text>
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                <text>Chaucer and the 'Filostrato'</text>
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            <description>An account of the resource</description>
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                <text>Chaucer's use of Boccaccio's "Il Filostrato" as a source for his TC demonstrates three major kinds of creative "translacioun":  innovative translation of specific words/phrases and lines,  brief additions of phrases and lines, and the interpolation of longer passages.</text>
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              <text>Donovan, Mortimer J.</text>
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              <text>Mortimer J. Donovan. The Breton Lay: A Guide to Varieties (Notre Dame: University of Notre Dame Press, 1969), pp. 173-83.</text>
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              <text>The Breton Lay: A Guide to Varieties (Notre Dame: University of Notre Dame Press, 1969), pp. 173-83.</text>
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              <text>Franklin and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 2/09/2017 No SAC</text>
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                <text>Chaucer and the 'Franklin's Tale'</text>
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                <text>Describes the features of FranT that affiliate it with the genre of the Breton lay (Breton lai) and those that make Chaucer's work unique. Considers the sources of FranT, and explore its aesthetic success as an "imitation" of the genre, including comments on its themes and rhetoric.</text>
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              <text>Witlieb, Bernard L.</text>
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              <text>N&amp;Q 215 (1970): 202-07.</text>
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              <text>Notes and Queries 215 (1970)</text>
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              <text>mea; 08/05/2016 No SAC</text>
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                <text>Chaucer and the 'Ovide Moralisé'</text>
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                <text>Discusses seven examples of the influence of the "Ovide Moralisé" on Chaucer: HF 957ff., Anel 1-6, TC 5.1464-84, WBP 3.733ff., MLT 2.633-35, ParsT 10.261ff., and the recurrent phrase "alone, withouten any compaignie" (KnT1.2779, MilT 1.3204, and Mel 7.1506).</text>
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              <text>Dissertation Abstracts International 31 (1970)</text>
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                <text>Identifies Chaucer's uses of the "Ovide Moralisé," particularly the narrative material of the French poem rather than its allegorical interpretations, often used in combination with Latin sources. Considers LGW, Form Age, TC, HF, ManT, and ParsT, along with specific names and images in other works.</text>
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              <text>English Studies 69 (1988): 12-26.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>Chaucer is indebted to "The Romance of the Rose" for many of his techniques of irony, such as the juxtaposition of units not in themselves ironical, the exposure of hypocritical or false reasoning, the unreliable narrator, ironical digression, and exegetical travesties like those of the Wife of Bath.</text>
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              <text>Feng, Xiang.</text>
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              <text>Dissertation Abstracts International 52 (1991): 4114A.</text>
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              <text>Romaunt of the Rose.</text>
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              <text>Dissertation Abstracts International 52 (1991)</text>
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                <text>Chaucer and the 'Romaunt of the Rose': A New Study in Authorship</text>
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                <text>Studies rhymes and rhyme words (the elements least liable to errors in transcription) and amends the traditional view that Chaucer could have written Fragment A but neither B nor C: fragments A and C are equidistant from B and could be the work of a single translator.</text>
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            <elementText elementTextId="2692842">
              <text>Mann, Jill.</text>
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            <elementText elementTextId="2692843">
              <text>Erik Kooper, ed.  This Noble Craft: Proceedings of the Xth Research Symposium of the Dutch and Belgian University Teachers of Old and Middle English and Historical Linguistics.... (Amsterdam: Rodopi, 1991), pp. 173-88.</text>
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              <text>This Noble Craft</text>
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                <text>For Chaucer, the literary traditions of Ovid and Jerome created a dual image of woman as predator or victim.  Chaucer refines and deepens the "double-sidedness" of these traditions, bringing the polarized alternatives into complicating relation with each other.  Mann discusses the mock encomium on marriage in MerT and the Wife's tirade against her first three husbands in WBP.</text>
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              <text>Baugh, Albert C.</text>
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              <text>Wolfgang Iser and Hans Schabram, eds. Britannica: Festschrift für Hermann M. Flasdieck (Heidelberg: Carl Winter, 1960), pp. 51-61.</text>
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              <text>Iser, Wolfgang, ed.&#13;
Schabram, Hans, ed. </text>
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              <text>Britannica: Festschrift für Hermann M. Flasdieck.</text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>mea; 3/15/22</text>
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        <element elementId="114">
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              <text>1960</text>
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                <text>Chaucer and the "Panthère d'Amours."</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2838168">
                <text>Reviews discussions that consider Nicole de Margival's "La Panthère d'Amous" to be a source of HF, challenging most of them for lack of specificity or because shared details are conventional. Only two brief passages evince Margival's influence and neither is conclusive.</text>
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  <item itemId="273807" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="98">
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              <text>Papers of the Michigan Academy of Science, Arts, and Letters 51 (1966): 529-45.</text>
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          <elementTextContainer>
            <elementText elementTextId="2819984">
              <text>Papers of the Michigan Academy of Science, Arts, and Letters 51 (1966)</text>
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              <text>Franklin and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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        <element elementId="114">
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            <elementText elementTextId="2819987">
              <text>1966</text>
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                <text>Chaucer and the "Sir Orfeo" Prologue of the Auchinleck MS.</text>
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              <elementText elementTextId="2819981">
                <text>Argues that Chaucer was influenced by the now-lost Prologue to "Sir Orfeo" of the Auchinleck manuscript, evident in similarities in "concept, diction, and syntax" between the FranP and the extant versions of the "Orfeo" prologue and between the Franklin and Orfeo, even though Chaucer's "own poetic intention" consistently "tempered" his work.</text>
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        <element elementId="98">
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              <text>Studies in Philology 61 (1964): 599-615.</text>
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              <text>Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Anelida and Arcite&#13;
Troilus and Criseyde&#13;
Knight and His Tale</text>
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        <element elementId="114">
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                <text>Describes the commentaries and glosses that are included in medieval manuscripts of Statius's "Thebaid," and shows that Chaucer was influenced by such glosses in details and passages of HF, Anel, TC, and KnT. The influence of Statius and the glosses indicate Chaucer's "intimate acquaintance, familiarity, and fondness" for this material.</text>
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              <text>John Cartafalsa and Lynne Anderson, eds.  The Joy of Teaching: A Chorus of Voices. Lanham, Maryland: University Press of America, 2007,  pp. 3-17.</text>
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              <text>The Joy of Teaching: A Chorus of Voices.</text>
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              <text>Gitlin, Sierra.</text>
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            <name>Title</name>
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                <text>Chaucer and the (He)art of Teaching: A Professor and Student in Dialogue</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2775699">
                <text>An epistolary exchange between teacher and student on the intellectual and emotional challenges of reading Chaucer in a twenty-first century undergraduate classroom.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2696340">
              <text>Wallace, David.</text>
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        <element elementId="98">
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            <elementText elementTextId="2696341">
              <text>Barbara A. Hanawalt, ed.  Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 59-90.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2696342">
              <text>1992</text>
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            <elementText elementTextId="2696343">
              <text>Chaucer's England: Literature in Historical Context.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2696345">
              <text>Canterbury Tales--General.                                        </text>
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            <elementText elementTextId="2696346">
              <text>Cook and His Tale.                 </text>
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            <elementText elementTextId="2696347">
              <text>Canon's Yeoman and His Tale.</text>
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        <element elementId="109">
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              <text>mea</text>
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              <elementText elementTextId="2696339">
                <text>Chaucer and the Absent City</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2696344">
                <text>Contrasts Chaucer's depiction of London's social tensions in CT with Boccaccio's depiction of Florence's unity in Decameron 6.2, Pampinea's story of Cisti.  The duplicities and deceptions of CkT and CYT (at odds with the Host's governance) are like accounts from London's Letter Books in their lack of a unified, coherent urban consciousness.</text>
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                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811824">
              <text>Blake, N. F.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2811825">
              <text>Chaucer Review 3.3 (1969): 163-69.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811826">
              <text>1969</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811828">
              <text>Sources, Analogues, and Literary Relations</text>
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            <elementText elementTextId="2811829">
              <text>Style and Versification</text>
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            <elementText elementTextId="2811830">
              <text>Parson and His Tale</text>
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            <elementText elementTextId="2811831">
              <text>Knight and His Tale</text>
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            <elementText elementTextId="2811832">
              <text>Legend of Good Women</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2811833">
              <text>Chaucer Review 03 (1969)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2811834">
              <text>mea; 12/29/2016 No SAC</text>
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            <name>Title</name>
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            <elementTextContainer>
              <elementText elementTextId="2811823">
                <text>Chaucer and the Alliterative Romances</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2811827">
                <text>Considers evidence from ParsP (10.42-44), KnT (1.2605-16), and LGW (635-58) that Chaucer may have been familiar with Middle English alliterative romances, arguing that the proposition is unlikely.  While he may have known alliterative religious verse, his uses of and references to alliteration imply no necessary familiarity with native romances.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743001">
              <text>Gray, Douglas.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743002">
              <text>Studies in Medieval English Language and Literature 11 (1996): 21-47.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743003">
              <text>1996</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743005">
              <text>Troilus and Criseyde.</text>
            </elementText>
            <elementText elementTextId="2743006">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2743007">
              <text>Studies in Medieval English Language and Literature 11 (1996)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743008">
              <text>jules SAC 20 (1998), 267</text>
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              <elementText elementTextId="2743000">
                <text>Chaucer and the Art of Digression</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2743004">
                <text>The English word "digression" is first recorded in TC 1.143, where the narrator comments on the fall of Troy.  This digression anticipates ideas and images that occur later in the poem and reflects the narrator's difficulty in coming to a conclusion.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712116">
              <text>Braswell, Laurel.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712117">
              <text>Julian  N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 209-21.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712118">
              <text>1986</text>
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        <element elementId="108">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712119">
              <text>Chaucer in the Eighties.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712121">
              <text>Canterbury Tales--General.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2712122">
              <text>SAC 10 (99)</text>
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            <name>Title</name>
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              <elementText elementTextId="2712115">
                <text>Chaucer and the Art of Hagiography</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2712120">
                <text>In SNT and PrT, hagiography is used in an orthodox form, while in MLT and ClT, the devices of hagiography are used to amplify the moral character of secular tales.  Hagiographic devices indicate that these tales are serious, not satire.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829757">
              <text>Boenig, Robert.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829758">
              <text>Dorsey Armstrong, Alexander L. Kaufman, and Shaun F. D. Hughes, eds. Telling Tales and Crafting Books: Essays in Honor of Thomas H. Ohlgren (Kalamazoo: Medieval Institute, 2016), pp. 323-44. 2 b&amp;w illus.</text>
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          <name>Contributor</name>
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            <elementText elementTextId="2829759">
              <text>Armstrong, Dorsey, ed.&#13;
Kaufman, Alexander L., ed.&#13;
Hughes, Shaun F. D., ed.</text>
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              <text>Telling Tales and Crafting Books: Essays in Honor of Thomas H. Ohlgren.</text>
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              <text>Troilus and Criseyde&#13;
Manuscripts and Textual Studies&#13;
Prioress and Her Tale&#13;
House of Fame</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2829763">
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                <text>Chaucer and the Art of Not Eating a Book.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2830588">
                <text>Contrasts the unequivocal hermeneutics of "eating a book"--i.e., internalizing the text of the Bible and its "one true meaning"--as depicted in the illustration of the Cloisters Apocalypse (Metropolitan Museum of Art, Cloisters Collection, MS 68.174) with the nondirective authorial stance depicted in Chaucer addressing the court audience in the TC manuscript, Cambridge, Corpus Christi College, MS 61. Identifies a number of instances of such nondirective strategies in Chaucer's poetry and comments on his uses of the Apocalypse in PrT and HF.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727179">
              <text>Payne, Robert O.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727180">
              <text>Beryl Rowland, ed.  Companion to Chaucer Studies (New York: Oxford University Press, 1979), pp. 42-64.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2727181">
              <text>1979</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2727182">
              <text>Companion to Chaucer Studies.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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              <text>Style and Versification.</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>jules SAC 03 (32)</text>
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                <text>Chaucer and the Art of Rhetoric</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2727183">
                <text>Scholars of the early twentieth century such as Naunin and Manly denied any significant influence of medieval rhetoric upon Chaucer.  In more recent days, however, this attitude has been reversed, so that Payne ("The Key of Remembrance") could claim that Chaucer's critical attitude quite closely resembles that of the rhetorician.</text>
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                <text>Reprinted from the first (1968) edition, with updated bibliography.</text>
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              <text>Koff, Leonard Michael.</text>
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        <element elementId="98">
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              <text>Berkeley, Los Angeles, and London: University of California Press, 1988.</text>
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              <text>308 pp.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 12 (90)</text>
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                <text>Chaucer and the Art of Storytelling</text>
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                <text>Koff argues that "Chaucerian irony does not lead to Chaucer's own meaning.  Instead, Chaucer's deflecting self-characterizations and the characterization of the storyteller who 'cannot tell stories' enable Chaucer to relinquish omniscience, thereby empowering all readers to recreate, as a mirror of themselves, the body social that reading any text creates."</text>
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                <text>Indeed, Koff suggests that Chaucer is best seen within a tradition of storytelling and textual interpretation (exemplified by the parables of Jesus and twelfth-century Victorine exegesis) that puts readers on the testing end of truth in fiction designed NOT as a code for something else.</text>
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              <text>Cannon, Christopher.</text>
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              <text>Chaucer Review 46.1-2 (2011): 131-46.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2800313">
              <text>2011</text>
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            <elementText elementTextId="2800315">
              <text>Manuscripts and Textual Studies</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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              <text>Tale of Sir Thopas</text>
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              <text>Chaucer Review 46 (2011)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2800320">
              <text>mea sac 36:41</text>
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                <text>Chaucer and the Auchinleck Manuscript Revisited</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2800314">
                <text>Reconsiders Laura Hibbard Loomis's method for gauging Chaucer's familiarity with the Auchinleck manuscript--a method based on collocations shared by Auchinleck and Th--arguing that the method does not prove his familiarity with Auchinleck, but does evince his knowledge of Oxford, Bodleian Library, MS Laud misc. 108, or something like it. Evidence from the records of the MED help to demonstrate the variety of Chaucer's poetic styles.</text>
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          <elementTextContainer>
            <elementText elementTextId="2693986">
              <text>Potter, Russell A.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693987">
              <text>Assays 6 (1991): 73-91.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693988">
              <text>1991</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2693991">
              <text>Background and General Criticism.</text>
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            <elementText elementTextId="2693992">
              <text>Canterbury Tales--General</text>
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              <text>Treatise on the Astrolabe</text>
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            <elementText elementTextId="2693994">
              <text>Book of the Duchess</text>
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            <elementText elementTextId="2693995">
              <text>House of Fame</text>
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            <elementText elementTextId="2693996">
              <text>Legend of Good Women</text>
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            <elementText elementTextId="2693997">
              <text>Assays 06 (1991)</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2693998">
              <text>mea</text>
            </elementText>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2693985">
                <text>Chaucer and the Authority of Language: The Politics and Poetics of the Vernacular in Late Medieval England</text>
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              <elementText elementTextId="2693989">
                <text>Chaucer used English as a revolutionary gesture: "the vernacular destroyed the intellectual and political control of the aristocrats of church and state."  Potter addresses several 14th-century English concerns:  aristocratic control exercised through use of French and Latin; relationships between "power and modes of discourse" and among "literacy, gender, and social class"; and the implications of these "social and linguistic relationships."</text>
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                <text>  Findings are applied to WBP, SqT, Astr, BD, HF, LGW, CT, and GP Prioress.</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720805">
              <text>Ballard, Linda-May.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720806">
              <text>P. M. Tilling, ed.  Studies in English Language and Early Literature in Honour of Paul Christopherson. Occasional Papers in Linguistics and Language Learning, no. 8. (Coleraine: New University of Ulster, 1981): pp. 1-12.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720807">
              <text>1981</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720808">
              <text>Studies in English Language and early Literature in Honour of Paul Christophersen.</text>
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        <element elementId="112">
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          <description/>
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            <elementText elementTextId="2720809">
              <text>Tilling, P. M., ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2720811">
              <text>Friar and His Tale.</text>
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            <elementText elementTextId="2720812">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2720813">
              <text>jules SAC 08 (15)</text>
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                <text>Chaucer and the Bailiff in the Hills Above Pomeroy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2720810">
                <text>Compares a folktale analogue found in County Tyrone with FrT, examining issues and implications.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2704018">
              <text>Brewer, Derek.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704019">
              <text>Kinshiro Oshitari et al., eds.  Philologica Anglica (Tokyo: Kenkyusha, 1988), pp. 270-84.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704020">
              <text>1988</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704021">
              <text>Philologia Anglica.</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2704023">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2704024">
              <text>jules SAC 13 (24)</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2704017">
                <text>Chaucer and the Bible</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2704022">
                <text>Explores Chaucer's interest in the Bible and assumes that he possessed his own copy and read it seriously.  Suggests that Chacuer's piety may be connected with the late-fourteenth-century courtly interest in Carthusian ideals.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796692">
              <text>Caie, Graham D.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796693">
              <text>Helen Phillips, ed. Chaucer and Religion (Cambridge: Brewer, 2010), pp. 24-34.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796694">
              <text>2010</text>
            </elementText>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796695">
              <text>Chaucer and Religion.</text>
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              <text>Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2796699">
              <text>Summoner and His Tale</text>
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            <elementText elementTextId="2796700">
              <text>Nun's Priest and His Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2796701">
              <text>mea sac 35:26.</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2796691">
                <text>Chaucer and the Bible</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2825763">
                <text>Addresses how Chaucer uses religious "collections, florilegia, anthologies, and miscellanies" along with Latin Bibles and patristic sources to develop his characters in CT, and to reflect "their level of biblical knowledge and literacy." Refers to WBPT, SumT, and NPT.</text>
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